ATELIER QUADRI D'OPERA Teatro del Baraccano gennaio - febbraio 2026 Scopri di più IL BARBIERE A FUMETTI Bologna, Pesaro, Fabriano febbraio 2026 Scopri di più ATTI SONORI estate 2026 Teatro del Baraccano - Bologna luglio 2026 Scopri di più HOLOFICTION di Michal Kosakowski musiche di Paolo Marzocchi Teatro del Baraccano - Bologna 25 gennaio 2026 Scopri di più ORSOLEO SPRING FESTIVAL Convento Santa Maria di Orsoleo - Santarcangelo (PZ) aprile 2026 Scopri di più QUADRI D'OPERA Bologna, Castello d'Argile, Molinella, San Giovanni in Persiceto, Mongiorgio febbraio - marzo 2026 Scopri di più AIDA la musica danza nella sabbia Teatro del Baraccano - Bologna maggio 2026 Scopri di più

2 December, 9 pm NYANGA Harp & Hang duo The word Nyanga means Moon in Xhosa language (South-Africa) It evokes a part of the Universe hidden from the senses. In the shadow of the night, the Moon, daughter of the Earth, weaves magnetic relationships with living beings. The timbral interweaving between the harp and the hang creates a combination of chiaroscuro sounds; it tells of Celtic, Mediterranean and tribal lands, of futuristic scenarios and dreamlike tales. The rhythmic and incisive pulsation marks the time leaving room for a melodic and emotional poetry. The instruments dialogue in a variety of harmonic sounds and create a fertile ground for meditative, relaxing and creative states. Harp & Hang DUO, founded by the two artists Marianne Gubri and Paolo Borghi, offers an unprecedented combination of suggestive sounds between the harp, a classic instrument with a long history musical and the hang, a very modern percussion of Swiss origin. The original compositions of the duo Harp & Hang find their inspiration in the repertoire of ancient, Celtic, tribal and ethnic music, but also in the minimalist and modern style. They have played all over Italy, in France, Brazil, Dubai and the United States. In 2018 they will again be guests of the Wonder Festival in the United States and Ireland. HARP & HANG Marianne Gubri harp Paolo Borghi hang Ticket 12 € (full), 10 € (reduced) Buy tickets

L'Orchestra del Baraccano nasce nel 2013 all'interno delle attività del Teatro del Baccano. Fondata e diretta da Giambattista Giocoli. The Baraccano Orchestra was born within the activities of Theater of They baraccano of Bologna, where a production and research project on the theater is carried out chamber music. IS was founded in 2013 and is directed by its artistic director Giambattista Juggles . The Orchestra has produced numerous musical theater performances both independently both in co-production and collaboration with the Teatro Comunale di Bologna, BSMT productions and the University of Bologna. Among the productions we remember: the musicals A Little Night Music And Sweeney Todd by Stephen Sondheim, the show Histoire du Soldat by Igor Stravinskij, the projects At the Opera! , symphonies, interludes and overtures of the Italian opera e 4th Gustav Mahler , the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017 he carried out the following projects: Popular songs , with soloist Cristina Zavallon i, a new Histoire du soldat with the reciting voice of Ivano Marescotti and The Barber in Comics , "The Barber of Seville" for music, animations and Manga comics, designed by Tsukishiro Yuko, in international co-production with the Japan . The goal of the Orchestra is to play, with formations for chamber orchestra, musical works originally composed for large orchestras, producing new scores played "in real parts". PRODUCTIONS RESPIGHI SUITE HISTOIRE DU SOLDAT THE CARTOON BARBER POPULAR SONGS A LITTLE NIGHT MUSIC KAFKA: LETTERS TO MILENA IMMUTEA 1919 AT THE OPERA! 4th GUSTAV MAHLER SWEENEY TODD Il Barbiere a Fumetti Orchestra del Baraccano 2017 Histoire du soldat Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano 2016 Giocoli a Ferrara Orchestra applausi Mostra altro THE DIRECTOR GIAMBATTISTA GIOCOLI At first clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna . As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Orchestra of the Teatro Comunale di Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as a guest conductor with the Orchestra of the Toscanini Foundation of Parma, and from 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera . AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna. Giambattista Giocoli G. Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli

Progetti formativi per le scuole 2022 AIDA la musica danza nella sabbia riduzione dell’Opera di Giuseppe Verdi per ensemble, voce recitante e luci 25 e 26 novembre 2022, matinée La monumentale opera AIDA , nella versione in musica dell’Orchestra del Baraccano , non chiede forzature spettacolari in scena, né spazi colossali o grandiosità scenografiche. Ecco che anche gli elefanti potrebbero smettere di marciare, lasciando spazio stupiti e commossi al dramma umano tra vinti e vincitori , in guerra e in amore. Ritroviamo il soffocante gigantismo voluto da Giuseppe Verdi e l’effetto schiacciante sull’anima dei giovani protagonisti, nell’originale riduzione e nell’arrangiamento per organico strumentale a dieci parti reali, nello stile impetuoso del direttore Giambattista Giocoli , nei versi detti e sussurrati da Sandra Cavallini , nella voluta irregolarità metrica del libretto di Antonio Ghislanzoni . Accenti lirici, tratti trionfali e improvvise sospensioni svelano le delicate profondità dell’opera. Una riduzione e arrangiamento che cercheranno, pur senza i cantanti, di restituire la potenza drammaturgia e sinfonica di quest’Opera e di far arrivare la sua profonda intimità di sentimenti e musicalità, oltre ai momenti maestosi e grandiosi ispirati dalla magnificenza della civiltà egizia. Contrariamente alla tradizione predominante, che l’ha resa famosa principalmente per lo sfarzo delle scenografie, si vuole presentare quindi una lettura innovativa, incentrata sulla profonda intimità di sentimenti e riflessioni sulle dinamiche sociali. Orchestra del Baraccano direttore Giambattista Giocoli violino Roberto Noferini | flauto e ottavino Fabio Fabbrizzi | violoncello Andrea Noferini arpa Alice Caradente | fisarmonica Andrea Coruzzi marimba e percussioni Simone Beneventi tromba Fabio Codeluppi | trombone Valentino Spaggiari | basso tuba Gianluigi Paganelli voce recitante e adattamento teatrale Sandra Cavallini riduzione dell’Opera Giambattista Giocoli | arrangiamenti musicali Fabio Codeluppi

THE NIGHTINGONE 19 August, hours 21.30 THE DANCING FINDER concert with music by Giuseppe Verdi The transcript of the Troubadour according to the popular tradition of Emilian dancers, especially between the territories of Reggio Emilia and Parma, not only is it stylistically very successful, but - we dare to affirm - it even seems to reveal the authentic “genetic matrix” of the melodies of Verdi's masterpiece; after all, it is far from improbable that Verdi had sucked its essence from his childhood, as they say, with his mother's milk. The Nightingale revisits the musical tradition of the "wind concerts" of Barco (Reggio Emilia), reworking scores of late 19th century dance music. The septet, founded by Francesco Gualerzi and Mirco Ghirardini , is placed as an organ size halfway between the original wind concert (12-13 elements) and the smaller dance orchestra (and different for the type of tools used). The name of the group is taken from the title of the waltz - The nightingale, in fact - with which the nineteenth-century wind concert of the Cantoni di Parma invited people to dance with virtuosic "chirps". transcription for wind concert Fabio Codeluppi quartino Mirco Ghirardini quartino Andrea Medici trumpet Fabio Codeluppi bombardino Valentino Spaggiari genis Marco Catelli horn Dimer Maccaferri tuba Gianluigi Paganelli Ticket 12 € (full), 10 € (reduced) Buy tickets L'USIGNOLO

RESPIGHI SUITE Form Gallery Video

Grants and Grants Transparency obligations for companies and associations benefiting from contributions and subsidies from public administrations (Law 124/2017). CONTRIBUTIONS AWARDED BY PUBLIC BODIES 2020 Emilia Romagna region € 20,500 Municipality of Bologna € 35,000

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Stagione ATTI SONORI al Teatro del Baraccano di Bologna PRODUCTIONS ATTI SONORI was born in 2005 as a musical theater festival at the Arena Del Sole Theater in Bologna. The festival was characterized by the production of shows characterized by the transversality of languages, combining cultured music and other forms of art: combinations born from collaborations with subjects and artists who shared the charm of the interaction between different expressive forms. Subsequently, the festival developed in various theaters in the city of Bologna and its province, finding a home in 2010 at the Teatro del Baraccano with an annual program, which also includes a summer section in August in the Cortile del Piccolo Teatro.

D.R.OP. 17 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 18 July DROP. Dance Research Opportunity DROP . is the youth company of DNA and heart of Alma PRO, a professional training center in contemporary dance, in Bologna, led by the artistic director Elisa Pagani . DROP. annually welcomes talented dancers and dancers - trained at the most important and prestigious national and international centers - to give them the opportunity to undertake life as professionals in a company, experiencing all the phases that lead from the creation of a show to the national tour and international. Each year, the dancers work with renowned guest choreographers to create a bold, challenging and ambitious triple bill for touring. The mission, in addition to delivering to young artists an experience that acts as a springboard into the world of the artistic profession, is also to bring on tour works of great artistic quality, captivating and current. The show is ideal and usable for all audiences, due to the high quality standard of the choreographers but also for the variety of the program chosen. Part 1 Part 2 Choreography by Biagio Caravano Music: Vatnajokull by Chris Watson, Duo for Violin and Cello, Pt 1 feat Aisha Orazbayeva Lucy Railton, and Slow Match by Moderat feat. Paul St. Hilaire Duration: 20 ' Depositing the will and undoing the concept of subject are elements that are placed at the center of the work. The rhythmic and dynamic quality of the action is defined through the relationship both with other bodies and with the external environment. It is an action linked to time, rhythm and joint fragility determined by the failure to the other rather than to himself. Dance becomes an act of learning and real-time evaluation of an energetic condition that allows the creation of a shared space, a complex and articulated place where the conditions for coexistence are established. These are the days… Choreography by Simona Bertozzi Music: Prometheus by Francesco Giomi Duration: 24 ' Starting from a look towards the plant world, with particular attention to the sensory activity of plants and to the strategies of environmental adherence that they know how to implement, between magnetisms, resonances, roots and energetic propulsions, the creation process faces different levels of cohabitation and entry into the relationship. The research on movement and the texture of the choreographic sections articulate the configuration of emerging behaviors, individual actions and rapid choral assemblages, whose anatomical polyphony becomes a necessary reason for the unlimited presence and reopening of listening. Materic Choreography by Elisa Pagani Music: Cecilia Stacchiotti Duration: 20 ' It tells of a journey. A journey into the material consistency of nature, through mechanical and physical dynamics that give order to geological evolutions, from Pangea to the first constitution of social systems in which a sense of belonging exists. Matter takes possession of space with vigor, in an organic act that claims the strength of its existence in a clear and miraculous way. Drop Drop Drop Drop Drop Drop DROP. - Dance Research Opportunity Artistic direction Elisa Pagani Test director Chiara Merolla Organizational manager Massimo Monticelli Performers Arianna Brugiolo Sonia Campanella Valentina Foschi Beatrice Gatti Ilaria Ignesti Gaia Martinelli Single ticket € 10 Buy tickets

Pulcinella all'improvviso Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Musiche di OTTORINO RESPIGHI (Bologna, 1879 – Roma, 1936) brani tratti dalle suite ANTICHE ARIE E DANZE PER LIUTO arrangementi di Fabio Codeluppi, Giambattista Giocoli e Filippo Mazzoli Balletto detto "Il Conte Orlando" (1599) Villanella (fine sec. XVI) Campanae parisienses - Aria (sec. XVII) Danza rustica (1617) Laura soave, Balletto con gagliarda, saltarello e canario (1581) Arie di corte (sec. XVI) Passo mezzo e Mascherada (fine sec. XVI) Gagliarda (155?) Italiana (fine sec. XVI) Bergamasca (1650) Siciliana (fine sec. XVI) ********** G. B. PERGOLESI (Jesi, 1710 – Pozzuoli, 1736) IGOR STRAVINSKIJ (Lomonosov, 1882 – New York 1971) brani tratti dal balletto PULCINELLA arrangiamenti originali per ensemble di Lorenzo Meo Sinfonia Vivo Finale ********** TESTI drammaturgia originale o ispirata a testi della tradizione partenopea a cura di MARCO SGROSSO Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".

Il Barbiere di Siviglia di Rossini attraverso immagini, animazioni e suoni. ATTI SONORI e Orchestra Rossini di Pesaro, in collaborazione con NipPop Festival. May 25, 6 pm an ACTS SOUND production in collaboration with NipPop festival THE CARTOON BARBER the story of Rossini's Barber of Seville through images, animations and sounds Study on The comic barber . From an idea of Giambattista Giocoli the project of Barber of Seville , told through images. On May 25 the Japanese mangaka Tsukishiro Yūko he will illustrate the drawings made for this project and the public will be able to admire his technique in live painting on the music recorded by the Barbiere di Rossini. Following, the soprano Yasuko Arimitsu will propose a suggestive selection of passages taken from Rossini's work and from the Japanese tradition. The complete project de The comic barber it will be presented in August, as part of the summer festival SOUND ACTS… musical theater in summer! with live music. The evening will be enriched by a Japanese aperitif, kindly offered by the restaurant Yuzuya from Bologna. The event is promoted by NipPop: Words and Forms from Tokyo to Bologna , the annual festival dedicated to the pop cultures of contemporary Japan and promoted by the School of Languages of the University of Bologna. ideation and direction Giambattista Giocoli soprano Yasuko Arimitsu Images Tsukishiro Yūko dramaturg Gianluca Cheli _________________ free entry _________________ The final project: some previews Il Barbiere a fumetti , which by virtue of the collaboration with the Rossini Symphony Orchestra Pesaro from next summer will be staged and will go on tour throughout Italy, it will be an exceptional show in which the immediacy of the visual art and the expressiveness of the visual and sound interweaving update the Rossini masterpiece, returning an original version who knows how to speak to a young and contemporary audience. From the Suite from Vincenzo Gambaro and with arrangements for chamber orchestra made by SOUND ACTS , a new score for 12 real parts is born: the work is stripped of the recitative parts to stage only the music, directed by Giambattista Giocoli , together with a scenographic backdrop on which the artist's original comics are projected Tsukishiro Yūko , who tell the story in images, under the direction of the dramaturg Gianluca Cheli . Tsukishiro Yūko Illustrator and mangaka, during her career she has created drawings for many science fiction, fantastic, horror and erotic novels collaborating with the most famous Japanese genre literature magazines (high circulation publications such as Shōsetsu NON, Mondai Shōsetsu and J-novel ) and the country's major publishing houses, including Fujimi Shobō, Kadokawa, Kōdansha, Tokuma Shoten and Square Enix. From January 14 to February 14, 2010, his works were exhibited in Italy in the exhibition Dall'ukiyo-e to contemporary illustration: great Japanese graphics, held in the halls of the Albertina Academy of Fine Arts in Turin. Among his latest manga are Tōrisugari no kaijiken (Supernatural cases that pass us by), released in 2016 by the publishing house Shūeisha Home-sha, and Teihon Shōkan no banmei-Goety (Authentic text of the barbarian names of evocation-Goety) , published in 2017 by Atelier Third. The latter, inspired by HP Lovecraft's Myths of Cthulhu, was also highly regarded by well-known writers of horror and supernatural literature Asamatsu Ken and Kikuchi Hideyuki. On the occasion of the presentation of the Comic Book Barber project at the opening of NipPop 2017: Words and Forms from Tokyo to Bologna, Tsukishiro Yūko will be in Bologna: on the evening of May 25th he will be the protagonist of a meeting during which he will illustrate his work for this project, and the public will be able to admire his technique in a live painting on stage. Giambattista Giocoli He made his debut as a conductor in 2013, in the production of the S. Sondheim musical A Little Night Music, receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra. In 2014 he directed I. Stravinsky's Histoire du Soldat (still on tour) and Sondheim's best known and most demanding musical, Sweeney Todd. In 2015 he produced the project on opera interludes and symphonies All'Opera! and in December he made his debut at the helm of the Toscanini Orchestra of Parma. In 2016 he made his debut with the project of the Fourth Symphony by G. Mahler and at the beginning of 2017 he staged the Popular songs project at the Teatro Duse in Bologna, with the voice of Cristina Zavalloni and Histoire du soldat with the voice of Ivano Marescotti . Yasuko Arimitsu Every year he plays joint concerts in renowned Japanese theaters such as Kanon (Kagoshima), Saneru (Kagoshima), JT Hall (Tokyo), Oji Hall (Tokyo), Grand Hill Ichigaya (Tokyo), and simultaneously participates in international opera singing workshops at the Opera Internship School of Pesaro and the Spanish one (Valencia). She trained with teachers of the caliber of Kyoko Tsukada, Franco Federici, Giuseppe Riva, Sergio Bertocchi and pianists such as Claudio Cirelli and Stefano Conticello, also joining the Circolo Lirico di Bologna. In 2011 he won the audition for the Opera La Bohème at the Cultural Association for classical music in Bellano (LC) and performed in Cremona in the concert in honor of Franco Federici together with the tenor Ivo Scarpellini. In recent years she has performed in numerous concerts on the Italian territory and in 2009 received the support of the Japanese Kirishima-kai Association for the realization of concerts-récital that see her as a protagonist.