A modern-day lady in the aisles of a supermarket, a farmhand and an embroiderer, a noblewoman, a braid, staged through a minimal transformism, evoke real events of solidarity, between mutual aid and cooperation. Experiences that already from the second half of the 19th century arise from the desire to join a collective project of civil exchange, from the desire for knowledge and the need for economy and work to remain places of the human. The transversality of the phenomenon is astonishing. The tragicomic dynamic between humanity and market imperatives is essential.

Intense interpretation, minimal context, a journey between contemporary and recent history. Protagonist on stage Sandra Cavallini, a lot of energy, subtle unique and very personal modulations of voice, movement. Every moment lights up the face with new vibrations that intensify the contrasts between lights and shadows on a stage that is not there.

It is no longer there because it disappears and is canceled when the emotions and the history of the people are at the center. A cultured and ironic staging, the story of those who fight against any standardization. The theater is that of life and history.   (Barbara Scacchetti).