RESPIGHI SUITE Form Gallery 1 Clip audio Brochure e cd

Scheda Danze Ritrovate RESPIGHI SUITE Ancient Airs and Dances arranged for ensemble The Ancient Airs and Dances are a collection of free transcriptions from lute pieces from the 16th and 17th centuries, created by Ottorino Respighi and organized in three suites for different orchestral organism. In 1917 Respighi composed the First Suite , in 1923 the Second Suite and in 1931 the Third Suite . His wife Elsa picked them up and reorganized them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors designed by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as harp and harpsichord, and the search for a new and modern sound, with the inclusion of accordion and bass tuba. BARACCANO ORCHESTRA conductor Giambattista Giocoli violin Gabriele Bellu flûte and piccolo Claudia Piga bassoon Davide Braco trumpet Luca Piazzi harp Alice Caradente accordion Raffaele Damen harpsichord Chiara Cattani bass tuba Gianluigi Paganelli arrangement by Fabio Codeluppi , Giambattista Giocoli e Filippo Mazzoli DANZE RITROVATE PRIMA SUITE Balletto Arie di Corte Villanella Gagliarda Passo mezzo e Mascherada di Ottorino Respighi SECONDA SUITE Italiana Laura Soave Danza Rustica Campanae Parisienses Bergamasca di Ottorino Respighi TERZA SUITE Sinfonia di Domenico Gallo Siciliana di Ottorino Respighi Vivo di Giambattista Pergolesi Gavotta di Carlo Ignazio Monza Finale: Allegro assai di Domenico Gallo BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Home RESPIGHI SUITE la musica danza nella sabbia AIDA I ALREADY WIDE MY ARMS KAFKA, LETTERS TO MILENA RESPIGHI SUITE PULCINELLA all'improvviso! TO THE WORK THE BARBER IN COMICS RADIO RITMO HISTOIRE DU SOLDAT POPULAR SONGS 4TH GUSTAV MAHLER SASSOLINO CITIES OF MUSIC RESPIGHI SUITE MYSLIVEČEK, IL DIVINO BOEMO SWEENEY TODD

Viaggio in Basilicata e Campania 2026 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". QUOTA INDIVIDUALE DI PARTECIPAZIONE € * supplemento camera singola € numero minimo partecipanti: 15 ISCRIZIONI CON VERSAMENTO DELL’ACCONTO 30% QUOTA VIAGGIO tramite bonifico bancario indicando cognome, nome, causale “Basilicata 2026” IBAN IIT08A0707202403000000721562 Intestato a Perséphone, le pause del silenzio EMIL BANCA SALDO 30 GG PRIMA DELLA PARTENZA LA QUOTA COMPRENDE - viaggio A/R con treno alta velocità andata Bologna/Salerno, ritorno Caserta/Bologna in posti di seconda classe - trasferimenti in pullman privato come da programma - 3 pernottamenti con prima colazione in hotel 3* o 4* - 1 cene e 1 pranzo - spettacolo del Festival di Orsoleo - visite e ingressi come da programma - guide culturali qualificate - spese di gestione pratica - tassa di soggiorno LA QUOTA NON COMPRENDE - assicurazione contro annullamento e sanitaria - i pranzi liberi - mance - tutto quanto non espressamente indicato alla voce «la quota comprende» INFO Vincenza Maugeri cell. 349.7774749 vincenzamaugeri@gmail.com

November 16, hours 20.30 November 17, 5 pm THREE OF TWO or those who decided to cooperate A modern-day lady in the aisles of a supermarket, a farmhand and an embroiderer, a noblewoman, a braid, staged through a minimal transformism, evoke real events of solidarity, between mutual aid and cooperation. Experiences that already from the second half of the 19th century arise from the desire to join a collective project of civil exchange, from the desire for knowledge and the need for economy and work to remain places of the human. The transversality of the phenomenon is astonishing. The tragicomic dynamic between humanity and market imperatives is essential. Intense interpretation, minimal context, a journey between contemporary and recent history. Protagonist on stage Sandra Cavallini, a lot of energy, subtle unique and very personal modulations of voice, movement. Every moment lights up the face with new vibrations that intensify the contrasts between lights and shadows on a stage that is not there. It is no longer there because it disappears and is canceled when the emotions and the history of the people are at the center. A cultured and ironic staging, the story of those who fight against any standardization. The theater is that of life and history. (Barbara Scacchetti). with Sandra Cavallini by Sandra Cavallini and Paola Gabrielli in collaboration with Zonta Club International Bologna The Illustrated Violence Festival Dry-Art Association, School of Gender Social Communication Full ticket € 12, reduced € 10 Buy tickets Tre di Due

Video All'Opera! LOOSIN YELAV A LA FEMMINISCA DANCE MALUROUS QU'O UNO FENNO BACK

Scheda AIDA RAD Respighi Ancient Dances DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. AIDA concerto riduzione per ensemble musiche di GIUSEPPE VERDI Preludio Atto I - Celeste Aida - Terzetto Atto I - Su del Nilo - Scena Aida Atto I - Consacrazione - Finale I Atto II - Introduzione - Danza e Duetto Atto II - Marcia Trionfale - Gran Finale Atto III - Intro - Romanza - Aria Aida Atto III - Duetto Aida Radames - Finale Atto IV - Aria Amneris Atto IV - Duetto Aida Radames - Finale ultimo ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Alessandro Di Marco violino Francesco Maria Parazzoli violoncello Fabio Fabbrizzi flauto e ottavino Ivàn Villar Sanz clarinetto Andrea Coruzzi fisarmonica Alice Caradente arpa Fabio Codeluppi tromba Valentino Spaggiari trombone Gianluigi Paganelli basso tuba Simone Beneventi percussioni arrangiamenti Fabio Codeluppi riduzioni Giambattista Giocoli

Spettacoli estate 2020 summer 2019 Estate 2020 Sette canzoni per Bruno 6 luglio | Sette canzoni per Bruno Kafka: lettere a Milena 6 settembre | Kafka: lettere a Milena Estate 2020 1/17 The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. The public will have to wear the mask until they reach their seat and then to end, on the way out. Buy your ticket online 6 July | Seven songs for Bruno 8 July | From Lucio's window 11 July | Zed garden July 15 | Indigo Quartet July 18 | One hundred years dissolved in a glass 23 July | The comic barber 25 July | Two mouthfuls ... with Rossini July 26 | Vincenzo Capezzuto and Italian Soqquadro July 27 | Inventions for two voices 3 August | Zed garden 5 August | A portrait of Isabella Leonarda 6 August | The moon, the sea, the cherry tree in bloom 18 August | Arsene Duevi, Dudu Kouatè and Phase Duo 25 August | Histoire du soldat August 28th | Paolo Restani, piano 31 August | Ecanès Trio 1 September | Zed garden 6 September | Kafka: Letters to Milena

Quartetto Indaco, Musica Insieme 15 July, 9.15 pm Music with a view - Musica Insieme Foundation INDIGO QUARTET music by Beethoven Quartetto Indaco Quartetto Indaco Quartetto Indaco The Indigo Quartet was born at the Music School of Fiesole in 2007 thanks to the impulse of Piero Farulli and Andrea Nannoni. He studied with the Artemis, Brodsky, Prometeo Quartets and with the components of the major quartets of our time (including Milan Skampa of the Quartet Smetana and Hatto Beyerle of the Quartet Alban Berg). In 2017 the Indigo Quartet obtained a Master in Chamber Music at the Musikhochschule in Hannover. Guest of prestigious musical institutions (we point out the concert held at the Palazzo del Quirinale in Rome and broadcast live on Rai Radio 3), he has performed throughout Europe, and since 2017 he has taken part in the Le Dimore del Quartetto Project in collaboration with ADSI and Piero Farulli Association. Finalist in the prestigious international competition "Premio Paolo Borciani 2017", the Indigo Quartet has won several prizes, including the international competitions "Premio Papini", "Enrica Cremonesi" and the scholarships "Hohenloher Kultursommer Hannover" and "Fondo Morosini for the culture". In 2014 he received the special “Jeunesses Musicales” award as part of the 10th edition of the “Paolo Borciani Award”. Numerous collaborations with internationally renowned musicians, including Bruno Canino, Avi Avital, Giovanni Scaglione, Yves Henry and Valentin Erben, historical cellist of the Alban Berg Quartet, with whom in 2012 he performed the quintet with two Schubert cellos. Alongside the classical repertoire, he combines contemporary music, with the aim of exploring and spreading new musical languages: the group is in fact the winner of the “Giuseppe Scotese Prize” as best performer during the 53rd edition of the 'New Consonance Festival' in Rome; it is also an ensemble in residence at the “International HighScore Festival” of Pavia since 2010. www.musicainsiemebologna.it INDIGO QUARTET Eleonora Matsuno violin Ida Of Life violin Jamiang Santi Viola Cosimo Carovani cello In case of rain the event will take place on Thursday 16th July Single ticket € 10 Buy tickets

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Single ticket 5 € Buy tickets July 9 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Il Barbiere di Siviglia di Rossini attraverso immagini, animazioni e suoni. ATTI SONORI e Orchestra Rossini di Pesaro, in collaborazione con NipPop Festival. May 25, 6 pm an ACTS SOUND production in collaboration with NipPop festival THE CARTOON BARBER the story of Rossini's Barber of Seville through images, animations and sounds Study on The comic barber . From an idea of Giambattista Giocoli the project of Barber of Seville , told through images. On May 25 the Japanese mangaka Tsukishiro Yūko he will illustrate the drawings made for this project and the public will be able to admire his technique in live painting on the music recorded by the Barbiere di Rossini. Following, the soprano Yasuko Arimitsu will propose a suggestive selection of passages taken from Rossini's work and from the Japanese tradition. The complete project de The comic barber it will be presented in August, as part of the summer festival SOUND ACTS… musical theater in summer! with live music. The evening will be enriched by a Japanese aperitif, kindly offered by the restaurant Yuzuya from Bologna. The event is promoted by NipPop: Words and Forms from Tokyo to Bologna , the annual festival dedicated to the pop cultures of contemporary Japan and promoted by the School of Languages of the University of Bologna. ideation and direction Giambattista Giocoli soprano Yasuko Arimitsu Images Tsukishiro Yūko dramaturg Gianluca Cheli _________________ free entry _________________ The final project: some previews Il Barbiere a fumetti , which by virtue of the collaboration with the Rossini Symphony Orchestra Pesaro from next summer will be staged and will go on tour throughout Italy, it will be an exceptional show in which the immediacy of the visual art and the expressiveness of the visual and sound interweaving update the Rossini masterpiece, returning an original version who knows how to speak to a young and contemporary audience. From the Suite from Vincenzo Gambaro and with arrangements for chamber orchestra made by SOUND ACTS , a new score for 12 real parts is born: the work is stripped of the recitative parts to stage only the music, directed by Giambattista Giocoli , together with a scenographic backdrop on which the artist's original comics are projected Tsukishiro Yūko , who tell the story in images, under the direction of the dramaturg Gianluca Cheli . Tsukishiro Yūko Illustrator and mangaka, during her career she has created drawings for many science fiction, fantastic, horror and erotic novels collaborating with the most famous Japanese genre literature magazines (high circulation publications such as Shōsetsu NON, Mondai Shōsetsu and J-novel ) and the country's major publishing houses, including Fujimi Shobō, Kadokawa, Kōdansha, Tokuma Shoten and Square Enix. From January 14 to February 14, 2010, his works were exhibited in Italy in the exhibition Dall'ukiyo-e to contemporary illustration: great Japanese graphics, held in the halls of the Albertina Academy of Fine Arts in Turin. Among his latest manga are Tōrisugari no kaijiken (Supernatural cases that pass us by), released in 2016 by the publishing house Shūeisha Home-sha, and Teihon Shōkan no banmei-Goety (Authentic text of the barbarian names of evocation-Goety) , published in 2017 by Atelier Third. The latter, inspired by HP Lovecraft's Myths of Cthulhu, was also highly regarded by well-known writers of horror and supernatural literature Asamatsu Ken and Kikuchi Hideyuki. On the occasion of the presentation of the Comic Book Barber project at the opening of NipPop 2017: Words and Forms from Tokyo to Bologna, Tsukishiro Yūko will be in Bologna: on the evening of May 25th he will be the protagonist of a meeting during which he will illustrate his work for this project, and the public will be able to admire his technique in a live painting on stage. Giambattista Giocoli He made his debut as a conductor in 2013, in the production of the S. Sondheim musical A Little Night Music, receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra. In 2014 he directed I. Stravinsky's Histoire du Soldat (still on tour) and Sondheim's best known and most demanding musical, Sweeney Todd. In 2015 he produced the project on opera interludes and symphonies All'Opera! and in December he made his debut at the helm of the Toscanini Orchestra of Parma. In 2016 he made his debut with the project of the Fourth Symphony by G. Mahler and at the beginning of 2017 he staged the Popular songs project at the Teatro Duse in Bologna, with the voice of Cristina Zavalloni and Histoire du soldat with the voice of Ivano Marescotti . Yasuko Arimitsu Every year he plays joint concerts in renowned Japanese theaters such as Kanon (Kagoshima), Saneru (Kagoshima), JT Hall (Tokyo), Oji Hall (Tokyo), Grand Hill Ichigaya (Tokyo), and simultaneously participates in international opera singing workshops at the Opera Internship School of Pesaro and the Spanish one (Valencia). She trained with teachers of the caliber of Kyoko Tsukada, Franco Federici, Giuseppe Riva, Sergio Bertocchi and pianists such as Claudio Cirelli and Stefano Conticello, also joining the Circolo Lirico di Bologna. In 2011 he won the audition for the Opera La Bohème at the Cultural Association for classical music in Bellano (LC) and performed in Cremona in the concert in honor of Franco Federici together with the tenor Ivo Scarpellini. In recent years she has performed in numerous concerts on the Italian territory and in 2009 received the support of the Japanese Kirishima-kai Association for the realization of concerts-récital that see her as a protagonist.

February 1, hours 18 Cultural Association Lucerne Jewish Museum Bologna Czech Center Rome WIEGALA " We have never sat crying on the shores of Babylon and our desire for culture is equal to our will to live ." Viktor Ullmann, composer, who died in Auschwitz If we ask ourselves in the depths of our hearts about what we human beings really need today, the only answer that arises spontaneously is simply: "human gestures". More and more in fact, it seems that we are moving away from our humanity. For the "Day of Remembrance" we have chosen some pieces by composers with significant life experiences, with clear human values and openly witnessed by their actions. In their compositions, through the language of music, feelings of suffering, pathos, melancholy due to the distance from their loved ones and loved ones are perceived, which also correspond to expressions of hope, love and indomitable longing for life. We feel a sincere emotion to play, sing and listen to the notes and words of these authors, and it is like touching the bas-relief of their lives with the hand, marked by numerous cracks and fractures, to give the feeling that it can crumble from one moment to the next. 'other. But no, he remains imperishable, and still transmits his inexhaustible values and a stubborn faith of life and relationships that knows no second thoughts. Ilse Weber, Ullmann, Eben, Bloch and Dvorak were not simply artists but real masters of life. The love they carried within themselves was not limited to their family circle, their nation or their religion but was a universal love that accompanied them everywhere and permeated everything. In the musical program for the evening of the "Day of Remembrance" we would like to re-propose the emotion of an encounter with these authors, the feeling of placing our hand for a moment on the rough surface of their life and receiving through their music a hug that will awaken in us dormant feelings and thoughts , that spark that warms the soul to the sacred fire of love that burns but does not consume. Andrea Doskočilová mezzo soprano Petr Pospíšil Viola Monika Fenyešová piano with the participation of Lorena Passuti and Chiara Accroglianò Single ticket € 10 Buy tickets