La luna, il mare, il ciliegio in fiore. Cerimonia delle lanterne. Concerto. August 6, 9.15 pm Nipponica and NipPop THE MOON, THE SEA, THE BLOOMING CHERRY concert and lantern ceremony Japanese songs for soprano and harp The lyrics of Japanese songs often represent a delicate and ephemeral nature that, behind its gracefulness, actually sublimates deep emotions. The chosen poems speak of the intensity of the moment, a careful observation of the surrounding universe and an introspection all linked to living the magic of the moment, real or imagined, present or past. The modern harp replaces the traditional Japanese koto with graceful impressionist harmonies. The show was presented in prestigious national and international venues such as: the World Harp Congress in Hong Kong, China, the Rio Harp Festival in Rio de Janeiro, Brazil, the Sentmenat Harp Festival (Barcelona, Spain), in Genoa, E. Chiossone di Arte Orientale , in Vicenza (Inauguration of the Haru no Kazè Festival in the presence of the Consul of Japan) in Como (Villa Carlotta) in Ferrara, Palazzo Marfisa d'Este (Bal'danza review) for the FIDAPA event (ITALIAN FEDERATION WOMEN ARTS PROFESSIONS BUSINESS) in Ferrara, Milan (Inauguration of the Ikebana Exhibition), in Bologna (University of Bologna, Ca 'Shin and Oratorio San Carlo), in Cento, Castello di Galeazza (Midnight Moonlight Music). The cd of the program The moon, the sea and the cherry trees in bloom was recorded in 2015. Our version will follow from the Lantern Ceremony , the event to remember the victims of the Hiroshima atomic explosion. La luna, il mare, il ciliegio in fiore La luna, il mare, il ciliegio in fiore Cerimonia delle lanterne Miho Kamiya soprano Marianne Gubri harp narrator Sandra Cavallini Single ticket € 10 Buy tickets

Brochure Respighi REC I ALREADY WIDEN MY ARMS My letters to Ottorino and hers to me trace the first period of our life together. After the wedding, the correspondence between us is very little, because in the eighteen years of life together we were only separated for a few days. (Elsa Olivieri Sangiacomo) A theatrical adaptation of the letters that Respighi exchanged with his wife Elsa Olivieri before their marriage was woven on the music of Ottorino Respighi's "Doppio Quartetto". These are letters that Elsa herself has collected in a volume, which she simply titled "Ottorino Respighi". A very precious instrument will enrich the musical performance: the violinist Roberto Noferini will play the violin that belonged to Respighi , a violin of prestigious and ancient Bolognese lutherie, built around 1730. by the luthier Florenus Guidantus (1687-1760). The scenographic images will help to discover a fragment of the life of this great Bolognese musician and composer, who, for his genius, deserves to be rediscovered by his city to which he was very attached. Respighi is deeply and intimately linked to the city of Bologna and lives it with very strong nostalgia every time he moves away from it. In fact, he settled in Rome in 1913, winning the competition for the Chair of Composition and Fugue at the Conservatory of Santa Cecilia, but his countless journeys can already be counted from his youth in via Castagnoli 2 (now Largo Respighi - BO), starting from the small room used as a study, from the fir bookcase built with his own hands, from the collection of vocabularies in different languages, with a particular curiosity for the less known ones. The vocabularies are followed by atlases and hours spent studying a geographical map. “ Those were, those were the first trips, the most beautiful I've ever done around the world ”. It is not always easy to play a dreamer. The event is part of the RESPIGHI project . ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Gabriele Bellu violino Filippo Mazzoli flauto Enrico Bassi fagotto Alice Caradente arpa Chiara Cattani clavicembalo Umberto Turchi fisarmonica Fabio Codeluppi tromba Gianluigi Paganelli basso tuba registrazione effettuata presso Teatro del Baraccan o ripresa audio Antonio Di Virgilio, Francesco Vaselli assistenza tecnica Andrea Biasco Michele Lo Veci mixaggio S tudio Ermes di Marco Ferri Bologna, ottobre 2021

16 GIUGNO 2026 ATTI SONORI June 28, 2026 Teatro del Baraccano – Bologna 7:30 PM – GUIDED TOUR Tour of the Baraccano complex and surrounding area curated by Mirarte Reservations at www.mirartecoop.it/eventi 9:00 PM THREEPENNY OPERA SUITE The selected music comes from The Threepenny Opera, a satirical theatrical work by Bertolt Brecht, with music by Kurt Weill. Weill’s music is characterized by a style that blends elements of jazz, cabaret, and classical music, reflecting the satirical and popular nature of the work. In the first part of the evening, there will be two solo performances: Anastasia Fioravanti on piano, performing music by Dmitri Shostakovich, and Andrea Coruzzi on accordion, performing music by Latin American composers as well as his own original compositions. At the end of each concert, guests will enjoy tastings of fresh summer delicacies offered by Fabbri 1905 and Regina di Quadri . Orchestra del Baraccano Conducted by and musical reduction by Giambattista Giocoli flute Margherita Russo | Violin Viktoria Borissova clarinet Daniele Titti | bass clarine t Stefano Franceschini trumpet Gabriele Buffi | tenor saxophone Marco Ferri cello Alessandro Culiani arrangements by Damiano Ferretti, Giambattista Giocoli , and Filippo Mazzoli featuring Anastasia Fioravanti piano Andrea Coruzzi accordion Programma Opera da tre soldi suite di Kurt Weill I. Ouverture II. Corale mattutino III. La morale di Mackie Messer IV. Invece di quella canzone V. La ballata della bella vita VI. La canzone di Polly VII. Tango ballata VIII. Finale da tre soldi IX. Jenny dei pirati X. Il duetto della gelosia XI. La canzone di Salomon XII. La canzone dei cannoni Programma solisti Anastasia Fioravanti , pianoforte D. Shostakovič da 24 Preludi, op. 34 n.1-2-5-6-8-9-10-11-14-18-20 ************** Andrea Coruzzi , fisarmonica A. Coruzzi Fantasia su temi Popolari dell’America Latina A. Coruzzi Tango para mi Hermana CONCERT TICKETS full price: €15 reduced price (€10): under 30, over 65, Cultura Card holders, and FIDAS members reduced price (€5): under 18 Tickets

Radio Ritmo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRA SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSK IJ Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE Acquista biglietti Biglietteria intero 15€ ridotto 10€ under 30, over 65, titolari Card Cultura Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

January 31, 2020, matinee for schools and 8.30 pm I HEAVEN - FRIDA KHALO " Is it legitimate to invent new verbs? I want to give you one: I heaven, so that my wings can spread out beyond measure to love you without borders. " (Frida Kahlo) A show that traces the life of Frida Kahlo against the backdrop of revolutionary Mexico. Shots of a tormented, passionate, violent existence; of a crazy woman, very sweet and in love with life. The show revolves around the love that Frida had for her land, for painting, for Diego, for life, for love itself. The languages to tell it range from theater to music: the text is made up of stories, letters from his diary, the voice of Diego Rivera that gives different nuances to the known figure of the painter. And finally, the music. Songs of the Mexican tradition carefully chosen to enrich and embellish the story, left to the skilful live interpretation of Massimo Donno on voice and guitar and Francesco Pellizzari to percussion. The first meeting with Frida took place in 2015 during a torrid summer in Bologna. "Here, read this!", My roommate gave me a book: "Pino Cacucci ¡Viva la vida!". On the cover a face, still little known. From that August my personal research on Frida began: with passion I studied her life and her works, Diego Rivera and muralist art, Mexico and the revolution of the early 1900s; I discovered my friendship with Leon Trotsky and the one with great artists of the time (T. Modotti, L. Matiz, A. Breton, LA Bravo), the affection for his friend as well as doctor L. Eloesser and the bond with his family, in particular with his sister Cristina. This was accompanied by a constant listening and growing interest in Mexican music: from the pre-Columbian sounds to the corrido, up to reach the great artists of yesterday and today (P. Infante, C. Vargas, L.Downs ...). Thus the desire to tell others, you, the wealth of this woman has made its way. Frida gave life to what she loved. He spared nothing, he gave himself all. This awareness raised a question in me: what am I giving my life for? I live with my peers the difficulties of the working world, the nonsense, the injustices. We stagger in a space devoid of guidelines, we cling to the first who passes and who tells his truth, we rape in "hope." that one day ... "; meanwhile they eat on our heads. In all this chaos, what can we do? Choose. Ask ourselves every day: for what, to whom am I giving my life? Frida continues to suggest the answer. Aurelia Cipollini by and with Aurelia Cipollini Massimo Donno voice and guitar Francesco Pellizzari percussion heading off Diego Rivera Tomas Acosta Ticket 12 € (full), 10 € (reduced) Buy tickets frida-14 frida-04 frida-13

Il Teatro della gente Domenica in musica il Comuna le attra versa la città 16 aprile 2023, ore 11 | Teatro del Baraccano The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. PRENOTAZIONE

Pulcinella all'improvviso Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Musiche di OTTORINO RESPIGHI (Bologna, 1879 – Roma, 1936) brani tratti dalle suite ANTICHE ARIE E DANZE PER LIUTO arrangementi di Fabio Codeluppi, Giambattista Giocoli e Filippo Mazzoli Balletto detto "Il Conte Orlando" (1599) Gagliarda (155?) Villanella (fine sec. XVI) Passo mezzo e Mascherada (fine sec. XVI) Laura soave, Balletto con gagliarda, saltarello e canario (1581) Danza rustica (1617) Campanae parisienses - Aria (sec.XVII) Bergamasca (1650) Arie di corte (sec. XVI) ********** G. B. PERGOLESI (Jesi, 1710 – Pozzuoli, 1736) IGOR STRAVINSKIJ (Lomonosov, 1882 – New York 1971) brani tratti dal balletto PULCINELLA Arrangiamenti originali per ensemble di Lorenzo Meo Sinfonia Vivo Finale Arrangiamenti originali per ensemble di Lorenzo Meo ********** TESTI drammaturgia originale o ispirata a testi della tradizione partenopea a cura di MARCO SGROSSO BIGLIETTERIA 29 SETTEMBRE BIGLIETTERIA 3 OTTOBRE Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".

Danze Ritrovate AIDA the music dances in the sand reduction of Giuseppe Verdi's Opera for ensemble, narrator and lights The monumental opera AIDA, in the musical version of the Baraccano Orchestra, does not require spectacular forcing on stage, nor colossal spaces or scenographic grandeur. Here even the elephants could stop marching, leaving space, amazed and moved, to the human drama between losers and winners, in war and in love. We find the suffocating gigantism desired by Giuseppe Verdi and the overwhelming effect on the soul of the young protagonists, in the original reduction and arrangement for instrumental ensemble with ten real parts, in the impetuous style of the director Giambattista Giocoli, in the verses spoken and whispered by Sandra Cavallini, in the desired metric irregularity of Antonio Ghislanzoni's libretto. L yrical accents, triumphal traits and sudden suspensions reveal the delicate depths of the work. A reduction and arrangement that will try, even without the singers, to restore the dramaturgy and symphonic power of this Opera and to convey its profound intimacy of feelings and musicality, in addition to the majestic and grandiose moments inspired by the magnificence of Egyptian civilization. Contrary to the predominant tradition, which made it famous mainly for the magnificence of the scenography, we therefore want to present an innovative reading, focused on the profound intimacy of feelings and reflections on social dynamics. ORCHESTRA DEL BARACCANO conductor Giambattista Giocoli Alessandro Di Marco violin Francesco Maria Parazzoli cello Filippo Mazzoli flute and piccolo Raffaele Damen accordion Alice Caradente harp Luca Piazzi trumpet Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Simone Beneventi marimba and percussions reduction of the Opera Giambattista Giocoli arrangements Fabio Codeluppi actress and and theatrical adaptation Sandra Cavallini DANZE RITROVATE PRIMA SUITE di Ottorino Respighi Balletto Arie di Corte Villanella Gagliarda Passo mezzo e Mascherada SECONDA SUITE di Ottorino Respighi Italiana Laura Soave Danza Rustica Campanae Parisienses Bergamasca TERZA SUITE Sinfonia di Domenico Gallo Siciliana di Ottorino Respighi Vivo di Giambattista Pergolesi Gavotta di Carlo Ignazio Monza Finale: Allegro assai di Domenico Gallo Acquista biglietti

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga, scuole Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

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