Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga venerdì 11 dicembre , ore 9.30 e ore 11.30 Teatro Comunale - San Giovanni in Persiceto (BO) *RISERVATO ALLE SCUOLE* mercoledì 16 dicembre , ore 11 Teatro Bonci - Cesena *RISERVATO ALLE SCUOLE* THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone

Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga giovedì 10 dicembre , ore 11 | Teatro del Baraccano THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone

Il Teatro del Baraccano dal 2011 è gestito dall’Ass. Perséphone, con il progetto ATTI SONORI, che prevede spettacoli di teatro e musica. Foyer Teatro del Baraccano Foyer Teatro del Baraccano 1/29

ARCHIVIO STAGIONI PASSATE AUTUNNO 2024 AUTUNNO 2023 STAGIONE 2022 AUTUNNO 2021 ESTATE 2020 ESTATE 2019 ESTATE 2018 AUTUNNO 2017 ESTATE 2024 ESTATE 2023 SACRE MUSICHE 2025 ESTATE 2021 AUTUNNO 2019 INVERNO 2019 INVERNO 2018 ESTATE 2017

GIAMBATTISTA GIOCOLI Education and Training Originally from Basilicata, Giambattista Giocoli began his musical career as a clarinettist, studying clarinet in his hometown before graduating from the Bologna Conservatory under Maestro Enrico Quarenghi. He has performed as a soloist with several orchestras, including the Orchestra of the Teatro Comunale di Bologna (A. Copland's Clarinet Concerto, 1998). He studied with Gaspare Tirincanti, specialising in contemporary repertoire for solo clarinet. His eclectic musical background enabled him to perform on all instruments of the clarinet family. He furthered his studies at the Accademia Chigiana in Siena with Antony Pay and at the AFOS Academy of Emilia-Romagna with Alessandro Carbonare . Recordings He has made recordings for regional radio stations in Emilia-Romagna and Basilicata, for RAI Radio 3, RAISAT, the CLASSICA television channel and Japan's Fuji Television. His CD recordings include an album devoted to Giacinto Scelsi, several works from the twentieth-century repertoire, world premieres of contemporary compositions and a recording for Deutsche Grammophon with Plácido Domingo. Theatres and Festivals As a clarinettist, he has collaborated with several orchestras in their opera and symphonic seasons, including the Orchestra of the Teatro Comunale di Bologna, with which he worked regularly for approximately ten years. He has collaborated with the contemporary music ensemble FontanaMIX, conducting contemporary music workshops at the DAMS Department of the University of Bologna, and with the Milan-based ensemble Sentieri Selvaggi, performing in Europe (Serbia, 2005) and Asia (Uzbekistan, 2007). Among the most prestigious international festivals in which he has participated are Bologna Festival, Nuove Consonanze in Rome, Angelica Festival, Milano Musica and the Mozart Festival in Rovereto. His international tours also include performances in Japan in 2002 and 2006 with the Orchestra of the Teatro Comunale di Bologna. Artistic Direction Since its foundation in 2005, he has been the Artistic Director of ATTI SONORI , a music theatre festival originally held in Bologna and in several theatres throughout the province. Dedicated to research and the creation of new music theatre productions, the festival has been based at the Teatro del Baraccano in Bologna since 2010. In 2025, he founded the Orsoleo Spring Festival , serving as its Artistic Director. The festival promotes the cultural heritage of Basilicata through music, theatre, dance and artistic residencies, and reached its second edition in 2026. Orchestral Conducting In 2013, he made his debut as a conductor with a production of Stephen Sondheim's musical A Little Night Music , receiving critical and public acclaim. In the same year, he founded the Orchestra del Baraccano . The orchestra's mission is to perform works originally composed for large symphonic ensembles in chamber orchestra formations, creating new arrangements in which each instrumental part is performed by a single musician. In 2014, he conducted Igor Stravinsky's L'Histoire du Soldat and Stephen Sondheim's acclaimed and demanding musical Sweeney Todd. In 2015, he toured with L'Histoire du Soldat and the programmes All'Opera! , featuring symphonies, intermezzi and overtures from Italian opera, and 4th Gustav Mahler , an arrangement of Mahler's Fourth Symphony for chamber orchestra. Since 2015, he has collaborated as a guest conductor with the Orchestra della Fondazione Toscanini in Parma and, since 2017, with the Orchestra Sinfonica Rossini in Pesaro. In 2018, he also began collaborating with the Fondazione Orchestra Lucana and the Virtuosi dell'Opera Italiana. Productions he has conceived and conducted include: 2017: Popular Songs , featuring soloist Cristina Zavalloni; a new production of Histoire du Soldat with actor Ivano Marescotti as narrator; and Il Barbiere a Fumetti , an adaptation of The Barber of Seville combining music, animation and manga illustrations by Japanese artist Tsukishiro Yuko, created as an international co-production with Japan. 2020: Kafka, Lettere a Milena , a theatrical concert for orchestra and two narrators. 2021: He conceived the RESPIGHI Project , the first festival entirely dedicated to the Bolognese composer Ottorino Respighi. As part of the project, he created the theatrical concert Allargo già le braccia and the music and dance production R.A.D. Respighi Ancient Dances , co-produced with the DNA dance company. He also recorded the album Respighi Suite , Antiche arie e danze per liuto, featuring Respighi's works arranged for chamber ensemble. 2022: He conceived Aida, la musica danza nella sabbia , a chamber ensemble adaptation of Giuseppe Verdi's opera, featuring narration and lighting design. 2022–2024: With the Orchestra del Baraccano, he toured Poland and the Czech Republic i n 2022, Hungary in 2023 and Croatia in 2024. 2025: He conceived and conducted Pulcinella, all'improvviso! , an Orchestra del Baraccano production recognised as a Special Project by the Italian Ministry of Culture . The production was presented as part of the Respighi Festival i n Bologna and toured Basilicata and Campania. 2026: He continues his conducting career with new productions, including Danze Ritrovate and Dalla Sensitiva alla Création du monde . GALLERY

Bando formazione, selezione Atelier Opera all'opera! Form Form Form Clip 1 Clip 1

Respighi e Bologna June 24th 6pm and 8.30pm | July 22, 8.30 pm 12 August 6 pm and 8.30 pm | September 16, 6 pm and 8.30 pm Charterhouse of Bologna WE REJECT MUSIC the Certosa, Bologna and Respighi musical guided tours Ottorino Respighi , one of the most famous composers of the twentieth century, rests in the Certosa. Beloved in the USA, famous for his famous works dedicated to Rome, the Eternal City , he maintained his contacts with Bologna, his hometown, throughout his life. A journey to remember the musical world that made him famous, and his fellow musicians of all ages, from Gioachino Rossini to Lucio Dalla. During the visit we will also discover the events of the composer's family who were sculptors, generals, writers. Guided tours by Mirarte. reservations required mirartecoop.it Musical interventions with the soloists of the Baraccano Orchestra Alice Caradente and Alessandra Ziveri harps Admission € 12, two euros donated to the Certosa. Reservation required through the site www.mirartecoop.it Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather.

Vieni notte, a bere luce Concerto per il Giorno della Memoria Teatro del Baraccano 23/01/22 ore 18 Scopri di più Myslivecek il divino boemo Orchestra del Baraccano Teatro del Baraccano 25/06/2022 ore 21 Scopri di più Respighi suite in tournée Varsavia e Praga 10 e 11 agosto Scopri di più SmartOpera Il Barbiere a fumetti Orchestra del Baraccano Cortile del Teatro del Baraccano 21/08/22 ore 21 Scopri di più Myslivecek il divino boemo Orchestra del Baraccano Roma 16/10/22 ore 21 Scopri di più AIDA, la musica danza nella sabbia in tournée Basilicata dal 27 al 30/12/22 Scopri di più Myslivecek il divino boemo M.I.A. Musica insieme in Ateneo Auditorium DAMSLab 23/02/2022 ore 20.30 Scopri di più SmartOpera Il Barbiere a fumetti in tournée Basilicata dal 9 al 15 luglio Scopri di più Respighi suite Orchestra del Baraccano Certosa di Bologna 15/08/22 ore 21 Scopri di più Respighi suite Orchestra del Baraccano Cortile del Teatro del Baraccano 24/08/22 ore 21 Scopri di più SmartOpera AIDA Orchestra del Baraccano Teatro del Baraccano 25-26/11/22 Scopri di più SmartOpera Il Barbiere a fumetti Orchestra del Baraccano Teatro del Baraccano 27/05/2022 ore 21 Scopri di più SmartOpera Il Barbiere a fumetti Orchestra del Baraccano Forlì 22 luglio - RINVIATO Scopri di più Myslivecek il divino boemo Orchestra del Baraccano Cortile del Teatro del Baraccano 19/08/22 ore 21 Scopri di più Smart Opera Aida selezione dall'Opera in concerto Cortile del Teatro del Baraccano 30-31/08/22 ore 21 Scopri di più Musica per Sassolino Orchestra del Baraccano Teatro del Baraccano 10/12/22 Scopri di più

Respighi suite tournée Balatonfured 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO conductor Giambattista Giocoli violin Gabriele Bellu flute and piccolo Claudia Piga bass clarinet Davide Braco harp Alice Caradente harpsicord István Bátori accordion Raffaele Damen trumpet Giulio Padula bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

Scheda Kafka, Lettere a Milena un progetto ATTI SONORI/Teatro del Baraccano Museo Ebraico di Bologna Centro Ceco di Roma Associazione Culturale Italo Ceca Lucerna RAD Respighi Ancient Dances concerto teatrale DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. Kafka Lettere a Milena CONCERTO TEATRALE Franz Kafka (Praga 1883- Kierling 1924) adattamento drammaturgico Manuela De Meo Manuela De Meo e Pietro Traldi voci recitanti dipinti scenografici originali Andrea Louis Ballardini Orchestra del Baraccano direttore Giambattista Giocoli Filippo Mazzoli flauto | Alessio Gentilini oboe Giovanni Picciati clarinetto | Davide Braco clarinetto basso Gianni Dallaturca tromba | Paolo Faggi corno Marco Taraddei fagotto Musiche di Paul Hindemith Settimino Leoš Janáček Mládí ORCHESTRA DEL BARACCANO L'Orchestra del Baraccano nasce all'interno delle attività del Teatro del Baraccano di Bologna, dove viene realizzato un progetto di produzione e ricerca sul teatro musicale da camera. È stata fondata nel 2013 ed è diretta dal suo direttore artistico Giambattista Giocoli. L’Orchestra ha prodotto numerosi spettacoli di teatro musicale sia autonomamente sia in coproduzione e collaborazione con altri soggetti. L’obiettivo dell'Orchestra è suonare, con formazioni per orchestra da camera, opere musicali originariamente composte per grandi orchestre, producendo nuove partiture suonate "a parti reali”. Tra le produzioni ricordiamo: lo spettacolo L’histoire du Soldat di Igor Stravinskij; 4th Gustav Mahler , la Quarta sinfonia di Mahler, arrangiata per orchestra da camera; il progetto All’Opera! , sinfonie, intermezzi e ouverture dell’Opera lirica italiana ed i musical A Little Night Music e Sweeney Todd di Stephen Sondheim. Nel 2017 ha realizzato Popular songs , con solista Cristina Zavalloni; un nuovo L’histoire du soldat con la voce recitante di Ivano Marescotti ed Il Barbiere a Fumetti , "Il Barbiere di Siviglia" per musica, animazioni e fumetti Manga, disegnati da Tsukishiro Yuko, in coproduzione internazionale con il Giappone. Nel 2019, in occasione del 100 anni della nascita del Bauhaus, ha prodotto il concerto IMMUTEA 1919 , in collaborazione con Bologna Design Week. Nel 2021 sarà il centro degli appuntamenti di Respighi project , un progetto sul musicista e compositore bolognese Ottorino Respighi e di Progetto Kafka . Nel 2022 è stata il fulcro del progetto PON VoltONE su AIDA , una riduzione dell’Opera di G. Verdi per ensemble e voce recitante. Nel 2022, con il programma RESPIGHI suite , è stata in tournée in Repubblica Ceca e Polonia, nel 2023 in Ungheria e nel 2024 in Croazia. GIAMBATTISTA GIOCOLI Inizialmente Clarinettista, nato nel 1976 a Matera, studia clarinetto nella sua città natale diplomandosi poi al Conservatorio di Bologna. Come strumentista studia con Perrone, Quarenghi, Tirincanti, Pay e Carbonare, iniziando subito una intensa attività concertistica in Italia e all’estero. Effettua registrazioni per Radio italiane ed estere, incidendo diversi cd di musica classica e contemporanea. Per 10 anni collabora con le stagioni liriche e sinfoniche dell’Orchestra del Teatro Comunale di Bologna con la quale effettua molteplici tournée in Italia e all’estero. Ha collaborato con gli ensemble di Musica Contemporanea FontanaMIX di Bologna e con l’ensemble Sentieri Selvaggi di Milano, con una attività concertistica in Europa e Asia. Nel 2013 debutta come direttore d'orchestra nella produzione di Musical americani e nello stesso anno fonda l'Orchestra del Baraccano, con la quale produce progetti di Teatro Musicale da camera e progetti sinfonici che porta tutt’ora in tournée. Dal 2015 collabora come direttore ospite con l'Orchestra della Fondazione Toscanini di Parma e dal 2017 con l’Orchestra Sinfonica Rossini di Pesaro. Nel 2018 inizia a collaborare anche con la Fondazione Orchestra Lucana e i Virtuosi dell’Opera Italiana. Nel 2022, con la sua Orchestra è stato in tournée in Polonia e Repubblica Ceca, nel 2023 in Ungheria. E’ direttore artistico del Teatro del Baraccano di Bologna e del progetto di ricerca e produzione di Teatro Musicale ATTI SONORI di Bologna. ANDREA LOUIS BALLARDINI Andrea Louis Ballardini (1960), è nato a Praga dove suo padre insegnava pittura e tecnica del mosaico all’Accademia delle Belle Arti. Dopo gli studi d’arte nel 1982 si è trasferito a Bologna e iniziato la sua carriera di restauratore e pittore. Dal 1984 ha esposto i suoi dipinti in mostre collettive e personali in Italia ma anche in Francia, Malta e in Repubblica Ceca. Ha illustrato raccolte di poesia italiana contemporanea e madrigali di Carlo Gesualdo da Venosa. Ha redatto e una serie di vite d’artisti per un progetto editoriale pubblicato in Svizzera. Le sue intense relazioni con gli ambiti culturali praghesi lo hanno portato a fondare a Bologna un’associazione che promuove scambi culturali italo -cechi. Nel 2014 è stato eletto, unico italiano, membro della storica Associazione degli artisti cechi Manes per la quale ha scritto testi e saggi introduttivi per cataloghi e importanti mostre a carattere storico al Castello di Praga. Di recente ha eseguito le tempere per le scenografie del progetto teatrale musicale Franz Kafka - Lettere a Milena andato in scena a Bologna al Teatro del Baraccano nel settembre 2020. per cataloghi e importanti mostre a carattere storico al Castello di Praga. Di recente ha eseguito le tempere per le scenografie del progetto teatrale musicale Kafka - Lettere a Milena andato in scena a Bologna al Teatro del Baraccano nel settembre 2020. MANUELA DE MEO - PIETRO TRALDI Sono entrambi diplomati come attori alla Civica Scuola d'Arte Drammatica Paolo Grassi di Milano. Sono fondatori e direttori artistici del progetto Sementerie Artistiche, compagnia teatrale e centro culturale che sorge all’interno di un’azienda agricola nella pianura bolognese. Il progetto è attivo dal 2016 e ha visto l’organizzazione di rassegne, residenze artistiche e percorsi di formazione. Traldi e De Meo hanno collaborato a lungo con il Banfield Teatro Ensamble di Buenos Aires come attori e insegnanti. Sono anche attori negli spettacoli della compagnia e in progetti esterni con altri artisti. Tra il 2008 e il 2011 lavorano come attori indipendenti. Manuela De Meo inizia la sua carriera in teatro lavorando con Alessandro Genovesi, Massimo Castri, Marco Plini, Federico Grazzini. Pietro Traldi inizia a la vorare in teatro con Maurizio Schimdt e Federico Grazzini ed è attivo anche per cinema e tv apparendo tra i protagonisti della fiction I delitti del cuoco. Nel 2020 interpreta Marino Mazzacurati in Volevo nascondermi di Giorgio Diritti. Nel 2011 i due attori uniscono di nuovo il loro percorso artistico partecipando alla produzione di Karamazov con la regia di Cèsar Brie per ERT Emilia-Romagna Teatro. Da allora continueranno a lavorare con Brie tra l'Italia e l'Argentina recitando sia in italiano che in spagnolo, fino alla fondazione della compagnia Sementerie Artistiche e all'apertura dell'omonimo centro culturale. Dal 2016 dirigono Sementerie Artistiche scrivendo, producendo e distribuendo spettacoli, organizzando rassegne teatrali, corsi di formazione, workshop e progetti sociali. Tra il 2016 e il 2019 hanno presentato i loro spettacoli anche in Argentina (Banfield Teatro Ensamble, Teatro Picadero, Teatro Metodo Kairòs, Festival Internacional de Teatro de La Plata) e tenuto seminari di approfondimento attoriale alle Sementerie Artistiche in Italia e presso il Banfield Teatro Ensamble di Buenos Aires grazie al sostegno dell'Istituto di Cultura Italiana di Buenos Aires e del bando Movin'Up.

AMORE E RIVOLUZIONE omaggio a Frida Kahlo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Mare Aperto Trasparenze Assalam Misirlou Historia de un amor Chante chante ma guitar Pausa monologo attrice Adio kerida Taksim La llorona Quando il vento tace Vent du sud BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Aperitivi a cura di Oui in cucina www.ouiincucina.com Acquista biglietti ATTI SONORI fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena. Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Musica di Igor Stravinskij, testo di C. F. Ramuz. Con Ivano Marescotti e l'Orchestra del Baraccano, diretta da Giambattista Giocoli HISTOIRE DU SOLDAT SOUND ACTS March 29, 9 pm at the Duse Theater music by Igor Stravinskij, text by CF Ramuz ACTI SONORI stages the “poor” Opera that Igor Stranvinsky composed in 1918, against the sumptuous canons of traditional opera. The story is taken from the Russian fairytale tradition and has as its protagonist a soldier, an emblematic victim of the world conflict of the Great War. The soldier's story it concerns humanity as a whole and, in particular, the issue of the impossibility of man to escape his own destiny. Histoire du Soldat | by Gianluca Cheli This work was initially conceived as a work for puppets: a simple and immediate artistic product, with a strong symbolic component. Here the graphic gesture is chosen as a marionette sign to reveal the dark aftertaste of the ironic atmospheres, musically outlined by Stravinskij in his chamber work. Elements that return in the expressive sign of the most submerged plane of the Histoire du Soldat: the melancholy, and all in all a bit funny, feeling of predetermination, combined with the creative madness of Russian fairy tales, from which the work takes its cue. ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini violin | Fabio Quaranta double bass Giovanni Picciati clarinet | Paolo Rosetti bassoon Fabio Codeluppi trumpet | Valentino Spaggiari trombone Simone Beneventi percussion narrator Ivano Marescotti illustrations Michele Cerone dramaturg Gianluca Cheli Ticket € 32 (full), € 24 (reduced) Buy tickets Ivano Marescotti Giambattista Giocoli Histoire du soldat Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni And a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. IVANO MARESCOTTI Actor from Romagna, he ranges from cinema (with over 50 films) to theater, where he undertook, among other things, a recovery of his Romagna dialect, taking up the texts of Raffaello Baldini, to reread and rewrite Dante's Divine Comedy in his own way and the Orlando Furioso de ll'Ariosto.