Lo staff del Teatro del Baraccano In the Belfiore president and organizational director Giambattista Giocoli artistic director Antonio Di Virgilio vice president Paola Perrone photos and web Damiano Ferretti collaboratore Jacopo Casasola collaboratore tecnico audio Daniele Cassarini collaboratore tecnico luci Francesco Giocoli collaborator Information teatrodelbaraccano@gmail.com Artistic direction giambattistagiocoli@gmail.com Organizational management president.teatrodelbaraccano@gmail.com

ANDREA BIASCO video and lighting technician I was born in Casarano (LE) on April 6, 1991, and I lived there until the age of 19. After graduating from the Casarano linguistic high school with excellent marks, in 2010 I moved to Bologna to attend the faculty of Foreign Languages and Literatures. Here, thanks to a training internship at the end of the course, I came into contact with the Persephone Cultural Association, with which I first carried out the translation of technical data sheets and room programs, and later on the technical and organizational tasks. In 2015, at the end of the aforementioned internship, I began to actively collaborate with this association covering, in particular, the role of lighting technician. or therefore had the opportunity to work on all the activities that involved the Teatro del Baraccano and its staff. From musical theater to prose, passing through the technical collaboration with the contemporary dance festival "Gender Bender" which takes place every year in Bologna. In 2019 I attended a higher education course, organized by the Emilia Romagna region, on eco-sustainable audio-visual production: '' Green Movies Project Manager: promoting eco-sustainable audio-visual production ''; at the end of which I undertook a training internship at Ravenna Teatro, in Ravenna, in which I worked on the production and distribution of the film '' The Sky over Kibera '' by director Marco Martinelli. Thanks to my experience gained over the years in this sector, I have developed excellent communication skills, understanding and diplomacy. To which are added flexibility and adaptability to new work contexts. Working in the entertainment world allowed me, therefore, to learn how to manage the time at my disposal, meet deadlines, work in a team and under pressure.

Elisir d'amore 2025 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". PROGRAMMA 15 FEBBRAIO 2026 Anastasia Fioravanti, pianoforte Sonata in Re maggiore - primo movimento di Franz Joseph Haydn per solo pianoforte Cheng Chen, soprano 1. O mio babbino caro da Gianni Schicchi di G. Puccini Cai Xu, soprano Liu JunRong, basso 2. Là ci darem la mano da Don Giovanni di W. A. Mozar Yi ZeYu, soprano 3. Ah chi mi dice mai da Don Giovanni di W. A. Mozart Huang Fan, tenore 1. Una furtiva lagrima da L’Elisir d’amore di G. Donizetti Cheng Chen, soprano Wang XiangBo, basso 5. Oh ciel che tento? da La Sonnambula di V. Bellini Cai Xu, soprano 6. Che val ricchezza e trono da Alina regina di Golconda di G. Donizetti Wang XiangBo, basso 7. Deh!Ti ferma da Semiramide di G. Rossini Huang Fan, tenore 8. Che Gelida Manina da La Boheme di G. Puccini Cheng Chen , soprano 9. Caro nome da Rigoletto di G. Verdi Cheng Chen soprano, Huang Fan, tenore 10. Una parola - Chiedi all’aura da L’Elisir d’amore di G. Donizetti Tutti Dal tuo stellato soglio da Mosè in Egitto di G. Rossini TUTTE LE DATE 8 febbraio , ore 18 | Teatro del Baraccano - Bologna 15 febbraio , ore 18 | Teatro Comunale - Castello d'Argile (BO) 19 febbraio , ore 21 | Teatro Massarenti - Molinella (BO) 21 febbraio , ore 18 | Teatro Comunale - San Giovanni in Persiceto (BO) 1 marzo , ore 18 | Castello di Mongiorgio (BO) BIGLIETTERIA 8 febbraio: biglietto unico 5€ 15 febbraio: gratuito 19 febbraio: biglietti 15€-13€ 21 febbraio: gratuito 1 marzo: 5€ (visita + concerto)* *il concerto sarà preceduto alle ore 17 da una visita guidata al Castello, a cura dell’Ass. Castelli in Aria BIGLIETTERIA 8 FEBBRAIO BIGLIETTERIA 19 FEBBRAIO BIGLIETTERIA 1 MARZO THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Il Teatro del Baraccano dal 2011 è gestito dall’Ass. Perséphone, con il progetto ATTI SONORI, che prevede spettacoli di teatro e musica. Foyer Teatro del Baraccano Teatro del Baraccano Foyer Teatro del Baraccano 1/25

ANDREA BIASCO video and lighting technician I was born in Casarano (LE) on April 6, 1991, and I lived there until the age of 19. After graduating from the Casarano linguistic high school with excellent marks, in 2010 I moved to Bologna to attend the faculty of Foreign Languages and Literatures. Here, thanks to a training internship at the end of the course, I came into contact with the Persephone Cultural Association, with which I first carried out the translation of technical data sheets and room programs, and later on the technical and organizational tasks. In 2015, at the end of the aforementioned internship, I began to actively collaborate with this association covering, in particular, the role of lighting technician. or therefore had the opportunity to work on all the activities that involved the Teatro del Baraccano and its staff. From musical theater to prose, passing through the technical collaboration with the contemporary dance festival "Gender Bender" which takes place every year in Bologna. In 2019 I attended a higher education course, organized by the Emilia Romagna region, on eco-sustainable audio-visual production: '' Green Movies Project Manager: promoting eco-sustainable audio-visual production ''; at the end of which I undertook a training internship at Ravenna Teatro, in Ravenna, in which I worked on the production and distribution of the film '' The Sky over Kibera '' by director Marco Martinelli. Thanks to my experience gained over the years in this sector, I have developed excellent communication skills, understanding and diplomacy. To which are added flexibility and adaptability to new work contexts. Working in the entertainment world allowed me, therefore, to learn how to manage the time at my disposal, meet deadlines, work in a team and under pressure.

Amici dell'Orchestra del Baraccano THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". COME ISCRIVERSI versa la QUOTA ASSOCIATIVA DI 10€ tramite bonifico bancario indicando nella causale: cognome, nome, Amici dell'Orchestra del Baraccano IBAN: IT08A0707202403000000721562 intestato a Persephone, le pause del silenzio Emil Banca SCARICA IL MODULO DI ADESIONE INFO Teatro del Baraccano via del Baraccano, 2 - Bologna cell. 393.9142636 teatrodelbaraccano@gmail.com

Viaggio in Basilicata e Campania 2026 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". QUOTA INDIVIDUALE DI PARTECIPAZIONE su base camera doppia € 850 * supplemento camera singola (su richiesta) numero minimo partecipanti: 15 * tariffa variabile per partenza\arrivo da stazioni di Milano e Firenze ISCRIZIONI ENTRO IL 23 FEBBRAIO 2026 CON VERSAMENTO DELL’ACCONTO 30% QUOTA VIAGGIO (255€) tramite bonifico bancario indicando cognome, nome, causale “Basilicata 2026” IBAN IIT08A0707202403000000721562 Intestato a Perséphone, le pause del silenzio EMIL BANCA SALDO ENTRO IL 28 MARZO 2026 LA QUOTA COMPRENDE - viaggio A/R con treno alta velocità andata Bologna/Salerno, ritorno Caserta/Bologna in posti di seconda classe - trasferimenti in pullman privato come da programma - 3 pernottamenti in hotel 3* o 4* con prima colazione - 2 cene e 2 pranzi - laboratorio danze popolari/pizzica - spettacolo del Festival di Orsoleo - visite e ingressi come da programma - presenza e assistenza coordinatrice del viaggio - guide culturali qualificate - spese di gestione pratica - tassa di soggiorno - tassa di soggiorno - polizza medica di gruppo - materiale informativo LA QUOTA NON COMPRENDE - assicurazione contro annullamento e sanitaria - pasti liberi - mance - tutto quanto non espressamente indicato alla voce «la quota comprende» INFO Claudio Cristofori/Jabalito&Karma Viaggi cell 327 0503296-351 6957728 jabalitokarma@gmail.com Vincenza Maugeri/Teatro del Baraccano cell. 349.7774749

Scheda Il Barbiere a Fumetti, manga, Rossini, Orchesta del Baraccano RADIO RITMO on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC Sinfonia Piano pianissimo Ecco ridente in cielo Oh sorte! Signor Conte Mille grazie, mio signore Largo al factotum Se il mio nome saper voi bramate All’idea di quel metallo Numero quindici Una voce poco fa La calunnia Dunque io son Ehi di casa! Cosa accadde Mi par d’essere Contro un cor Don Basilio, cosa veggo Benissimo Bricconi birbanti Il vecchiotto cerca moglie Il Temporale Qual colpo inaspettato Zitti, zitti Di sì felice innesto ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Stravinskij disegnato 3 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 4th July STRAVINSKIJ DRAWN music by Igor Stravinskij The Fontanamix ensemble proposes a musical and visual project that the ensemble dedicates to Igor Stravinsky , whose 50 years since his death occur in 2021. The origin of this idea is in the 1956 documentary film Le Mystère Picasso , where Picasso himself tells his story through drawing and color, and the graphic line seems to be born from Georges' notes Auric. A format in which live drawing, curated here by the visual artist and performer Martina Zena , extemporaneously illustrates some chamber jewels of the Russian composer, tracing short visual stories, abstract stories without a plot where I listen, inside and outside the sound, takes shape in signs, traces, sketches, gestures. BANNER_concerto Program Histoire du Soldat (Suite for Clarinet, Violin and Piano) Three pieces for Clarinet Tango , version for violin and piano Elegy , for violin Five easy pieces (arrangement for ensemble by F. La Licata) FontanaMIX Ensemble Valentino Corvino concert violin Lavinia Guillari flute Marco Ignoti clarinet Stefano Malferrari piano Sebastiano Severi cello with live illustrations by Martina Zena Single ticket € 10 Information From Monday to Saturday from 10.30 to 12.30 Phone, WhatsApp and SMS: 353 427 5474 | e-mail: ticket office.fontanamix@gmail.com Buy tickets

BURATTINGEGNO November 24, 9.30 am STRAY' (HARD-SIDED) A show on the value of four-legged friendship . "Sure, but who tells you that he likes to have someone pull his tail, that he forgets to take him to the garden or he forgets the his dinner? The other day your mother told you to take Birillo out and you replied that you didn't have time because you had to finish watching cartoons ... " "But it was true!" “Very well, then let's start right from the day when Giovanna wants to go out in the garden and her owner Dalmata has no intention of moving from her kennel where she is cheerfully nibbling a bone. If you want to find out how this story ends, you have to go ahead " RandaGiò - a muzzle for a heart ”is a show that speaks to the sensitivity of children, explaining how cruel a man can be who decides to mistreat or abandon a four-legged friend on the street. What does a dog think when it loses its owner? And what does a human cub feel when the situation is reversed and he finds himself alone in a world of selfish and enemy dogs? A relationship is built by weaving threads of patience marked by the passage of time, mistreating a four-legged friend until you get to abandon it means finding yourself alone struggling with your own selfishness. But Giò's grandparents know all this well and, in telling their story, they will accompany it to make the value of respect for all our four-legged friends shine again. Written and directed by Stefano Antonini with Anna Pancaldi and Marco Soccol

GIAMBATTISTA GIOCOLI At first clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna . As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Orchestra of the Teatro Comunale di Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as a guest conductor with the Orchestra of the Toscanini Foundation of Parma, and from 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera . AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna. GALLERY