IN THE BELFIORE president and project manager She graduated in transverse flute at the “GB Martini” Conservatory of Bologna with Maestro Giorgio Zagnoni. He attended advanced courses including the one with Prof. Anna Maria Morini. Interested in the study of Gregorian Chant, she attended the "International Course of Gregorian Chant" held in Cremona, under the direction of prof. A. Albarosa. Graduated in Music Disciplines (DAMS) at the Faculty of Literature and Philosophy of the University of Bologna, she supported a thesis in "Organization and Economics of the Entertainment", supervisor prof. Lamberto Trezzini. After graduating, he followed a Master in Manager for the management of live entertainment, promoted by the University of Bologna / Department of Music and Entertainment, managed by ATER, financed by the Emilia-Romagna Region and the European Social Fund; achieves qualification level V European level, higher education. In the summer of 1998 he organized a cycle of Baroque music concerts for the summer festival "Art under the stars" of BoEst '98, at the Cloister of the National Art Gallery of Bologna. After the Master she took on a professional role of collaboration at the Cultural Office of the Municipality of Crevalcore (BO), carrying out the task of organizing cultural activities (exhibitions, concerts and children's theater). In January 2000 he participated in the European project "Kaleidoscope" at "Ferrara Musica", on the occasion of the production of the Opera "Cosi fan tutti", directed by Maestro Claudio Abbado and directed by Mario Martone. He has collaborated with the consulting company for musical training projects Thomas Consulting group and for the MusicaPer musical associations, Associations Organi Antichi and Euterpe Mousiké. He has held lectures-conferences for the University of Bologna on the Organization of Live Entertainment and the Atti Sonori festival, as a case study, at the Faculty of Communication Sciences. He collaborated with the FontanaMIX Association as an organizational consultant, in particular for the organization of the EXITIME02 Festival, at the University of Bologna / Dep. of Music and Entertainment and with the association "Between one act and another", as an administrative collaboration. In 2001 he founded the Perséphone Cultural Association, the pause of silence, of which he is president; since 2001 he has been responsible for and supervising the planning, administrative and external relations of the Association. It has also followed, from an organizational, administrative and promotional point of view, all the reviews and festivals it organizes: Borghi e Frazioni in Musica (Municipalities in the Reno-Galliera area); With the favor of the Dark (Loiano-BO) and InCanto (Municipal Theater of Castello d'Argile and Pieve di Cento-BO). In 2005 he conceived the ATTI SONORI festival, musical theater, which debuted in February 2005 at the Arena del Sole and takes place, after several years in various places in the city, now at the Teatro del Baraccano. Since 2010 she manages and is the manager of the Teatro del Baraccano in Bologna. Contact details: cell. +39 347.5080913 e-mail: Presidente.teatrodelbaraccano@gmail.com

scheda tecnica teatro del baraccano e cortile teatro del baraccano FEATURES OF THE MAIN ROOM Dimensions : length 20m, width 6m, height 6m Capacity : 100 seats, last rows with raised grandstand Stage / Platform 5 meters x 5 meters, height 70 cm Glass table and 4 conference chairs Audio system: Outline audio system with loudspeakers (satellites and subs), audio monitors, CD players with autopause, ice cream and headband radio microphones, various microphones and DI lines for concerts and shows. Video system : video projector and screen (4m X 3m), DVD player, PC, iPAD. Lighting system : 24 LED projectors with color changers; lighting mixer with the possibility of storing scenes; 300W and 500W floor lamps and spotlights, Profiles ETC. Internet connection : yes Disabled access : yes FEATURES OF THE FOYER Dimensions : length 6m, width 6m Corner Bar SERVICES Foyer : yes Cloakroom : yes, on request WC: yes, even for the handicapped Dressing rooms : two EQUIPMENT Carpet; Black / white PVC dance floor Fifths: no; projectable white backdrop Platforms and practicable, tables Any further arrangements on request Loading / unloading : comfortable, suitable for vehicles with slide, total distance from the room 10 meters FEATURES OF THE THEATER COURTYARD Dimensions : surface 600 m Capacity : 200 seats Stage / Platform 8 meters x 12 meters, height 70 cm Corner Bar with fridge and counter The space includes: • Foyer room, with vaulted ceiling, entirely frescoed, with corner Bar and Ticket Office • Show / event room , with frescoed wall, stage, chairs, dressing room • Toilet • Inner courtyard (former vegetable garden), which in summer is set up to host outdoor shows and events, 200 seats.

Isabella Leonarda, Cappella Artemisia August 5th, 9.15 pm Artemisia Chapel A PORTRAIT OF ISABELLA LEONARDA conventual music of the '600 Sister Isabella Leonarda (6 September 1620 - 25 February 1704), " the Novara muse ", she was the most prolific of all the seventeenth-century composers, both inside and outside the convent walls. She entered the college of S. Orsola at sixteen and remained there for 68 years, serving the monastery as vicar mother, superior and councilor. He published as many as 20 collections of motets and other works, nearly 200 compositions that include practically every genre of sacred music of his time: Masses, Vespers, motets in Latin and Italian for 1-4 voices with and without violins, and a collection of sonatas for 1 and 2 violins, the only complete collection of instrumental music of the time composed by an Italian woman. The Artemisia Chapel would like to celebrate this exceptional woman, whose vast production remains largely and unfairly unknown. Cappella Artemisia is an ensemble of voices and instruments dedicated to the music of the Italian female monasteries of the 16th and 17th centuries . The repertoire includes both unknown works composed by the nuns themselves, and pieces written by better known composers, but proposed, often for the first time, in their original way, that is, without male voices. The musicians are all specialized and established performers in the field of early music. They regularly collaborate with other ensembles such as Il Concerto Italiano , Accademia Bizantina , La Venexiana , L'arte dell'Arco , Mala punica , La Reverdie , La Risonanza , Cantar far , ModoAntiquo , L 'Accademia Strumentale and others. Since 1991, the ensemble has had flattering results, both for the rarity and originality of its repertoire, and for the high quality of its performances. She has been invited to the most prestigious early music festivals in Europe and North America. In 2018 he recorded his 9th CD: The Motets of the Pavese nun Bianca Maria Meda (1619). The name of Cappella Artemisia is inspired by the painter Artemisia Gentileschi, a significant figure in seventeenth-century Italy whose artistic value is finally beginning to earn the recognition it deserves. Cappella Artemisia Cappella Artemisia Cappella Artemisia Single ticket € 10 Buy tickets

Respighiamo musica June 24th 6pm and 8.30pm | July 22, 8.30 pm 12 August 6 pm and 8.30 pm | September 16, 6 pm and 8.30 pm Charterhouse of Bologna WE REJECT MUSIC the Certosa, Bologna and Respighi musical guided tours Ottorino Respighi , one of the most famous composers of the twentieth century, rests in the Certosa. Beloved in the USA, famous for his famous works dedicated to Rome, the Eternal City , he maintained his contacts with Bologna, his hometown, throughout his life. A journey to remember the musical world that made him famous, and his fellow musicians of all ages, from Gioachino Rossini to Lucio Dalla. During the visit we will also discover the events of the composer's family who were sculptors, generals, writers. Guided tours by Mirarte. reservations required mirartecoop.it Musical interventions with the soloists of the Baraccano Orchestra Alice Caradente and Alessandra Ziveri harps Admission € 12, two euros donated to the Certosa. Reservation required through the site www.mirartecoop.it Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather. Certosa Bologna Certosa Bologna Alice Caradente e Alessandra Ziveri

Doppio Quartetto 15 August, 6 pm and 8.30 pm | Charterhouse of Bologna DOUBLE QUARTET from Respighi's music to Dalla's poetry The Double Quartet in D min., Dated 1900, is part of Respighi's early production, which is characterized by research and experimentation. It already contains three key aspects of the artist: the predilection for instrumental music against the predominant bel canto tradition, the undeniable predisposition towards a very personal and rich timbre palette and the love for “the antique”, which will be highlighted later. The Double Quartet will be the final stage of a path with a guided tour, curated by Mirarte , and the participation of Alessandro Tampieri . Orchestra del Baraccano Alessandro Tampieri Visita guidata ORCHESTRA DEL BARACCANO director Giambattista Giocoli violins Roberto Noferini , Henry Domenico Durante , Luca Ranzato , Matteo Anderlini violets Thomas Cavuoto, Lorenza Merlini cellos Giacomo Grava and Francesco Stefanelli Ticket € 20 Buy tickets

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Progetti formativi per le scuole 2024 KAFKA Lettere a Milena 15 novembre 2024, matinée Partendo dal carteggio epistolare che Franz Kafka ebbe con Milena Jesenská nel 1920, è stato costruito uno spettacolo, declinato attraverso tre linguaggi espressivi: le parole , la musica e le immagini . La particolare intensità delle "lettere" di Kafka (si tratta solo delle lettere da Kafka a Milena e non viceversa) viene sottolineata dalla musica del Settimino di Paul Hindemith e da Mládí di Leoš Janáček , mentre i dipinti, appositamente realizzati, ne amplificano il significato e ne stimolano le suggestioni. La selezione delle lettere e l’adattamento teatrale sono stati curati da Manuela De Meo di Sementerie Artistiche; la parte musicale dal maestro Giambattista Giocoli ed i dipinti son stati realizzati da Andrea Louis Ballardini . adattamento drammaturgico Manuela De Meo Manuela De Meo e Pietro Traldi voci recitanti Orchestra del Baraccano direttore Giambattista Giocoli flauto Filippo Mazzoli | oboe Alessio Gentilini clarinetto Giovanni Picciati | clarinetto basso Davide Braco tromba Luca Piazzi | corno Paolo Faggi fagotto Marco Taraddei dipinti scenografici Andrea Louis Ballardini GALLERY SASSOLINO 25, 26 e 27 gennaio 2024, matinée Sassolino è uno spettacolo di teatro e musica sulla Shoah , ispirato all'omonimo albo illustrato scritto da Marius Marcinkevicius , edito da Caissa Italia . È l'estate del 1943. Eitan e Rivka giocano con il loro aquilone giallo, l’unico che può ancora volare libero. Tutt'intorno è la Shoah. Sono a Vilnius, in Lituania, ma potrebbero essere a Varsavia, Berlino, Parigi. O a Roma. Quando tutto sembra essere dolore, un sassolino porta un messaggio di amicizia e speranza . Scritto e diretto da Bruno Cappagli , lo spettacolo vede in scena due narratori che, oltre a raccontare la storia, interpretano i due protagonisti Rivka e Eitan . Con loro un quintetto musicale, diretto da Giambattista Giocoli , che dona pathos e profondità e, a livello drammaturgico, racconta di come la musica possa essere una culla di pace in alcuni momenti altamente drammatici. Le musiche eseguite sono di Arnold Schoenberg e Darius Milhaud , due compositori di origine ebraica. La musica vola, nella loro pienezza espressiva, come un aquilone nel cielo dell’animo umano. Le bellissime illustrazioni di Inga Dagilè faranno da corollario poetico a questa struggente storia d'amore e d'amicizia. Orchestra del Baraccano direttore Giambattista Giocoli violino Roberto Noferini | violoncello Matteo Polizzi flauto Filippo Mazzoli | clarinetto Davide Braco pianoforte Denis Zardi regia Bruno Cappagli attori Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick

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All'Opera! Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Sinfonia dalla Norma di Vincenzo Bellini Preludio da La Traviata di Giuseppe Verdi Preludio da Aida di Giuseppe Verdi Ouverture dal Don Pasquale di Gaetano Donizetti Intermezzo dalla Cavalleria Rusticana di Pietro Mascagni Sinfonia da Il Barbiere di Siviglia di Gioacchino Rossini Intermezzo da I Pagliacci di Ruggero Leoncavallo Intermezzo dalla Manon Lescaut di Giacomo Puccini Sinfonia da La Forza del Destino di Giuseppe Verdi BIGLIETTERIA intero 15€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

BURATTINGEGNO November 24, 9.30 am STRAY' (HARD-SIDED) A show on the value of four-legged friendship . "Sure, but who tells you that he likes to have someone pull his tail, that he forgets to take him to the garden or he forgets the his dinner? The other day your mother told you to take Birillo out and you replied that you didn't have time because you had to finish watching cartoons ... " "But it was true!" “Very well, then let's start right from the day when Giovanna wants to go out in the garden and her owner Dalmata has no intention of moving from her kennel where she is cheerfully nibbling a bone. If you want to find out how this story ends, you have to go ahead " RandaGiò - a muzzle for a heart ”is a show that speaks to the sensitivity of children, explaining how cruel a man can be who decides to mistreat or abandon a four-legged friend on the street. What does a dog think when it loses its owner? And what does a human cub feel when the situation is reversed and he finds himself alone in a world of selfish and enemy dogs? A relationship is built by weaving threads of patience marked by the passage of time, mistreating a four-legged friend until you get to abandon it means finding yourself alone struggling with your own selfishness. But Giò's grandparents know all this well and, in telling their story, they will accompany it to make the value of respect for all our four-legged friends shine again. Written and directed by Stefano Antonini with Anna Pancaldi and Marco Soccol

Orsoleo Spring Festival 2025 THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". 29 aprile ore 21 | Chiesa ALL'OPERA! sinfonie e intermezzi tratti dalle opere liriche più celebri della tradizione italiana Il concerto prevede l’esecuzione, con arrangiamenti originali per ensemble, di sinfonie, preludi e intermezzi tratti dalle opere liriche più famose della tradizione italiana. Dalla Norma di Bellini a La Forza del Destino di Verdi, passando per la Manon Lescaut di Puccini e la celeberrima sinfonia d’apertura de Il Barbiere di Siviglia di Rossini. In programma anche gli intermezzi di Pagliacci di Leoncavallo e di Cavalleria Rusticana di Mascagni e tanti altri celebri capolavori dell’Opera italiana. Repliche 29 aprile, ore 21 30 aprile, ore 11 e 19 ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli flauto Margherita Russo clarinetto Davide Braco tromba Sergio Ruiu corno Giulio Montanari violoncello Alessandro Culiani basso tuba Gianluigi Paganelli fisarmonica Raffaele Damen pianoforte Honglin Zong arrangiamenti Lorenzo Meo MUSICHE Sinfonia dalla Norma di Vincenzo Bellini Preludio da La Traviata di Giuseppe Verdi Preludio da Aida di Giuseppe Verdi Ouverture dal Don Pasquale di Gaetano Donizetti Intermezzo da L'Amico Fritz di Pietro Mascagni Intermezzo dalla Cavalleria Rusticana di Pietro Mascagni Sinfonia da Il Barbiere di Siviglia di Gioacchino Rossini Intermezzo da I Pagliacci di Ruggero Leoncavallo Intermezzo dalla Manon Lescaut di Giacomo Puccini Sinfonia da La Forza del Destino di Giuseppe Verdi