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- CONCERTI 2022 bozza | teatrodelbaraccano
Vieni notte, a bere luce Concerto per il Giorno della Memoria 23/01/22 ore 18 Teatro del Baraccano Scopri di più Myslivecek il divino boemo M.I.A. Musica insieme in Ateneo 23/02/2022 ore 20.30 Auditorium DAMSLab Scopri di più
- Bhratantyam Margam
April 13, 8 pm MARGAM Indian dance theater show with Apoorva Jayaraman The Bhārata Nāṭyam is the oldest form of sacred dance theater originating in South India. The term Nāṭyam in Sanskrit means dance, Bhārata is instead an acronym of the three words Bhāva (expression), Rāga (melody), Tāla (rhythm). The style known as Bhārata Nāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. APOORVA JAYARAMAN was born in Bangalore, and met Bhārata Nātyam at the tender age of 5. At 16 she moved to Chennai to study with the great teacher Kalanidhi Narayanan and since then she has had the opportunity to train permanently with Priyadarsini Govind, one of the most eminent dancers of this style of dance. In his own words ' Dancing, and activities surrounding it, have brought me a sense of fulfillment like nothing else so far has '. Apoorva has a degree in Physics from the University of Oxford and a PHD in Astronomy from the University of Cambridge (UK). Ticket 12 € (full), 10 € (reduced) Buy tickets Apoorva2_edited Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman
- 25 AGOSTO 2025 ATTI SONORI
25 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti
- 29 AGOSTO 2025 ATTI SONORI
29 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti
- CONCERTI 2024 | teatrodelbaraccano
SASSOLINO Teatro del Baraccano - Bologna dal 25 al 27/01/24 Scopri di più RESPIGHI SUITE Spalato - CROAZIA 31 luglio 2024 Scopri di più KAFKA Lettere a Milena Teatro del Baraccano - Bologna 15 novembre 2024 Scopri di più ALL'OPERA! Teatro del Baraccano - Bologna 13 dicembre 2024 Scopri di più RADIO RITMO voci e suoni dall'etere Teatro del Baraccano - Bologna 27 aprile 2024 Scopri di più RADIO RITMO voci e suoni dall'etere Teatro del Baraccano - Bologna 24 agosto 2024 Scopri di più KAFKA Lettere a Milena Sala Sangiorgi Fondazione Masini - Forlì 16 novembre 2024 Scopri di più RADIO RITMO voci e suoni dall'etere Piazza San Francesco - Bologna 28 giugno 2024 Scopri di più KAFKA Lettere a Milena Teatro del Baraccano - Bologna 1 settembre 2024 Scopri di più KAFKA Lettere a Milena Sementerie Artistiche - Crevalcore (BO) 17 novembre 2024 Scopri di più 2022 2023
- Spettacoli in corso
Stagione ATTI SONORI 2017. SOUND ACTS 2018 musical theater 12 and 13 February matinee for schools IN THE NAME OF A ROSE February 14, 9 pm I LOVE YOU February 16, 9 pm SYNANTYS 22 and 23 February matinee for schools THE CARTOON BARBER March 24, 5pm and 9pm DISENCHANTED May 5, 9 pm May 6, 5 pm OUT-ING 2 and 3 March, 9 pm PURGATORY BUM BUM April 7, 9 pm MUSICAL CABARET 2 18, 19 and 20 May NipPop March 10, 18.30 EMOTION FOR CHANGE for Fukushima April 15, 9 pm Bhāratanāṭyam Margam
- Respighi suite tournée Croazia
Respighi suite tournée Croazia 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO direttore/conductor Giambattista Giocoli violino/violin Gabriele Bellu flauto e ottavino/flute and piccolo Letizia Spaggiari clarinetto basso/ bass clarinet Davide Braco arpa/harp Alice Caradente clavicembalo/harpsicord Chiara Cattani fisarmonica/accordion Raffaele Damen tromba/trumpet Sergio Ruiu basso tuba/bass tuba Gianluigi Paganelli arrangiamenti/arrangement by Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli
- Scheda All'Opera!
Scheda All'Opera! ALL'OPERA! symphonies and interludes taken from the most famous Operas of the Italian tradition The concert includes the performance, with original arrangements for Chamber Orchestra, of symphonies, preludes and interludes taken from the most famous Operas of the Italian tradition. From Bellini's Norma to Verdi's Forza del Destino , passing from Puccini's Manon Lescaut to the famous opening symphony of Rossini's Barbiere di Siviglia and again to the interludes of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci , and other popular interludes and symphonies of the Italian tradition. The Baraccano Orchestra will be involved in this project in a chamber formation with 8 orchestral players with real parts. The orchestral arrangements are by Lorenzo Meo. BARACCANO ORCHESTRA conductor Giambattista Giocoli piano accordion flûte and piccolo bassoon trumpet cello double bass horn arrangement by Lorenzo Meo organizational direction Nella Belfiore ALL'OPERA! Sinfonia dalla Norma by Vincenzo Bellini Preludio da La Traviata by Giuseppe Verdi Preludio da Aida by Giuseppe Verdi Ouverture dal Don Pasquale by Gaetano Donizetti Intermezzo da L'Amico Fritz by Pietro Mascagni Intermezzo dalla Cavalleria Rusticana by Pietro Mascagni Sinfonia da Il Barbiere di Siviglia by Gioacchino Rossini Intermezzo da I Pagliacci by Ruggero Leoncavallo Intermezzo dalla Manon Lescaut by Giacomo Puccini Sinfonia da La Forza del Destino by Giuseppe Verdi BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.
- Io ti cielo - Fida Khalo
January 31, 2020, matinee for schools and 8.30 pm I HEAVEN - FRIDA KHALO " Is it legitimate to invent new verbs? I want to give you one: I heaven, so that my wings can spread out beyond measure to love you without borders. " (Frida Kahlo) A show that traces the life of Frida Kahlo against the backdrop of revolutionary Mexico. Shots of a tormented, passionate, violent existence; of a crazy woman, very sweet and in love with life. The show revolves around the love that Frida had for her land, for painting, for Diego, for life, for love itself. The languages to tell it range from theater to music: the text is made up of stories, letters from his diary, the voice of Diego Rivera that gives different nuances to the known figure of the painter. And finally, the music. Songs of the Mexican tradition carefully chosen to enrich and embellish the story, left to the skilful live interpretation of Massimo Donno on voice and guitar and Francesco Pellizzari to percussion. The first meeting with Frida took place in 2015 during a torrid summer in Bologna. "Here, read this!", My roommate gave me a book: "Pino Cacucci ¡Viva la vida!". On the cover a face, still little known. From that August my personal research on Frida began: with passion I studied her life and her works, Diego Rivera and muralist art, Mexico and the revolution of the early 1900s; I discovered my friendship with Leon Trotsky and the one with great artists of the time (T. Modotti, L. Matiz, A. Breton, LA Bravo), the affection for his friend as well as doctor L. Eloesser and the bond with his family, in particular with his sister Cristina. This was accompanied by a constant listening and growing interest in Mexican music: from the pre-Columbian sounds to the corrido, up to reach the great artists of yesterday and today (P. Infante, C. Vargas, L.Downs ...). Thus the desire to tell others, you, the wealth of this woman has made its way. Frida gave life to what she loved. He spared nothing, he gave himself all. This awareness raised a question in me: what am I giving my life for? I live with my peers the difficulties of the working world, the nonsense, the injustices. We stagger in a space devoid of guidelines, we cling to the first who passes and who tells his truth, we rape in "hope." that one day ... "; meanwhile they eat on our heads. In all this chaos, what can we do? Choose. Ask ourselves every day: for what, to whom am I giving my life? Frida continues to suggest the answer. Aurelia Cipollini by and with Aurelia Cipollini Massimo Donno voice and guitar Francesco Pellizzari percussion heading off Diego Rivera Tomas Acosta Ticket 12 € (full), 10 € (reduced) Buy tickets frida-14 frida-04 frida-13
- Aida
Aida, Orchestra del Baraccano, concerto Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". I concerti rientrano nel progetto " VoltONE, Orchestra Need Experience. Il benessere del suono nelle dinamiche attive di comunità", Programma Operativo Nazionale Città Metropolitane 2014 - 2020 REACT EU asse 7 azione 7.1.1, finanziato dai Fondi Strutturali e di Investimento Europei nell’ambito della risposta dell’Unione alla pandemia di COVID-19. ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone 1/13 Single ticket 5 € Acquista biglietti Biglietteria 26 novembre passeggiata - aperitivo - concerto : intero 25€, ridotto 20€ concerto : intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, EmilBanca, Fitel, CNA, Lions Club Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings
- La luna, il mare, il ciliegio in fiore
La luna, il mare, il ciliegio in fiore. Cerimonia delle lanterne. Concerto. August 6, 9.15 pm Nipponica and NipPop THE MOON, THE SEA, THE BLOOMING CHERRY concert and lantern ceremony Japanese songs for soprano and harp The lyrics of Japanese songs often represent a delicate and ephemeral nature that, behind its gracefulness, actually sublimates deep emotions. The chosen poems speak of the intensity of the moment, a careful observation of the surrounding universe and an introspection all linked to living the magic of the moment, real or imagined, present or past. The modern harp replaces the traditional Japanese koto with graceful impressionist harmonies. The show was presented in prestigious national and international venues such as: the World Harp Congress in Hong Kong, China, the Rio Harp Festival in Rio de Janeiro, Brazil, the Sentmenat Harp Festival (Barcelona, Spain), in Genoa, E. Chiossone di Arte Orientale , in Vicenza (Inauguration of the Haru no Kazè Festival in the presence of the Consul of Japan) in Como (Villa Carlotta) in Ferrara, Palazzo Marfisa d'Este (Bal'danza review) for the FIDAPA event (ITALIAN FEDERATION WOMEN ARTS PROFESSIONS BUSINESS) in Ferrara, Milan (Inauguration of the Ikebana Exhibition), in Bologna (University of Bologna, Ca 'Shin and Oratorio San Carlo), in Cento, Castello di Galeazza (Midnight Moonlight Music). The cd of the program The moon, the sea and the cherry trees in bloom was recorded in 2015. Our version will follow from the Lantern Ceremony , the event to remember the victims of the Hiroshima atomic explosion. La luna, il mare, il ciliegio in fiore La luna, il mare, il ciliegio in fiore Cerimonia delle lanterne Miho Kamiya soprano Marianne Gubri harp narrator Sandra Cavallini Single ticket € 10 Buy tickets
- Domenica in musica
Il Teatro della gente Domenica in musica il Comuna le attra versa la città 16 aprile 2023, ore 11 | Teatro del Baraccano The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. PRENOTAZIONE