October 5th, hours 20 THE BUTTON / KNOFLIK Knoflik or Comedy for two. Two actors meet the masks of the Italian Commedia dell'arte . Five typical characters come to life from the meeting, whirling around each other, tying a short story built according to I. jokes of the commedia dell'arte. Harlequin's loss of a button unleashes a series of fast-paced, frenzied comic events and misunderstandings. To complicate everything, the voice of Berta, the sixth invisible character. The work proposes a review of the techniques and specific skills of the Commedia dell'arte, proposing them as a model for a theater that enhances the figure and creativity of the actor. with Jáchym Kučera and Richard Juan Rozkovec directed by Maddalena Rossi Single ticket € 8 Buy tickets Il Bottone Knoflik

scheda tecnica teatro del baraccano e cortile teatro del baraccano FEATURES OF THE MAIN ROOM Dimensions : length 20m, width 6m, height 6m Capacity : 100 seats, last rows with raised grandstand Stage / Platform 5 meters x 5 meters, height 70 cm Glass table and 4 conference chairs Audio system: Outline audio system with loudspeakers (satellites and subs), audio monitors, CD players with autopause, ice cream and headband radio microphones, various microphones and DI lines for concerts and shows. Video system : video projector and screen (4m X 3m), DVD player, PC, iPAD. Lighting system : 24 LED projectors with color changers; lighting mixer with the possibility of storing scenes; 300W and 500W floor lamps and spotlights, Profiles ETC. Internet connection : yes Disabled access : yes FEATURES OF THE FOYER Dimensions : length 6m, width 6m Corner Bar SERVICES Foyer : yes Cloakroom : yes, on request WC: yes, even for the handicapped Dressing rooms : two EQUIPMENT Carpet; Black / white PVC dance floor Fifths: no; projectable white backdrop Platforms and practicable, tables Any further arrangements on request Loading / unloading : comfortable, suitable for vehicles with slide, total distance from the room 10 meters FEATURES OF THE THEATER COURTYARD Dimensions : surface 600 m Capacity : 200 seats Stage / Platform 8 meters x 12 meters, height 70 cm Corner Bar with fridge and counter The space includes: • Foyer room, with vaulted ceiling, entirely frescoed, with corner Bar and Ticket Office • Show / event room , with frescoed wall, stage, chairs, dressing room • Toilet • Inner courtyard (former vegetable garden), which in summer is set up to host outdoor shows and events, 200 seats.

March 16, 8.30 pm OSTERIA DEL MANDOLIN Osteria del Mandolino is a musical formation that was born with the aim of bringing back to the light and to the attention of the public the music that develops in Italy from the second half of the 19th century up to the present day, through illustrious authors, virtuous musicians, original pieces and above all through the dance. Waltz, Polka, Mazurka, Marcia, Serenata , constitute the repertoire of the so-called dancers. This music, too often abused by fake sounds and electronic keyboards, resumes life in its original form through the use of the most popular tools in our tradition. Mandolins, ocarina, clarinet, guitar and double bass meet at the Osteria del Mandolino, a place of the soul born from the mists of the past, a place where ancient things come back to life e where it is still possible to listen to a serenade, to be twenty years old and to dance embraced, and in a path of re-knowledge to get in touch with the most intimate and true part of ourselves. And with this spirit, that of the taverns, which can happen to the incursion of other friends and musicians. The name "OSTERIA DEL MANDOLINO" is a tribute to a non-academic world that has contributed enormously to the development and dissemination of repertoires. The taverns , in fact, together to the shaving rooms, they were places where musicians gathered to play and where they could be listened to great Italian masters, with an almost forgotten respect today. Playing these instruments, this repertoire, is like coming home after traveling so much and in making this return here is the encounter with the ocarina , a Bolognese land that plays, since 1853. This land, which torn from the feet of the dancers becomes sound, makes their footsteps lighter and the whirls more swirling. On this occasion Osteria del mandolino, in addition to presenting the songs from the freshly printed cd Sotto la magnolia , proposes a program with most significant pieces of their repertoire. OSTERIA DEL MANDOLIN Osteria del Mandolino has been active since 2015. He has participated in various musical reviews and concerts including: Corti Chiese e Cortili , Villages and hamlets in music , May Day in Piazza Maggiore (with Eugenio Finardi), Sotto le stelle del cinema (edited by Cineteca di Bologna, in Piazza Maggiore), Majella etnofestival , (2016); International festival Ocarina- Budrio (2015-2017), Divine sunset (review curated by the Emilia-Romagna Region, 2017-2018); The voices of the Delta (edited by Romagna musica, in Musical Challenge conducted by Arturo Stalteri), Primaveranda , In Search of the Train by John Cage - a biodiversity landscape (1-2), Infrasuoni (2018). The group has collaborated with the musicians Marco Marcheselli, Ruggero Passarini, Fausto Carpani, Davide Salvi and with the actor and puppeteer Riccardo Pazzaglia with whom they play on stage in the show The ballad of the powerful . Discography : Sotto la magnolia (produced by Oderso Rubini and Osteria del Mandolino, 2018, Goodfellas distribution), with the participation of Guglielmo Pagnozzi, Carlo Maver, Gianluigi Paganelli, Roberto Pianezza and Francesca Alinovi. Antonio Stragapede guitar and mandolin Guido Sodo mandolin and voice Federico Massarenti ocarina of Budrio Massimo Pauselli clarinet Peppe Aiello contrabass Ticket € 10 (full), € 8 (reduced) Buy tickets Osteria del Mandolino

March 30, 8.30 pm THE PRINCESS ON THE PEA the musical The story of The Princess and the Pea relives in the theater in a hilarious musical. Will the young and awkward Winnifred be able to prove to the evil Queen Aggravia that she is a real princess? Among knights, wizards, mattresses, jealous mothers, a bizarre dumb king and a small green pea, a musical journey into the Middle Ages that will make the whole family laugh and excite. The Muffins Maddalena Luppi, Stefano Colli Giulia Mattarucco and Riccardo Sarti direction and adaptation Edoardo Scalzini collaboration with texts and lyrics by Nino Pratticò and Jacopo Gilone musical direction Eleonora Beddini musical assistance Chiara Todeschi piano and Mute King Lorenzo Vacchi the voice of the Magician Davide Lepore costumes Silvia Cerpolini and Fabio Cicolani scenographies Barbara and Sara Sgambati graphics and illustrations Stefano Bonsi Ticket € 13 (full), € 10 (reduced) Buy tickets Locandina La Principessa 2019 Principessa sul Pisello - CAST

April 13, 8 pm MARGAM Indian dance theater show with Apoorva Jayaraman The Bhārata Nāṭyam is the oldest form of sacred dance theater originating in South India. The term Nāṭyam in Sanskrit means dance, Bhārata is instead an acronym of the three words Bhāva (expression), Rāga (melody), Tāla (rhythm). The style known as Bhārata Nāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. APOORVA JAYARAMAN was born in Bangalore, and met Bhārata Nātyam at the tender age of 5. At 16 she moved to Chennai to study with the great teacher Kalanidhi Narayanan and since then she has had the opportunity to train permanently with Priyadarsini Govind, one of the most eminent dancers of this style of dance. In his own words ' Dancing, and activities surrounding it, have brought me a sense of fulfillment like nothing else so far has '. Apoorva has a degree in Physics from the University of Oxford and a PHD in Astronomy from the University of Cambridge (UK). Ticket 12 € (full), 10 € (reduced) Buy tickets Apoorva2_edited Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman

Viaggio in Basilicata e Campania 2026 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". QUOTA INDIVIDUALE DI PARTECIPAZIONE su base camera doppia € 850 * supplemento camera singola (su richiesta) numero minimo partecipanti: 15 * tariffa variabile per partenza\arrivo da stazioni di Milano e Firenze ISCRIZIONI ENTRO IL 23 FEBBRAIO 2026 CON VERSAMENTO DELL’ACCONTO 30% QUOTA VIAGGIO (255€) tramite bonifico bancario indicando cognome, nome, causale “Basilicata 2026” IBAN IT08A0707202403000000721562 Intestato a Perséphone, le pause del silenzio EMIL BANCA SALDO ENTRO IL 28 MARZO 2026 LA QUOTA COMPRENDE - viaggio A/R con treno alta velocità andata Bologna/Salerno, ritorno Caserta/Bologna in posti di seconda classe - trasferimenti in pullman privato come da programma - 3 pernottamenti in hotel 3* o 4* con prima colazione - 2 cene e 2 pranzi - laboratorio danze popolari/pizzica - spettacolo del Festival di Orsoleo - visite e ingressi come da programma - presenza e assistenza coordinatrice del viaggio - guide culturali qualificate - spese di gestione pratica - tassa di soggiorno - tassa di soggiorno - polizza medica di gruppo - materiale informativo LA QUOTA NON COMPRENDE - assicurazione contro annullamento e sanitaria - pasti liberi - mance - tutto quanto non espressamente indicato alla voce «la quota comprende» INFO Claudio Cristofori/Jabalito&Karma Viaggi cell 327 0503296-351 6957728 jabalitokarma@gmail.com Vincenza Maugeri/Teatro del Baraccano cell. 349.7774749

Progetti formativi per le scuole 2025 L'ANGELO DELLA MEMORIA spettacolo di teatro musicale sulla memoria della Shoah gennaio 2025 Nato da un’idea di Giambattista Giocoli , questo spettacolo vuole essere una riflessione sulla criminale aberrazione delle deportazioni e dei campi di sterminio nazisti. Un ricordo straziante, ma mai retorico, di tutte le vittime del nazi-fascismo. Nell’inverno del 1940 il compositore francese Olivier Messiaen si trovava prigioniero nel campo tedesco di Stalag VIIIA, in Sassonia. Non era l’unico musicista e questo lo stimolò, nonostante la durezza della vita nel campo, a comporre un pezzo per gli esecutori che vivevano con lui. Il risultato fu una grande composizione in 8 movimenti: il Quatuor pour la fin du temps , ad oggi uno dei capisaldi della storia della musica da camera del ‘900. Il violinista ed il clarinettista avevano con sé i propri strumenti; nel campo si trovò un violoncello al quale mancava una corda ed un vecchio pianoforte al quale ogni tanto si incastravano i tasti; così, nel gennaio del 1941, di fronte ad un insolito pubblico, costituito da oltre 5.000 prigionieri provenienti da Francia, Belgio, Polonia ed altre nazioni, si svolse il singolare concerto . Il compositore preparò il pubblico all’ascolto, spiegando il significato del pezzo che i musicisti avrebbero eseguito nell’improvvisato concerto. Qualche anno dopo Messiaen dirà di non aver mai avuto un pubblico tanto attento e comprensivo come quello. La composizione originale è strutturata in otto movimenti, che corrispondono nella drammaturgia ad altrettanti momenti della Shoah. Su queste musiche Valentino Corvino e Andrea Agostini hanno composto una nuova partitura elettronica, che dialoga con la partitura originale, mantenendo la struttura in otto movimenti, su cui il regista Massimo Sceusa e l’interprete Mirko Rizzotto hanno costruito una drammaturgia, con il fine di raccontare sì il dolore, lo strazio, ma anche l’ironia e la leggerezza di alcuni momenti, di certo vissuti con inconsueta intensità nella inaspettata coscienza del valore della vita. Partendo dalle memorie e dalle testimonianze dei sopravvissuti e delle vittime del nazi-fascismo, Mirko Rizzotto interpreta i principali momenti della Shoah: dal rastrellamento alle deportazioni, dalla vita nei campi di concentramento al difficile ritorno dei sopravvissuti, attraverso una narrazione che contempera il senso di una libertà ritrovata con i segni lasciati dagli orrori sofferti. Un’unica storia, fatta di episodi vissuti da persone diverse, concatenati fra loro dal medesimo filo cronologico e drammaturgico: una storia raccontata attraverso tante storie. La forza di questo progetto è anche frutto della ricerca approfondita di materiale inedito, originale, reperito grazie alla collaborazione con lo Studio Pro Forma, storia e memoria di Carpi. una produzione Teatro del Baraccano ATTI SONORI Musica QUATUOR POUR LA FIN DU TEMPS di Olivier Messiaen elaborazioni elettroniche originali di Valentino Corvino e Andrea Agostini Memorie e testimonianze di sopravvissuti e vittime del nazi- fascismo scelti e interpretati da Mirko Rizzotto ORCHESTRA DEL BARACCANO Davide Braco clarinetto Fabrizio Zoffoli violino | Alessandra Cafaliello violoncello Denis Zardi | pianoforte direttore Giambattista Giocoli attore e drammaturgia Mirko Rizzotto regia, luci e voce fuoricampo Massimo Sceusa Durata: 1h. e 10 min. ca. Età: per ragazzi e ragazze dai 10 ai 18 anni ARCHIVIO 2024 ARCHIVIO 2023 ARCHIVIO 2022

2 SETTEMBRE 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti

Radiodramma musicale, Radio Ritmo, Orchestra del Baraccano, Marconi RADIO RITMO voices and sounds from the ether on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) Form Gallery Video

CLIP POPULAR SONGS LUCIANO BERIO LOOSIN YELAV A LA FEMMINISCA DANCE MALUROUS QU'O UNO FENNO MANUEL DE FALLA EL PANO MORUNO ASTURIANA JOTA NANA BACK

Maratona Respighi October | Baraccano Theater RESPIGHI MARATHON concerts in the matinee A series of concerts dedicated to schools , to raise awareness of the Bolognese musician's work even to the little ones and teenagers of the city. The marathon aims to be a continuous journey over the days, without interruptions, to savor the colors of all the musical instruments , from the piano to the harp, from the winds to the strings, up to the voices, male and female, used in such a sublime way by Ottorino Respighi , especially in chamber works. What we want to highlight is above all the mastery in the orchestration and coloring of the writing, a skill that has made Respighi immortal and absolutely innovative and always modern. ORCHESTRA DEL BARACCANO director Giambattista Giocoli Maratona Respighi

6pm major, 6pm Voltone del Baraccano (in front of the theater entrance) BOLOGNA WAS FREE FROM THAT MOMENT More info : www.rievocazione.8cento.org