Viaggio a Siviglia 2026 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". QUOTA INDIVIDUALE DI PARTECIPAZIONE su base camera doppia € 1.050 supplemento camera singola (su richiesta) numero minimo partecipanti: 15 ISCRIZIONI ENTRO IL 5 GIUGNO 2026 CON VERSAMENTO DELL’ACCONTO DI 350€ tramite bonifico bancario indicando cognome, nome e come causale “Siviglia 2026” IBAN IT08A0707202403000000721562 Intestato a Perséphone, le pause del silenzio EMIL BANCA SALDO ENTRO IL 24 LUGLIO 2026 LA QUOTA COMPRENDE -VOLO A/R operativi voli * 1 settembre con Ryanair Bologna | Siviglia 16.40 > 19.25 5 settembre con Ryanair Siviglia | Bologna 13.10 > 15.45 *[con orari soggetti a riconferma e con bagaglio a mano/trolley dimensioni massime: 55 cm x 40 cm x 20 cm (incluse maniglie e ruote), peso max 10 kg. e un piccolo zaino, con dimensioni massime 40 cm x 20 cm x 25 cm] -4 pernottamenti in hotel con servizio di prima colazione - Hotel 4* -1 cena -2 spettacoli musicali - visite e ingressi come da programma - presenza e assistenza coordinatori del viaggio - guide culturali qualificate - spese di gestione pratica - tassa di soggiorno LA QUOTA NON COMPRENDE - assicurazione contro annullamento e sanitaria - pasti liberi - tutto quanto non espressamente indicato alla voce “La quota di partecipazione comprende” - mance Per comunicare il proprio interesse scrivere a Teatro del Baraccano teatrodelbaraccano@gmail.com Per approfondimenti sui contenuti del viaggio scrivere a Vincenza Maugeri vincenzamaugeri@gmail.com

16 GIUGNO 2026 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO direzione e riduzione musicale Giambattista Giocoli Alessandro Di Marco violino | Alessandro Culiani violoncello Margherita Russo flauto e ottavino | Daniele Titti clarinetto Andrea Coruzzi fisarmonica | Sergio Ruiu tromba Riccardo Gatti trombone | Gianluigi Paganelli basso tuba Anastasia Fioravanti pianoforte voce recitante e riduzione del testo Sandra Cavallini arrangiamenti musicali Fabio Codeluppi AIDA la musica danza nella sabbia Preludio ATTO I Celeste Aida - Terzetto Su del Nilo - Scena Aida Consacrazione - Finale I ATTO II Introduzione - Danza e Duetto Marcia Trionfale - Gran Finale ATTO III Intro - Romanza - Aria Aida Duetto Aida Radames - Finale ATTO IV Aria Amneris Duetto Aida Radames - Finale ultimo BIGLIETTERIA SPETTACOLO intero 15€ ridotto (under 30, over 65, card Cultura, soci FIDAS) 10€ ridotto (under 18, studenti) 5€ Acquista biglietti

31 LUGLIO 2026 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". PROGRAMMA Sinfonia dalla Norma di Vincenzo Bellini Preludio da La Traviata di Giuseppe Verdi Preludio da Aida di Giuseppe Verdi Ouverture dal Don Pasquale di Gaetano Donizetti Intermezzo dalla Cavalleria Rusticana di Pietro Mascagni Sinfonia da Il Barbiere di Siviglia di Gioacchino Rossini Intermezzo da I Pagliacci di Ruggero Leoncavallo Intermezzo dalla Manon Lescaut di Giacomo Puccini Sinfonia da La Forza del Destino di Giuseppe Verdi BIGLIETTERIA SPETTACOLO intero 15€ ridotto (under 30, over 65, card Cultura, soci FIDAS) 10€ ridotto (under 18, studenti) 5€ Acquista biglietti

10 LUGLIO 2026 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". DANZE RITROVATE PRIMA SUITE di Ottorino Respighi Balletto Arie di Corte Villanella Gagliarda Passo mezzo e Mascherada SECONDA SUITE di Ottorino Respighi Italiana Laura Soave Danza Rustica Campanae Parisienses Bergamasca TERZA SUITE Sinfonia di Domenico Gallo Siciliana di Ottorino Respighi Vivo di Giambattista Pergolesi Gavotta di Carlo Ignazio Monza Finale: Allegro assai di Domenico Gallo BIGLIETTERIA SPETTACOLO intero 15€ ridotto (under 30, over 65, card Cultura, soci FIDAS) 10€ ridotto (under 18, studenti) 5€ Acquista biglietti

16 GIUGNO 2026 ATTI SONORI June 28, 2026 Teatro del Baraccano – Bologna 7:30 PM – GUIDED TOUR Tour of the Baraccano complex and surrounding area curated by Mirarte Reservations at www.mirartecoop.it/eventi 9:00 PM THREEPENNY OPERA SUITE The selected music comes from The Threepenny Opera, a satirical theatrical work by Bertolt Brecht, with music by Kurt Weill. Weill’s music is characterized by a style that blends elements of jazz, cabaret, and classical music, reflecting the satirical and popular nature of the work. In the first part of the evening, there will be two solo performances: Anastasia Fioravanti on piano, performing music by Dmitri Shostakovich, and Andrea Coruzzi on accordion, performing music by Latin American composers as well as his own original compositions. At the end of each concert, guests will enjoy tastings of fresh summer delicacies offered by Fabbri 1905 and Regina di Quadri . Orchestra del Baraccano Conducted by and musical reduction by Giambattista Giocoli flute Margherita Russo | Violin Viktoria Borissova clarinet Daniele Titti | bass clarine t Stefano Franceschini trumpet Gabriele Buffi | tenor saxophone Marco Ferri cello Alessandro Culiani arrangements by Damiano Ferretti, Giambattista Giocoli , and Filippo Mazzoli featuring Anastasia Fioravanti piano Andrea Coruzzi accordion Programma Opera da tre soldi suite di Kurt Weill I. Ouverture II. Corale mattutino III. La morale di Mackie Messer IV. Invece di quella canzone V. La ballata della bella vita VI. La canzone di Polly VII. Tango ballata VIII. Finale da tre soldi IX. Jenny dei pirati X. Il duetto della gelosia XI. La canzone di Salomon XII. La canzone dei cannoni Programma solisti Anastasia Fioravanti , pianoforte D. Shostakovič da 24 Preludi, op. 34 n.1-2-5-6-8-9-10-11-14-18-20 ************** Andrea Coruzzi , fisarmonica A. Coruzzi Fantasia su temi Popolari dell’America Latina A. Coruzzi Tango para mi Hermana CONCERT TICKETS full price: €15 reduced price (€10): under 30, over 65, Cultura Card holders, and FIDAS members reduced price (€5): under 18 Tickets

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore durata 18 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) durata 23 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore durata 14 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, Emil Banca, Fitel, CNA, Lions Club Acquista biglietti

all'opera! Form Gallery Gallery Clip 1

Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone

Gallery Director

Soqquadro italiano, concerto, Vincenzo Capezzuto, Entroterre festival 27 July, 9.15 pm Entroterre Festival TWO-VOICE INVENTIONS Musical chat conducted by Luca Damiani , journalist, author and radio host and music critic, together with the Duo Gabriele Pieranunzi , first violin of the San Carlo Theater Orchestra in Naples, and Fabrizio Falasca brilliant talent considered one of the best Italian violinists of his generation. LUCA DAMIANI Journalist, author and radio host, excellent music critic, he is known above all as the historical voice of Radio3 . Currently it is on air every afternoon at 6 pm with the program Six degrees which implements, through music, the theory of the "Six degrees of separation" according to which any person can be connected to any other through a chain of knowledge with no more than five intermediaries. Luca Damiani is also a writer. He made his debut in 1990 with the novel " Look at yourself for life ", ed. Marsilio, with whom he won the Grinzane Cavour first work prize and the following year with the novel “ Una, fatale ” the Fiesole Prize . In 1995 he published the short stories “ What will become of her? ", In 1997 the novel" Il baro ", ed. Marsilio, in 1998 “ Knowing how to live ”, an etiquette for 2000, in 2004 with Castelvecchi ed. publishes the essay " Le Bufale ", on media mockery. www.entroterrefestival.it Luca Damiani Gabriele Pieranunzi Fabrizio Falasca with Luca Damiani Journalist Gabriele Pieranunzi violin Fabrizio Falasca violin Single ticket € 10 Buy tickets

Orsoleo Spring Festival 2025 THE CARTOON BARBER 28 aprile ore 11 | Chiesa RADIO RITMO VOCI E SUONI DALL'ETERE radiodramma musicale The Barber of Seville for Manga music and drawings Il 30 ottobre 1938 la trasmissione radiofonica di Orson Welles scatenò il panico, facendo credere che un conflitto interplanetario era iniziato attraverso un’invasione aliena nel New Jersey. Liberamente ispirato a La Guerra dei mondi di H. G. Wells e all’esperienza di O. Welles, RADIO RITMO vuole ricordare l’impressionante potenza comunicativa della radio, all’epoca prima donna nel panorama delle comunicazioni e, parallelamente, stimolare una riflessione sull’imponente effetto dei media e sulla loro attendibilità. Due attori riproducono la trasmissione radiofonica ed un’orchestra suona le musiche della band ospitata nella trasmissione. regia Massimo Sceusa voci recitanti Sandra Cavallini e Mirko Rizzotto ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu violoncello Alessandro Culiani flauto Margherita Russo clarinetto Davide Braco pianoforte Honglin Zong Repliche 25 e 26 aprile, ore 21 28 aprile, ore 11 Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".

Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone BIGLIETTERIA matinée ore 11 biglietto unico 5€ (acquistabile solo in loco) serale ore 20.30 intero 15€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings