Tributo ad Alida Ferrarini, soprano lirico. Con Luca Giacomelli Ferrarini e Christian Ruiz. Luca Giacomelli Ferrarini And Cristian Ruiz 23 August, 9.30 pm MADNESS tribute to Alida Ferrarini, lyric soprano The project was born from the will of Luca Giacomelli Ferrarini, son of the soprano, and Cristian Ruiz, both established performers to pay homage to the world of opera, musical and drama, bringing them together through the figure of Alida Ferrarini three years after disappearance. On stage, in addition to the two performers, also three vocalists, piano, violin and percussion. Ticket 20 € (full), 15 € (reduced) * * in case of cancellation of the show due to bad weather, tickets will not be refunded Buy tickets Follie THE SAND BAGS

Lo staff del Teatro del Baraccano In the Belfiore president and organizational director Giambattista Giocoli artistic director Antonio Di Virgilio vice president Paola Perrone photos and web Jacopo Casasola tecnico audio Daniele Cassarini tecnico luci Francesco Giocoli collaborator Information teatrodelbaraccano@gmail.com Artistic direction giambattistagiocoli@gmail.com Organizational management president.teatrodelbaraccano@gmail.com

October 5th, hours 20 THE BUTTON / KNOFLIK Knoflik or Comedy for two. Two actors meet the masks of the Italian Commedia dell'arte . Five typical characters come to life from the meeting, whirling around each other, tying a short story built according to I. jokes of the commedia dell'arte. Harlequin's loss of a button unleashes a series of fast-paced, frenzied comic events and misunderstandings. To complicate everything, the voice of Berta, the sixth invisible character. The work proposes a review of the techniques and specific skills of the Commedia dell'arte, proposing them as a model for a theater that enhances the figure and creativity of the actor. with Jáchym Kučera and Richard Juan Rozkovec directed by Maddalena Rossi Single ticket € 8 Buy tickets Il Bottone Knoflik

SOUND ACTS and NipPop 24 August, hours 21.30 Italian version THE CARTOON BARBER Rossini's Barber of Seville for images, music and animations The comic barber was born from a musical idea: the suite of Vincenzo Gambaro on the music of the Opera by Rossini , arranged for wind orchestra. To this musical version Giambattista Giocoli he thought of combining the intricate story of Rosina, through the unpublished drawings of the Japanese mangaka Tsukishiro Yūko . Two apparently distant languages, united however by the story and the expressiveness. The lyric plunges into the contemporaneity of Japanese comics, the immediacy of visual art intertwines with the sound, returning a new and original version of the work that knows how to speak even to a young and contemporary audience. VIRTUOSES OF ITALIAN OPERA Filippo Mazzoli flute clarinets Stefano Franceschini and Ivan Villar Sanz bassoon Massimiliano Denti horns Ezio Rovetta and Andrea Brunati trumpet Fabio Codeluppi trombone Riccardo Gatti double bass Daniele Rosi Luca Piovesan accordion director Giambattista Giocoli manga drawings Tsukishiro Yūko ideation Giambattista Giocoli musical arrangements Fabio Codeluppi And Giambattista Giocoli digital coloring Michele Cerone http://www.attisonori.it/ITA/produzioni/barber.html Ticket 12 € (full), 10 € (reduced) Buy tickets The Barber in comics The Barber in comics The Barber in comics The Barber in comics The Barber in comics

HISTOIRE DU SOLDAT Form Gallery Orchestra Clip

La Praga di Kafka Praga non ci lascia più andare. Questa piccola madre ha gli artigli. Non c’è altro da fare che cedere. Per potersene liberare bisognerebbe darle fuoco da due lati, il Vyšehrad e il Hradčany. Franz Kafka Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". PRENOTAZIONI teatrodelbaraccano@gmail.com cell. 393.9142636 INFO J&K Jabalito& Karma Viaggi jabalitokarma@gmail.com cell. 3270503296 Vincenza Maugeri cell. 349 7774749 QUOTA INDIVIDUALE DI PARTECIPAZIONE € 750,00 * supplemento camera singola € 210,00 numero minimo partecipanti: 20 numero massimo partecipanti: 25 [*salvo adeguamento tariffe voli] ISCRIZIONI CON VERSAMENTO DELL’ACCONTO DI € 250,00 SALDO ENTRO 25 LUGLIO 2024 iscrizion i con pagamento tramite bonifico bancario indicando cognome, nome, causale “La Praga di Kafka” IBAN: IT08A0707202403000000721562 intestato a Persephone, le pause del silenzio Emil Banca LA QUOTA COMPRENDE - voli RYANAIR A\R - 3 pernottamenti con prima colazione in hotel 4 stelle - trasferimenti in pullman privato dall’aeroporto di Praga all’hotel e viceversa - cena come da programma - Opera come da programma - visite e ingressi come da programma - guide culturali qualificate - presenza e assistenza coordinatore del viaggio LA QUOTA NON COMPRENDE - assicurazione medico-bagaglio e contro annullamento - trasferimenti al di fuori del programma - pasti non menzionati nel programma - mance - extra di carattere personale e tutto quanto non specificato alla voce «la quota comprende» GUARDA IL VIDEO VAI ALLA GALLERY Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

SETTIMINO di Paul Hindemith MIC - Faenza 18/01/25 Scopri di più ALL'OPERA! Convento Santa Maria di Orsoleo - Santarcangelo (PZ) 30 aprile 2025 Scopri di più IMPRESSIONS RAVEL Chiostro Museo di Arte Sacra San Giovanni in Persiceto (BO) 9 luglio 2025 Scopri di più PULCINELLA all'improvviso Teatro del Baraccano - Bologna 29/09/25 e 03/10/25 Scopri di più IL BARBIERE A FUMETTI Forlì 22 novembre 2025 Scopri di più PULCINELLA all'improvviso Teatro del Baraccano 6 dicembre 2025 Scopri di più iL BARBIERE A FUMETTI Teatro del Baraccano - Bologna 14 e 15 marzo 2025 Scopri di più ALL'OPERA! Teatro del Baraccano - Bologna 17 maggio 2025 Scopri di più SOFFIO ARMONICO Chiostro Museo di Arte Sacra San Giovanni in Persiceto (BO) 16 luglio 2025 Scopri di più IL BARBIERE A FUMETTI Castel Guelfo 14 novembre 2025 Scopri di più IL BARBIERE A FUMETTI Imola 27 novembre 2025 Scopri di più PULCINELLA all'improvviso Imola 6 dicembre 2025 Scopri di più RADIO RITMO voci e suoni dall'etere Convento Santa Maria di Orsoleo - Santarcangelo (PZ) 25 e 26 aprile 2025 Scopri di più RADIO RITMO voci e suoni dall'etere Teatro del Baraccano - Bologna 25 maggio 2025 Scopri di più BIZZARRIE SU 10 CORDE Chiostro Museo di Arte Sacra San Giovanni in Persiceto (BO) 23 luglio 2025 Scopri di più IL BARBIERE A FUMETTI San Giovanni in Persiceto (BO) 21 novembre 2025 Scopri di più IL BARBIERE A FUMETTI Teatro del Baraccano - Bologna 28 novembre 2025 Scopri di più PULCINELLA all'improvviso Tournée Basilicata e Campania 11-17 dicembre 2025 Scopri di più 2022 2023 2024

Soqquadro italiano, concerto, Vincenzo Capezzuto, Entroterre festival 26 July, 9.15 pm Entroterre Festival ITALIAN SOQQUADRO who's afraid of Baroque? Who's afraid of Baroque? certainly curious title, "borrowed" from the famous play by E. Albee "Who's afraid of Virgina Wolf". It is not a concert or even a theatrical show, but an unusual and amusing insight into the Italian music and culture of the seventeenth century. A continuous dialogue between ancient and modern, a refined game of fusion, aimed at ranging between jazz improvisation and the art of diminution, between jokes of the Commedia dell'Arte and swing atmospheres. Claudio Borgianni draws heavily on the musical and literary repertoire of the seventeenth century, dismembering it, deforming it, and finally reassembling it in order to trace the points of continuity that bind us to that distant world. Vincenzo Capezzuto , a peculiar voice with a rare and indefinite texture, former principal dancer and multifaceted artist is "the voice and the body" of this project, always poised between cultured expressiveness and popular immediacy. Who's afraid of Baroque? involves the viewer in an atmosphere of magical emotion, guiding him towards the rediscovery of a century so distant and complex that it reveals itself to our senses in all its extraordinary and simple modernity. Soqquadro italiano Vincenzo Capezzuto1 Soqquadro-Italiano_SLIDER01-800x375 Vincenzo Capezzuto voice Ensemble Soqquadro Italiano Francis Tomasi theorbo and baroque guitar Marco Forti double bass Leonardo Ramadori percussion Claudio Borgianni concept and art direction Single ticket € 10 Buy tickets

Scheda Popular Songs RADIO RITMO on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC FOLK SONGS musiche di Luciano Berio (1925- 2003) per mezzosoprano e sette esecutori INTRODUZIONE E ALLEGRO - “SETTIMINO” musiche di Maurice Ravel (1876-1946) per arpa, flauto, clarinetto e quartetto d’archi SIETE CANCIONES POPULARES ESPAÑOLAS musiche di Manuel de Falla (1876-1946) orchestrazione e arrangiamenti originali per mezzosoprano e nove esecutori ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna. CRISTINA ZAVALLONI Cristina Zavalloni nasce a Bologna. Di formazione jazzistica, intraprende a diciotto anni lo studio del belcanto e della composizione presso il Conservatorio della sua città. Per molti anni si dedica anche alla pratica della danza classica e contemporanea. Si esibisce nei più importanti teatri, in stagioni concertistiche internazionali e festival jazz, tra cui il Montreux Jazz Festival, North Sea Jazz Festival, Free Music Jazz Festival di Anversa, Moers Music, Bimhuis, London Jazz Festival, Klara Festival, International Jazz Festival di R o t t e r d a m , C o n c e r t g e b o u w d i A m s t e r d a m , Concertgebouw di Bruges, Lincoln Center e Carnegie Hall, Walt Disney Hall, Teatro alla Scala di Milano, Barbican Center, Beijing Concert Hall, Moscow International House, ecc. Si è esibita con orchestre quali la London Sinfonietta, BBC Symphony Orchestra, Schoenberg Ensemble, Sentieri Selvaggi, Musik Fabrik, Orkest De Volharding, Orchestra della Rai Torino, Los Angeles Philharmonic, ORT, Orchestra Toscanini, Irish Chamber Orchestra, ed è stata diretta da Martyn Brabbins, Stefan Asbury, Reinbert De Leeuw, Ivan Fischer, Oliver Knussen, David Robertson, Jurjen Hempel, Georges-Elie Octor, Andrea Molino, Marco Angius, tra gli altri. Collabora con il compositore olandese Louis Andriessen, che ha scritto per lei alcuni dei suoi più recenti lavori tra cui Passeggiata in tram per l’America e ritorno, La Passione, Inanna, Letter from Cathy, Racconto dall’Inferno, la parte di Dante ne La Commedia, il monodramma Anais Nin e la parte di Sor Juana Ines de la Cruz ne l’opera Theatre of the World. E’ interprete di prime esecuzioni di Carlo Boccadoro, Luca Mosca, Emanuele Casale, Michael Nyman, Mauro Montalbetti e di alcune composizioni di James McMillan (la prima USA di Raising Sparks, Carnegie Hall, 2011). Frequenta il repertorio barocco (Incoronazione di Poppea, Combattimento di Tancredi e Clorinda), collaborando con registi e coreografi quali Mario Martone e Alain Platel (VSPRS e Pitié!, su musiche di Fabrizio Cassol) o con la Brass Bang! (Paolo Fresu, Gianluca Petrella, Marcus Rojas, Steven Bernstein). Le sue più recenti collaborazioni in ambito jazzistico includono i duo voce e piano con Jason Moran, Stefano Popular songs Bollani, Benoit Delbecq, Alfonso Santimone, le collaborazioni con Radar Band, Uri Caine e il suo quartetto Special Dish. Ha realizzato per la televisione italiana (RaiTre) le Effemeridi Musicali - serie di pillole andate in onda nella stagione 2013/2014, in cui raccontava alcuni dei propri progetti musicali. Ha inciso oltre 20 CD DAVIDE BURANI Diplomato in pianoforte e in arpa, ha conseguito con il massimo dei voti e lode il Diploma Accademico di secondo livello in arpa presso il Conservatorio “Boito” di Parma. Perfezionatosi con Fabrice Pierre e Judith Liber, si è imposto in numerosi concorsi nazionali ed internazionali (finalista con menzione d’onore al “Tournoi International de Musique” XI ed. a Salon de Provence e vincitore assoluto del “Music World” di Fivizzano (2004). Si è esibito come solista in prestigiose sedi concertistiche in Italia e all’estero: Teatro Regio di Parma, Teatro Comunale di Ferrara, Accademia Filarmonica di Bologna, Galleria Franchetti alla Ca’ d’Oro di Venezia, Palazzo Ducale di Venezia, Conservatorio “Verdi” di Milano, Lucerna, Cadogan Hall di Londra, Teatro dell’Opera di Praga, Centro Internazionale delle Arti di Pechino, Tokyo Opera City, Symphony Hall di Osaka. Ha collaborato in qualità di prima arpa con l’Orchestra del Teatro Comunale di Bologna, con l’Orchestra della Radio Svizzera Italiana di Lugano, con I Virtuosi Italiani, con l’Orchestra Filarmonica Arturo Toscanini di Parma, con l’Orchestra Regionale dell’Emilia Romagna, con l’Orchestra “Bruno Maderna” di Forlì. Ha partecipato a numerose trasmissioni radiofoniche e televisive ed è stato invitato a presentare i suoi lavori discografici presso gli studi di Radio Uno della Radio Svizzera Italiana e presso gli studi di Radio Tre nel corso delle trasmissioni Radio Tre Suite e Piazza Verdi. Ha inciso vari CD. Ha tenuto Masterclass di Arpa. Dal 2014 collabora con il Maestro Leo Nucci accompagnandolo nelle sue tournées internazionali ed il gruppo cameristico Italian Opera Chamber Ensemble. Dal 2009 è docente di arpa presso l’Istituto Superiore di Studi Musicali “Achille Peri” di Reggio Emilia.

Kafka, Lettere a Milena, Orchestra del Baraccano September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome in coproduzione con Sementerie Artistiche KAFKA: LETTERS TO MILENA Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Theatrical adaptation German Rosary with Rosario Tedesco and Nicola Bortolotti scenographic paintings Andrea Louis Ballardini production assistance Laura Ballardini ORCHESTRA DEL BARACCANO director Giambattista Giocoli Silvia Colageo flute Marco Soprana oboe Giovanni Picciati clarinet Mirco Ghirardini bass clarinet Giulia Ginestrini bassoon Imerio Tagliaferri horn Fabio Codeluppi trumpet Kafka. Lettere a Milena Franz Kafka (Praga 1883- Kierling 1924) musiche Settimino - Paul Hindemith Mládí - Leoš Janáček Ballardini info cell. 339.9142636 teatrodelbaraccano@gmail.com Biglietteria 15 novembre matinée per le scuole gratuito serale: intero 12€ ridotto 10€ under 30, over 65 ridotto 5€ under 18, card Cultura Acquista biglietti Biglietteria 16 novembre gratuito info cell. 0543.33598 | 388.835655 Biglietteria 17 novembre biglietto unico 12€ ingresso riservato ai soci (tessera associativa 3€ ) info cell. 388.2460985 Dopo lo spettacolo aperitivo a cura dell'Agriturismo Valle Torretta

2 and 3 March, 9 pm PURGATORY BUM BUM a project of the Compagnia della Quarta To play down the sacredness of the three places traditionally dedicated to the purification of the spirit, is the goal of Purgatorio Bum Bum, the first chapter of a trilogy of theater and dance in which hell, purgatory and paradise become surreal and grotesque settings in which a veteran and a fool sinful freshman play with competition and gambling on the probabilities of their own destiny. Purgatorio boom boom opens with a danced divertissement that tells the long wait towards the divine in an exchange of roles that does not guarantee salvation, much less, the assumption into heaven of the chosen one. Original sin has made us guilty against our will. Regardless of the conduct of an entire life, the path to redemption becomes necessary and inevitable. What better place, if not purgatory, to decontaminate the soul from any dirt and then aspire to the empyrean? In Purgatorio Bum Bum a choreographer / dancer and an actor / performer, through body language and an "English-speaking gramelot" in a non-place suspended between the possible and the unimaginable, put on stage the story of a "teacher" who sees as his last hope for approaching a better life, the transmission of his experiences to a pupil who is not really adequate to the circumstances. Purgatorio Bum Bum is the emblem of change and spiritual transformation that passes from the need for a real physical transmutation: to resemble those who are about to cross the threshold, who can finally access Celestial Spheres becomes a necessary step to hope to really make it. On stage the fetishes and emblems of humanity sacred images transformed into a slot machine, tequila glasses that are transformed into the game of three cards in an apotheosis of vices transformed into games of skill. Who wants to play? Rien ne va plus ... concept and choreography Mario Coccetti interpreters Fabrizio Molducci / Mario Coccetti production Compagnia della Quarta organization Valentina Bressanin Supported by Teatro De Micheli (FE - Italy) Center de résidence La Chapelle (Brest - France) www.compagniadellaquarta.it Ticket 12 € (full), 10 € (reduced) Buy tickets

April 15, 9 pm BHARATANATYAM MARGAM Indian dance theater show with Apoorva Jayaraman The Bhārata Nāṭyam is the oldest form of sacred dance theater originating in South India. The term Nāṭyam in Sanskrit means dance, Bhārata is instead an acronym of the three words Bhāva (expression), Rāga (melody), Tāla (rhythm). The style known as Bhārata Nāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. APOORVA JAYARAMAN was born in Bangalore, and met Bhārata Nātyam at the tender age of 5. At 16 she moved to Chennai to study with the great teacher Kalanidhi Narayanan and since then she has had the opportunity to train permanently with Priyadarsini Govind, one of the most eminent dancers of this style of dance. In his own words ' Dancing, and activities surrounding it, have brought me a sense of fulfillment like nothing else so far has '. Apoorva has a degree in Physics from the University of Oxford and a PHD in Astronomy from the University of Cambridge (UK). Ticket 12 € (full), 10 € (reduced) Buy tickets Apoorva2_edited Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman