Scheda Danze Ritrovate RESPIGHI SUITE Ancient Airs and Dances arranged for ensemble The Ancient Airs and Dances are a collection of free transcriptions from lute pieces from the 16th and 17th centuries, created by Ottorino Respighi and organized in three suites for different orchestral organism. In 1917 Respighi composed the First Suite , in 1923 the Second Suite and in 1931 the Third Suite . His wife Elsa picked them up and reorganized them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors designed by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as harp and harpsichord, and the search for a new and modern sound, with the inclusion of accordion and bass tuba. BARACCANO ORCHESTRA conductor Giambattista Giocoli violin Gabriele Bellu flûte and piccolo Claudia Piga bassoon Davide Braco trumpet Luca Piazzi harp Alice Caradente accordion Raffaele Damen harpsichord Chiara Cattani bass tuba Gianluigi Paganelli arrangement by Fabio Codeluppi , Giambattista Giocoli e Filippo Mazzoli DANZE RITROVATE PRIMA SUITE Balletto Arie di Corte Villanella Gagliarda Passo mezzo e Mascherada di Ottorino Respighi SECONDA SUITE Italiana Laura Soave Danza Rustica Campanae Parisienses Bergamasca di Ottorino Respighi TERZA SUITE Sinfonia di Domenico Gallo Siciliana di Ottorino Respighi Vivo di Giambattista Pergolesi Gavotta di Carlo Ignazio Monza Finale: Allegro assai di Domenico Gallo BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

5 August, hours 21.30 DISENCHANTED the musical Fun, hilarious, with the flavors of vaudeville and cabaret, Disenchanted it dispels the myth of the "Princess Complex", to make fun of the frivolities told in fairy tales and celebrate being a woman in all its facets. Ten princesses they will stage their variety, to the rhythm of funny gags, real star numbers, leaving the audience with important ideas for reflection. Our princesses, seen in the collective imagination as perfect girls, sweet and succubus of their prince charming, in this show they deal with themes that are always discussed and very current. Diversity , emancipation , image exploitation , alcoholism or the fear of losing one's beauty , they represent the subtext of what they tell the public. Princesses who are first and foremost women, ready to make their way and fight to honor their dignity, all with irony and a pinch of malice. The Italian version, produced by the PERFORMErs thanks to a special agreement with Theatrical Right Worldwide - New York marks the first time the show is staged in Europe. music, lyrics and lyrics Dennis T. Hyacinth directed and Italian adaptation Matteo Borghi musical direction Eleonora Beddini choreography Luca Peluso Italian translations Nino Pratticò assistant director Sara Persali executive production Giuseppe Di Falco Ticket € 15 (full), € 12 (reduced) Buy tickets Disincantate Disincantate Disincantate Disincantate Disincantate Disincantate

January 31, 2020, matinee for schools and 8.30 pm I HEAVEN - FRIDA KHALO " Is it legitimate to invent new verbs? I want to give you one: I heaven, so that my wings can spread out beyond measure to love you without borders. " (Frida Kahlo) A show that traces the life of Frida Kahlo against the backdrop of revolutionary Mexico. Shots of a tormented, passionate, violent existence; of a crazy woman, very sweet and in love with life. The show revolves around the love that Frida had for her land, for painting, for Diego, for life, for love itself. The languages to tell it range from theater to music: the text is made up of stories, letters from his diary, the voice of Diego Rivera that gives different nuances to the known figure of the painter. And finally, the music. Songs of the Mexican tradition carefully chosen to enrich and embellish the story, left to the skilful live interpretation of Massimo Donno on voice and guitar and Francesco Pellizzari to percussion. The first meeting with Frida took place in 2015 during a torrid summer in Bologna. "Here, read this!", My roommate gave me a book: "Pino Cacucci ¡Viva la vida!". On the cover a face, still little known. From that August my personal research on Frida began: with passion I studied her life and her works, Diego Rivera and muralist art, Mexico and the revolution of the early 1900s; I discovered my friendship with Leon Trotsky and the one with great artists of the time (T. Modotti, L. Matiz, A. Breton, LA Bravo), the affection for his friend as well as doctor L. Eloesser and the bond with his family, in particular with his sister Cristina. This was accompanied by a constant listening and growing interest in Mexican music: from the pre-Columbian sounds to the corrido, up to reach the great artists of yesterday and today (P. Infante, C. Vargas, L.Downs ...). Thus the desire to tell others, you, the wealth of this woman has made its way. Frida gave life to what she loved. He spared nothing, he gave himself all. This awareness raised a question in me: what am I giving my life for? I live with my peers the difficulties of the working world, the nonsense, the injustices. We stagger in a space devoid of guidelines, we cling to the first who passes and who tells his truth, we rape in "hope." that one day ... "; meanwhile they eat on our heads. In all this chaos, what can we do? Choose. Ask ourselves every day: for what, to whom am I giving my life? Frida continues to suggest the answer. Aurelia Cipollini by and with Aurelia Cipollini Massimo Donno voice and guitar Francesco Pellizzari percussion heading off Diego Rivera Tomas Acosta Ticket 12 € (full), 10 € (reduced) Buy tickets frida-14 frida-04 frida-13

Sassolino, Teatro del Baraccano, Testoni Ragazzi sassolino Form Gallery 1 EXHIBITION Illustrazioni Video

ATER - EMILIA ROMAGNA THEATER ASSOCIATION 16 August, hours 21.30 THE FISHER AND THE CROW theatrical concert Sarah Jane Morris , singer and author between rock, blues and jazz, and the great actor and performer Silvio Castiglion have given life to a new project that will amaze the most loyal fans. Famous for her red mane and a censored interpretation of the classic Me and Mrs. Jones , the singer has always attracted attention for both political views and vocals. His talent joins the fertile research of Silvio Castiglioni, actor and theatrical researcher. This is the continuation of the happy intuition and collaboration between Silvio Castiglioni, Fabrizio Bosso and Luciano Biondini which resulted in a concert for Jack London . Now as then, the encounter between the arts is the protagonist, that of the poetic story of the fabulator Castiglioni, and of singing through the power and vocal charisma of Morris, accompanied by Tony Remy and Tim Cansfield on guitars. “ When Sarah sent me her new songs - says Castiglioni - and in particular the one that gives the show its title, I thought about the crow and the world of fairy tales. In many civilizations the crow is considered a ferryman between the kingdom of the living and that of the dead: when the heart of the dead person is particularly filled with pain and anger, or with grateful love, the crow resurrects his soul so that it can return to settle the scores. In fairy tales, the involvement of the dead is frequent, as is the hero's journey into the unknown; a journey that many people in the world today are forced to make out of desperation and necessity, as sung by Sarah in her poignant version of Imagine (the show also includes some of her well-known interpretations!) These and other suggestions have led us into the heart of a fairy tale created by the genius of HC Andersen; a little known story, light and profound, which cultivates the ancient pleasure of listening, here arranged to emotionally intertwine the different worlds evoked by the songs, and prepare us for the disturbing power of Sarah's grand finale ”. www.ater.emr.it I sing Sarah Jane Morris voice Silvio Castiglioni Tony Remy guitar Tim Cansfield guitar Ticket € 13 (full), € 10 (reduced) Buy tickets Sarah Jane Morris

Histoire du soldat. Musiche di Stravinskji. 25 August, 9.15 pm SOUND ACTS and Music Together HISTOIRE DU SOLDAT music by Stravinskji ACTI SONORI stages the "poor" Opera that Igor Stranvinskij composed in 1918, against the sumptuous and cumbersome canons of traditional opera. The story is taken from the Russian fairytale tradition and has as its protagonist a soldier, a victim of the world war of 1915/18. The soldier's story concerns humanity as a whole and, in particular, the subject of man's inability to escape his own destiny. L'Histoire du Soldat | by Gianluca Cheli This work was initially conceived as a work for puppets: a simple and immediate artistic product, with a strong symbolic component. Here the graphic gesture is chosen as a marionette sign to reveal the dark aftertaste of the ironic atmospheres, musically outlined by Stravinskij in his chamber work. Elements that return in the expressive sign of the most submerged plane of the Histoire du Soldat: the melancholy, and all in all a bit funny, feeling of predetermination, combined with the creative madness of Russian fairy tales, from which the work takes its cue. Histoire du soldat Sementerie Artistiche2 Sementerie Artistiche ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini violin Fabio Quaranta contrabass Daniele Titti clarinet Davide Fumagalli bassoon Fabio Codeluppi trumpet Valentino Spaggiari trombone Simone Benedetti percussion In case of rain the event will take place on August 27th, at the same time Single ticket € 10 Buy tickets

Respighi suite, Basilicata 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu flauto Claudia Piga clarinetto basso Davide Braco arpa Alice Caradente clavicembalo Istvan Batori fisarmonica Raffaele Damen tromba Giulio Padula basso tuba Gianluigi Paganelli arrangiamenti Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

Classical Folk Programma Kurt Weill Fantasia da L'Opera da tre soldi Igor Stravinskij Suite da l'Histoire du soldat Béla Bart ók Danze rumene arrangiamenti Fabio Codeluppi Giambattista Giocoli Filippo Mazzoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Biglietteria intero 15€ ridotto 10€ abbonati Musica Insieme, Teatro del Baraccano, Teatro Duse e Teatro Comunale, Under 35, titolari Card Cultura, Card Bologna Welcome ridotto 5€ studenti Buy tickets July 9 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Spettacoli estate 2020 summer 2019 Estate 2020 Sette canzoni per Bruno 6 luglio | Sette canzoni per Bruno Kafka: lettere a Milena 6 settembre | Kafka: lettere a Milena Estate 2020 1/17 The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. The public will have to wear the mask until they reach their seat and then to end, on the way out. Buy your ticket online 6 July | Seven songs for Bruno 8 July | From Lucio's window 11 July | Zed garden July 15 | Indigo Quartet July 18 | One hundred years dissolved in a glass 23 July | The comic barber 25 July | Two mouthfuls ... with Rossini July 26 | Vincenzo Capezzuto and Italian Soqquadro July 27 | Inventions for two voices 3 August | Zed garden 5 August | A portrait of Isabella Leonarda 6 August | The moon, the sea, the cherry tree in bloom 18 August | Arsene Duevi, Dudu Kouatè and Phase Duo 25 August | Histoire du soldat August 28th | Paolo Restani, piano 31 August | Ecanès Trio 1 September | Zed garden 6 September | Kafka: Letters to Milena

Stagione ATTI SONORI inverno 2018. 12 and 13 February matinee for schools IN THE NAME OF A ROSE February 14, 9 pm I LOVE YOU February 16, 9 pm SYNANTYS 22 and 23 February matinee for schools THE CARTOON BARBER 2 and 3 March, 9 pm PURGATORY BUM BUM March 10, 18.30 EMOTION FOR CHANGE for Fukushima March 24, 5pm and 9pm DISENCHANTED April 5, 5.30 pm AN ORDINARY STORY OF A BULL April 7, 9 pm MUSICAL CABARET 2 April 15, 9 pm Bhāratanāṭyam Margam May 5, 9 pm | May 6, 5 pm OUT-ING 18, 19 and 20 May NipPop

SASSOLINO Teatro del Baraccano - Bologna dal 25 al 27/01/24 Scopri di più RESPIGHI SUITE Spalato - CROAZIA 31 luglio 2024 Scopri di più KAFKA Lettere a Milena Teatro del Baraccano - Bologna 15 novembre 2024 Scopri di più ALL'OPERA! Teatro del Baraccano - Bologna 13 dicembre 2024 Scopri di più RADIO RITMO voci e suoni dall'etere Teatro del Baraccano - Bologna 27 aprile 2024 Scopri di più RADIO RITMO voci e suoni dall'etere Teatro del Baraccano - Bologna 24 agosto 2024 Scopri di più KAFKA Lettere a Milena Sala Sangiorgi Fondazione Masini - Forlì 16 novembre 2024 Scopri di più RADIO RITMO voci e suoni dall'etere Piazza San Francesco - Bologna 28 giugno 2024 Scopri di più KAFKA Lettere a Milena Teatro del Baraccano - Bologna 1 settembre 2024 Scopri di più KAFKA Lettere a Milena Sementerie Artistiche - Crevalcore (BO) 17 novembre 2024 Scopri di più 2022 2023