Elisir d'amore 2025 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA biglietto unico 5€ Acquista biglietti TUTTE LE DATE 8 febbraio , ore 18 | Teatro del Baraccano - Bologna 15 febbraio , ore 18 | Teatro Comunale - Castello d'Argile (BO) 19 febbraio , ore 21 | Teatro Massarenti - Molinella (BO) 21 febbraio , ore 18 | Teatro Comunale - San Giovanni in Persiceto (BO) 1 marzo , ore 18 | Castello di Mongiorgio (BO) THE CARTOON BARBER The Barber of Seville for Manga music and drawings

scheda tecnica teatro del baraccano e cortile teatro del baraccano The space includes: • Foyer room, with vaulted ceiling, entirely frescoed, with corner Bar and Ticket Office • Show / event room , with frescoed wall, stage, chairs, dressing room • Toilet • Inner courtyard (former vegetable garden), which in summer is set up to host outdoor shows and events, 200 seats. FEATURES OF THE MAIN ROOM Dimensions : length 20m, width 6m, height 6m Capacity : 100 seats, last rows with raised grandstand Stage / Platform 5 meters x 5 meters, height 70 cm Glass table and 4 conference chairs Audio system: Outline audio system with loudspeakers (satellites and subs), audio monitors, CD players with autopause, ice cream and headband radio microphones, various microphones and DI lines for concerts and shows. Video system : video projector and screen (4m X 3m), DVD player, PC, iPAD. Lighting system : 24 LED projectors with color changers; lighting mixer with the possibility of storing scenes; 300W and 500W floor lamps and spotlights, Profiles ETC. Internet connection : yes Disabled access : yes FEATURES OF THE FOYER Dimensions : length 6m, width 6m Corner Bar SERVICES Foyer : yes Cloakroom : yes, on request WC: yes, even for the handicapped Dressing rooms : two EQUIPMENT Carpet; Black / white PVC dance floor Fifths: no; projectable white backdrop Platforms and practicable, tables Any further arrangements on request Loading / unloading : comfortable, suitable for vehicles with slide, total distance from the room 10 meters FEATURES OF THE THEATER COURTYARD Dimensions : surface 600 m Capacity : 200 seats Stage / Platform 8 meters x 12 meters, height 70 cm Corner Bar with fridge and counter

Progetti formativi per le scuole 2024 KAFKA Lettere a Milena 15 novembre 2024, matinée Partendo dal carteggio epistolare che Franz Kafka ebbe con Milena Jesenská nel 1920, è stato costruito uno spettacolo, declinato attraverso tre linguaggi espressivi: le parole , la musica e le immagini . La particolare intensità delle "lettere" di Kafka (si tratta solo delle lettere da Kafka a Milena e non viceversa) viene sottolineata dalla musica del Settimino di Paul Hindemith e da Mládí di Leoš Janáček , mentre i dipinti, appositamente realizzati, ne amplificano il significato e ne stimolano le suggestioni. La selezione delle lettere e l’adattamento teatrale sono stati curati da Manuela De Meo di Sementerie Artistiche; la parte musicale dal maestro Giambattista Giocoli ed i dipinti son stati realizzati da Andrea Louis Ballardini . adattamento drammaturgico Manuela De Meo Manuela De Meo e Pietro Traldi voci recitanti Orchestra del Baraccano direttore Giambattista Giocoli flauto Filippo Mazzoli | oboe Alessio Gentilini clarinetto Giovanni Picciati | clarinetto basso Davide Braco tromba Luca Piazzi | corno Paolo Faggi fagotto Marco Taraddei dipinti scenografici Andrea Louis Ballardini GALLERY SASSOLINO 25, 26 e 27 gennaio 2024, matinée Sassolino è uno spettacolo di teatro e musica sulla Shoah , ispirato all'omonimo albo illustrato scritto da Marius Marcinkevicius , edito da Caissa Italia . È l'estate del 1943. Eitan e Rivka giocano con il loro aquilone giallo, l’unico che può ancora volare libero. Tutt'intorno è la Shoah. Sono a Vilnius, in Lituania, ma potrebbero essere a Varsavia, Berlino, Parigi. O a Roma. Quando tutto sembra essere dolore, un sassolino porta un messaggio di amicizia e speranza . Scritto e diretto da Bruno Cappagli , lo spettacolo vede in scena due narratori che, oltre a raccontare la storia, interpretano i due protagonisti Rivka e Eitan . Con loro un quintetto musicale, diretto da Giambattista Giocoli , che dona pathos e profondità e, a livello drammaturgico, racconta di come la musica possa essere una culla di pace in alcuni momenti altamente drammatici. Le musiche eseguite sono di Arnold Schoenberg e Darius Milhaud , due compositori di origine ebraica. La musica vola, nella loro pienezza espressiva, come un aquilone nel cielo dell’animo umano. Le bellissime illustrazioni di Inga Dagilè faranno da corollario poetico a questa struggente storia d'amore e d'amicizia. Orchestra del Baraccano direttore Giambattista Giocoli violino Roberto Noferini | violoncello Matteo Polizzi flauto Filippo Mazzoli | clarinetto Davide Braco pianoforte Denis Zardi regia Bruno Cappagli attori Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick

Gallery Director

Scheda R.A.D. Respighi Ancient Dances RAD Respighi Ancient Dances DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Gabriele Bellu violino | Filippo Mazzoli flauto Lorenzo Fantini fagotto | Alice Caradente arpa Maria Luisa Baldassari clavicembalo Alexey Manyak fisarmonica Fabio Codeluppi tromba | Gianluigi Paganelli basso tuba Compagnia DNA coreografia Elisa Pagani danzatori Francesca Caselli , Michael Incarbone , Massimo Monticelli Ho cercato fin da subito di fare un’operazione di astrazione, asciugando la drammaturgia del gesto fino all’essenza pura del movimento, per snellire una narrazione già così pervasa di immagini come quella delle Suite. Per eludere il rischio di rendere la visione ridondante ho deciso di sfruttare il forte contrasto creato tra il linguaggio contemporaneo ed essenziale di DNA e l’aspetto rinascimentale della composizione musicale. Il processo è stato quello di rendere estremamente musicale il gesto e la costruzione coreografica, in modo che si adagiasse con grande accondiscendenza sulla partitura musicale e il suo riallestimento, senza appesantirlo, ma, al contrario, enfatizzandone la leggerezza e la freschezza. La coreografia, che doveva essere la prima immagine restituita al pubblico, ha creato il contesto fertile affinché i forti colori del suono potessero esprimere al meglio la caratterizzazione del paesaggio. Il risultato è stato quello di regalare al pubblico un intreccio di percezioni, create dall’intenso dialogo tra gesto e suono, in grado di tessere una conversazione spigliata, elegante ed intrigante. I tre danzatori in scena hanno dato vita ad un nodo infinito, che ha innescato un flusso persistente di dinamiche morbide ed effimere. Elisa Pagani

Concerto Hindemith 2025 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone THE CARTOON BARBER The Barber of Seville for Manga music and drawings

March 24, 5pm and 9pm DISENCHANTED THE MOST BITCHES IN THE REALM Fun, hilarious, with the flavors of vaudeville and cabaret, Disenchanted it dispels the myth of the "Princess Complex", to make fun of the frivolities told in fairy tales and celebrate being a woman in all its facets. 10 princesses they will stage their variety, to the rhythm of funny gags, real star numbers, leaving the audience with important ideas for reflection. Our princesses, seen in the collective imagination as perfect girls, sweet and succubus of their prince charming, in this show they deal with themes that are always discussed and very current. Diversity , emancipation , image exploitation , alcoholism or the fear of losing one's beauty , they represent the subtext of what they tell the public. Princesses who are first and foremost women, ready to make their way and fight to honor their dignity, all with irony and a pinch of malice. The Italian version, produced by the PERFORMErs thanks to a special agreement with Theatrical Right Worldwide - New York marks the first time the show is staged in Europe. music, lyrics and lyrics Dennis T. Hyacinth directed and Italian adaptation Matteo Borghi musical direction Eleonora Beddini choreography Luca Peluso Italian translations Nino Pratticò costumes Elena Mancuso assistant director Sara Persali executive production Giuseppe Di Falco Ticket € 16 (full), € 12 (reduced) Buy tickets Disincantate Disincantate Disincantate Disincantate Disincantate Disincantate

RESPIGHI SUITE Form Gallery 1 Clip audio Brochure e cd

February 14, 9 pm I LOVE YOU I LOVE YOU is a range of “amorous” situations recited, sung and played by two pairs of artists, in a fun succession of sketches. Artists who they will go up on stage to interpret, in a musical version, some of the typical situations of the couple's life in an ironic and sarcastic key. Unrepentant singles in search of a soul mate, women who complain of a shortage of attractive bachelors, a couple who have decided to break up but don't know how to tell their parents, another who goes from enthusiasm for married life to desperate attempts to revive the passion stifled by domestic life. If you can find the romantic side of this show and even laugh at the love tragedies then your love will be infallible ... or almost! The show won first prize in the "Musical Theater" category at the Festival of Arts (ed. 2009). directed by Luca Sebastiano Scelfo with Alessandro Calonaci, Sara D'Angelo, Alessia Gardini, Luca Sebastiano Scelfo at the piano Francesco Ricci Ticket 12 € (full), 10 € (reduced) Buy tickets

Arsene Duevi, Dudu Kouatè e Phase Duo, concerto di musica afro beat e minimal electric, Entroterre festival August 18, 9.15 pm Entroterre Festival Arsene Duevi, Dudu Kouatè and Phase Duo afro beat and minimal electric music concert ARSENE DUEVI Arsene Duevi singer, ethnomusicologist, multi-instrumentalist and musical shaman. He was director of the choir of the Cathedral of Lomé , capital of Togo and has lived in Italy since 2002. Nel 2010 his recording debut with La Mia Africa which has sold over 2500 copies at concerts. In 2016 , Haya , hymn to life, was released (Musicamorfosi) a celebration of the life and hopes of those forced to migrate. In 2018 its first international launch with the official showcase at the Atlantic Music Festival in Cape Verde, the important reviews of RFI, the French radio specialized in the African continent and the live concert for WDR Cologne broadcast by the Bochum International Festival in Germany. 2019 is the year of the first international concerts: WOMAD (CHILE), AWA festival and Canadian Music Week in Toronto, then Paris, Lugano, Accra, Lomè, Abidjan, the birth of the new project with Enzo Avitabile and the opening of the Fatoumata Diawarà concert. DUDU KOUATE ' Mohamadou Kouatè , aka Dudù , griot son of griot, keeper and heir of a millenary tradition that he brought to Italy, disembarking in Messina in 1988, musician with exceptional skills, stable member since 2017 of the historic Art Ensemble of Chicago , with whom he recorded a record and played worldwide. Dudu tells, blows, sings, hits and plays his thousand instruments with which he takes us on a journey to the root of the sounds of the elements of the earth. He has played in Santiago in Praia for Atlantic Music Expo in Cape Verde and in almost every corner of the planet: from the prestigious Kennedy Center in Washington (USA) to Assilah Festival in Morocco, passing through Australia, South America, Russia etc. Dudu collaborates with Eloisa Manera, Arsene Duevi , Giovanni Falzone , Guido Bombardieri . PHASE DUO Phase duo mixes the typical accounting of tradition with electronic, classical, jazz and electronic sounds in a thin thread that unravels between Vivaldi , Steve Reich and the Indian Raga . Phase duo are Eloisa Manera (violinist, composer and improviser) and Stefano Greco (producer, sound designer and DJ). You come from the world of classical music, you have played with Mario Brunello and Herbie Hancock and your art has no boundaries; the monthly Musica Jazz included her in the shortlist of the 10 women who are changing jazz; he from the Milanese electronic environment with an unbridled passion for polyrhythms, Africa and Mussorgsky. The duo was born as an arranged marriage with Saul Beretta as matchmaker for one of the Musicamorfosi projects, a true artistic love that blossomed at Notturni 2015 and then exploded at LAC in Lugano for Focus India 2017 and which led to the production of their first album, where is it they mix their different histories and artistic backgrounds. A mix or rather a live remix of minimal music by Steve Reich and Terry Riley that led them to write and experiment original and minimal Indian Raga songs between live and electronic. They collaborated with Cristina Crippi for the Universal Phase project conceived with Fabio Peri for Danae Festival which debuted at the Milan Planetarium in October 2019. Phase Duo's first album was released by AUT records in Berlin on June 24, 2019. www.entroterrefestival.it Arsene Duevi Dudu Kouatè Phase Duo Single ticket € 10 Buy tickets

Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di Strada Maggiore e via Santo Stefano passeggiata e concerto 21 agosto 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. IL BARBIERE A FUMETTI

November 16, hours 20.30 November 17, 5 pm THREE OF TWO or those who decided to cooperate A modern-day lady in the aisles of a supermarket, a farmhand and an embroiderer, a noblewoman, a braid, staged through a minimal transformism, evoke real events of solidarity, between mutual aid and cooperation. Experiences that already from the second half of the 19th century arise from the desire to join a collective project of civil exchange, from the desire for knowledge and the need for economy and work to remain places of the human. The transversality of the phenomenon is astonishing. The tragicomic dynamic between humanity and market imperatives is essential. Intense interpretation, minimal context, a journey between contemporary and recent history. Protagonist on stage Sandra Cavallini, a lot of energy, subtle unique and very personal modulations of voice, movement. Every moment lights up the face with new vibrations that intensify the contrasts between lights and shadows on a stage that is not there. It is no longer there because it disappears and is canceled when the emotions and the history of the people are at the center. A cultured and ironic staging, the story of those who fight against any standardization. The theater is that of life and history. (Barbara Scacchetti). with Sandra Cavallini by Sandra Cavallini and Paola Gabrielli in collaboration with Zonta Club International Bologna The Illustrated Violence Festival Dry-Art Association, School of Gender Social Communication Full ticket € 12, reduced € 10 Buy tickets Tre di Due