Stagione ATTI SONORI 2017. SOUND ACTS 2018 musical theater 12 and 13 February matinee for schools IN THE NAME OF A ROSE February 14, 9 pm I LOVE YOU February 16, 9 pm SYNANTYS 22 and 23 February matinee for schools THE CARTOON BARBER March 24, 5pm and 9pm DISENCHANTED May 5, 9 pm May 6, 5 pm OUT-ING 2 and 3 March, 9 pm PURGATORY BUM BUM April 7, 9 pm MUSICAL CABARET 2 18, 19 and 20 May NipPop March 10, 18.30 EMOTION FOR CHANGE for Fukushima April 15, 9 pm Bhāratanāṭyam Margam

April 5, 8.30 pm VOLVER presentation of the new cd by Carlo Maver Volver is the new album by Carlo Maver , released on April 5th 2019 by Visage Music. Recorded live in May 2018 in the small church of Casola (BO), in solo for bandoneon and flute , this fourth musical chapter by Maver is the transformation of a feeling, where listening inside and out is a goal, thanks to the as listener and performer come together in a total experience. Volver is music that comes from silence and is attracted to silence. The only one does not entertain, it undresses. The choice to play solo allows Maver to keep the sounds of the instruments pure, working in subtraction and leaving an almost decisive role to the pauses. Carlo Maver bandoneon, bass flute, moxeno, flute Single ticket € 10 Buy tickets Carlo Maver Carlo Maver Carlo Maver

October 6, hours 21 October 7, 5 pm THE PRINCESS ON THE PEA the musical The story of The Princess and the Pea relives in the theater in a hilarious musical. Will the young and awkward Winnifred be able to prove to the evil Queen Aggravia that she is a real princess? Among knights, wizards, mattresses, jealous mothers, a bizarre dumb king and a small green pea, a musical journey into the Middle Ages that will make the whole family laugh and excite. The Muffins Maddalena Luppi, Stefano Colli Giulia Mattarucco and Riccardo Sarti direction and adaptation Edoardo Scalzini collaboration with texts and lyrics by Nino Pratticò and Jacopo Gilone musical direction Eleonora Beddini musical assistance Chiara Todeschi piano and Mute King Lorenzo Vacchi the voice of the Magician Davide Lepore costumes Silvia Cerpolini and Fabio Cicolani scenographies Barbara and Sara Sgambati graphics and illustrations Stefano Bonsi Ticket € 13 (full), € 10 (reduced) Buy tickets Principessa sul Pisello fronte finale Principessa sul Pisello - CAST

Va dove va l'acqua, Teatro delle Temperie, teatro July 24, 9.15 pm Temperie Theater GOES WHERE WATER GOES tale of the Bologna of water There is another Bologna made of rivers, made of canals, a Bologna of water. A city that exists in history, in memories, in memory, but which still exists today, hidden among the houses, behind the ancient buildings, under the streets, hidden in small holes, where the water goes, placid ... where the water never stops… where water still reigns supreme. There was a time when water was the soul of Bologna, it was the engine of the economy. It was the defense of the city; if Bologna is our heart, the canals are our arteries, water is the blood of our community. Even today, those channels pulsate with stories, speak of men and women, keep secrets, carry memories. Through some of these wonderful stories, these freshwater stories, we will travel together in the veins of our beloved Bologna, where the Rhine pulsates. The stories and emotions that overflow from the Rhine together with its waters. All the stories of men and women, of peoples and countries that the water of the Rhine carries from the source to the valley remain entangled in the Casalecchio Lock and here they rest a little before resuming the journey. Sometimes these stories are so strong and numerous and exciting that they can no longer resist and break the banks, such is their need to be told. A magical evening in which we will give voice and music and body to these wonderful stories, right in the place where the river gently lays them with love. Va dove va l'acqua Va dove va l'acqua Va dove va l'acqua by and with Andrea Lupo live music Guido Sodo aerial dance Camilla Ferrari and with Michela Lo Preiato produced by Teatro delle Temperie Single ticket € 10 Buy tickets

Fidati dei tuoi sogni 12 July, 9.30 pm | Courtyard of the Baraccano Theater TRUST YOUR DREAMS Young Songwriter Award Trust your dreams "- Celebration Night From the latest hit single by the well-known Bolognese tenor Cris La Torre , the stage name of Cristiano Cremonini, entitled Trust in your dreams , dedicated to the new generations of artists, a national competition for young songwriters is born. Bern , Disagio , Duo Chimenti , Duo Diamanti , Erice , Exal , Floriana and Maria Mazzeo are the names of the eight finalists selected by the quality jury, led by Barbara Cola (president) and Francesca Cheyenne. At the end of the event the Community Jury will announce the names of the two lucky winners who will win a professional record production. The well-known singer and actress Barbara Cola, godmother and president of the Award Jury, will take the stage to support the finalists by giving us one of her performances, and with her Cris La Torre (godfather of the Prize), Rod Mannara (artistic director), Sara6 , Marcello Romeo , Giorgio Santisi , and Damiano Trevisan . Rod Mannara and Cris La Torre will present the evening. Artistic direction: Rod Mannara The event is organized and promoted by PMS Studio and MegaDischi in partnership with Pro.Di.Da in collaboration with Teatro del Baraccano, Playtune Records and the music publishing company BMRG with the patronage of the Municipality of Bologna and SIAE with the support of the Lions Club Minerva Minerbio and Emil Banca Credito Cooperativo Media partners : ABC Radio, Radio Derbi Web and Corriere dello Spettacolo The event will be streamed live on 9MQ and OA Plus and OA Sport A3 Fidati dei tuoi sogni, 12 luglio Single ticket € 10 Buy tickets

Invenzioni a due voci 18 August, 9.30 pm | Courtyard of the Baraccano Theater Entroterre Festival TWO-VOICE INVENTIONS original plays and improvisations on the theme The original 'two-voice invention' format (inspired by JS Bach's homonymous compositions) is very simple and tends, as for Bach, to build a reasoned dialogue between the different voices in the field: Luca Damiani , the conductor, will listen to the audience and the musicians involved, a series of pieces by various authors and various genres. At the end of each piece, the musician Carlo Negroni will improvise on the theme just heard, supporting his own culture and musical sensitivity. Luca Damiani leads Carlo Negroni , piano Luca Damiani Carlo Negroni Single ticket € 10 Buy tickets

Kafka100 September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome KAFKA: LETTERS TO MILENA Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Scopri di più LA PRAGA DI KAFKA tra immaginario, perturbazioni, realtà in viaggio con Vincenza Maugeri 10-13 settembre Scopri di più KAFKA, Lettere a Milena concerto teatrale 1 settembre | Teatro del Baraccano - Bologna rassegna ATTI SONORI, estate 2024 ore 19.30 intervista impossibile a F. Kafka con E. Marrese e A. Santonastaso ore 21 spettacolo 15 novembre | Teatro del Baraccano - Bologna 16 novembre | Sala Sangiorgi - Forlì 17 novembre | Sementerie Artistiche - Crevalcore (BO) Scopri di più

Musica di Igor Stravinskij, testo di C. F. Ramuz. Con Ivano Marescotti e l'Orchestra del Baraccano, diretta da Giambattista Giocoli HISTOIRE DU SOLDAT SOUND ACTS March 29, 9 pm at the Duse Theater music by Igor Stravinskij, text by CF Ramuz ACTI SONORI stages the “poor” Opera that Igor Stranvinsky composed in 1918, against the sumptuous canons of traditional opera. The story is taken from the Russian fairytale tradition and has as its protagonist a soldier, an emblematic victim of the world conflict of the Great War. The soldier's story it concerns humanity as a whole and, in particular, the issue of the impossibility of man to escape his own destiny. Histoire du Soldat | by Gianluca Cheli This work was initially conceived as a work for puppets: a simple and immediate artistic product, with a strong symbolic component. Here the graphic gesture is chosen as a marionette sign to reveal the dark aftertaste of the ironic atmospheres, musically outlined by Stravinskij in his chamber work. Elements that return in the expressive sign of the most submerged plane of the Histoire du Soldat: the melancholy, and all in all a bit funny, feeling of predetermination, combined with the creative madness of Russian fairy tales, from which the work takes its cue. ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini violin | Fabio Quaranta double bass Giovanni Picciati clarinet | Paolo Rosetti bassoon Fabio Codeluppi trumpet | Valentino Spaggiari trombone Simone Beneventi percussion narrator Ivano Marescotti illustrations Michele Cerone dramaturg Gianluca Cheli Ticket € 32 (full), € 24 (reduced) Buy tickets Ivano Marescotti Giambattista Giocoli Histoire du soldat Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni And a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. IVANO MARESCOTTI Actor from Romagna, he ranges from cinema (with over 50 films) to theater, where he undertook, among other things, a recovery of his Romagna dialect, taking up the texts of Raffaello Baldini, to reread and rewrite Dante's Divine Comedy in his own way and the Orlando Furioso de ll'Ariosto.

CORDE E MANTICE Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Arvo Pärt ( 1935 - ) Spiegel im Spiegel Antonio Vivaldi (1679 - 1741) Concerto in Re Magg RV 93 per chitarra e fisarmonica Allegro - adagio - allegro Béla Bartók (1881 – 1945) Danze Rumene John Cage (1912 - 1992) Dream Astor Piazzolla (1921 - 1992) Bordel 1900 - Cafè 1930 - Nightclub 1960 da Histoire du Tango Prima del concerto sarà presentata la graphic novel Bartali. Dalla giusta parte dell’illustratore bolognese Matteo Matteucci , pubblicato dalla casa editrice Minerva . A 10 anni dalla nomina a Giusto tra le Nazioni dallo Stato di Israele, questa graphic novel vuole raccontare Gino Bartali nella maniera più completa possibile. Una vita vissuta con audacia, genuinità e determinazione che, pedalata dopo pedalata, ha condotto il Campione a diventare un vero Eroe. La passione per la bicicletta e quel suo innato talento lo hanno portato a diventare uno dei campioni immortali della storia del ciclismo. Il suo altruismo e la sua tempra forte lo hanno condotto a mettere a rischio la propria vita per aiutare chi, in periodo di guerra e di leggi razziali, aveva più bisogno. I trofei vinti in sella alla bicicletta e le sfide memorabili con i grandi campioni del suo tempo ci portano alla mente una delle più grandi Leggende ciclistiche di tutti i tempi. La sua storia familiare, l’intensa fede religiosa e la coraggiosa imprudenza, che gli ha permesso di salvare la vita a molti ebrei durante la Seconda guerra mondiale, ci consentono di ricordare anche l’Uomo. Testi introduttivi di Gioia Bartali, Adam Smulevich e Vincenza Maugeri. Matteo Matteucci (Bologna, 1974) è illustratore e autore di graphic novel. Dopo gli studi all’Accademia di Belle Arti di Bologna, assistito con una borsa di studio dal Collegio Artistico Venturoli dal 1994 al 2001, attualmente è insegnante di discipline pittoriche presso il Liceo Artistico “Arcangeli” di Bologna. Per Minerva ha pubblicato Arpad Weisz e il Littoriale (2017), che ha ottenuto numerosi riconoscimenti tra i quali il secondo posto al Premio Coni per la saggistica e il Premio Selezione Bancarella Sport 2018, e ha disegnato le tavole di Bologna Soccer (2011), Renata Viganò, con parole sue (2018), La maglia verde del Bologna (2019) e Per sempre giovani. Salvemini 1990: una strage senza colpevoli (2021). Insieme a Franco Ossola ha realizzato il romanzo illustrato Il Grande Torino (2019), la sua prima esperienza granata. Tra le altre cose, il progetto dedicato ad Arpad Weisz è stato esposto al Memoriale della Shoah di Milano (Binario 21) nel 2019. BIGLIETTERI A intero 12€ r idotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Aperitivi a cura di Oui in cucina www.ouiincucina.com Acquista biglietti ATTI SONORI fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena.

Radio Ritmo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRA SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSK IJ Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE Acquista biglietti Biglietteria intero 15€ ridotto 10€ under 30, over 65, titolari Card Cultura Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Gli ultimi anni di Rossini. Testo di Giulio Mozzi. Musica di Gioachino Rossini Quadrivium and AdM Association of Modena 7 August, 9.30 pm THAT FRAGOROUS SILENCE Rossini's last years Giulio Mozzi is inspired by a phase of Rossini 's life, that of compositional silence, after William Tell , in which the musician from Pesaro was followed by the loving care of his wife Olimpia Pelissier, to probe the reasons for this between the serious and the humorous. creative block. Roles and interpreters soprano, Olimpia - Patrizia Biccirè baritone, Rossini and the Expert - Maurizio Leoni the Speaker, Antonio - Stefano Pietro Detassis piano Antonio Vicentini scenes Domenico Tavernini directed by Amedeo Savoia musical consultancy by Claudio Rastelli and Nicola Straffelini. Ticket € 13 (full), € 10 (reduced) Buy tickets Quel Fragoroso Silenzio Quel Fragoroso Silenzio Quel Fragoroso Silenzio THE SAND BAGS