La 4th di Gustav Mahler eseguita dall'Orchestra del Baraccano, diretta da Giambattista Giocoli SOUND ACTS January 20, 9 pm 4th GUSTAV MAHLER the fourth symphony arranged for chamber orchestra This symphony for voice and orchestra by Gustav Mahler is an absolute masterpiece of the early twentieth century. Composed between 1899 and 1901 (although the lied of the fourth movement for soprano was written in 1892), it will be performed in a transcription for chamber orchestra which, starting from that of 1921 by Erwin Stein (1885-1958), a pupil of Arnold Schönberg, has become a completely original version with a new orchestration. Arianna Rinaldi will give voice to the song of the angels. The Symphony No. 4 in G major is the one that completes the group of the three so-called Wunderhornsymphonie (Symphonies of the Magic Horn), symphonies that can be considered formed by instrumental and vocal movements in which the texts are mostly inspired by Arnim's collection of German popular poems and Brentano Des Knaben Wunderhorn (The magic horn of the child), in which the protagonist is a mythical world that is a bit fairytale, childish and peasant, a little lost earthly paradise. The Fourth is the seal of that world and in its fourth movement there is a magnificent song of the angels praising life in paradise. In Das himmlische Leben (Celestial life), in fact, it is described with childish eyes as a sort of heavenly place, in which wine is drunk at will, asparagus and beans are eaten, the saints are intent on slaughtering animals and cooking. It is an ironic and grotesque vision, in which a shrewd interpretation of the dogmas of Catholicism (St. happy in the heavenly one. Here are some verses: “We enjoy the pleasures of heaven, therefore we flee earthly things. The worldly tumult is not heard in the sky! He lives everything in the sweetest quiet. We lead an angelic life, and yet we are also very cheerful; we dance and jump, jump and sing. St. Peter in heaven is watching us, St. John lets the little lamb go, and Herod, the butcher, is spying ... ». ORCHESTRA DEL BARACCANO director Giambattista Giocoli voice Arianna Rinaldi Federico Parravicini and Sophie Chang violin Aldo Maria Zangheri purple | Enrico Ferri cello Michele Valentini double bass | Alessia Dall'Asta flutes Alessio Gentilini oboe and English horn | Marco Ignoti clarinets | Luca Piovesan accordion A lice Caradente harp | Simone Beneventi marimba Gabriele Genta and Nicolò Tomasello percussion PROGRAM Bedächtig, Nicht eilen, recht gemächlich Thoughtful, not rushed, very comfortable Im gemächlicher Bewegung With quiet movement, without haste Ruhevoll Calm Sehr behaglich "Das himmlische Leben" Very comfortably "The heavenly life" for soprano solo from "Des Knaben Wunderhorn" Ticket 20 € (full) 15 € (reduced) Buy tickets 4th Gustav Mahler 4th Gustav Mahler 4th Gustav Mahler 4th Gustav Mahler 4th Gustav Mahler Arianna Rinaldi THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni And a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. ARIANNA RINALDI He began his musical career at the age of 13 singing in the White Voice Choir of the Teatro Comunale di Bologna under the guidance of M ° Silvia Rossi; he participates in various opera and concert productions as a chorister and as a soloist, but above all he falls in love with musical theater. At the age of 24 he graduated in Lyric Singing under the guidance of Nemi Bertagni at the A. Boito Conservatory of Parma and at 27 he graduated with honors and honorable mention in Chamber Vocal Music at the GB Pergolesi Conservatory of Fermo with Elisabetta Lombardi. He perfected himself with teachers such as E. Mathis, E. Moser, R. Bruson, D. Baldwin, and in 2013 he won admission in Brussels to the Internationale Lied Masterclass held by C. Stotijn. He gets prizes and acknowledgments at important international competitions: in 2015, second Prize and Special Prize for best chamber interpretation at the "A. Burzi" International Competition in Pesaro; in 2012 finalist in the Opera and Vocal Chamber Music sections at Lauri Volpi; Best Young Award at the City of Basciano Opera Competition of the same year; in 2010 Special Young Talents Award to Giulio Neri of Torrita di Siena; First Prize to Giuseppina Cobelli of Brescia in duo with Lorenzo Orlandi; on the same occasion also the Best Duo, Youth Award and Special Radio Classica-Class Editori awards. His vast repertoire of chamber vocal music ranges from the 1700s to the present day . He regularly collaborates with the pianist Lorenzo Orlandi in the ARLO DUO formation; with the pianist Eleonora Beddini; with the Ensemble Concordanze. He sang Mahler's IV Symphony with the Toscanini Philharmonic Orchestra Ensemble conducted by Michele Mariotti, Pergolesi's Stabat Mater with the Orchestra of the Teatro Comunale di Bologna, conducted by Giuseppe La Malfa. In 2014 the VI Blumenmädchen debuted in the Wagnerian Parsifal at the Teatro Comunale in Bologna, conducted by Roberto Abbado. With LTL opera-studio Nicklausse made his debut in Les Contes d'Hoffmann by J. Offenbach in the theaters of Pisa, Livorno, Lucca and Novara. In April 2015 she sang again at the Teatro Comunale di Bologna in the role of Pastuchyna in Janacek's Jenufa. Winner of the role in the opera studio Silvio Varviso, Cherubino made her debut in August in the Ticino Festival. In 2016 he tackled the Baroque repertoire with the masters Gloria Banditelli and Michele Vannelli and made his debut with Nero in L'Incoronazione di Poppea .

Amici dell'Orchestra del Baraccano THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". COME ISCRIVERSI versa la QUOTA ASSOCIATIVA DI 10€ tramite bonifico bancario indicando nella causale: cognome, nome, Amici dell'Orchestra del Baraccano IBAN: IT08A0707202403000000721562 intestato a Persephone, le pause del silenzio Emil Banca PACCHETTO SPECIALE ATTI SONORI estate 2025 aperitivo + spettacolo € 15 shopper a tiratura limitata realizzata per i 20 anni di ATTI SONORI brindisi con i musicisti prezzi speciali per tutto l'anno associativo SCARICA IL MODULO DI ADESIONE INFO Teatro del Baraccano via del Baraccano, 2 - Bologna cell. 393.9142636 teatrodelbaraccano@gmail.com

Radio Ritmo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRE SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSK IJ Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE Biglietteria intero 15€ ridotto 10€ ( under 30, over 65, titolari Card Cultura ) ridotto 5€ ( under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

gallery Orsoleo Spring Festival 2025 ORSOLEO SPRING FESTIVAL edizione #1 dal 25 aprile al 1 maggio 2025 Convento di Santa Maria di Orsoleo Sant'Arcengelo (PZ) direzione artistica Giambattista Giocoli direzione organizzativa e progettazione Nella Belfiore

Spettacolo di teatrocirco Collective production of the Bismantova Theater, Parpignol Theater and Compagnia Circolabile 6 December, 8.30 pm PLATO theater circus show by Andrea Menozzi , Francesco Marchesi and Christel dicembre An attic, an unstable light, objects piled up and assembled, improbable mechanisms, a man, Plato . Plato seems to have always lived alone in this universe, where his inventions shape his daily life and his relationships. Like everyone, he has built his own routine, his duties and obligations, his pastimes, his relationships, his alter ego. It moves and evolves in this reality, where it creates daily life energy and where each object becomes part of a vital ritual. Reality is made up of things we know and the idea we build of them. But what if Plato discovers the outside world and humans? This theatrical performance intertwines mime and circus arts to offer a poetic and amusing transposition of the allegory of the cave , a myth presented by Plato in Book VII of the Republic . Indeed "Plato" he takes up with humor and sensitivity the beacon theme of the allegory, the perception of reality and its transmission. Andrea Menozzi , the only actor on stage, reinterprets every object, every movement, in order to convey Plato's reality to the public. "Plato" was born from the collaboration between the Bismantova Theater , the Parpignol Theater and the Compagnia Circolabile , and from the study of two texts: in addition to " La Repubblica " by Plato, also " The Invisible Cities " by Italo Calvino. How the Great Khan built in his imagination the cities that Marco Polo described to him, Plato he composes with his fantasy, his out of phase universe, to offer it to the incredulous eyes of the public. with Andrea Menozzi Ticket 12 € Buy tickets

Lettura concerto su testi di Horacio Ferrer. Musiche di Cobian, Piazzolla e Pugliese. Con Matteo Belli e il Trio Lumiere du Tango Ca 'Rossa Association / Theater Center for Orality 17 and 18 March, 9 pm TRIBUTE TO HORACIO FERRER concert reading on texts by Horacio Ferrer music by Juan Carlos Cobian, Astor Piazzolla, Osvaldo Pugliese If, as Paolo Conte says, "the tango is the summary of life as the lizard is the summary of the crocodile", in the literary work of Horacio Ferrer we find a very wide variety of thematic interests: from poetic portraits of great singers and musicians (such as Carlos Gardel and Aníbal Troilo), to ruthless gazes on contemporary society that speak of child labor or violence against women, up to the poignant "hymns" to poetic madness or value universal freedom, passing through the moved and intimate "soliloquies" on the meaning of one's own Rio-Plateau origins, on the banks of a river too big to see the opposite bank, but so intimate as to merge together the language and culture of two countries like Argentina and Uruguay. The music performed live by the Trio "Lumière du Tango" renews the harmonic and melodic splendor of famous pieces immortalized by the global success achieved, for years now, by this repertoire and are enriched, in several moments, by interpretative counterpoint offered by Matteo's reciting voice Beautiful . Matteo Belli narrator TRIO LUMIERE DU TANGO Cristina Bertoli flute Marco Fabbri bandoneon Stefano Giavazzi piano Ticket 20 € (full), 15 € (reduced) Buy tickets Horacio Ferrer Matteo Belli Trio Lumiére du Tango TRIO LUMIERE DU TANGO Tango: synthesis music, born from the meeting of several cultures, which in the space of a few years has been able to take on characteristics so strong as to even connote the soul of the people Argentine. Perhaps for this reason it has always been difficult propose tango in ways that distance it from stylistic features of origin. This arduous challenge is accepted by the Trio Lumiere, who he offers us personal transcriptions of the most significant pieces of authors such as Plaza, Cobian, Bardi and Piazzola, in addition to presenting also original songs with various types of contamination, in which it will be easy rediscover the ardor and balance refined by the experience of concert performers engaged for years in a repertoire that straddles music cultured and jazz. All the various items come together in the Trio Lumiere project cultural suggestions as well as the instrumental and creative skills of the group, with the sensual timbre mixes of the flute and the bandoneon, which on several occasions challenge each other in intricate and refined percussive effects and where at the base of the milonga the counterpoint technique and the inimitable freshness of impressionism, in a virtuosic tension that is only of tango.

ATELIER QUADRI D'OPERA Teatro del Baraccano gennaio - febbraio 2026 Scopri di più ORSOLEO SPRING FESTIVAL Convento Santa Maria di Orsoleo - Santarcangelo (PZ) aprile - maggio 2026 Scopri di più IL BARBIERE A FUMETTI Pesaro 27 febbraio 2026 Scopri di più AIDA la musica danza nella sabbia Teatro del Baraccano - Bologna maggio 2026 Scopri di più QUADRI D'OPERA Bologna, Castello d'Argile, Molinella, San Giovanni in Persiceto, Mongiorgio febbraio - marzo 2026 Scopri di più ATTI SONORI estate 2026 Teatro del Baraccano - Bologna luglio 2026 Scopri di più

Giuseppe Guarrera per Entroterre Festival Il programma proposto questa sera è frutto di scelte che hanno a che fare con vari momenti della mia vita personale, momenti che hanno generato curiosità profonde legate agli stati d’animo che ciascuno dei brani mi sembra esplorare. L’apertura della serata, con la sonata di Brahms, offre lo spazio giusto per cercare nel dialogo col violino un momento di speranza e freschezza. La delicatezza delle melodie, la scrittura cameristica equilibrata e il territorio tonale del brano mi sembrano una continuazione organica del lascito beethoveniano. Come spesso accade coi grandi compositori romantici tedeschi, consciamente o inconsciamente iniziano dal punto estremo lasciato da Beethoven in ogni genere. Questo è accaduto con le sinfonie, i quartetti, le sonate e in questo caso le sonate per violino e pianoforte. La prima sonata di Brahms mi sembra scritta sulla scia dell’ultima sonata per violino di Beethoven, anche questa in sol maggiore. Se nelle grandi sonate che ho avuto modo di suonare con Mayumi (Kreutzer, Frank, Strauss) i due strumenti sono spesso in una posizione di grandiosa ed epica lotta, Brahms in questo brano mette in luce diverse possibilità di dialogo, creando un’interazione più intima e dai toni più calmi. Intimità che lega il brano anche ai gioielli nascosti di Schumann, gli Albumblätter, dove in poche battute si dipingono con grande poesia stati d’animo contrastanti e profondamente umani. I Pezzi di fantasia op.12 sono brani che ho imparato al mio ritorno da un viaggio in India lo scorso anno. Posso sinceramente confermare che lo stereotipo del viaggio spirituale in India che cambia la vita è fortemente giustificato. Ricordo ancora il senso di meraviglia che ho provato quando dopo quasi un mese di silenzio dalla Musica, ho suonato le prime note di Des Abends al mio rientro a Berlino. Non scorderò mai quel momento di meraviglia e incredulità, il suono del pianoforte mi sembrava essere troppo bello per essere vero ed è quella stessa sensazione che vorrei regalare al pubblico. Gli altri brani dell’opera 12 sono momenti di grande instabilità emotiva, che oscillano tra il sogno, la disperazione, gli slanci, le passioni tipiche di Schumann, squilibri in cui si riflette molto la mia natura, con improvvisi squarci su mondi estremamente lontani... gli stessi mondi metafisici di cui a volte, per pochi millesimi di secondi, mi è sembrato di percepire l’odore in India. La parentesi su Ligeti è una transizione sul Novecento e un omaggio ad un compositore, nel centenario dalla nascita, che è già diventato un classico. La Musica Ricercata sembra una risposta divertita alla dodecafonia, dove il criterio compositivo (ogni brano costruito su una, due, tre, quattro etc. note) diventa motivo di sperimentazione pura. Il concerto, o almeno il programma stabilito, si conclude con la festosa Venezia e Napoli di Liszt, compositore e uomo che considero tra i più interessanti nel mondo musicale. Frutto di viaggi e "pellegrinaggi" in giro per l’Europa, raccoglie le canzoni popolari del tempo a Venezia (La biondina in gondoleta, nel dialetto veneto) e Napoli (Tarantella e Fenesta vascia, canzone d’amore napoletana) trasformandole in uno spettacolo per le orecchie di altissima classe pianistica. Anche questo brano ha tanto valore personale, studiarlo è stato un consiglio del mio mentore S. Gadjiev: egli mi ha spinto a cercare attraverso Venezia e Napoli una riconnessione alle mie origini siciliane dopo anni (16, la metà della mia vita tra pochi giorni, il 27 agosto) di peregrinaggi nel mondo, odissee necessarie per studiare e apprendere da tante culture diverse. La Musica è sempre stata per me un modo di comunicare le verità dell’anima. Non sempre ci si riesce, ma questa meta all’orizzonte è sempre rimasta ben visibile e qualche volta sembra quasi di raggiungerla. Giuseppe Guarrera PROGRAMMA e FORMAZIONE MUSICALE ore 19:00 Aperi-concerto Giuseppe Guarrera pianoforte Mayumi Kanagawa violino J. Brahms Sonata n.1 per violino e pianoforte Aperitivo con gli artisti al Bar del Teatro Baraccano: tariffe à la carte ore 21.30 Recital pianistico Giuseppe Guarrera pianoforte R. Schumann Fantasiestücke op. 12 G. Ligeti Musica Ricercata F. Liszt Venezia e Napoli www.entroterrefestival.org Biglietteria apericoncerto + concerto serale €15 Buy tickets July 9 apericoncerto 7€ (aperitivo non compreso) concerto serale €10 Acquista biglietti Acquista biglietti Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

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Spettacolo di bharata natyam con Shweta Prachande November 18, 9 pm SAMYUKTA dance, divine union bharata natyam indian dance theater show with Shweta Prachande Shweta Prachande , extraordinary exponent of Indian style dance Bhārata Nāṭyam e peak pupil of Priyadarsini Govind , carrying on a solid hereditary lineage that constantly confronts the contemporary, will enchant us with the show Saṃyukta • dance, divine union , a mārgam in which we will see her transform (and transform us) with surprising agility and strength. SHWETA PRACHANDE Shweta Prachande began studying bharatanatyam dance at the age of 5 and is currently perfecting herself with the renowned artist Smt. Priyadarsini Govind , after completing a 5-year course at the Kalavardhini Dance Institute with teacher Dr. Sucheta Chapekar . Moving to Chennai in 2005 to continue her career as a dancer, Shweta quickly established herself as one of the most promising and talented dancers of the new generation. In parallel with her training in Bharatanatyam dance, she studied Kalaripayattu martial art for some years and obtained a Diploma in Contemporary Dance Studies at the Trinity Laban Conservatory of Music and Dance in London. He also studied rhythmic solfeggio (nattuvangam) and Carnatic classical music, and holds a Master's Degree in Fine Arts - Bharatanatyam from Bharathidasan University. He has won several scholarships with which he was able to deepen and further refine his training. He has received important critical accolades and won numerous awards in all major dance competitions nationwide. She has presented shows in India and abroad and is a regular guest of the prestigious event December Music and Dance Festival in Chennai. Shweta has also performed on television shows for the national networks Doordarshan and Star Plus. Shweta also regularly practices Yoga, Kalaripayattu and Rugby at a high level. THE BHARATA NATYAM The Bhārata Nāṭyam it is the oldest form of sacred dance theater originating in South India. The term Nāṭyam in Sanskrit it means dance, Bharata instead it is an acronym of the three words Bhāva (expression), Guys (melody), Tāla (rhythm). The style known as Bhārata Nāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. Ticket 12 € (full), 10 € (reduced) Buy tickets SHWETA PRACHANDE

Catalogo Il Barbiere a Fumetti I ALREADY WIDEN MY ARMS My letters to Ottorino and hers to me trace the first period of our life together. After the wedding, the correspondence between us is very little, because in the eighteen years of life together we were only separated for a few days. (Elsa Olivieri Sangiacomo) A theatrical adaptation of the letters that Respighi exchanged with his wife Elsa Olivieri before their marriage was woven on the music of Ottorino Respighi's "Doppio Quartetto". These are letters that Elsa herself has collected in a volume, which she simply titled "Ottorino Respighi". A very precious instrument will enrich the musical performance: the violinist Roberto Noferini will play the violin that belonged to Respighi , a violin of prestigious and ancient Bolognese lutherie, built around 1730. by the luthier Florenus Guidantus (1687-1760). The scenographic images will help to discover a fragment of the life of this great Bolognese musician and composer, who, for his genius, deserves to be rediscovered by his city to which he was very attached. Respighi is deeply and intimately linked to the city of Bologna and lives it with very strong nostalgia every time he moves away from it. In fact, he settled in Rome in 1913, winning the competition for the Chair of Composition and Fugue at the Conservatory of Santa Cecilia, but his countless journeys can already be counted from his youth in via Castagnoli 2 (now Largo Respighi - BO), starting from the small room used as a study, from the fir bookcase built with his own hands, from the collection of vocabularies in different languages, with a particular curiosity for the less known ones. The vocabularies are followed by atlases and hours spent studying a geographical map. “ Those were, those were the first trips, the most beautiful I've ever done around the world ”. It is not always easy to play a dreamer. The event is part of the RESPIGHI project . ideazione e direzione musicale Giambattista Giocoli arrangiamenti musicali Fabio Codeluppi e Giambattista Giocoli disegni manga Tsukishiro Yūko montaggio video Giambattista Giocoli colorazione in digitale, lettering e grafica Michele Cerone direzione organizzativa Nella Belfiore assistenza alla produzione Paola Scrolavezza e Haruka Arakawa comunicazione Maja Kuliczkowska documentazione fotografica Paola Perrone ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Domenico Alfano flauto Ivàn Villar Sanz, Mirco Ghirardini clarinetto Augusto Palumbo, Umberto Codecà fagotto Umberto Turchi fisarmonica Paolo Faggi, Benedetto Dallaglio corni Fabio Codeluppi tromba Valentino Spaggiari trombone Gianluigi Paganelli basso tuba Track CD 13 e 22 Filippo Mazzoli f lauto Stefano Franceschini clarinetto Paolo Carlini fagotto Andrea Maccagnan trombone registrazione effettuata presso Teatro del Baraccan o ripresa audio Marco Ferri, Francesco Vaselli assistenza tecnica Andrea Biasco stage Michele Lo Veci, Costanza Balbi mixaggio S tudio Ermes di Marco Ferri Bologna, maggio 2022