Spettacolo di teatrocirco Collective production of the Bismantova Theater, Parpignol Theater and Compagnia Circolabile 6 December, 8.30 pm PLATO theater circus show by Andrea Menozzi , Francesco Marchesi and Christel dicembre An attic, an unstable light, objects piled up and assembled, improbable mechanisms, a man, Plato . Plato seems to have always lived alone in this universe, where his inventions shape his daily life and his relationships. Like everyone, he has built his own routine, his duties and obligations, his pastimes, his relationships, his alter ego. It moves and evolves in this reality, where it creates daily life energy and where each object becomes part of a vital ritual. Reality is made up of things we know and the idea we build of them. But what if Plato discovers the outside world and humans? This theatrical performance intertwines mime and circus arts to offer a poetic and amusing transposition of the allegory of the cave , a myth presented by Plato in Book VII of the Republic . Indeed "Plato" he takes up with humor and sensitivity the beacon theme of the allegory, the perception of reality and its transmission. Andrea Menozzi , the only actor on stage, reinterprets every object, every movement, in order to convey Plato's reality to the public. "Plato" was born from the collaboration between the Bismantova Theater , the Parpignol Theater and the Compagnia Circolabile , and from the study of two texts: in addition to " La Repubblica " by Plato, also " The Invisible Cities " by Italo Calvino. How the Great Khan built in his imagination the cities that Marco Polo described to him, Plato he composes with his fantasy, his out of phase universe, to offer it to the incredulous eyes of the public. with Andrea Menozzi Ticket 12 € Buy tickets

Il Teatro della gente Il Teatro della Gente Passeggiate fra i Portici, i Teatri e la loro Storia The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. Passeggiando fra i Portici di Strada Maggiore e Via Santo Stefano + Il Barbiere a Fumetti 27 maggio 25 giugno PERCORSO 2 + MYSLIVEČEK, il divino boemo 19 agosto PERCORSO 2 + MYSLIVEČEK, il divino boemo 21 agosto PERCORSO 1 + IL BARBIERE A FUMETTI 30 agosto PERCORSO 3 + AIDA 20 settembre PERCORSO + VISITE MUSICALI 26 novembre PERCORSO + L'ELETTA, Sagra della Primavera 10 dicembre PERCORSO 3 + AIDA

Lenti passi nel tenebroso palazzo di fate from 24 May to 6 June | Charterhouse of Bologna SLOW STEPS IN THE DARK PALAZZO DI FATE the Charterhouse to the discovery of Ottorino Respighi treasure hunt From 24 May to 6 June the Risorgimento Museum offers a 'treasure hunt' in the monumental Cemetery of the Certosa to be done independently, dedicated to the figure of Ottorino Respighi (1879-1936) , one of the most famous musical composers of the twentieth century. Through a downloadable map by clicking on the button below, you will be able to discover the musical and family world of the artist, a relative of famous sculptors, art critics, doctors, men of arms and of the writer Vittoria Guerrini, aka Cristina Campo . In the stages of the route, QR codes will be available for those who want to learn more through texts, documents, videos and music. Made on the occasion of the Week to discover European cemeteries and the historical re-enactment of 8 hundred Aps Made Italy ; within the Respighi Project of the Teatro del Baraccano. Info: museorisorgimento@comune.bologna.it Download the map The map can also be downloaded through the Facebook channels of the Museum of the Risorgimento , 8 hundred , Baraccano Theater and Amici della Certosa , or by going to the Info Point of the Certosa during opening hours (via della Certosa 18 - Church courtyard). Smartphone with QR reader / app required. Ottorino Respighi Certosa Bologna Respighi Project

December 15, 9 pm AMONG THE CLOUDS the Four Seasons Trio presents its unreleased cd

March 6, 8.30 pm - POSTPONED NEW DATE May 30, 8.30 pm in collaboration with the Jaya Association BHĀRATANĀTYAM MARGAM Indian dance theater show with Apoorva Jayaraman The Bhāratanāṭyam it is the oldest form of dance theater originating in South India. The term Nāṭyam in Sanskrit it means dance, Bharata instead it is an acronym of the three words Bhāva (expression), Guys (melody), Tāla (rhythm). The style known as Bhāratanāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. APOORVA JAYARAMAN was born in Bangalore, and met Bhārata Nātyam at the tender age of 5. At 16 she moved to Chennai to study with the great teacher Kalanidhi Narayanan and since then she has had the opportunity to train permanently with Priyadarsini Govind, one of the most eminent dancers of this style of dance. In his own words ' Dancing, and activities surrounding it, have brought me a sense of fulfillment like nothing else so far has '. Apoorva has a degree in Physics from the University of Oxford and a PHD in Astronomy from the University of Cambridge (UK). Ticket € 13 (full), € 10 (reduced) Buy tickets Apoorva Apoorva Jayaraman Apoorva Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman

Stagione ATTI SONORI 2017.

vite da chansonnier e canti ribelli, con Giangilberto Monti Fort Alamo Association 3 and 4 March, 9 pm CURSED FRENCH chansonnier lives and rebellious songs After cabaret performances, comic-musical essays and theatrical projects, Giangilberto Monti summarizes the French repertoire he has always loved. His translations of Vian, Ferré, Gainsbourg and Renaud, have been published on musical albums, essays and historical books, such as his Maledetti Francesi (2011, NdA), cited by Gianni Mura in Repubblica as one of the books to remember about that year. Here the Milanese chansonnier tells off the cuff the beginnings of the French songwriter, recalls anecdotes and fragments of history from beyond the Alps, talks about how the poetic song went through the twentieth century. And it does so by interpreting the most beautiful songs of the French maudits par excellence: from the versatility of Boris Vian to the desperate and barricaded texts of Leo Ferré, from the poetic provocations of Serge Gainsbourg to the heart-breaking stanzas of Jacques Brel, up to the jeers of Georges Brassens, one of the main inspirers of the Italian singer-songwriter, and to the ironic hardness of Renaud, the last of the classic French maudits. The utopias and rebelliousness of all time can be found in the words of these artists, between folk and author ballads, which Monti interprets accompanied by his musicians. A musical narration from a passionate and curious conductor, showing the public that contamination between poetry, music and comedy that has always been the heritage of our French-speaking cousins. From the press "Monti chansonnier, bravo and cursed, in the name of Vian" - The Republic "Monti's performance flows away with unusual vivacity, amidst libertarian noises, celebrations of women, love, and linguistic and moral transgression" - The newspaper "Notes cursed in freedom by Giangilberto Monti" - The poster . with Giangilberto Monti Ticket 20 € (full), 15 € (reduced) Buy tickets Giangilberto Monti Giangilberto Monti Giangilberto Monti GIANGILBERTO MONTI Writer and chansonnier , Giangilberto Monti wrote his first songs in the mid-seventies. He attended the world of independent labels of that period, met the producer Nanni Ricordi and the songwriters Ricky Gianco and Ivan Cattaneo and graduated in Engineering in Milan, signing immediately afterwards for CBS, now Sony Music. In his first albums ( The order is public?, 1978; Il giro del giorno , 1979; And tomorrow?, 1981) he alternates poetic texts of civil commitment with sarcastic passages on the society of the time. He undertakes a parallel theatrical activity : he studies singing with Cathy Berberian, acts with Dario Fo and Franca Rame , graduates from the Civic School of Dramatic Art in Milan and writes with Flavio Premoli, keyboardist of the PFM, the rock-opera Guardie e Ladri (1982 ), an album that features among others Alberto Camerini, Francesco Di Giacomo del Banco, Anna Oxa and vocalist Bernardo Lanzetti. Always with Premoli he writes songs for Fiordaliso and Anna Oxa, signing with the violinist Mauro Pagani My Race (1990), for Mia Martini. During the eighties he frequented the environment of the Zelig in Milan, collaborating as an author with the comedians Aldo Baglio and Giovanni Storti - of the future trio Aldo, Giovanni & Giacomo - the stand-up comedian Marco Della Noce and the duo of the Fichi d'India. He writes and acts with the actress Lella Costa , realizes theater-song shows with the jazz player Gaetano Liguori and the composer Sergio Conforti, the Rocco Tanica of Elio & Le Storie Tese, signs scripts for the Italian Swiss Radio. After having staged the musical repertoire of Dario Fo (1999-2000) with the jazz player Laura Fedele, he developed a writer and essayist activity with Garzanti, who published the Dictionary of Cantautori (2003-2005), signed with Veronica Di Pietro, and the Dictionary of Comedians and Cabaret (2008). In the same years he recalls the 1968 period with the show A little after the lead and the album of unreleased songs Ce n'est qu'un début , to be followed by the Comicanti CD - both published with Carosello Records - in which he duets with a fifteen comic artists, interpreting the best pieces of Italian musical comedy, from Ettore Petrolini to Dario Fo. His theatrical version, directed by Vito Molinari, sees him on stage with Flavio Oreglio and Stefano Nosei (2010-2011). Since 1994 he has developed his passion for French music : he undertakes a long research on the work of Boris Vian, curating with Giulia Colace the volume Boris Vian-The songs (Marcos y Marcos), he publishes a choice of songs by the French artist. , which he adapted into Italian (Manifesto) and stages La Banda Bonnot - the story of the anarchist bandit Jules Bonnot , based on unreleased songs by Vian - which in 2004 won the Prix Suisse as a musical radio play and was released on CD for the FolkClub Ethnosuoni. Two years later it will be the turn of Maledette Canzoni - a discographic tribute to Vian, Léo Ferré and Serge Gainsbourg, of which Monti is the first in Italy to translate the songs - followed in 2011 by the Belle Équipe project, a musical show with comedian Alberto Patrucco and singer-songwriter Andrea Mirò, preceded by Maledetti Francesi (NdA, 2010), a book in which lives of the chansonniers, the same ones who have marked the history of our songwriting.

Kafka, Letters to Milena 2024: cento anni dalla morte di Franz Kafka Form Gallery 1 Video

Amici dell'Orchestra del Baraccano THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". COME ISCRIVERSI versa la QUOTA ASSOCIATIVA DI 10€ tramite bonifico bancario indicando nella causale: cognome, nome, Amici dell'Orchestra del Baraccano IBAN: IT08A0707202403000000721562 intestato a Persephone, le pause del silenzio Emil Banca PACCHETTO SPECIALE ATTI SONORI estate 2025 aperitivo + spettacolo € 15 shopper a tiratura limitata realizzata per i 20 anni di ATTI SONORI brindisi con i musicisti prezzi speciali per tutto l'anno associativo SCARICA IL MODULO DI ADESIONE INFO Teatro del Baraccano via del Baraccano, 2 - Bologna cell. 393.9142636 teatrodelbaraccano@gmail.com

Radio Ritmo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRE SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSK IJ Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE Biglietteria intero 15€ ridotto 10€ ( under 30, over 65, titolari Card Cultura ) ridotto 5€ ( under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER