The comic barber  was born from a musical idea: the suite of  Vincenzo Gambaro  on the music of the Opera by  Rossini , arranged for wind orchestra. To this musical version  Giambattista Giocoli  he thought of combining the intricate story of  Rosina, through the unpublished drawings of the Japanese mangaka  Tsukishiro Yūko . Two apparently distant languages, united however by the story and the expressiveness.

The lyric plunges into the contemporaneity of Japanese comics, the immediacy of visual art intertwines with the sound, returning a new and original version of the work that knows how to speak even to a young and contemporary audience.