ORCHESTRA DEL BARACCANO
director Giambattista Giocoli
Francesco Fagioli flute
Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet
Luca Piovesan accordion
Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July)
Imerio Tagliaferri first horn | Benedetto Dallaglio second horn
Fabio Codeluppi trumpet | Valentino Spaggiari trombone
Gianluigi Paganelli bass tuba
Tsukishiro Yūko manga drawings
conceived by Giambattista Giocoli
musical arrangements Fabio Codeluppi and Giambattista Giocoli
digital coloring Michele Cerone
Musiche di
OTTORINO RESPIGHI
(Bologna, 1879 – Roma, 1936)
brani tratti dalle suite
ANTICHE ARIE E DANZE PER LIUTO
arrangementi di Fabio Codeluppi, Giambattista Giocoli e Filippo Mazzoli
Balletto detto "Il Conte Orlando" (1599)
Gagliarda (155?)
Villanella (fine sec. XVI)
Passo mezzo e Mascherada (fine sec. XVI)
Laura soave, Balletto con gagliarda, saltarello e canario (1581)
Danza rustica (1617)
Campanae parisienses - Aria (sec.XVII)
Bergamasca (1650)
Arie di corte (sec. XVI)
Passacaglia (1692)
**********
G. B. PERGOLESI
(Jesi, 1710 – Pozzuoli, 1736)
IGOR STRAVINSKIJ
(Lomonosov, 1882 – New York 1971)
brani tratti dal balletto
PULCINELLA
Sinfonia | Serenata
Scherzino - Allegretto - Andantino
Tarantella | Toccata | Gavotta (con due variazioni)
Vivo | Minuetto - Finale
Arrangiamenti originali per ensemble
**********
TESTI
Originali e tratti da LU CUNTU DE LI CUNTI di Giambattista Basile
e dalla drammaturgia partenopea, scritti o elaborati da
MARCO SGROSSO
Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE)
6 July, 9.30 pm
San Luigi Room | via Luigi Nanni, 14 - Forlì
July 8, 9.30 pm
Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO)
9 July, 9.30 pm
THE CARTOON BARBER
Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra.
In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko.
Two apparently distant languages, united however by the story and the expressiveness.
The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience.
The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images.
A few short captions help to better understand the tangled history of the "Barber of Seville".