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- R.A.D. Respighi Ancient Dances
27 and 28 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 29 August RAD Respighi Ancient Dances music and dance DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. DNA Company | choreography Elisa Pagani ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli
- Scheda Il Barbiere a Fumetti
RADIO RITMO on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC Sinfonia Piano pianissimo Ecco ridente in cielo Oh sorte! Signor Conte Mille grazie, mio signore Largo al factotum Se il mio nome saper voi bramate All’idea di quel metallo Numero quindici Una voce poco fa La calunnia Dunque io son Ehi di casa! Cosa accadde Mi par d’essere Contro un cor Don Basilio, cosa veggo Benissimo Bricconi birbanti Il vecchiotto cerca moglie Il Temporale Qual colpo inaspettato Zitti, zitti Di sì felice innesto ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.
- Anteprima Festival dei Portici
THE CARTOON BARBER Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BOLOGNAPORTICIFESTIVAL.IT PROGRAMMA 15 GIUGNO ore 20.30 | Teatro del Baraccano SUGGESTIONI DALL'AIDA Proiezione e inaugurazione della mostra delle opere grafiche e delle riflessioni ispirate all’AIDA, nell’interpretazione dell’Orchestra del Baraccano, create dai partecipanti del laboratorio artistico. Il progetto ha messo in relazione un’opera “grande” con il mondo di oggi, svelandone i significati, la complessità della struttura, la storia, le relazioni con l’archeologia e dimostrando così anche l’universalità e la trasmissibilità dei valori artistici contenuti in un capolavoro come quello verdiano. 16 GIUGNO ore 20.30 | Certosa di Bologna - Chiostro VI UN' Altra A IDA. Ri/Cre/Azione dell’opera di Verdi attraverso la lente del dialogo interculturale e della virtuosa commistione tra musica colta e di tradizione , con la consapevolezza che mescolare generi e culture crea bellezza! … e se Aida e Radames fossero di Salerno? …E se le convenzioni sociali che frenano il loro amore fossero espresse da un canto siciliano di Rosa Balistreri? …E se l'invocazione alla Pace di Aida fosse una preghiera Caucasica? Ri-leggiamo e facciamo ri-vivere questo capolavoro - che parla tanto anche al nostro complesso presente - facendo coesistere le note verdiane con brani di tradizione orale italiani e non, magari modificando il finale con una meravigliosa utopia: non più la morte di entrambi ma soluzione del conflitto che li fagocita. Un’ Altra AIDA è un racconto - concerto per dare voce alle tante Aida di tutti i tempi e di tutte le aree geografiche. L’intreccio dell’opera è universale, archetipico: donna, schiava e straniera incarna tutte le donne che nei secoli si sono sentite straniere, non viste. L’approccio musicale vuole restituire voce alle tante Aida dimenticate, attraverso un’apparentemente ardita contrapposizione tra le note di Verdi - appena accennate - ed i canti di tradizione orale al femminile, più in primo piano. Un percorso laboratoriale-performativo che vuole mettere assieme culture, suoni, età differenti e proprio in questo sforzo trova il suo momento di maggiore attualità. Le Musiche , come linguaggio universale, creano Pace ed Armonia. CORO FARTHAN di Marzabotto - Coro Ambasciatore di Pace Anna Palumbo fisarmonica - percussioni Antonio Stragapede chitarra e mandolino Marco Zanotti percussioni voci recitanti Coro Farthan ricerche storiche, drammaturgia ed adattamento testuale Sandra Cavallini ideazione, direzione ed arrangiamenti Elide Melchioni TUTTI GLI EVENTI SONO GRATUITI VoltONE fa parte di Bologna Portici Festival - Heritage meets Creativity, l'evento promosso e coordinato dal Comune di Bologna per celebrare i Portici Patrimonio dell’Umanità UNESCO nell'ambito del cartellone di eventi Bologna Estate. Il progetto è stato finanziato dall’Unione europea - Fondi Strutturali e di Investimento Europei, nell’ambito del Programma Operativo Città Metropolitane 2014-2020 e della risposta dell’Unione alla pandemia di COVID-19
- Doppio Quartetto
15 August, 6 pm and 8.30 pm | Charterhouse of Bologna DOUBLE QUARTET from Respighi's music to Dalla's poetry The Double Quartet in D min., Dated 1900, is part of Respighi's early production, which is characterized by research and experimentation. It already contains three key aspects of the artist: the predilection for instrumental music against the predominant bel canto tradition, the undeniable predisposition towards a very personal and rich timbre palette and the love for “the antique”, which will be highlighted later. The Double Quartet will be the final stage of a path with a guided tour, curated by Mirarte , and the participation of Alessandro Tampieri . Orchestra del Baraccano Alessandro Tampieri Visita guidata ORCHESTRA DEL BARACCANO director Giambattista Giocoli violins Roberto Noferini , Henry Domenico Durante , Luca Ranzato , Matteo Anderlini violets Thomas Cavuoto, Lorenza Merlini cellos Giacomo Grava and Francesco Stefanelli Ticket € 20 Buy tickets
- IMMUTEA 1919 - il concerto
26 September, 9 pm IMMUTEA 1919 - the concert Highlight event in the context of the Bauhaus centenary celebration, during the design week in Bologna, it enters the international circuit of the rich program of events dedicated to the Bauhaus, planned all over the world. In collaboration with Bologna Design Week , IMMUTEA 1919 - the concert wants to be a tribute to what was probably the artistic and cultural movement that most contaminated the various artistic disciplines, involving together music, theater, dance and scenography, all inspired by its shapes and colors, with the music of the authors who they were a strong expression of it ( Hindemith and Kurt Weill ) and of another composer, Leoš Janáček , who in the same years, but in Brno, a Czech city, composed Mládí . The concert is a production conceived for BDW by Giambattista Giocoli . ORCHESTRA DEL BARACCANO director Giambattista Giocol flute and piccolo Silvia Colageo | oboe Fabrizio Oriani clarinet Stefano Franceschini bass clarinet Mirco Ghirardini trumpet Fabio Codeluppi | horn Dimer Maccaferri bassoon Franco Fusi
- Respighi suite tournée Ungheria
21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. The Orchestra of the Baraccano will be in concert with RESPIGHI SUITE , Antiche Arie e Danze per Liuto arranged for ensemble on September 7th at 7 pm at the Italian Cultural Institute in Budapest, Bródy Sándor utca 8.
- Domenica in musica
Domenica in musica il Comuna le attra versa la città 16 aprile 2023, ore 11 | Teatro del Baraccano The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. PRENOTAZIONE
- CV Vaselli | teatrodelbaraccano
FRANCESCO VASELLI Born on March 5, 1989 in Bologna, I graduated from the Liceo Scientifico A.Righi in Bologna in 2009. During the summer of 2010 I worked as a warehouse worker at the Cantina Marittima (Milano Marittima - Ra). Enrolled at the University of Literature and Philosophy in the Dams-Music course, I carried out the curricular internship at the Teatro del Baraccano in Bologna between October 2015 and February 2016, during which I gained experience as an audio technician and mask in the hall. Between October 2017 and April 2018 I attended basic and advanced professional courses for sound engineer at Fonoprint studios. Since November 2017 I have been collaborating with the Teatro del Baraccano as an audio technician, where I take care of the correct functioning of the system and the care of live shows, concerts and conferences. Occasionally I have also collaborated with various services in the sector, for events of different kinds, even over several days. Thanks to these experiences I was able to learn how to manage work even under pressure, to work in a group and to satisfy requests in every situation, using the material in the best possible way. technician at my disposal.
- A litle night
A LITTLE NIGHT MUSIC After the great success of a Broadway It is in the West End Londoner since 1973 to date, it finally arrives also in Italy exclusively "A Little Night Music", the award-winning musical by Stephen Sondheim with booklet by Hugh Wheler, produced by the fledgling company THE PERFORMErs with SOUND ACTS in collaboration with BSMT- Bernstein School of Musical Theater. Based on the 1955 film by Ingmar Bergman Smiles of a summer night, the musical is about love and affective relationships born between different couples. Sophisticated and full of spells, the soundtrack composed by Sondheim intertwines suggestive waltzes, bewitching vocal quartets and lyrics interwoven with humor and poetry. The exciting air Send in the Clowns it soon established itself as a hit, and became a "classic" of the musical, recorded by numerous pop and musical singers. Many other pieces also deserve to be mentioned, including the female duet Every Day a Little Death, You Must Meet my Wife and A Weekend in the Country, The Miller's Son and Night Waltz. A pressing melodic reconstruction to retrace, as already mentioned, the love stories of several couples that fate had removed and reunites in a country villa for a weekend. Duration: approx. 3 hours Singing, acting, dance and live music. Direction and adaptation Sara D'Angelo Choreography Carla Della Vecchia Artistic direction Edoardo Scalzini And Eleonora Lombardo Vocal direction Vincenzo Li Causi Musical direction Giambattista Giocoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli Desirée Armfeldt | Simona Distefano Fredrik Egerman | Antonio Cadoni Anne Egerman | Giulia Fabbri Henrik Egerman | Marco Trespioli Charlotte Malcolm | Eleonora Lombardo Carl Magnus Malcolm | Matteo Ferrari Petra | Beatrice Berdini Frederika Armfeldt | Veronica Appeddu Madame Armfeldt | Federica Ugolini Frid | Simone Mastria MRS Nordstrom | Sara D'Angelo MRS Anderssen | Rosalba Iacoviello MRS Segstrom | Irene Romano MR Erlanson | Edoardo Scalzini MR Lindquist | Michael Anzalone Malla / Osa | Clara Di Donato Italian registration document Andrea Ascari Italian music lyrics Michael Anzalone Costumes Fabio Cicolani and Silvia Cerpolini Scene objects Simona Distefano Scenographies Federica Amatuccio Lights Micaela Piccinini Graphics Stefano Bonsi General assistance Alessia Baggiolini BACK