Ecanes Trio, Entroterre Festival August 31, 9.15 pm Entroterre Festival Ecanés Trio Ecanés is Giovanni Seneca's new musical project. His guitars guide us on a path that blends the classical tradition with the popular one. In the compositions we find references and citations that come from different geographical and musical areas: from the Balkans to southern Italy from baroque music to contemporary sounds . Ecanés is an anagram and with the same path the songs are exchanged with respect to the sources of inspiration. The use of different types of guitars (classical, swing and flamenco) enhances the nuances of each composition. Of particular interest is the use of the battente guitar, typical of the southern Italian tradition since the 14th century.The sound of this ancient instrument is unmistakable and is diametrically opposite to that of normal guitars and is more like a harpsichord or a saz. It is still widely used in traditional music, but in this cd through the compositions of Seneca it arrives at new sounds that enhance its ancient and popular soul at the same time. The percussion, the double bass are a counterpoint to this aesthetic journey. The ancient and Mediterranean timbres such as those of the riq, darbuka or frame drums accompany the listener on this journey through time and cultures, recreating a unique and enveloping soundscape. Trio Ecanés Giovanni Seneca guitars and compositions Francesco Savoretti percussion Gabriele Pesaresi double bass www.entroterrefestival.it Giovanni Seneca trio seneca2 Single ticket € 10 Buy tickets

Isabella Leonarda, Cappella Artemisia August 5th, 9.15 pm Artemisia Chapel A PORTRAIT OF ISABELLA LEONARDA conventual music of the '600 Sister Isabella Leonarda (6 September 1620 - 25 February 1704), " the Novara muse ", she was the most prolific of all the seventeenth-century composers, both inside and outside the convent walls. She entered the college of S. Orsola at sixteen and remained there for 68 years, serving the monastery as vicar mother, superior and councilor. He published as many as 20 collections of motets and other works, nearly 200 compositions that include practically every genre of sacred music of his time: Masses, Vespers, motets in Latin and Italian for 1-4 voices with and without violins, and a collection of sonatas for 1 and 2 violins, the only complete collection of instrumental music of the time composed by an Italian woman. The Artemisia Chapel would like to celebrate this exceptional woman, whose vast production remains largely and unfairly unknown. Cappella Artemisia is an ensemble of voices and instruments dedicated to the music of the Italian female monasteries of the 16th and 17th centuries . The repertoire includes both unknown works composed by the nuns themselves, and pieces written by better known composers, but proposed, often for the first time, in their original way, that is, without male voices. The musicians are all specialized and established performers in the field of early music. They regularly collaborate with other ensembles such as Il Concerto Italiano , Accademia Bizantina , La Venexiana , L'arte dell'Arco , Mala punica , La Reverdie , La Risonanza , Cantar far , ModoAntiquo , L 'Accademia Strumentale and others. Since 1991, the ensemble has had flattering results, both for the rarity and originality of its repertoire, and for the high quality of its performances. She has been invited to the most prestigious early music festivals in Europe and North America. In 2018 he recorded his 9th CD: The Motets of the Pavese nun Bianca Maria Meda (1619). The name of Cappella Artemisia is inspired by the painter Artemisia Gentileschi, a significant figure in seventeenth-century Italy whose artistic value is finally beginning to earn the recognition it deserves. Cappella Artemisia Cappella Artemisia Cappella Artemisia Single ticket € 10 Buy tickets

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Stagione ATTI SONORI 2017. SOUND ACTS 2017 musical theater 12 - 13 - 14 October, 9pm GIUSEPPE VERDI, KING OF POP 21 October, 9 pm '77 AND S8 IN JAZZ 11 November, 9 pm MUSICAL CABARET November 12, 5.30 pm RADIO RHYTHM 21 November matinee for schools IN THE NAME OF A ROSE 24 November, 9.30 am STRAY' (HARD-SIDED) 2 December, 9 pm NYANGA December 15, 9 pm AMONG THE CLOUDS 15 and 16 December matinee for schools THE CARTOON BARBER

24 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone PROGRAMMA Sinfonia Piano, pianissimo Ecco ridente in cielo Oh sorte! Signor conte Mille grazie, mio signore Largo al factotum All’idea di quel metallo Numero quindici a mano manca Una voce poco fa La calunnia è un venticello Dunque io son Ehi di casa, buona gente Che cosa accadde Mi par d’essere con la testa Contro un cor che accende amore Don Basilio, cosa veggo Bravissimo Bricconi birbanti Il vecchiotto cerca moglie Temporale Ah, qual colpo inaspettato Zitti zitti Di sì felice innesto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, Emil Banca, Fitel, CNA, Lions Club Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

February 7, 21 hours Bologna Harp Festival PICTURES Harpe duo Alchimia Both graduates from the “A. Boito "of Parma, Alice Caradente and Alessandra Ziveri they founded in 2008 the harp duo “Alchimia” with the aim of offering the public a wide repertoire, sometimes unpublished, sometimes forgotten. After following Masters and Courses with internationally renowned teachers, they deepened this type of chamber repertoire by researching and performing original compositions and transcriptions, dealt with with profound stylistic expertise. They recorded two discs of unreleased and original songs for two harps: Paraphrase Verdiane (Tactus, 2014), a project entirely dedicated to the authors of the 19th century Italian harp school who composed fantasies, divertimenti, potpourri on the most loved arias of Maestro Giuseppe Verdi specifically for the chamber ensemble of the harp duo and The Queen's Harp (Da Vinci Ed., 2017), a focus on the Parisian salons of the last decades of the Ancien Régime, the golden age for the harp, which became the most fashionable instrument in pre-revolutionary Paris. They held concerts for prestigious festivals and exhibitions: among the most prestigious we can mention the Bellagio Festival and Lake Como, the Company dei Concerti in Milan, the concert season Belluno, the Verdi Festival in Parma, the Aperitif Concerts of Arturo Foundation Toscanini , the International Festival of Harp Sounds in Salsomaggiore Terme (PR) and the International Festival of the Viggianese Harp (PZ). They are active in the didactic field, teaching Harp at the ISSM Orazio Vecchi in Modena and the Liceo Musicale Attilio Bertolucci in Parma. Full ticket € 14, reduced € 12 Buy tickets

Respighi e Bologna June 24th 6pm and 8.30pm | July 22, 8.30 pm 12 August 6 pm and 8.30 pm | September 16, 6 pm and 8.30 pm Charterhouse of Bologna WE REJECT MUSIC the Certosa, Bologna and Respighi musical guided tours Ottorino Respighi , one of the most famous composers of the twentieth century, rests in the Certosa. Beloved in the USA, famous for his famous works dedicated to Rome, the Eternal City , he maintained his contacts with Bologna, his hometown, throughout his life. A journey to remember the musical world that made him famous, and his fellow musicians of all ages, from Gioachino Rossini to Lucio Dalla. During the visit we will also discover the events of the composer's family who were sculptors, generals, writers. Guided tours by Mirarte. reservations required mirartecoop.it Musical interventions with the soloists of the Baraccano Orchestra Alice Caradente and Alessandra Ziveri harps Admission € 12, two euros donated to the Certosa. Reservation required through the site www.mirartecoop.it Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather.

Orsoleo Spring Festival 2025 THE CARTOON BARBER 28 aprile ore 11 | Chiesa RADIO RITMO VOCI E SUONI DALL'ETERE radiodramma musicale The Barber of Seville for Manga music and drawings Il 30 ottobre 1938 la trasmissione radiofonica di Orson Welles scatenò il panico, facendo credere che un conflitto interplanetario era iniziato attraverso un’invasione aliena nel New Jersey. Liberamente ispirato a La Guerra dei mondi di H. G. Wells e all’esperienza di O. Welles, RADIO RITMO vuole ricordare l’impressionante potenza comunicativa della radio, all’epoca prima donna nel panorama delle comunicazioni e, parallelamente, stimolare una riflessione sull’imponente effetto dei media e sulla loro attendibilità. Due attori riproducono la trasmissione radiofonica ed un’orchestra suona le musiche della band ospitata nella trasmissione. regia Massimo Sceusa voci recitanti Sandra Cavallini e Mirko Rizzotto ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu violoncello Alessandro Culiani flauto Margherita Russo clarinetto Davide Braco pianoforte Honglin Zong Repliche 25 e 26 aprile, ore 21 28 aprile, ore 11 Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".

Un incontro tra prosa e musical. Con Francesca Taverni, Antonello Angiolillo e Luca Giacomelli Ferrarini 7 and 8 April, 9 pm TALKING ABOUT LOVE What remains "Ungaretti, Montale, Pasolini, Quasimodo, Mina, Endrigo, Tenco, Leopardi and many others ... Authors and performers who have illuminated our lives and our artistic path: an intimate journey, through songs and words and poems and memories, retracing the art of so many excellences, so as not to forget everything they left us, because what remains is special, because the legacy they left us is a good that must be celebrated and remembered, something that inspires us and helps us to become or create, maybe one day, what will remain. Not to forget that the heart and soul and the talent of an artist must be nourished with beautiful words, beautiful music and beautiful thoughts. I close with the words of Tiziano Terzani that explain what I feel, believe in and for which I am grateful: ʽArt, the real one, the one that comes from the soul, is so important in our life. Art comforts us, lifts us up, art orients us. Art heals us. We are not just what we eat and the air we breathe. We are also the stories we heard, the fairy tales we fell asleep with as children, the books we read, the music we listened to and the emotions that a painting, a statue, a poem gave us. , Tiziano Terzani) ". Chiara Noschese with Francesca Taverni and Antonello Angiolillo and with the friendly participation of Saverio Marconi piano Maria Galantino art project by Chiara Noschese Ticket 20 € (full), 15 € (reduced) Buy tickets Francesca Taverni Antonello Angiolillo Saverio Marconi Chiara Noschese FRACESCA TAVERNI Singer, actress and dancer. She graduated in ballet with the Royal Academy of Dancing in London in 1988. Her theatrical experiences include: Giulia in Replay, directed by M. Simone, Cathy in The last five years, directed by M. Simone, Sister Joan in Outing, Italian version of Bare, directed by M. Simone, Best of Musical, directed by C. Noschese, The Baroness in Il Cappello di straw of Florence, directed by S. Querci, Sora Rosa in L'Acqua Cheta il Musical, Prato Film Commission production, direction S. Querci; Woman in Mamma Mia !, Stage Entertainment Italy, Cathie in These 5 years, Italian version of “The last five years ”, directed by P. di Blasio; ensemble and cover Madame Morrible in Wicked, Stage Entertainment Germany; Liz Imbrie in High Society, directed by M. Piparo; Grizabella, Bombalurina, Demeter, Jellylorum and Gumbie in Cats, Stage Entertainment Germany; Maureen in RENT, production Pavarotti International; Annette in Saturday Fever Sera, directed by M. Piparo; Maggie, Val, Diana, Cassie in A Chorus Line, Compagnia della Rancia, directed by S. Marconi; Nanette in No, no, Nanette, directed by M. Foschini. She was the voice of Coca-Cola's Christmas commercial in 2000. Also in 2000 he won the IMTA award as Best Female Performer of Musical in Italy for Maureen in RENT. Among his recording experiences Desde la Calle e Soul Revuelta with El V and The Gardenhouse. ANTONELLO ANGIOLILLO She studied ballet at the National Academy of Rome, modern dance, singing, acting and tip tap in Italy and in New York. He made his debut in the world of musicals in 1990 under the direction of S. Marconi as Paul in A Chorus Line. Among his theatrical experiences: Tick / Mitzi in Priscilla la regina of the desert; the Beast in Beauty and the Beast; Adam in Mi I call Eva; Jamie Wellerstein in Five Years; Savior in Poveri ma belli, directed by M. Ranieri; the Angel in Mary of Nazareth a story that continues; Good luck, Quartet G; Metropolis; Leopoldo in Al Cavallino Bianco, with D. Mazzuccato, directed by G. Landi; Bobby in Company; Everything does… BrodWay, (co-star and co-author together to the Quartet G); Joseph in Joseph and The Amazing Tunic of dreams in technicolor, directed by C. Insegno; Francesco in Francesco, the musical (Massimini 2001 Prize); Bobbi knows everything, with Dorelli and L. Goggi; Dreams without a net with G. Project; But luckily there is music, directed by P. Garinei, with J. Dorelli; Cats (Stage Entertainment Germany). SAVERIO MARCONI He trained at the Dory Cei Acting School in Florence and then at the Teatro Studio del Metastasio in Prato, and got his first writing from the fathers of musical comedy, Garinei and Giovannini. He arrives in directing after several experiences as a film, theater, radio and TV actor. In the 70s / 80s directors such as Gillo Pontecorvo, Luigi Comencini, Pasquale Squitieri directed him in numerous films. He experimented as a theater director with a small non-professional group from the Marches, an activity that led him to give birth to the Acting School in Tolentino, of which he is still Artistic Director today, and then the Compagnia della Rancia. He signs the direction of almost all the musicals of La Rancia, also creating new original musicals such as Dance! and Pinocchio The Great Musical. In 2005 he inaugurates the Scuola del Musical, a professional course in which he transfers his experience in the field of musicals to the new generations. In 2010 he directed Verdi's Nabucco, which inaugurated the season of the Teatro Massimo in Palermo and the Teatro Carlo Felice in Genoa, and in 2011 Donizetti's theatrical convenience and inconveniences. In the 2011/12 season he returned to prose by directing the show based on the 4-award-winning film Rain Man, and, as an actor, playing the role of the protagonist in Éric - Emmanuel Schmitt's Enigmatic Variations. In the 2014/15 season another acting rehearsal with Re-fusi directed by Vanessa Gasbarri, and the direction of L'elisir d'amore for the Marche Opera Network. In 2015 he made his debut at the Borgio Verezzi Festival with Bianco o Nero - The Sunset Limited directed by Gabriela Eleonori, at the Todi Festival with Cabaret, and directed the musical Sister Act. CHIARA NOSCHESE Daughter of the famous imitator Alighiero Noschese, after graduating from the Laboratory of scenic exercises directed by Gigi Proietti, she soon worked as a comic but also a dramatic actress, moving from musical to prose, from cinema to television and experimenting new professional paths each time. In the musical comedy, his interpretations in Singing in the rain, Seven brides for seven brothers, The Nights of Cabiria directed by Saverio Marconi, and The Forbidden Planet directed by Patrick Rossi Gastaldi are to be remembered. In 2000, together with Duccio Camerini and Saverio Marconi, she is the author of the musical Dance!, Inspired by the comedy by William Shakespeare Much Ado About Nothing and produced by the Compagnia della Rancia. In the prose he played the most significant characters in Two matches written and directed by Cristina Comencini, Mondo Secondo written by Noschese herself in collaboration with Francesca Zanni and Duccio Camerini, La grande scuffa and Inferno live with the direction of Luca Barbareschi. At the cinema to remember the participation in the films The pear tree by Francesca Archibugi, Condominium by Felice Farina, Women do not want more by Pino Quartullo, Bruno waits in the car by Duccio Camerini, Io no spik inglish by Carlo Vanzina. On television he participates in the fiction God sees and provides and Linda and the sergeant, and in the broadcasts Ciao Week-end, Club '92, Dove dare le quail. In 2010 at the National Theater of Milan the tour of the musical Mamma Mia! in which she plays the character of Donna, confirming her role also in the following season at the Brancaccio Theater in Rome. In 2011 he was on the Stage Entertainment jury to select the interpreters of the musical Sister Act. In 2013 he participated in the variety of Carlo Conti Tale and Quali Show .