ATELIER OPERA VOI Teatro del Baraccano gennaio - febbraio 2026 Scopri di più METAMORFOSI BESTIALI Teatro del Baraccano 8 marzo 2026 Scopri di più ORSOLEO SPRING FESTIVAL #2 Convento Santa Maria di Orsoleo - Santarcangelo (PZ) aprile - maggio 2026 Scopri di più QUADRI D'OPERA Bologna, Castello d'Argile, Molinella, San Giovanni in Persiceto, Mongiorgio febbraio - marzo 2026 Scopri di più AIDA la musica danza nella sabbia Teatro del Baraccano - Bologna 12 aprile 2026 Scopri di più DANZE RITROVATE Teatro del Baraccano - Bologna 17 maggio 2026 Scopri di più IL BARBIERE A FUMETTI Fabriano (AN) 27 febbraio 2026 Scopri di più VIAGGIO IN BASILICATA E CAMPANIA in occasione di ORSOLEO SPRING FESTIVAL #2 Basilicata e Campania 30 aprile - 3 maggio 2026 Scopri di più ATTI SONORI estate 2026 Teatro del Baraccano - Bologna giugno-agosto 2026 Scopri di più

Lucio Dalla February 29, 20.30 - POSTPONED NEW DATE to be defined FROM THE WINDOW OF LUCIO A show that celebrates the artistic and cultural value of the great singer-songwriter Lucio Dalla , starting with the presentation of the new single "Dalla Finestra di Lucio" by the well-known Bolognese tenor Cristiano Cremonini , aka Cris La Torre , freely inspired by a letter from Dalla published in the book " Lucio Dalla - The man of mirrors " (Minerva Edizioni) and continuing through a chronological journey in stages that tells Lucio, his songs, stories and everything that remains in the minds and hearts of the people who loved him and who they continue to do so. With Sara6 , Rod Mannara , Kevin Crime , Le Cadavere Exisite , Jo Brown , Bolletz , Sofia Mehiel , Il Signorino Depunzio , Marsala , Francesco Guarino and with the participation of Vito D'Eri . Artistic direction of Rod Mannara , with the musicians Giorgio Santisi and Damiano Trevisan . Event organized by the record label MegaDischi \ PMS , with the patronage of CNA Bologna , the support of Emil Banca Credito Cooperativo and the collaboration of Lions Club Bologna and Edizioni Minerva . During the evening a preview of the video clip " From the window of Lucio " curated by the director Federica Lecce will be screened. Full ticket € 13, reduced € 10 Buy tickets Locandina Dalla finestra di Lucio, 29 fe

Scheda AIDA RAD Respighi Ancient Dances DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. AIDA concerto riduzione per ensemble musiche di GIUSEPPE VERDI Preludio Atto I - Celeste Aida - Terzetto Atto I - Su del Nilo - Scena Aida Atto I - Consacrazione - Finale I Atto II - Introduzione - Danza e Duetto Atto II - Marcia Trionfale - Gran Finale Atto III - Intro - Romanza - Aria Aida Atto III - Duetto Aida Radames - Finale Atto IV - Aria Amneris Atto IV - Duetto Aida Radames - Finale ultimo ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Alessandro Di Marco violino Francesco Maria Parazzoli violoncello Fabio Fabbrizzi flauto e ottavino Ivàn Villar Sanz clarinetto Andrea Coruzzi fisarmonica Alice Caradente arpa Fabio Codeluppi tromba Valentino Spaggiari trombone Gianluigi Paganelli basso tuba Simone Beneventi percussioni arrangiamenti Fabio Codeluppi riduzioni Giambattista Giocoli

Isabella Leonarda, Cappella Artemisia August 5th, 9.15 pm Artemisia Chapel A PORTRAIT OF ISABELLA LEONARDA conventual music of the '600 Sister Isabella Leonarda (6 September 1620 - 25 February 1704), " the Novara muse ", she was the most prolific of all the seventeenth-century composers, both inside and outside the convent walls. She entered the college of S. Orsola at sixteen and remained there for 68 years, serving the monastery as vicar mother, superior and councilor. He published as many as 20 collections of motets and other works, nearly 200 compositions that include practically every genre of sacred music of his time: Masses, Vespers, motets in Latin and Italian for 1-4 voices with and without violins, and a collection of sonatas for 1 and 2 violins, the only complete collection of instrumental music of the time composed by an Italian woman. The Artemisia Chapel would like to celebrate this exceptional woman, whose vast production remains largely and unfairly unknown. Cappella Artemisia is an ensemble of voices and instruments dedicated to the music of the Italian female monasteries of the 16th and 17th centuries . The repertoire includes both unknown works composed by the nuns themselves, and pieces written by better known composers, but proposed, often for the first time, in their original way, that is, without male voices. The musicians are all specialized and established performers in the field of early music. They regularly collaborate with other ensembles such as Il Concerto Italiano , Accademia Bizantina , La Venexiana , L'arte dell'Arco , Mala punica , La Reverdie , La Risonanza , Cantar far , ModoAntiquo , L 'Accademia Strumentale and others. Since 1991, the ensemble has had flattering results, both for the rarity and originality of its repertoire, and for the high quality of its performances. She has been invited to the most prestigious early music festivals in Europe and North America. In 2018 he recorded his 9th CD: The Motets of the Pavese nun Bianca Maria Meda (1619). The name of Cappella Artemisia is inspired by the painter Artemisia Gentileschi, a significant figure in seventeenth-century Italy whose artistic value is finally beginning to earn the recognition it deserves. Cappella Artemisia Cappella Artemisia Cappella Artemisia Single ticket € 10 Buy tickets

Gli ultimi anni di Rossini. Testo di Giulio Mozzi. Musica di Gioachino Rossini Quadrivium and AdM Association of Modena 7 August, 9.30 pm THAT FRAGOROUS SILENCE Rossini's last years Giulio Mozzi is inspired by a phase of Rossini 's life, that of compositional silence, after William Tell , in which the musician from Pesaro was followed by the loving care of his wife Olimpia Pelissier, to probe the reasons for this between the serious and the humorous. creative block. Roles and interpreters soprano, Olimpia - Patrizia Biccirè baritone, Rossini and the Expert - Maurizio Leoni the Speaker, Antonio - Stefano Pietro Detassis piano Antonio Vicentini scenes Domenico Tavernini directed by Amedeo Savoia musical consultancy by Claudio Rastelli and Nicola Straffelini. Ticket € 13 (full), € 10 (reduced) Buy tickets Quel Fragoroso Silenzio Quel Fragoroso Silenzio Quel Fragoroso Silenzio THE SAND BAGS

Jean Rondeau 1 August, 9.30 pm | Baraccano Theater Entroterre Festival MELANCHOLIA - jean rondeau Described as "one of the most interesting natural talents you can hear these days" by the Washington Post on a stage of classical music ”, Jean Rondeau can be considered a true "ambassador" of his instrument. His exceptional talent and his approach to the harpsichord repertoire have been particularly appreciated by music critics which credits him as one of the leading harpsichordists of today. Jean Rondeau studied harpsichord with Blandine Verlet at the Conservatoire National Supérieur de Musique in Paris, also deepening the studies of Bass continuo, organ, piano, jazz, improvisation, and conducting. He completed his musical training at the Guildhall School of Music and Drama in London. In 2012, at the age of 21, he won First Prize at the Bruges International Harpsichord Competition (MAfestival 2012) In the 2020/21 season, Jean Rondeau makes his debut at the Wiener Konzerthaus with a solo recital in a Bach and Scarlatti program. He also made his debut at the Konzerthaus in Dortmund, returned to the Köln Philharmonie and played Poulenc's Champêtre Concerto at the Essen Philharmonie. Jean Rondeau has signed an exclusive recording contract with Erato. For this important record label he has recorded several albums of ancient music , repertoire that remains the center of his musical identity. Jean Rondeau also undertook the career as a director: collaborates with Kammerorchester Basel , Köln Concert , the Orchester Philharmonique de Radio France and the Stuttgart KammerOrchestra. He will play music by Girolamo Frescobaldi (1583-1643), Giovanni Picchi (v. 1571-1643), Luzzasco Luzzaschi (1545-1607), Bernardo Storace (v. 1637-v. 1707), Gregorio Strozzi (1615-1687). Photo Jean Rondeau 11 (c) Shura Rusanova EE3A0428B (c) Edouard Bressy_edited Photo Jean Rondeau 16 (c) Shura Rusanova Single ticket € 10 Buy tickets

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga, scuole Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Stagione ATTI SONORI 2017. SOUND ACTS 2018 musical theater 12 and 13 February matinee for schools IN THE NAME OF A ROSE February 14, 9 pm I LOVE YOU February 16, 9 pm SYNANTYS 22 and 23 February matinee for schools THE CARTOON BARBER March 24, 5pm and 9pm DISENCHANTED May 5, 9 pm May 6, 5 pm OUT-ING 2 and 3 March, 9 pm PURGATORY BUM BUM April 7, 9 pm MUSICAL CABARET 2 18, 19 and 20 May NipPop March 10, 18.30 EMOTION FOR CHANGE for Fukushima April 15, 9 pm Bhāratanāṭyam Margam

Gallery Orchestra

Orsoleo Spring Festival 2026 THE CARTOON BARBER The Barber of Seville for Manga music and drawings Ammirando la vista magnifica sia dell'architettura sia del panorama mozzafiato del Convento, ascoltando il racconto sonoro dell'Orchestra del Baraccano e quello teatrale di Sandra Cavallini, odorando i profumi delle erbe officinali che rievocano le antiche preparazioni monastiche, toccando le pietre secolari dei chiostri per sentire la materia di un luogo sospeso nel tempo ed infine assaporando le eccellenze culinarie locali, si potrà vivere una irripetibile e totalizzante immersione nella storia da protagonisti. Visite guidate a cura di Salvatore Mario Graziano . Appuntamenti 30 aprile, ore 18.45 1 maggio, ore 10 e 11.30 2 maggio, ore 10 e 21 3 maggio, ore 10 The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Repliche 2 e 3 maggio, ore 11.30 The Barber of Seville for Manga music and drawings Tra un concerto, una visita al Convento e una danza, sarà possibile assaporare i sapori della terra lucana, degustando alcuni dei prodotti tipici locali: salumi, formaggi, focacce, peperoni cruschi e l’immancabile Grottino di Roccanova DOP. Le degustazioni saranno a cura di Società agricola vitivinicola Torre Rosano srls sb Società agricola vitivinicola Vinicervino srls sb Masseria zootecnica Viviano Azienda Malaspina Agriturismo Masseria Cascino Appuntamenti 30 aprile, ore 19.30 1 e 2 maggio, ore 13 e 19.30 3 maggio, ore 13

Orsoleo Spring Festival 2025 THE CARTOON BARBER 26 aprile ore 11 | Convento e Chiostro SCOPRI ORSOLEO visita e concerto itinerante Un'occasione per scoprire le sue bellezze architettoniche, conoscere la sua storia e ammirare il paesaggio mozzafiato che lo circonda. Accompagneranno la scoperta del Convento i solisti dell'Orchestra del Baraccano , con interventi e brevi concerti negli angoli più suggestivi della location, amplificandone la bellezza e dialogando con le varie acustiche degli spazi, in un gioco di luce, dalla mattina al tramonto, che incanterà il visitatore. Visite guidate a cura di Salvatore Mario Graziano . Le date 26 aprile, ore 11 27 aprile, ore 11 e 19 The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". 26 aprile ore 21 | Chiesa RADIO RITMO VOCI E SUONI DALL'ETERE radiodramma musicale Il 30 ottobre 1938 la trasmissione radiofonica di Orson Welles scatenò il panico, facendo credere che un conflitto interplanetario era iniziato attraverso un’invasione aliena nel New Jersey. Liberamente ispirato a La Guerra dei mondi di H. G. Wells e all’esperienza di O. Welles, RADIO RITMO vuole ricordare l’impressionante potenza comunicativa della radio, all’epoca prima donna nel panorama delle comunicazioni e, parallelamente, stimolare una riflessione sull’imponente effetto dei media e sulla loro attendibilità. Due attori riproducono la trasmissione radiofonica ed un’orchestra suona le musiche della band ospitata nella trasmissione. Repliche 25 e 26 aprile, ore 21 28 aprile, ore 11 regia Massimo Sceusa voci recitanti Sandra Cavallini e Mirko Rizzotto ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu violoncello Alessandro Culiani flauto Margherita Russo clarinetto Davide Braco pianoforte Honglin Zong