February 7, 21 hours Bologna Harp Festival PICTURES Harpe duo Alchimia Both graduates from the “A. Boito "of Parma, Alice Caradente and Alessandra Ziveri they founded in 2008 the harp duo “Alchimia” with the aim of offering the public a wide repertoire, sometimes unpublished, sometimes forgotten. After following Masters and Courses with internationally renowned teachers, they deepened this type of chamber repertoire by researching and performing original compositions and transcriptions, dealt with with profound stylistic expertise. They recorded two discs of unreleased and original songs for two harps: Paraphrase Verdiane (Tactus, 2014), a project entirely dedicated to the authors of the 19th century Italian harp school who composed fantasies, divertimenti, potpourri on the most loved arias of Maestro Giuseppe Verdi specifically for the chamber ensemble of the harp duo and The Queen's Harp (Da Vinci Ed., 2017), a focus on the Parisian salons of the last decades of the Ancien Régime, the golden age for the harp, which became the most fashionable instrument in pre-revolutionary Paris. They held concerts for prestigious festivals and exhibitions: among the most prestigious we can mention the Bellagio Festival and Lake Como, the Company dei Concerti in Milan, the concert season Belluno, the Verdi Festival in Parma, the Aperitif Concerts of Arturo Foundation Toscanini , the International Festival of Harp Sounds in Salsomaggiore Terme (PR) and the International Festival of the Viggianese Harp (PZ). They are active in the didactic field, teaching Harp at the ISSM Orazio Vecchi in Modena and the Liceo Musicale Attilio Bertolucci in Parma. Full ticket € 14, reduced € 12 Buy tickets

ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of Theater of They baraccano of Bologna, where a production and research project on the theater is carried out chamber music. Founded in 2013, it is directed by its artistic director Giambattista Juggles . The Orchestra has produced numerous musical theater performances both independently both in co-production and collaboration with the Teatro Comunale di Bologna, BSMT productions and the University of Bologna. Among the productions we remember: Histoire du Soldat by Igor Stravinskij; A Little Night Music And Sweeney Todd by Stephen Sondheim; the project At the Opera! , symphonies, interludes and overtures of the Italian opera e 4th Gustav Mahler , the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017 he created: Popular songs , with soloist Cristina Zavallon i; a new Histoire du soldat with the reciting voice of Ivano Marescotti and The Barber in Comics , "The Barber of Seville" for music, animations and Manga comics, designed by Tsukishiro Yuko, in international co-production with the Japan . The goal of the Orchestra is to play, with formations for chamber orchestra, musical works originally composed for large orchestras, producing new scores played "in real parts". GALLERY

I Sacchi di Sabbia/Compagnia Lombardi-Tiezzi in Ein Musikalischer Spass zu Don Giovanni. Un progetto di Giovanni Guerrieri, Giulia Solano e Giulia Gallo The Sandbags / Lombardi-Tiezzi Company 4 August, 9.30 pm DON GIOVANNI Ein musikalischer Spass zu Don Giovanni is a whim for "noises and noises" which proposes, through a very rigorous score of "musical gestures", the essential structure of Mozart's Don Giovanni: a selection of the most significant arias set in a complete dramaturgical design and interpreted "noisily ”By the actors of the I Sacchi di Sabbia Company. A tribute to Mozart: a mockery and at the same time an act of love for a magnificent opera. a project by Giovanni Guerrieri , Giulia Solano and Giulia Gallo with Giulia Gallo , Giovanni Guerrieri , Maria Pacelli , Matteo Pizzanelli , Federico Polacci , Rosa Maria Rizzi , Giulia Solano to follow: ARIE from DON GIOVANNI soprano Patrizia Bicciré baritone Maurizio Leoni piano Paola Del Verme Ticket € 13 (full), € 10 (reduced) Buy tickets Don Giovanni

PAOLA PERRONE Graduated in Communication Sciences at the Faculty of Letters and Philosophy of the Faculty of Bologna with a thesis on “History of dance and mime” with Prof. Eugenia Casini Ropa. Since 2006 he has collaborated with the Perséphone Association, covering various roles (communication, press office, carrying out administrative procedures, ticketing service, photographic and web archives, website management, educational workshops…). Dancer for the southern Italian dance company "TarantArte" of Bologna (until 2010) and for the Indian bharatanatyam dance company "Dhuni" (2019-2020). Solo dancer for various musical groups of the southern Italian tradition (Paranza Ammiscata, Popular Consortium, Yule de sonos, etc). Teacher of southern Italian dances for children and adults, collaborates with various local realities (Ass. Danz'Aire, Museum of Music, Antoniano di Bologna, Carducci Schools, Porto 15, Reno Folk Festival) and national ones. Thanks to her interest in popular traditions, she organizes various events related to the music and dances of southern Italy (dance workshops, concerts) and is the creator of the Winter Sounds Festival, held in 2017 and 2018 in various places in Bologna (Centro Intercultural Zonarelli, Mercato Sonato, Teatro del Baraccano, Social Center of Peace) and Isolario: a journey through the sounds and dances of Sardinia and Sicily, in collaboration with the Kilombo Association of Cesena. From 2010 she began working as a photographer, creating some photographic projects and setting up exhibitions at the Cafè de la Paix (BO), the Soma Cultural Center (BO), the Teatro del Baraccano (BO) as part of Bologna Summer 2016, the review Cortes Apertas 2016 and 2017 in Dorgali (NU).

A LITTLE NIGHT MUSIC After the great success of a Broadway It is in the West End Londoner since 1973 to date, it finally arrives also in Italy exclusively "A Little Night Music", the award-winning musical by Stephen Sondheim with booklet by Hugh Wheler, produced by the fledgling company THE PERFORMErs with SOUND ACTS in collaboration with BSMT- Bernstein School of Musical Theater. Based on the 1955 film by Ingmar Bergman Smiles of a summer night, the musical is about love and affective relationships born between different couples. Sophisticated and full of spells, the soundtrack composed by Sondheim intertwines suggestive waltzes, bewitching vocal quartets and lyrics interwoven with humor and poetry. The exciting air Send in the Clowns it soon established itself as a hit, and became a "classic" of the musical, recorded by numerous pop and musical singers. Many other pieces also deserve to be mentioned, including the female duet Every Day a Little Death, You Must Meet my Wife and A Weekend in the Country, The Miller's Son and Night Waltz. A pressing melodic reconstruction to retrace, as already mentioned, the love stories of several couples that fate had removed and reunites in a country villa for a weekend. Duration: approx. 3 hours Singing, acting, dance and live music. Direction and adaptation Sara D'Angelo Choreography Carla Della Vecchia Artistic direction Edoardo Scalzini And Eleonora Lombardo Vocal direction Vincenzo Li Causi Musical direction Giambattista Giocoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli Desirée Armfeldt | Simona Distefano Fredrik Egerman | Antonio Cadoni Anne Egerman | Giulia Fabbri Henrik Egerman | Marco Trespioli Charlotte Malcolm | Eleonora Lombardo Carl Magnus Malcolm | Matteo Ferrari Petra | Beatrice Berdini Frederika Armfeldt | Veronica Appeddu Madame Armfeldt | Federica Ugolini Frid | Simone Mastria MRS Nordstrom | Sara D'Angelo MRS Anderssen | Rosalba Iacoviello MRS Segstrom | Irene Romano MR Erlanson | Edoardo Scalzini MR Lindquist | Michael Anzalone Malla / Osa | Clara Di Donato Italian registration document Andrea Ascari Italian music lyrics Michael Anzalone Costumes Fabio Cicolani and Silvia Cerpolini Scene objects Simona Distefano Scenographies Federica Amatuccio Lights Micaela Piccinini Graphics Stefano Bonsi General assistance Alessia Baggiolini BACK

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August concert with the Baraccano Orchestra RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore durata 18 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) durata 23 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore durata 14 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro spiritoso Largo, sotto voce RONDO Allegretto Single ticket € 10

SOUND ACTS 22 and 23 February, matinee for schools THE CARTOON BARBER "The Barber of Seville" told through music, images, animations and text The Count d'Almaviva wants to marry the beautiful Rosina and for this he gets help from Figaro , the barber-factotum who becomes the director of all the actions. Figaro resorts to tricks and disguises; for him, success in the "Rosina operation" will lead to an increase in prestige and economic well-being. But Rosina is kept segregated at home by her old guardian, Don Bartolo , from whom she wants to escape and, if she wants to marry Almaviva, she must collaborate in the intrigues, emancipating herself from the role of house and church girl. Thus begins a process of unmasking false values and abandoning current morality. The conclusion with the happy ending will be Bartolo's surrender and the triumph of love. Baraccano Orchestra director Giambattista Giocoli videoprojected manga images 012 014 016 013 018 015

by and with Sandra Cavallini November 17, 9 pm SOLFERINO RED when the earth was dyed with the blood of forty thousand and more young soldiers and how the women of Castiglione made no distinctions in offering water, bandages and broth The story of the historic battle of San Martino and Solferino in 1859, which saw, among the dust of the nineteenth century, the birth of the Red Cross and humanitarian interventions, leads us in the midst of still current conflicts between otherness and belonging, between the idea of nation and supra-nationality of human rights. The historical premises, the evocation of events and places and the dynamics of war, are entrusted to the chorus of patriotic songs and a disenchanted narration, between romantic tones and enthusiasm of the first hour, up to the paroxysm of the Radetzky March. The following of the events that lead to the theater of battle is mitigated by a naively epic expressiveness, which recalls images and languages of nineteenth-century propaganda: vintage postcards, caricatured tones for emperors and princesses, implications of the beautiful Gigogin , puppet heads and lead soldiers. At the moment of the real impact of the firefight, the gait becomes so painful and astonished that it is suspended from time for a wide with contemporary tones. The light, imperceptibly concentrating, gives way to the dark where " the dust was so thick that one could hardly distinguish one from the other ". It is the pervasive concreteness of the testimonies of the time from the extracts of letters and diaries that brings us closer to the paradoxes of historical conflicts, while the incipit, inspired by contemporary poetics, and the ending they act as a bridge to current human affairs. The progress of the battle, between smoke and dust, flows before the eyes of the character of the Viv Bandiera , who tells us of the female presence in almost all the armed bodies of the time. These women, mostly in charge of commissions, also take care of the first transport of the injured with the supplied wagon. Faced with the sufferings of the soldiers abandoned on the ground / theater of battle, the vivandier evoked in the show embodies, and absolves as best she can, that restorative tension which, crossing borders and flags, animated the women of Castiglion delle Stiviere . The fundamental lines are dedicated to them, to these women, which still maintain the TUTTI FRATELLI passage in Italian, in the well-known publication by Henry Dunant Un Souvenir de Solferino . The publication was sent to the sovereigns of Europe with the desire to find a supranational agreement. The International Red Cross is born . From the first Geneva Convention in which the inviolability of rescuers and wounded was defined for the first time, the enunciation of the principles of human rights extended to peacetime up to the Universal Declaration of Human Rights of 1948 will follow, war after war. , where the inviolable right to peace still remains to be affixed. “ A great delicacy to narrate a noisy, dramatic and confusing historical event. The image of meat sewn with needle and thread is still very present in my mind, as well as the slow and gentle gesture of putting all the toy soldiers in the tin box, at the end of the war, with that lullaby that almost put a thin veil of silk on the field of the last battle. So in the end, everything was swallowed up by silence and the spectator was left alone, witnessing a tragedy, while the dead and wounded were carried away by the wagons. Thanks again for your time. " “ It was a really good show and very well done. When it finished I kept thinking, especially about the hot air balloon scene. That scene, in my opinion, makes you understand that man hates his fellow men so much that he prefers death rather than mutual aid. " “ The show was very stimulating because it talks about people, like the sutlers, who in history have helped us to get to who we are today, and are sometimes underestimated. " solo for actress, souvenirs, toy soldiers by and with SANDRA CAVALLINI historical-scientific collaboration Mirtide Gavelli of the Civic Museum of the Risorgimento in Bologna Giorgio De Marchi props and leather puppets by SALEBLU The Treasure Rooms - cultural Association Ticket 12 € (full), 10 € (reduced) Buy tickets Locandina Rosso Solferino logo Emilbanca

Paolo Restani, pianoforte, Entroterre Festival August 28, 9.15 pm Entroterre Festival PAOLO RESTANI, piano PROGRAM Sergej Rachmaninov 3 Preludes Prelude op. 32 no. 10 in yes min. (slow) Prelude op. 32 no. 5 in G major (moderate) Prelude op. 3 nr. 2 in C sharp min. (slow) Richard Wagner-Franz Liszt Feierlicher Marsch aus Parsifal S. 450 Franz Liszt Rhapsodie espagnole S. 254 ----------interval---------- Giuseppe Verdi-Franz Liszt Aida: Sacred dance and final duet S. 436 Frederic Chopin Three Nights op. 9 no. 1 in B flat. min. (wide) no. 2 in E flat. major (andante) no. 3 in B major (allegretto) Nocturne in C sharp min. op. posth. (Slow with great expression) Polish in A flat. major op. 53 "Heroique" www.entroterrefestival.it Paolo Restani Paolo Restani Paolo Restani Single ticket € 10 Buy tickets

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli A causa delle condizioni instabili del tempo la passeggiata è stata annullata. Il concerto si terrà all'interno del Teatro del Baraccano MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, EmilBanca, Fitel, CNA, Lions Club Acquista biglietti

February 22, 20.30 NA 'CLOSED ROOM D'ICENS A project by Peppe Aiello Na 'chiena d'icéns room it's music for postcards. A series of unreleased songs accompanied by images and words that follow the music. The show is based on an idea of a classic Neapolitan song which, like a lighthouse, tries to intercept and explore other linguistic possibilities with pieces in Spanish and Mediterranean sounds . Na 'stanza chiena d'icéns as a lifeblood requires emotional participation and arises from the desire to give an experience represented by images, music and words. A glance lingers between small everyday stories and images that evoke timeless feelings. A sweet search that makes you suffer but at the same time throbbing. An hour and a quarter of a show where Peppe Aiello introduces the songs one by one trying to accompany the audience into the music even before performing it. This is followed by the releases of Daniele Sarnataro who, like a poetic talking cricket, underlines the musical moments with words and movements. All performed also with instruments of the Italic tradition such as Antonio Stragapede's mandolin and Angelica Foschi's accordion to which the colors of Danilo Mineo's Mediterranean percussion and Peppe Aiello's bouzouki must be added. At the voice Elisa Gamberini who falls into the Neapolitan and Spanish song making them her own despite their different origins. Elisa Gamberini voice Angelica Foschi accordion Antonio Stragapede guitar e mandolin Danilo Mineo percussion Peppe Aiello guitar, bass and bouzuki Daniele Sarnataro narrator Roberto Passuti video production e direction Full ticket € 13, reduced € 11 Buy tickets

Vieni notte, a bere luce RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli Single ticket € 10 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August