Pulcinella all'improvviso ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Musiche di OTTORINO RESPIGHI (Bologna, 1879 – Roma, 1936) brani tratti dalle suite ANTICHE ARIE E DANZE PER LIUTO arrangementi di Fabio Codeluppi, Giambattista Giocoli e Filippo Mazzoli Balletto detto "Il Conte Orlando" (1599) Gagliarda (155?) Villanella (fine sec. XVI) Passo mezzo e Mascherada (fine sec. XVI) Laura soave, Balletto con gagliarda, saltarello e canario (1581) Danza rustica (1617) Campanae parisienses - Aria (sec.XVII) Bergamasca (1650) Arie di corte (sec. XVI) Passacaglia (1692) ********** G. B. PERGOLESI (Jesi, 1710 – Pozzuoli, 1736) IGOR STRAVINSKIJ (Lomonosov, 1882 – New York 1971) brani tratti dal balletto PULCINELLA Arrangiamenti originali per ensemble di Lorenzo Meo Sinfonia Scherzino Vivo Minuetto Finale ********** TESTI Originali e tratti da LU CUNTU DE LI CUNTI di Giambattista Basile e dalla drammaturgia partenopea, scritti o elaborati da MARCO SGROSSO Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Scheda Pulcinella...all'improvviso ALL'OPERA! symphonies and interludes taken from the most famous Operas of the Italian tradition The concert includes the performance, with original arrangements for Chamber Orchestra, of symphonies, preludes and interludes taken from the most famous Operas of the Italian tradition. From Bellini's Norma to Verdi's Forza del Destino , passing from Puccini's Manon Lescaut to the famous opening symphony of Rossini's Barbiere di Siviglia and again to the interludes of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci , and other popular interludes and symphonies of the Italian tradition. The Baraccano Orchestra will be involved in this project in a chamber formation with 8 orchestral players with real parts. The orchestral arrangements are by Lorenzo Meo. LA MASCHERA- CONFERENZA/LABORATORIO seminario teorico- pratico di approfondimento sulla maschera a cura dell’attore e regista Marco Sgrosso. Il linguaggio della maschera, il corpo che parla. Un approfondimento della tradizione della commedia dell’arte, attraverso la dimostrazione pratica della caratterizzazione del personaggio, con l’accentuazione dei suoi pregi e dei suoi difetti, sfruttando l’oggetto maschera. Con la maschera tutti i codici di comunicaizone vengono sovvertiti ed è il corpo che diventa il principale mezzo espressivo. LA MUSICA- PROVE APERTE “A LEGGIO” condotte dal M° Giambattista Giocoli L’Orchestra del Baraccano apre le porte al pubblico, offrendo la possiblità di assistere alle proprie prove, con una particolare modalità: stando seduti al fianco dei musicisti. Un’immersione nella musica a tutto tondo, con la possibilità di stare “dentro la musica”, seguire la concertazione del Direttore e percepire le dinamiche interne ad un’orchestra. CONCERTO TEATRALE La musica dal Conservatorio di Napoli e le commedie del 1700 della Biblioteca Nazionale di Napoli con protagonista Pulcinella, furono gli elementi che stimolarono la creazione ad Igor Stravinskij delle musiche del balletto Pulcinella (1919-1920), ispirato all’omonima opera di Pergolesi , musicista tra gli esponenti più importanti della Scuola Musicale Napoletana. Negli stessi anni Ottorino Respighi , grande appassionato di musica antica, arrangiava le Antiche Arie e Danze per liuto, una raccolta di danze popolari del ‘500 e del ‘600 e il pensiero va immediatamente all’epoca della nascita della commedia dell’arte , alla maschera e dunque al nostro Pulcinella . Il concerto teatrale PULCINELLA all’improvviso! comprende le musiche di Respighi, nella versione originale per ensemble e direttore e il Pulcinella di I. Stravinskij, anche queste arrangiate per ensemble . PULCINELLA, TRA CIELO E INFERNO Pigro, volubile e incostante, furbo ma anche stupido, intrigante, goloso e bugiardo, allegro e funereo, rudemente maschio ma intriso di femminilità, angelo e demonio, bonario e crudele, rassegnato e ostinato, comico e tragico, infedele, affamato e disperato, infiniti sono gli appellativi che si addicono a questa maschera straordinaria, sospesa tra il bianco candido dell’abito e il nero minaccioso del volto. Pulcinella, figlio della Luna e della Notte, originario di Acerra e inventato agli albori del Seicento dal famoso attore Silvio Fiorillo, che forse si ispirò al contadino Puccio D’Aniello da cui forse deriva il nome. La maschera di Pulcinella possiede una caratura inquietante e misteriosa, collegata all’uovo da cui si affaccia alla vita il ‘pulicinello’. È la dimensione più profonda e primordiale che ci interessa esplorare nel lavoro in maschera, che dai tempi più antichi svela e rivela le inquietudini, le fragilità e il bisogno vitale di libertà dell’uomo contemporaneo. Marco Sgrosso BARACCANO ORCHESTRA conductor Giambattista Giocoli piano accordion flûte and piccolo bassoon trumpet cello double bass horn arrangement by Lorenzo Meo organizational direction Nella Belfiore ALL'OPERA! Sinfonia dalla Norma by Vincenzo Bellini Preludio da La Traviata by Giuseppe Verdi Preludio da Aida by Giuseppe Verdi Ouverture dal Don Pasquale by Gaetano Donizetti Intermezzo da L'Amico Fritz by Pietro Mascagni Intermezzo dalla Cavalleria Rusticana by Pietro Mascagni Sinfonia da Il Barbiere di Siviglia by Gioacchino Rossini Intermezzo da I Pagliacci by Ruggero Leoncavallo Intermezzo dalla Manon Lescaut by Giacomo Puccini Sinfonia da La Forza del Destino by Giuseppe Verdi BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna. ORCHESTRA DEL BARACCANO L'Orchestra del Baraccano nasce all'interno delle attività del Teatro del Baraccano di Bologna, dove viene realizzato un progetto di produzione e ricerca sul teatro musicale da camera: ATTI SONORI. È stata fondata nel 2013 ed è diretta dal suo direttore artistico Giambattista Giocoli e ha prodotto numerosi spettacoli di teatro musicale. L’obiettivo dell'Orchestra è suonare, con formazioni per orchestra da camera, opere musicali originariamente composte per grandi orchestre, producendo nuove partiture suonate "a parti reali”. Tra le produzioni ricordiamo: lo spettacolo L’histoire du Soldat di Igor Stravinskij; 4th Gustav Mahler, la Quarta sinfonia di Mahler, arrangiata per orchestra da camera; il progetto All’Opera!, sinfonie, intermezzi e ouverture dell’Opera lirica italiana ed i musical A Little Night Music e Sweeney Todd di Stephen Sondheim. Nel 2017 ha realizzato Popular songs, con solista Cristina Zavalloni; un nuovo L’histoire du soldat con la voce recitante di Ivano Marescotti ed Il Barbiere a Fumetti, "Il Barbiere di Siviglia" per musica, animazioni e fumetti Manga. Nel 2019, in occasione del 100 anni della nascita del Bauhaus, ha prodotto il concerto IMMUTEA 1919, in collaborazione con Bologna Design Week. Nel 2021 ha registrato il CD RESPIGHI suite, nell’ambito del Respighi project, un progetto sul musicista e compositore bolognese Ottorino Respighi e ha realizzato il concerto teatrale Kafka, Lettere a Milena. Nel 2022 è stata il fulcro del progetto PON VoltONE su AIDA, una riduzione dell’Opera di G. Verdi per ensemble e voce recitante. Sempre nel 2022, con il programma RESPIGHI suite, è stata in tournée in Repubblica Ceca e Polonia, nel 2023 in Ungheria e nel 2024 in Croazia. L’Orchestra per la sua attività di produzione e distribuzione è sostenuta regolarmente dal Comune di Bologna e dalla Regione Emilia-Romagna.

Il Teatro del Baraccano dal 2011 è gestito dall’Ass. Perséphone, con il progetto ATTI SONORI, che prevede spettacoli di teatro e musica. Foyer Teatro del Baraccano Teatro del Baraccano Foyer Teatro del Baraccano 1/25

Bando Atelier Opera Voi Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". all'opera! all'opera! ATTENZIONE: SCADENZA PROROGRATA AL 25 AGOSTO! SCARICA LA SCHEDA DI ADESIONE

Gallery fotografica del teatro del baraccano e del cortile del teatro del baraccano

January 31, 2020, matinee for schools and 8.30 pm I HEAVEN - FRIDA KHALO " Is it legitimate to invent new verbs? I want to give you one: I heaven, so that my wings can spread out beyond measure to love you without borders. " (Frida Kahlo) A show that traces the life of Frida Kahlo against the backdrop of revolutionary Mexico. Shots of a tormented, passionate, violent existence; of a crazy woman, very sweet and in love with life. The show revolves around the love that Frida had for her land, for painting, for Diego, for life, for love itself. The languages to tell it range from theater to music: the text is made up of stories, letters from his diary, the voice of Diego Rivera that gives different nuances to the known figure of the painter. And finally, the music. Songs of the Mexican tradition carefully chosen to enrich and embellish the story, left to the skilful live interpretation of Massimo Donno on voice and guitar and Francesco Pellizzari to percussion. The first meeting with Frida took place in 2015 during a torrid summer in Bologna. "Here, read this!", My roommate gave me a book: "Pino Cacucci ¡Viva la vida!". On the cover a face, still little known. From that August my personal research on Frida began: with passion I studied her life and her works, Diego Rivera and muralist art, Mexico and the revolution of the early 1900s; I discovered my friendship with Leon Trotsky and the one with great artists of the time (T. Modotti, L. Matiz, A. Breton, LA Bravo), the affection for his friend as well as doctor L. Eloesser and the bond with his family, in particular with his sister Cristina. This was accompanied by a constant listening and growing interest in Mexican music: from the pre-Columbian sounds to the corrido, up to reach the great artists of yesterday and today (P. Infante, C. Vargas, L.Downs ...). Thus the desire to tell others, you, the wealth of this woman has made its way. Frida gave life to what she loved. He spared nothing, he gave himself all. This awareness raised a question in me: what am I giving my life for? I live with my peers the difficulties of the working world, the nonsense, the injustices. We stagger in a space devoid of guidelines, we cling to the first who passes and who tells his truth, we rape in "hope." that one day ... "; meanwhile they eat on our heads. In all this chaos, what can we do? Choose. Ask ourselves every day: for what, to whom am I giving my life? Frida continues to suggest the answer. Aurelia Cipollini by and with Aurelia Cipollini Massimo Donno voice and guitar Francesco Pellizzari percussion heading off Diego Rivera Tomas Acosta Ticket 12 € (full), 10 € (reduced) Buy tickets frida-14 frida-04 frida-13

Lucio Dalla July 8, 9.15 pm Mega Disks \ PMS FROM THE WINDOW OF LUCIO Starting from the presentation of the new single by Cris La Torre , godfather of the event, freely inspired by a letter from Dalla published in the book Lucio Dalla - The man of mirrors (Minerva Edizioni), the evening celebrates the artistic and cultural value of the great Bolognese singer-songwriter in an innovative way, following his history and opening many ideological "windows" on the records, the years and the events that characterized his career. On stage many artists, starting from young singer-songwriter and producer Rod Mannara , in the dual role of artistic director and conductor, Sarah 6 , stage name of Serenella Occhipinti, godmother of the event, back from three editions of Sanremo Festival, the songwriter and producer Marcello Romeo , the prestigious participation of musicians George Santisi (bassist of the "Sara 6" project but also collaborator of numerous artists such as Federico Poggipollini, Vince Pastano, Sal Da Vinci, Gianni Morandi, Arisa e longtime member of James Brown's band "Pee Wee Ellis") e Damiano Trevisan (collaborator drummer of Pupo, Toto Cutugno, Gem Boy, Cristina D'Avena and the formation with the which participated in the Jova Beach Party "Duo Bucolico") and a young team of good people emerging songwriters who, driven by great respect and love towards Lucio Dalla, will reinterpret his musical and stylistic language through the different artistic experiences from which they come: Kevin Crime, Jo Brown, Bolletz, Sofia Mehiel, Long live the king! And Marsala. The guests will embellish the evening Vito D'Eri , friend and official double of Lucio, who talking on stage with Cris La Torre, will talk about his experience alongside Dalla, and Gabriel Vaccargiu , dancer and choreographer, already featured in the music video From Lucio's window, where he performed a suggestive tip tap performance in Piazza Maggiore on the final solo of the great guitarist Ricky Portera. "This concert is a great little example of sharing and unity of common intentions, ideas and visions ... - exclaims the tenor Cris La Torre - I think it is very important for an artist, even after a 25-year career like mine, to always keep the desire to confront each other, to get involved by exploring new musical worlds and collaborating with colleagues from totally different experiences from their own ... and I am also referring to the new generations. With this spirit, starting from my piece, we have created a very broad and articulated show, aimed at paying homage to Lucio, one of the most significant and revolutionary artists and intellectuals of Italian culture, whom I have had the good fortune to meet on several occasions and who I respect deeply. It seems like a dream to me, after 4 very long months of quarantine, to finally be able to sing my new song inspired by Lucio in front of a real audience, in flesh and blood ... My kingdom has always been the stage, I can't express myself on the web to the best". The project "From the window of Lucio" by MegaDischi / PMS , supported by Emil Banca Credito Cooperativo , sponsored by Cna Bologna , promoted by the network Bologna UNESCO City of Music and realized in collaboration with Baraccano Theater of Bologna and Lions Club Bologna. Concert program Cris La Torre , opera singer and writer, will sing for the first time live his new song "From the window of Lucio", "4/3/1943" and "Caruso" in duet with Sara 6 Sarah 6 , singer-songwriter, will perform a brand new version of the popular "Piazza Grande" and "Caruso" paired with Cris La Torre Rod Mannara , singer-songwriter, guitarist, multi-instrumentalist, record producer of MegaDischi, will interpret "Desperate erotic stomp" Marcello Romeo , singer-songwriter and producer of the "sister" label of MegaDischi "Playtunes Records", will play "Anna and Marco" Kevin Crime , Old School Italian rapper who writes his lyrics in American English, will reinterpret the song "Nuvolari" in an absolutely new key Jo Brown , soulful singer-songwriter, will play "The Evening of Miracles" Bolletz , songwriter with electronic sounds, will reinterpret "Futura" Sofia Mehiel , singer, performer and LGBT activist will play "Hello" Long live the king! , singer-songwriter, will play "Le rondini" Marsala , songwriter duo, will play "You are never enough for me" Locandina 8 luglio, Dalla Finestra di Lu Cris La Torre Sara 6 In case of rain the event will take place on Thursday 9 July at 9.15 pm Single ticket € 10 Buy tickets

Kafka, Lettere a Milena, Orchestra del Baraccano September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome KAFKA: LETTERS TO MILENA theatrical concert Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Ballardini Rosario Tedesco, foto Gianluca Moro Nicola Bortolotti Theatrical adaptation German Rosary with Rosario Tedesco and Nicola Bortolotti scenographic paintings Andrea Louis Ballardini production assistance Laura Ballardini ORCHESTRA DEL BARACCANO director Giambattista Giocoli Silvia Colageo flute Marco Soprana oboe Giovanni Picciati clarinet Mirco Ghirardini bass clarinet Giulia Ginestrini bassoon Imerio Tagliaferri horn Fabio Codeluppi trumpet Single ticket € 10 Buy tickets

Spettacolo di bharata natyam con Shweta Prachande November 18, 9 pm SAMYUKTA dance, divine union bharata natyam indian dance theater show with Shweta Prachande Shweta Prachande , extraordinary exponent of Indian style dance Bhārata Nāṭyam e peak pupil of Priyadarsini Govind , carrying on a solid hereditary lineage that constantly confronts the contemporary, will enchant us with the show Saṃyukta • dance, divine union , a mārgam in which we will see her transform (and transform us) with surprising agility and strength. SHWETA PRACHANDE Shweta Prachande began studying bharatanatyam dance at the age of 5 and is currently perfecting herself with the renowned artist Smt. Priyadarsini Govind , after completing a 5-year course at the Kalavardhini Dance Institute with teacher Dr. Sucheta Chapekar . Moving to Chennai in 2005 to continue her career as a dancer, Shweta quickly established herself as one of the most promising and talented dancers of the new generation. In parallel with her training in Bharatanatyam dance, she studied Kalaripayattu martial art for some years and obtained a Diploma in Contemporary Dance Studies at the Trinity Laban Conservatory of Music and Dance in London. He also studied rhythmic solfeggio (nattuvangam) and Carnatic classical music, and holds a Master's Degree in Fine Arts - Bharatanatyam from Bharathidasan University. He has won several scholarships with which he was able to deepen and further refine his training. He has received important critical accolades and won numerous awards in all major dance competitions nationwide. She has presented shows in India and abroad and is a regular guest of the prestigious event December Music and Dance Festival in Chennai. Shweta has also performed on television shows for the national networks Doordarshan and Star Plus. Shweta also regularly practices Yoga, Kalaripayattu and Rugby at a high level. THE BHARATA NATYAM The Bhārata Nāṭyam it is the oldest form of sacred dance theater originating in South India. The term Nāṭyam in Sanskrit it means dance, Bharata instead it is an acronym of the three words Bhāva (expression), Guys (melody), Tāla (rhythm). The style known as Bhārata Nāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. Ticket 12 € (full), 10 € (reduced) Buy tickets SHWETA PRACHANDE

Radio Ritmo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRE SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSK IJ Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE Biglietteria intero 15€ ridotto 10€ ( under 30, over 65, titolari Card Cultura ) ridotto 5€ ( under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER