CLIP POPULAR SONGS LUCIANO BERIO LOOSIN YELAV A LA FEMMINISCA DANCE MALUROUS QU'O UNO FENNO MANUEL DE FALLA EL PANO MORUNO ASTURIANA JOTA NANA BACK

A LITTLE NIGHT MUSIC After the great success of a Broadway It is in the West End Londoner since 1973 to date, it finally arrives also in Italy exclusively "A Little Night Music", the award-winning musical by Stephen Sondheim with booklet by Hugh Wheler, produced by the fledgling company THE PERFORMErs with SOUND ACTS in collaboration with BSMT- Bernstein School of Musical Theater. Based on the 1955 film by Ingmar Bergman Smiles of a summer night, the musical is about love and affective relationships born between different couples. Sophisticated and full of spells, the soundtrack composed by Sondheim intertwines suggestive waltzes, bewitching vocal quartets and lyrics interwoven with humor and poetry. The exciting air Send in the Clowns it soon established itself as a hit, and became a "classic" of the musical, recorded by numerous pop and musical singers. Many other pieces also deserve to be mentioned, including the female duet Every Day a Little Death, You Must Meet my Wife and A Weekend in the Country, The Miller's Son and Night Waltz. A pressing melodic reconstruction to retrace, as already mentioned, the love stories of several couples that fate had removed and reunites in a country villa for a weekend. Duration: approx. 3 hours Singing, acting, dance and live music. Direction and adaptation Sara D'Angelo Choreography Carla Della Vecchia Artistic direction Edoardo Scalzini And Eleonora Lombardo Vocal direction Vincenzo Li Causi Musical direction Giambattista Giocoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli Desirée Armfeldt | Simona Distefano Fredrik Egerman | Antonio Cadoni Anne Egerman | Giulia Fabbri Henrik Egerman | Marco Trespioli Charlotte Malcolm | Eleonora Lombardo Carl Magnus Malcolm | Matteo Ferrari Petra | Beatrice Berdini Frederika Armfeldt | Veronica Appeddu Madame Armfeldt | Federica Ugolini Frid | Simone Mastria MRS Nordstrom | Sara D'Angelo MRS Anderssen | Rosalba Iacoviello MRS Segstrom | Irene Romano MR Erlanson | Edoardo Scalzini MR Lindquist | Michael Anzalone Malla / Osa | Clara Di Donato Italian registration document Andrea Ascari Italian music lyrics Michael Anzalone Costumes Fabio Cicolani and Silvia Cerpolini Scene objects Simona Distefano Scenographies Federica Amatuccio Lights Micaela Piccinini Graphics Stefano Bonsi General assistance Alessia Baggiolini BACK

Invenzioni a due voci 18 August, 9.30 pm | Courtyard of the Baraccano Theater Entroterre Festival TWO-VOICE INVENTIONS original plays and improvisations on the theme The original 'two-voice invention' format (inspired by JS Bach's homonymous compositions) is very simple and tends, as for Bach, to build a reasoned dialogue between the different voices in the field: Luca Damiani , the conductor, will listen to the audience and the musicians involved, a series of pieces by various authors and various genres. At the end of each piece, the musician Carlo Negroni will improvise on the theme just heard, supporting his own culture and musical sensitivity. Luca Damiani leads Carlo Negroni , piano Luca Damiani Carlo Negroni Single ticket € 10 Buy tickets

Un incontro tra prosa e musical. Con Francesca Taverni, Antonello Angiolillo e Luca Giacomelli Ferrarini 7 and 8 April, 9 pm TALKING ABOUT LOVE What remains "Ungaretti, Montale, Pasolini, Quasimodo, Mina, Endrigo, Tenco, Leopardi and many others ... Authors and performers who have illuminated our lives and our artistic path: an intimate journey, through songs and words and poems and memories, retracing the art of so many excellences, so as not to forget everything they left us, because what remains is special, because the legacy they left us is a good that must be celebrated and remembered, something that inspires us and helps us to become or create, maybe one day, what will remain. Not to forget that the heart and soul and the talent of an artist must be nourished with beautiful words, beautiful music and beautiful thoughts. I close with the words of Tiziano Terzani that explain what I feel, believe in and for which I am grateful: ʽArt, the real one, the one that comes from the soul, is so important in our life. Art comforts us, lifts us up, art orients us. Art heals us. We are not just what we eat and the air we breathe. We are also the stories we heard, the fairy tales we fell asleep with as children, the books we read, the music we listened to and the emotions that a painting, a statue, a poem gave us. , Tiziano Terzani) ". Chiara Noschese with Francesca Taverni and Antonello Angiolillo and with the friendly participation of Saverio Marconi piano Maria Galantino art project by Chiara Noschese Ticket 20 € (full), 15 € (reduced) Buy tickets Francesca Taverni Antonello Angiolillo Saverio Marconi Chiara Noschese FRACESCA TAVERNI Singer, actress and dancer. She graduated in ballet with the Royal Academy of Dancing in London in 1988. Her theatrical experiences include: Giulia in Replay, directed by M. Simone, Cathy in The last five years, directed by M. Simone, Sister Joan in Outing, Italian version of Bare, directed by M. Simone, Best of Musical, directed by C. Noschese, The Baroness in Il Cappello di straw of Florence, directed by S. Querci, Sora Rosa in L'Acqua Cheta il Musical, Prato Film Commission production, direction S. Querci; Woman in Mamma Mia !, Stage Entertainment Italy, Cathie in These 5 years, Italian version of “The last five years ”, directed by P. di Blasio; ensemble and cover Madame Morrible in Wicked, Stage Entertainment Germany; Liz Imbrie in High Society, directed by M. Piparo; Grizabella, Bombalurina, Demeter, Jellylorum and Gumbie in Cats, Stage Entertainment Germany; Maureen in RENT, production Pavarotti International; Annette in Saturday Fever Sera, directed by M. Piparo; Maggie, Val, Diana, Cassie in A Chorus Line, Compagnia della Rancia, directed by S. Marconi; Nanette in No, no, Nanette, directed by M. Foschini. She was the voice of Coca-Cola's Christmas commercial in 2000. Also in 2000 he won the IMTA award as Best Female Performer of Musical in Italy for Maureen in RENT. Among his recording experiences Desde la Calle e Soul Revuelta with El V and The Gardenhouse. ANTONELLO ANGIOLILLO She studied ballet at the National Academy of Rome, modern dance, singing, acting and tip tap in Italy and in New York. He made his debut in the world of musicals in 1990 under the direction of S. Marconi as Paul in A Chorus Line. Among his theatrical experiences: Tick / Mitzi in Priscilla la regina of the desert; the Beast in Beauty and the Beast; Adam in Mi I call Eva; Jamie Wellerstein in Five Years; Savior in Poveri ma belli, directed by M. Ranieri; the Angel in Mary of Nazareth a story that continues; Good luck, Quartet G; Metropolis; Leopoldo in Al Cavallino Bianco, with D. Mazzuccato, directed by G. Landi; Bobby in Company; Everything does… BrodWay, (co-star and co-author together to the Quartet G); Joseph in Joseph and The Amazing Tunic of dreams in technicolor, directed by C. Insegno; Francesco in Francesco, the musical (Massimini 2001 Prize); Bobbi knows everything, with Dorelli and L. Goggi; Dreams without a net with G. Project; But luckily there is music, directed by P. Garinei, with J. Dorelli; Cats (Stage Entertainment Germany). SAVERIO MARCONI He trained at the Dory Cei Acting School in Florence and then at the Teatro Studio del Metastasio in Prato, and got his first writing from the fathers of musical comedy, Garinei and Giovannini. He arrives in directing after several experiences as a film, theater, radio and TV actor. In the 70s / 80s directors such as Gillo Pontecorvo, Luigi Comencini, Pasquale Squitieri directed him in numerous films. He experimented as a theater director with a small non-professional group from the Marches, an activity that led him to give birth to the Acting School in Tolentino, of which he is still Artistic Director today, and then the Compagnia della Rancia. He signs the direction of almost all the musicals of La Rancia, also creating new original musicals such as Dance! and Pinocchio The Great Musical. In 2005 he inaugurates the Scuola del Musical, a professional course in which he transfers his experience in the field of musicals to the new generations. In 2010 he directed Verdi's Nabucco, which inaugurated the season of the Teatro Massimo in Palermo and the Teatro Carlo Felice in Genoa, and in 2011 Donizetti's theatrical convenience and inconveniences. In the 2011/12 season he returned to prose by directing the show based on the 4-award-winning film Rain Man, and, as an actor, playing the role of the protagonist in Éric - Emmanuel Schmitt's Enigmatic Variations. In the 2014/15 season another acting rehearsal with Re-fusi directed by Vanessa Gasbarri, and the direction of L'elisir d'amore for the Marche Opera Network. In 2015 he made his debut at the Borgio Verezzi Festival with Bianco o Nero - The Sunset Limited directed by Gabriela Eleonori, at the Todi Festival with Cabaret, and directed the musical Sister Act. CHIARA NOSCHESE Daughter of the famous imitator Alighiero Noschese, after graduating from the Laboratory of scenic exercises directed by Gigi Proietti, she soon worked as a comic but also a dramatic actress, moving from musical to prose, from cinema to television and experimenting new professional paths each time. In the musical comedy, his interpretations in Singing in the rain, Seven brides for seven brothers, The Nights of Cabiria directed by Saverio Marconi, and The Forbidden Planet directed by Patrick Rossi Gastaldi are to be remembered. In 2000, together with Duccio Camerini and Saverio Marconi, she is the author of the musical Dance!, Inspired by the comedy by William Shakespeare Much Ado About Nothing and produced by the Compagnia della Rancia. In the prose he played the most significant characters in Two matches written and directed by Cristina Comencini, Mondo Secondo written by Noschese herself in collaboration with Francesca Zanni and Duccio Camerini, La grande scuffa and Inferno live with the direction of Luca Barbareschi. At the cinema to remember the participation in the films The pear tree by Francesca Archibugi, Condominium by Felice Farina, Women do not want more by Pino Quartullo, Bruno waits in the car by Duccio Camerini, Io no spik inglish by Carlo Vanzina. On television he participates in the fiction God sees and provides and Linda and the sergeant, and in the broadcasts Ciao Week-end, Club '92, Dove dare le quail. In 2010 at the National Theater of Milan the tour of the musical Mamma Mia! in which she plays the character of Donna, confirming her role also in the following season at the Brancaccio Theater in Rome. In 2011 he was on the Stage Entertainment jury to select the interpreters of the musical Sister Act. In 2013 he participated in the variety of Carlo Conti Tale and Quali Show .

Metamorfosi bestiali Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Sassolino, Orchestra del Baraccano Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone La Baracca - Testoni Ragazzi regia e adattamento teatrale Bruno Cappagli con Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick montaggio video Andrea Aristidi e Lorenzo Monti esecuzione tecnica Francesco Vaselli BIGLIETTERIA per le scuole: 5.50€ pomeridiano e serale: intero 12€ ridotto 10€ ( under 30, over 65, card Cultura, soci Coop) ridotto5€ (under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

vite da chansonnier e canti ribelli, con Giangilberto Monti Fort Alamo Association 3 and 4 March, 9 pm CURSED FRENCH chansonnier lives and rebellious songs After cabaret performances, comic-musical essays and theatrical projects, Giangilberto Monti summarizes the French repertoire he has always loved. His translations of Vian, Ferré, Gainsbourg and Renaud, have been published on musical albums, essays and historical books, such as his Maledetti Francesi (2011, NdA), cited by Gianni Mura in Repubblica as one of the books to remember about that year. Here the Milanese chansonnier tells off the cuff the beginnings of the French songwriter, recalls anecdotes and fragments of history from beyond the Alps, talks about how the poetic song went through the twentieth century. And it does so by interpreting the most beautiful songs of the French maudits par excellence: from the versatility of Boris Vian to the desperate and barricaded texts of Leo Ferré, from the poetic provocations of Serge Gainsbourg to the heart-breaking stanzas of Jacques Brel, up to the jeers of Georges Brassens, one of the main inspirers of the Italian singer-songwriter, and to the ironic hardness of Renaud, the last of the classic French maudits. The utopias and rebelliousness of all time can be found in the words of these artists, between folk and author ballads, which Monti interprets accompanied by his musicians. A musical narration from a passionate and curious conductor, showing the public that contamination between poetry, music and comedy that has always been the heritage of our French-speaking cousins. From the press "Monti chansonnier, bravo and cursed, in the name of Vian" - The Republic "Monti's performance flows away with unusual vivacity, amidst libertarian noises, celebrations of women, love, and linguistic and moral transgression" - The newspaper "Notes cursed in freedom by Giangilberto Monti" - The poster . with Giangilberto Monti Ticket 20 € (full), 15 € (reduced) Buy tickets Giangilberto Monti Giangilberto Monti Giangilberto Monti GIANGILBERTO MONTI Writer and chansonnier , Giangilberto Monti wrote his first songs in the mid-seventies. He attended the world of independent labels of that period, met the producer Nanni Ricordi and the songwriters Ricky Gianco and Ivan Cattaneo and graduated in Engineering in Milan, signing immediately afterwards for CBS, now Sony Music. In his first albums ( The order is public?, 1978; Il giro del giorno , 1979; And tomorrow?, 1981) he alternates poetic texts of civil commitment with sarcastic passages on the society of the time. He undertakes a parallel theatrical activity : he studies singing with Cathy Berberian, acts with Dario Fo and Franca Rame , graduates from the Civic School of Dramatic Art in Milan and writes with Flavio Premoli, keyboardist of the PFM, the rock-opera Guardie e Ladri (1982 ), an album that features among others Alberto Camerini, Francesco Di Giacomo del Banco, Anna Oxa and vocalist Bernardo Lanzetti. Always with Premoli he writes songs for Fiordaliso and Anna Oxa, signing with the violinist Mauro Pagani My Race (1990), for Mia Martini. During the eighties he frequented the environment of the Zelig in Milan, collaborating as an author with the comedians Aldo Baglio and Giovanni Storti - of the future trio Aldo, Giovanni & Giacomo - the stand-up comedian Marco Della Noce and the duo of the Fichi d'India. He writes and acts with the actress Lella Costa , realizes theater-song shows with the jazz player Gaetano Liguori and the composer Sergio Conforti, the Rocco Tanica of Elio & Le Storie Tese, signs scripts for the Italian Swiss Radio. After having staged the musical repertoire of Dario Fo (1999-2000) with the jazz player Laura Fedele, he developed a writer and essayist activity with Garzanti, who published the Dictionary of Cantautori (2003-2005), signed with Veronica Di Pietro, and the Dictionary of Comedians and Cabaret (2008). In the same years he recalls the 1968 period with the show A little after the lead and the album of unreleased songs Ce n'est qu'un début , to be followed by the Comicanti CD - both published with Carosello Records - in which he duets with a fifteen comic artists, interpreting the best pieces of Italian musical comedy, from Ettore Petrolini to Dario Fo. His theatrical version, directed by Vito Molinari, sees him on stage with Flavio Oreglio and Stefano Nosei (2010-2011). Since 1994 he has developed his passion for French music : he undertakes a long research on the work of Boris Vian, curating with Giulia Colace the volume Boris Vian-The songs (Marcos y Marcos), he publishes a choice of songs by the French artist. , which he adapted into Italian (Manifesto) and stages La Banda Bonnot - the story of the anarchist bandit Jules Bonnot , based on unreleased songs by Vian - which in 2004 won the Prix Suisse as a musical radio play and was released on CD for the FolkClub Ethnosuoni. Two years later it will be the turn of Maledette Canzoni - a discographic tribute to Vian, Léo Ferré and Serge Gainsbourg, of which Monti is the first in Italy to translate the songs - followed in 2011 by the Belle Équipe project, a musical show with comedian Alberto Patrucco and singer-songwriter Andrea Mirò, preceded by Maledetti Francesi (NdA, 2010), a book in which lives of the chansonniers, the same ones who have marked the history of our songwriting.

Kafka, Lettere a Milena, Orchestra del Baraccano June 20, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 21 June SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum Bologna, Embassy of the Czech Republic in Rome, Czech Center in Rome Lucerne Cultural Association KAFKA: LETTERS TO MILENA theatrical concert Starting from the correspondence that Franz Kafka had with Milena Jesenská in 1920, a show was built, declined through three expressive languages: words, music and images. The particular intensity of Kafka's "letters" (it is only Kafka's letters to Milena and not vice versa) is underlined by the music of the Septimus by Paul Hindemith and by Mládí by Leoš Janáček , while the specially made paintings amplify their meaning. and stimulate its suggestions. The selection of the letters and the theatrical adaptation were handled by Rosario Tedesco , actor and director; the musical part by maestro Giambattista Giocoli and the paintings were made by Andrea L. Ballardini . Kafka Letters to Milena Franz Kafka (Prague 1883- Kierling 1924) Letters to Milena And A message from the emperor Before the Law Prometheus In knight of the bucket Wish, to become an Indian music Septet - Paul Hindemith Mládí - Leoš Janáček Kafka, lettere a Milena Rosario Tedesco, foto Gianluca Moro Nicola Bortolotti reciting voices Rosario Tedesco and Nicola Bortolotti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Alessia Dall'Asta flute Marco Gironi oboe Giovanni Picciati clarinet Mirco Ghirardini bass clarinet Fabio Codeluppi trumpet Imerio Tagliaferri horn Luca Reverberi bassoon translation and theatrical adaptation German Rosary scenographic paintings Andrea Louis Ballardini production assistance Laura Ballardini Single ticket € 10 Buy tickets

La 4th di Gustav Mahler eseguita dall'Orchestra del Baraccano, diretta da Giambattista Giocoli SOUND ACTS January 20, 9 pm 4th GUSTAV MAHLER the fourth symphony arranged for chamber orchestra This symphony for voice and orchestra by Gustav Mahler is an absolute masterpiece of the early twentieth century. Composed between 1899 and 1901 (although the lied of the fourth movement for soprano was written in 1892), it will be performed in a transcription for chamber orchestra which, starting from that of 1921 by Erwin Stein (1885-1958), a pupil of Arnold Schönberg, has become a completely original version with a new orchestration. Arianna Rinaldi will give voice to the song of the angels. The Symphony No. 4 in G major is the one that completes the group of the three so-called Wunderhornsymphonie (Symphonies of the Magic Horn), symphonies that can be considered formed by instrumental and vocal movements in which the texts are mostly inspired by Arnim's collection of German popular poems and Brentano Des Knaben Wunderhorn (The magic horn of the child), in which the protagonist is a mythical world that is a bit fairytale, childish and peasant, a little lost earthly paradise. The Fourth is the seal of that world and in its fourth movement there is a magnificent song of the angels praising life in paradise. In Das himmlische Leben (Celestial life), in fact, it is described with childish eyes as a sort of heavenly place, in which wine is drunk at will, asparagus and beans are eaten, the saints are intent on slaughtering animals and cooking. It is an ironic and grotesque vision, in which a shrewd interpretation of the dogmas of Catholicism (St. happy in the heavenly one. Here are some verses: “We enjoy the pleasures of heaven, therefore we flee earthly things. The worldly tumult is not heard in the sky! He lives everything in the sweetest quiet. We lead an angelic life, and yet we are also very cheerful; we dance and jump, jump and sing. St. Peter in heaven is watching us, St. John lets the little lamb go, and Herod, the butcher, is spying ... ». ORCHESTRA DEL BARACCANO director Giambattista Giocoli voice Arianna Rinaldi Federico Parravicini and Sophie Chang violin Aldo Maria Zangheri purple | Enrico Ferri cello Michele Valentini double bass | Alessia Dall'Asta flutes Alessio Gentilini oboe and English horn | Marco Ignoti clarinets | Luca Piovesan accordion A lice Caradente harp | Simone Beneventi marimba Gabriele Genta and Nicolò Tomasello percussion PROGRAM Bedächtig, Nicht eilen, recht gemächlich Thoughtful, not rushed, very comfortable Im gemächlicher Bewegung With quiet movement, without haste Ruhevoll Calm Sehr behaglich "Das himmlische Leben" Very comfortably "The heavenly life" for soprano solo from "Des Knaben Wunderhorn" Ticket 20 € (full) 15 € (reduced) Buy tickets 4th Gustav Mahler 4th Gustav Mahler 4th Gustav Mahler 4th Gustav Mahler 4th Gustav Mahler Arianna Rinaldi THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni And a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. ARIANNA RINALDI He began his musical career at the age of 13 singing in the White Voice Choir of the Teatro Comunale di Bologna under the guidance of M ° Silvia Rossi; he participates in various opera and concert productions as a chorister and as a soloist, but above all he falls in love with musical theater. At the age of 24 he graduated in Lyric Singing under the guidance of Nemi Bertagni at the A. Boito Conservatory of Parma and at 27 he graduated with honors and honorable mention in Chamber Vocal Music at the GB Pergolesi Conservatory of Fermo with Elisabetta Lombardi. He perfected himself with teachers such as E. Mathis, E. Moser, R. Bruson, D. Baldwin, and in 2013 he won admission in Brussels to the Internationale Lied Masterclass held by C. Stotijn. He gets prizes and acknowledgments at important international competitions: in 2015, second Prize and Special Prize for best chamber interpretation at the "A. Burzi" International Competition in Pesaro; in 2012 finalist in the Opera and Vocal Chamber Music sections at Lauri Volpi; Best Young Award at the City of Basciano Opera Competition of the same year; in 2010 Special Young Talents Award to Giulio Neri of Torrita di Siena; First Prize to Giuseppina Cobelli of Brescia in duo with Lorenzo Orlandi; on the same occasion also the Best Duo, Youth Award and Special Radio Classica-Class Editori awards. His vast repertoire of chamber vocal music ranges from the 1700s to the present day . He regularly collaborates with the pianist Lorenzo Orlandi in the ARLO DUO formation; with the pianist Eleonora Beddini; with the Ensemble Concordanze. He sang Mahler's IV Symphony with the Toscanini Philharmonic Orchestra Ensemble conducted by Michele Mariotti, Pergolesi's Stabat Mater with the Orchestra of the Teatro Comunale di Bologna, conducted by Giuseppe La Malfa. In 2014 the VI Blumenmädchen debuted in the Wagnerian Parsifal at the Teatro Comunale in Bologna, conducted by Roberto Abbado. With LTL opera-studio Nicklausse made his debut in Les Contes d'Hoffmann by J. Offenbach in the theaters of Pisa, Livorno, Lucca and Novara. In April 2015 she sang again at the Teatro Comunale di Bologna in the role of Pastuchyna in Janacek's Jenufa. Winner of the role in the opera studio Silvio Varviso, Cherubino made her debut in August in the Ticino Festival. In 2016 he tackled the Baroque repertoire with the masters Gloria Banditelli and Michele Vannelli and made his debut with Nero in L'Incoronazione di Poppea .

Kafka: Letters to Milena Form Gallery 1 Video

Home RESPIGHI SUITE la musica danza nella sabbia AIDA I ALREADY WIDE MY ARMS KAFKA, LETTERS TO MILENA PULCINELLA all'improvviso! RESPIGHI SUITE TO THE WORK THE BARBER IN COMICS RADIO RITMO HISTOIRE DU SOLDAT POPULAR SONGS 4TH GUSTAV MAHLER SASSOLINO CITIES OF MUSIC RESPIGHI SUITE MYSLIVEČEK, IL DIVINO BOEMO SWEENEY TODD