ORCHESTRA DEL BARACCANO
director Giambattista Giocoli
Francesco Fagioli flute
Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet
Luca Piovesan accordion
Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July)
Imerio Tagliaferri first horn | Benedetto Dallaglio second horn
Fabio Codeluppi trumpet | Valentino Spaggiari trombone
Gianluigi Paganelli bass tuba
Tsukishiro Yūko manga drawings
conceived by Giambattista Giocoli
musical arrangements Fabio Codeluppi and Giambattista Giocoli
digital coloring Michele Cerone
PROGRAMMA
Sinfonia
Piano, pianissimo
Ecco ridente in cielo
Oh sorte!
Signor conte
Mille grazie, mio signore
Largo al factotum
All’idea di quel metallo
Numero quindici a mano manca
Una voce poco fa
La calunnia è un venticello
Dunque io son
Ehi di casa, buona gente
Che cosa accadde
Mi par d’essere con la testa
Contro un cor che accende amore
Don Basilio, cosa veggo
Bravissimo
Bricconi birbanti
Il vecchiotto cerca moglie
Temporale
Ah, qual colpo inaspettato
Zitti zitti
Di sì felice innesto
Biglietteria
passeggiata - apertitivo - concerto: intero 25€, ridotto 20€
concerto: intero 15€, ridotto 10€
riduzioni: under 30, over 65, Card Cultura, Emil Banca, Fitel, CNA, Lions Club
Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE)
6 July, 9.30 pm
San Luigi Room | via Luigi Nanni, 14 - Forlì
July 8, 9.30 pm
Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO)
9 July, 9.30 pm
THE CARTOON BARBER
Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra.
In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko.
Two apparently distant languages, united however by the story and the expressiveness.
The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience.
The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images.
A few short captions help to better understand the tangled history of the "Barber of Seville".