Bando formazione, selezione Atelier Opera all'opera! Form Form Clip 1 Clip 1

Bando formazione, selezione Atelier Opera VOI all'opera! Form Form Clip 1 Clip 1

Fidati dei tuoi sogni 12 July, 9.30 pm | Courtyard of the Baraccano Theater TRUST YOUR DREAMS Young Songwriter Award Trust your dreams "- Celebration Night From the latest hit single by the well-known Bolognese tenor Cris La Torre , the stage name of Cristiano Cremonini, entitled Trust in your dreams , dedicated to the new generations of artists, a national competition for young songwriters is born. Bern , Disagio , Duo Chimenti , Duo Diamanti , Erice , Exal , Floriana and Maria Mazzeo are the names of the eight finalists selected by the quality jury, led by Barbara Cola (president) and Francesca Cheyenne. At the end of the event the Community Jury will announce the names of the two lucky winners who will win a professional record production. The well-known singer and actress Barbara Cola, godmother and president of the Award Jury, will take the stage to support the finalists by giving us one of her performances, and with her Cris La Torre (godfather of the Prize), Rod Mannara (artistic director), Sara6 , Marcello Romeo , Giorgio Santisi , and Damiano Trevisan . Rod Mannara and Cris La Torre will present the evening. Artistic direction: Rod Mannara The event is organized and promoted by PMS Studio and MegaDischi in partnership with Pro.Di.Da in collaboration with Teatro del Baraccano, Playtune Records and the music publishing company BMRG with the patronage of the Municipality of Bologna and SIAE with the support of the Lions Club Minerva Minerbio and Emil Banca Credito Cooperativo Media partners : ABC Radio, Radio Derbi Web and Corriere dello Spettacolo The event will be streamed live on 9MQ and OA Plus and OA Sport A3 Fidati dei tuoi sogni, 12 luglio Single ticket € 10 Buy tickets

Sassolino, Orchestra del Baraccano Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone La Baracca - Testoni Ragazzi regia e adattamento teatrale Bruno Cappagli con Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick montaggio video Andrea Aristidi e Lorenzo Monti esecuzione tecnica Francesco Vaselli BIGLIETTERIA per le scuole: 5.50€ pomeridiano e serale: intero 12€ ridotto 10€ ( under 30, over 65, card Cultura, soci Coop) ridotto5€ (under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

vite da chansonnier e canti ribelli, con Giangilberto Monti Fort Alamo Association 3 and 4 March, 9 pm CURSED FRENCH chansonnier lives and rebellious songs After cabaret performances, comic-musical essays and theatrical projects, Giangilberto Monti summarizes the French repertoire he has always loved. His translations of Vian, Ferré, Gainsbourg and Renaud, have been published on musical albums, essays and historical books, such as his Maledetti Francesi (2011, NdA), cited by Gianni Mura in Repubblica as one of the books to remember about that year. Here the Milanese chansonnier tells off the cuff the beginnings of the French songwriter, recalls anecdotes and fragments of history from beyond the Alps, talks about how the poetic song went through the twentieth century. And it does so by interpreting the most beautiful songs of the French maudits par excellence: from the versatility of Boris Vian to the desperate and barricaded texts of Leo Ferré, from the poetic provocations of Serge Gainsbourg to the heart-breaking stanzas of Jacques Brel, up to the jeers of Georges Brassens, one of the main inspirers of the Italian singer-songwriter, and to the ironic hardness of Renaud, the last of the classic French maudits. The utopias and rebelliousness of all time can be found in the words of these artists, between folk and author ballads, which Monti interprets accompanied by his musicians. A musical narration from a passionate and curious conductor, showing the public that contamination between poetry, music and comedy that has always been the heritage of our French-speaking cousins. From the press "Monti chansonnier, bravo and cursed, in the name of Vian" - The Republic "Monti's performance flows away with unusual vivacity, amidst libertarian noises, celebrations of women, love, and linguistic and moral transgression" - The newspaper "Notes cursed in freedom by Giangilberto Monti" - The poster . with Giangilberto Monti Ticket 20 € (full), 15 € (reduced) Buy tickets Giangilberto Monti Giangilberto Monti Giangilberto Monti GIANGILBERTO MONTI Writer and chansonnier , Giangilberto Monti wrote his first songs in the mid-seventies. He attended the world of independent labels of that period, met the producer Nanni Ricordi and the songwriters Ricky Gianco and Ivan Cattaneo and graduated in Engineering in Milan, signing immediately afterwards for CBS, now Sony Music. In his first albums ( The order is public?, 1978; Il giro del giorno , 1979; And tomorrow?, 1981) he alternates poetic texts of civil commitment with sarcastic passages on the society of the time. He undertakes a parallel theatrical activity : he studies singing with Cathy Berberian, acts with Dario Fo and Franca Rame , graduates from the Civic School of Dramatic Art in Milan and writes with Flavio Premoli, keyboardist of the PFM, the rock-opera Guardie e Ladri (1982 ), an album that features among others Alberto Camerini, Francesco Di Giacomo del Banco, Anna Oxa and vocalist Bernardo Lanzetti. Always with Premoli he writes songs for Fiordaliso and Anna Oxa, signing with the violinist Mauro Pagani My Race (1990), for Mia Martini. During the eighties he frequented the environment of the Zelig in Milan, collaborating as an author with the comedians Aldo Baglio and Giovanni Storti - of the future trio Aldo, Giovanni & Giacomo - the stand-up comedian Marco Della Noce and the duo of the Fichi d'India. He writes and acts with the actress Lella Costa , realizes theater-song shows with the jazz player Gaetano Liguori and the composer Sergio Conforti, the Rocco Tanica of Elio & Le Storie Tese, signs scripts for the Italian Swiss Radio. After having staged the musical repertoire of Dario Fo (1999-2000) with the jazz player Laura Fedele, he developed a writer and essayist activity with Garzanti, who published the Dictionary of Cantautori (2003-2005), signed with Veronica Di Pietro, and the Dictionary of Comedians and Cabaret (2008). In the same years he recalls the 1968 period with the show A little after the lead and the album of unreleased songs Ce n'est qu'un début , to be followed by the Comicanti CD - both published with Carosello Records - in which he duets with a fifteen comic artists, interpreting the best pieces of Italian musical comedy, from Ettore Petrolini to Dario Fo. His theatrical version, directed by Vito Molinari, sees him on stage with Flavio Oreglio and Stefano Nosei (2010-2011). Since 1994 he has developed his passion for French music : he undertakes a long research on the work of Boris Vian, curating with Giulia Colace the volume Boris Vian-The songs (Marcos y Marcos), he publishes a choice of songs by the French artist. , which he adapted into Italian (Manifesto) and stages La Banda Bonnot - the story of the anarchist bandit Jules Bonnot , based on unreleased songs by Vian - which in 2004 won the Prix Suisse as a musical radio play and was released on CD for the FolkClub Ethnosuoni. Two years later it will be the turn of Maledette Canzoni - a discographic tribute to Vian, Léo Ferré and Serge Gainsbourg, of which Monti is the first in Italy to translate the songs - followed in 2011 by the Belle Équipe project, a musical show with comedian Alberto Patrucco and singer-songwriter Andrea Mirò, preceded by Maledetti Francesi (NdA, 2010), a book in which lives of the chansonniers, the same ones who have marked the history of our songwriting.

Laboratori per bambini e adulti al Teatro del Baraccano di Bologna Programma Operativo Nazionale Città Metropolitane 2014 - 2020 REACT EU asse 7 azione 7.1.1 Progetto finanziato dai Fondi Strutturali e di Investimento Europei nell’ambito della risposta dell’Unione alla pandemia di COVID-19” I TELL ME ERGO SUM online theater course From 18 January 2021 teacher Sandra Cavallini I TELL ME EGO SUM … and I tell it a little bit. “Where everything is fake and nothing is fake” the language of the theater opens us to emotions, frees the imagination and expressiveness. MI TALE ERGO SUM is an experimental path that wants to play on the possibility of listening to and telling us despite the digital filter. And what a screen it is! We will discover that we have many options available that are not exactly found on the keyboard but in the click of our imagination, in the pleasure of telling us about it and in the possibility of saving everything in the self-irony folder. Experimental online path (on zoom platform) 8 meetings - Monday from 5.15pm to 7.15pm INFO AND RESERVATIONS sandracavallini.club22@gmail.com cell. 348.4450843 teatrodelbaraccano@gmail.com I TELL ME ERGO SUM online theater course From 18 January 2021 teacher Sandra Cavallini I TELL ME EGO SUM … and I tell it a little bit. “Where everything is fake and nothing is fake” the language of the theater opens us to emotions, frees the imagination and expressiveness. MI TALE ERGO SUM is an experimental path that wants to play on the possibility of listening to and telling us despite the digital filter. And what a screen it is! We will discover that we have many options available that are not exactly found on the keyboard but in the click of our imagination, in the pleasure of telling us about it and in the possibility of saving everything in the self-irony folder. Experimental online path (on zoom platform) 8 meetings - Monday from 5.15pm to 7.15pm INFO AND RESERVATIONS sandracavallini.club22@gmail.com cell. 348.4450843 teatrodelbaraccano@gmail.com I TELL ME ERGO SUM online theater course From 18 January 2021 teacher Sandra Cavallini I TELL ME EGO SUM … and I tell it a little bit. “Where everything is fake and nothing is fake” the language of the theater opens us to emotions, frees the imagination and expressiveness. MI TALE ERGO SUM is an experimental path that wants to play on the possibility of listening to and telling us despite the digital filter. And what a screen it is! We will discover that we have many options available that are not exactly found on the keyboard but in the click of our imagination, in the pleasure of telling us about it and in the possibility of saving everything in the self-irony folder. Experimental online path (on zoom platform) 8 meetings - Monday from 5.15pm to 7.15pm INFO AND RESERVATIONS sandracavallini.club22@gmail.com cell. 348.4450843 teatrodelbaraccano@gmail.com DANCES OF SOUTH ITALY teacher Paola Perrone Folk dances are an expression of the history and culture of a people. Studying and dancing the choreutic forms of the popular tradition fulfills a double task: it allows us to enter into communication with our body in relation to space, time, music (or silence); and at the same time it carries out a historical-social function, giving us back our past and our history. The workshop will cover the study of the tarantella of Southern Italy, macro-genre within which different styles and dances of the various southern regions fall (pizzica pizzica, tammurriate, sonu a ballu, tarantella del pollino, tarantella del gargano ...). Of each tarantella, after a brief historical and geographical contextualization, the basic steps, the relational dynamics, the similarities / differences with the other tarantellas, any variations and contaminations over time, the relationship with music will be analyzed. In addition to the work on the steps, it will be essential to work on the body, in order to acquire a greater awareness of oneself and of one's inner rhythm, so as to be able to express oneself in the most authentic and natural way possible in folk dances as in everyday life. The dances will be accompanied by both recorded music and live music. INFO AND RESERVATIONS paola.perrone@gmail.com cell. 377.3081869 DANCES OF SOUTH ITALY teacher Paola Perrone Folk dances are an expression of the history and culture of a people. Studying and dancing the choreutic forms of the popular tradition fulfills a double task: it allows us to enter into communication with our body in relation to space, time, music (or silence); and at the same time it carries out a historical-social function, giving us back our past and our history. The workshop will cover the study of the tarantella of Southern Italy, macro-genre within which different styles and dances of the various southern regions fall (pizzica pizzica, tammurriate, sonu a ballu, tarantella del pollino, tarantella del gargano ...). Of each tarantella, after a brief historical and geographical contextualization, the basic steps, the relational dynamics, the similarities / differences with the other tarantellas, any variations and contaminations over time, the relationship with music will be analyzed. In addition to the work on the steps, it will be essential to work on the body, in order to acquire a greater awareness of oneself and of one's inner rhythm, so as to be able to express oneself in the most authentic and natural way possible in folk dances as in everyday life. The dances will be accompanied by both recorded music and live music. INFO AND RESERVATIONS paola.perrone@gmail.com cell. 377.3081869

24 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti

Scheda L'Angelo della Memoria un progetto ATTI SONORI/Teatro del Baraccano RAD Respighi Ancient Dances spettacolo di teatro musicale sulla memoria della Shoah DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. Musica QUATUOR POUR LA FIN DU TEMPS di Olivier Messiaen elaborazioni elettroniche originali di Valentino Corvino e Andrea Agostini Memorie e testimonianze di sopravvissuti e vittime del nazi- fascismo scelti e interpretati da Mirko Rizzotto ORCHESTRA DEL BARACCANO Davide Braco clarinetto Fabrizio Zoffoli violino Alessandra Cafaliello violoncello Denis Zardi pianoforte direttore Giambattista Giocoli attore e drammaturgia Mirko Rizzotto regia, luci e voce fuoricampo Massimo Sceusa ORCHESTRA DEL BARACCANO L'Orchestra del Baraccano nasce all'interno delle attività del Teatro del Baraccano di Bologna, dove viene realizzato un progetto di produzione e ricerca sul teatro musicale da camera. È stata fondata nel 2013 ed è diretta dal suo direttore artistico Giambattista Giocoli. L’Orchestra ha prodotto numerosi spettacoli di teatro musicale sia autonomamente sia in coproduzione e collaborazione con altri soggetti. L’obiettivo dell'Orchestra è suonare, con formazioni per orchestra da camera, opere musicali originariamente composte per grandi orchestre, producendo nuove partiture suonate "a parti reali”. Tra le produzioni ricordiamo: lo spettacolo L’histoire du Soldat di Igor Stravinskij; 4th Gustav Mahler , la Quarta sinfonia di Mahler, arrangiata per orchestra da camera; il progetto All’Opera! , sinfonie, intermezzi e ouverture dell’Opera lirica italiana ed i musical A Little Night Music e Sweeney Todd di Stephen Sondheim. Nel 2017 ha realizzato Popular songs , con solista Cristina Zavalloni; un nuovo L’histoire du soldat con la voce recitante di Ivano Marescotti ed Il Barbiere a Fumetti , "Il Barbiere di Siviglia" per musica, animazioni e fumetti Manga, disegnati da Tsukishiro Yuko, in coproduzione internazionale con il Giappone. Nel 2019, in occasione del 100 anni della nascita del Bauhaus, ha prodotto il concerto IMMUTEA 1919 , in collaborazione con Bologna Design Week. Nel 2021 sarà il centro degli appuntamenti di Respighi project , un progetto sul musicista e compositore bolognese Ottorino Respighi e di Progetto Kafka . Nel 2022 è stata il fulcro del progetto PON VoltONE su AIDA , una riduzione dell’Opera di G. Verdi per ensemble e voce recitante. Nel 2022, con il programma RESPIGHI suite , è stata in tournée in Repubblica Ceca e Polonia, nel 2023 in Ungheria e nel 2024 in Croazia. GIAMBATTISTA GIOCOLI Inizialmente Clarinettista, di origini lucane, studia clarinetto nella sua città natale diplomandosi poi al Conservatorio di Bologna. Come strumentista studia con Perrone, Quarenghi, Tirincanti, Pay e Carbonare, iniziando subito una intensa attività concertistica in Italia e all’estero. Effettua registrazioni per Radio italiane ed estere, incidendo diversi cd di musica classica e contemporanea. Per 10 anni collabora con le stagioni liriche e sinfoniche dell’Orchestra del Teatro Comunale di Bologna con la quale effettua molteplici tournée in Italia e all’estero. Ha collaborato con gli ensemble di Musica Contemporanea FontanaMIX di Bologna e con l’ensemble Sentieri Selvaggi di Milano, con una attività concertistica in Europa e Asia. Nel 2013 debutta come direttore d'orchestra nella produzione di Musical americani e nello stesso anno fonda l'Orchestra del Baraccano, con la quale produce progetti di Teatro Musicale da camera e progetti sinfonici che porta tutt’ora in tournée. Dal 2015 collabora come direttore ospite con l'Orchestra della Fondazione Toscanini di Parma e dal 2017 con l’Orchestra Sinfonica Rossini di Pesaro. Nel 2018 inizia a collaborare anche con la Fondazione Orchestra Lucana e i Virtuosi dell’Opera Italiana. Nel 2022, con la sua Orchestra è stato in tournée in Polonia e Repubblica Ceca, nel 2023 in Ungheria. E’ direttore artistico del Teatro del Baraccano di Bologna e del progetto di ricerca e produzione di Teatro Musicale ATTI SONORI di Bologna. MIRKO RIZZOTTO Si diploma alla Scuola di teatro Galante Garrone, segue corsi di dizione e fonetica, recitazione, tecnica del palcoscenico, mimo, acrobatica, improvvisazione, tecnica vocale, canto. Nel 2002 è vincitore del premio nazionale Wanda Capodoglio come miglior attore e del premio internazionale Salvo Randone città di Siracusa, mentre nel 2005 vince il premio Hystrio alla vocazione. Nel 1999 fonda l’associazione culturale ChiE’diSCENA. Ha insegnato movimento espressivo, improvvisazione e acrobatica alla scuola di teatro Galante Garrone di Bologna. Esperienze teatrali: Il Vangelo secondo Matteo di P.P Pasolini- regia Nanni Garella, Otello. Il moro di Venezia- regia R.Guicciardini, Odissea- regia L. Ronconi, Enrico IV e Promoteo incatenato- regia R. Guicciardini, Lighea e Delirio a due- regia M. Sceusa, Il Parlamento di A. Beolco- regia Vittorio Francesi, Despegdad la cabeza del suelo, cabrones!- regia Rodrigo Garcia, coreografie Elene Cordçba, Cinque Cabaret e L’angelo della memoria - regia Massimo Sceusa, Dinner Party- regia Nanni Garella, I sognatori- regia Elena Galeotti e Sandrà Enel, Histoire du soldat- regia M. Sceusa, Tourbillon- regia M. Sceusa, Pinocchio- regia F. Gervasi, Il maestro e Margherita, Praga Magica- regia M. Sceusa, Miseria e nobiltà- regia Nani Garella, Di topi e Uomini di Stainbeck, Il Miracolo della fratellanza- regia F. Gervasio, La Ciambella- regia M. Sceusa, Sogno di una notte di mezza estate- regia Nanni Garella, Il Maestro e Margherita da Bulgakov- regia Virginia Viviano, Bariona figlio del tuono e Non si sa come - regia R. Giucciardini, Macbeth- regia Gabriele Lavia. Esperienza cinematografiche: Frammenti di Valentia Zincati produzione Giostra Film Bologna- Vincitore premio DAMS, Wash & dry di Tommaso Volpi, Good bye mr Zeus per la regia di Carlo Sarti, La freccia del tempo con la regia di Carlo Sarti.

La storia del Barbiere di Siviglia di Rossini per immagini e musica. ATTI SONORI e Orchestra Sinfonica Rossini di Pesaro, in co-produzione con NipPop Festival. SOUND ACTS e NipPop 12 and 13 February, matinee for schools THE CARTOON BARBER "The Barber of Seville" told through music, images, animations and text The comic barber was born from a musical idea: the suite of Vincenzo Gambaro on the music of the Opera by Rossini , arranged for wind orchestra. To this musical version Giambattista Giocoli he decided to complement the intricate story of Rosina , through the unpublished drawings of the Japanese mangaka Tsukishiro Yūko . Two apparently distant languages, united however by the story and the expressiveness. The lyric plunges into the contemporaneity of Japanese comics, the immediacy of visual art intertwines with the sound, returning a new and original version of the work that knows how to speak even to a young and contemporary audience. ideation and direction Giambattista Giocoli Baraccano Orchestra of Bologna manga drawings Tsukishiro Yūko musical arrangements Fabio Codeluppi And Giambattista Giocoli digital coloring Michele Cerone editing Giambattista Giocoli organizational management Nella Belfiore production assistance Paola Scrolavezza and Haruka Arakawa technical set-up Antonio Di Virgilio and Andrea Biasco photographic and web documentation Paola Perrone Locandina Barbiere a fumetti copy

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Quartetto Indaco, Musica Insieme 15 July, 9.15 pm Music with a view - Musica Insieme Foundation INDIGO QUARTET music by Beethoven Quartetto Indaco Quartetto Indaco Quartetto Indaco The Indigo Quartet was born at the Music School of Fiesole in 2007 thanks to the impulse of Piero Farulli and Andrea Nannoni. He studied with the Artemis, Brodsky, Prometeo Quartets and with the components of the major quartets of our time (including Milan Skampa of the Quartet Smetana and Hatto Beyerle of the Quartet Alban Berg). In 2017 the Indigo Quartet obtained a Master in Chamber Music at the Musikhochschule in Hannover. Guest of prestigious musical institutions (we point out the concert held at the Palazzo del Quirinale in Rome and broadcast live on Rai Radio 3), he has performed throughout Europe, and since 2017 he has taken part in the Le Dimore del Quartetto Project in collaboration with ADSI and Piero Farulli Association. Finalist in the prestigious international competition "Premio Paolo Borciani 2017", the Indigo Quartet has won several prizes, including the international competitions "Premio Papini", "Enrica Cremonesi" and the scholarships "Hohenloher Kultursommer Hannover" and "Fondo Morosini for the culture". In 2014 he received the special “Jeunesses Musicales” award as part of the 10th edition of the “Paolo Borciani Award”. Numerous collaborations with internationally renowned musicians, including Bruno Canino, Avi Avital, Giovanni Scaglione, Yves Henry and Valentin Erben, historical cellist of the Alban Berg Quartet, with whom in 2012 he performed the quintet with two Schubert cellos. Alongside the classical repertoire, he combines contemporary music, with the aim of exploring and spreading new musical languages: the group is in fact the winner of the “Giuseppe Scotese Prize” as best performer during the 53rd edition of the 'New Consonance Festival' in Rome; it is also an ensemble in residence at the “International HighScore Festival” of Pavia since 2010. www.musicainsiemebologna.it INDIGO QUARTET Eleonora Matsuno violin Ida Of Life violin Jamiang Santi Viola Cosimo Carovani cello In case of rain the event will take place on Thursday 16th July Single ticket € 10 Buy tickets