Vieni notte, a bere luce RESPIGHI SUITE Form Gallery Video

Il Barbiere di Siviglia di Rossini attraverso immagini, animazioni e suoni. ATTI SONORI e Orchestra Rossini di Pesaro, in collaborazione con NipPop Festival. May 25, 6 pm an ACTS SOUND production in collaboration with NipPop festival THE CARTOON BARBER the story of Rossini's Barber of Seville through images, animations and sounds Study on The comic barber . From an idea of Giambattista Giocoli the project of Barber of Seville , told through images. On May 25 the Japanese mangaka Tsukishiro Yūko he will illustrate the drawings made for this project and the public will be able to admire his technique in live painting on the music recorded by the Barbiere di Rossini. Following, the soprano Yasuko Arimitsu will propose a suggestive selection of passages taken from Rossini's work and from the Japanese tradition. The complete project de The comic barber it will be presented in August, as part of the summer festival SOUND ACTS… musical theater in summer! with live music. The evening will be enriched by a Japanese aperitif, kindly offered by the restaurant Yuzuya from Bologna. The event is promoted by NipPop: Words and Forms from Tokyo to Bologna , the annual festival dedicated to the pop cultures of contemporary Japan and promoted by the School of Languages of the University of Bologna. ideation and direction Giambattista Giocoli soprano Yasuko Arimitsu Images Tsukishiro Yūko dramaturg Gianluca Cheli _________________ free entry _________________ The final project: some previews Il Barbiere a fumetti , which by virtue of the collaboration with the Rossini Symphony Orchestra Pesaro from next summer will be staged and will go on tour throughout Italy, it will be an exceptional show in which the immediacy of the visual art and the expressiveness of the visual and sound interweaving update the Rossini masterpiece, returning an original version who knows how to speak to a young and contemporary audience. From the Suite from Vincenzo Gambaro and with arrangements for chamber orchestra made by SOUND ACTS , a new score for 12 real parts is born: the work is stripped of the recitative parts to stage only the music, directed by Giambattista Giocoli , together with a scenographic backdrop on which the artist's original comics are projected Tsukishiro Yūko , who tell the story in images, under the direction of the dramaturg Gianluca Cheli . Tsukishiro Yūko Illustrator and mangaka, during her career she has created drawings for many science fiction, fantastic, horror and erotic novels collaborating with the most famous Japanese genre literature magazines (high circulation publications such as Shōsetsu NON, Mondai Shōsetsu and J-novel ) and the country's major publishing houses, including Fujimi Shobō, Kadokawa, Kōdansha, Tokuma Shoten and Square Enix. From January 14 to February 14, 2010, his works were exhibited in Italy in the exhibition Dall'ukiyo-e to contemporary illustration: great Japanese graphics, held in the halls of the Albertina Academy of Fine Arts in Turin. Among his latest manga are Tōrisugari no kaijiken (Supernatural cases that pass us by), released in 2016 by the publishing house Shūeisha Home-sha, and Teihon Shōkan no banmei-Goety (Authentic text of the barbarian names of evocation-Goety) , published in 2017 by Atelier Third. The latter, inspired by HP Lovecraft's Myths of Cthulhu, was also highly regarded by well-known writers of horror and supernatural literature Asamatsu Ken and Kikuchi Hideyuki. On the occasion of the presentation of the Comic Book Barber project at the opening of NipPop 2017: Words and Forms from Tokyo to Bologna, Tsukishiro Yūko will be in Bologna: on the evening of May 25th he will be the protagonist of a meeting during which he will illustrate his work for this project, and the public will be able to admire his technique in a live painting on stage. Giambattista Giocoli He made his debut as a conductor in 2013, in the production of the S. Sondheim musical A Little Night Music, receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra. In 2014 he directed I. Stravinsky's Histoire du Soldat (still on tour) and Sondheim's best known and most demanding musical, Sweeney Todd. In 2015 he produced the project on opera interludes and symphonies All'Opera! and in December he made his debut at the helm of the Toscanini Orchestra of Parma. In 2016 he made his debut with the project of the Fourth Symphony by G. Mahler and at the beginning of 2017 he staged the Popular songs project at the Teatro Duse in Bologna, with the voice of Cristina Zavalloni and Histoire du soldat with the voice of Ivano Marescotti . Yasuko Arimitsu Every year he plays joint concerts in renowned Japanese theaters such as Kanon (Kagoshima), Saneru (Kagoshima), JT Hall (Tokyo), Oji Hall (Tokyo), Grand Hill Ichigaya (Tokyo), and simultaneously participates in international opera singing workshops at the Opera Internship School of Pesaro and the Spanish one (Valencia). She trained with teachers of the caliber of Kyoko Tsukada, Franco Federici, Giuseppe Riva, Sergio Bertocchi and pianists such as Claudio Cirelli and Stefano Conticello, also joining the Circolo Lirico di Bologna. In 2011 he won the audition for the Opera La Bohème at the Cultural Association for classical music in Bellano (LC) and performed in Cremona in the concert in honor of Franco Federici together with the tenor Ivo Scarpellini. In recent years she has performed in numerous concerts on the Italian territory and in 2009 received the support of the Japanese Kirishima-kai Association for the realization of concerts-récital that see her as a protagonist.

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore durata 18 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) durata 23 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore durata 14 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, Emil Banca, Fitel, CNA, Lions Club Acquista biglietti

March 6, 8.30 pm - POSTPONED NEW DATE May 30, 8.30 pm in collaboration with the Jaya Association BHĀRATANĀTYAM MARGAM Indian dance theater show with Apoorva Jayaraman The Bhāratanāṭyam it is the oldest form of dance theater originating in South India. The term Nāṭyam in Sanskrit it means dance, Bharata instead it is an acronym of the three words Bhāva (expression), Guys (melody), Tāla (rhythm). The style known as Bhāratanāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. APOORVA JAYARAMAN was born in Bangalore, and met Bhārata Nātyam at the tender age of 5. At 16 she moved to Chennai to study with the great teacher Kalanidhi Narayanan and since then she has had the opportunity to train permanently with Priyadarsini Govind, one of the most eminent dancers of this style of dance. In his own words ' Dancing, and activities surrounding it, have brought me a sense of fulfillment like nothing else so far has '. Apoorva has a degree in Physics from the University of Oxford and a PHD in Astronomy from the University of Cambridge (UK). Ticket € 13 (full), € 10 (reduced) Buy tickets Apoorva Apoorva Jayaraman Apoorva Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman

Orsoleo Spring Festival 2025 THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". 29 aprile ore 21 | Chiesa ALL'OPERA! sinfonie e intermezzi tratti dalle opere liriche più celebri della tradizione italiana Il concerto prevede l’esecuzione, con arrangiamenti originali per ensemble, di sinfonie, preludi e intermezzi tratti dalle opere liriche più famose della tradizione italiana. Dalla Norma di Bellini a La Forza del Destino di Verdi, passando per la Manon Lescaut di Puccini e la celeberrima sinfonia d’apertura de Il Barbiere di Siviglia di Rossini. In programma anche gli intermezzi di Pagliacci di Leoncavallo e di Cavalleria Rusticana di Mascagni e tanti altri celebri capolavori dell’Opera italiana. Repliche 29 aprile, ore 21 30 aprile, ore 11 e 19 ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli flauto Margherita Russo clarinetto Davide Braco tromba Sergio Ruiu corno Giulio Montanari violoncello Alessandro Culiani basso tuba Gianluigi Paganelli fisarmonica Raffaele Damen pianoforte Honglin Zong arrangiamenti Lorenzo Meo MUSICHE Sinfonia dalla Norma di Vincenzo Bellini Preludio da La Traviata di Giuseppe Verdi Preludio da Aida di Giuseppe Verdi Ouverture dal Don Pasquale di Gaetano Donizetti Intermezzo da L'Amico Fritz di Pietro Mascagni Intermezzo dalla Cavalleria Rusticana di Pietro Mascagni Sinfonia da Il Barbiere di Siviglia di Gioacchino Rossini Intermezzo da I Pagliacci di Ruggero Leoncavallo Intermezzo dalla Manon Lescaut di Giacomo Puccini Sinfonia da La Forza del Destino di Giuseppe Verdi

Spettacoli in corso, estate 2021 summer 2019 Estate 2021 Estate 2021 Estate 2021 Estate 2021 1/11 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. Buy your ticket online

Kafka100 September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome KAFKA: LETTERS TO MILENA Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Scopri di più LA PRAGA DI KAFKA tra immaginario, perturbazioni, realtà in viaggio con Vincenza Maugeri 10-13 settembre Scopri di più KAFKA, Lettere a Milena concerto teatrale 1 settembre | Teatro del Baraccano - Bologna rassegna ATTI SONORI, estate 2024 ore 19.30 intervista impossibile a F. Kafka con E. Marrese e A. Santonastaso ore 21 spettacolo 15 novembre | Teatro del Baraccano - Bologna 16 novembre | Sala Sangiorgi - Forlì 17 novembre | Sementerie Artistiche - Crevalcore (BO) Scopri di più

October 6, hours 21 October 7, 5 pm THE PRINCESS ON THE PEA the musical The story of The Princess and the Pea relives in the theater in a hilarious musical. Will the young and awkward Winnifred be able to prove to the evil Queen Aggravia that she is a real princess? Among knights, wizards, mattresses, jealous mothers, a bizarre dumb king and a small green pea, a musical journey into the Middle Ages that will make the whole family laugh and excite. The Muffins Maddalena Luppi, Stefano Colli Giulia Mattarucco and Riccardo Sarti direction and adaptation Edoardo Scalzini collaboration with texts and lyrics by Nino Pratticò and Jacopo Gilone musical direction Eleonora Beddini musical assistance Chiara Todeschi piano and Mute King Lorenzo Vacchi the voice of the Magician Davide Lepore costumes Silvia Cerpolini and Fabio Cicolani scenographies Barbara and Sara Sgambati graphics and illustrations Stefano Bonsi Ticket € 13 (full), € 10 (reduced) Buy tickets Principessa sul Pisello fronte finale Principessa sul Pisello - CAST

biglietteria Teatro BARACCANO THEATER TICKET OFFICE the ticket office of the Teatro del Baraccano is in via del Baraccano, 2 20/12 TOYS AND COAL 31/01 I HEAVEN - FRIDA KAHLO 01/02 WIEGALA 07/02 PICTURES - ALCHEMY DUO 08/02 THE OVERTURNED CIRCUS 29/02 FROM THE WINDOW OF LUCIO 06/03 MARGAM REDUCTIONS under 26, over 65, Theater members, Culture Card * under 26, over 65, Teatro members, Culture Card, Jaya members online at www.vivaticket.it or c / o Bologna Welcome (Piazza Maggiore 1 / e - tel. 051.231454) TICKET OFFICE HOURS from Mon to Fri from 10 to 13 and on show evenings

RESPIGHI SUITE Form Gallery Video

Vieni notte, a bere luce Single ticket € 10 Buy tickets 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. Grande Notturno Sassolino Orchestra del Baraccano Giambattista Giocoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

Scheda Radio Ritmo, voci e suoni dall'etere, Guglielmo Marconi, Orchesta del Baraccano RADIO RITMO voices and sounds from the ether on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRA SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSKIJ Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.