All'Opera! Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Sinfonia dalla Norma di Vincenzo Bellini Preludio da La Traviata di Giuseppe Verdi Preludio da Aida di Giuseppe Verdi Ouverture dal Don Pasquale di Gaetano Donizetti Intermezzo da L'Amico Fritz di Pietro Mascagni Intermezzo dalla Cavalleria Rusticana di Pietro Mascagni Sinfonia da Il Barbiere di Siviglia di Gioacchino Rossini Intermezzo da I Pagliacci di Ruggero Leoncavallo Intermezzo dalla Manon Lescaut di Giacomo Puccini Sinfonia da La Forza del Destino di Giuseppe Verdi BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Bando formazione, selezione Atelier Opera VOI all'opera! Form Form Clip 1 Clip 1

Concerto dialogato, con Luca Tudisca, Elena Nieri e Matteo Volponi. Regia Mauro Simone; testi Elisabetta Tulli; movimenti coreografici Nadia Scherani. Mauro Simoni and Associated Artists 17 August, 9.30 pm DIALOGUE dialogue concert Everything starts with a dialogue… everything becomes music. A wonderful music, words full of poetry. The music, the dialogues that are pure poetry, i refined choreographic movements and the delicate direction of Mauro Simone. Two performers on stage and Luca. A light illuminates a boy and a girl in bathing suits on the beach. Their first meeting ... by the sea, on a carefree day. Their meeting is fatal. Shall we call it love at first sight? It is that meeting that we all dream of: our soul mate, our angel, our friend, confidant and lover. with Luca Tudisca , Elena Nieri and Matteo Volponi directed by Mauro Simone texts Elisabetta Tulli choreographic movements Nadia Scherani Ticket € 13 (full), € 10 (reduced) Buy tickets Dialogo Dialogo THE SAND BAGS

Stagione ATTI SONORI al Teatro del Baraccano di Bologna PRODUCTIONS ATTI SONORI was born in 2005 as a musical theater festival at the Arena Del Sole Theater in Bologna. The festival was characterized by the production of shows characterized by the transversality of languages, combining cultured music and other forms of art: combinations born from collaborations with subjects and artists who shared the charm of the interaction between different expressive forms. Subsequently, the festival developed in various theaters in the city of Bologna and its province, finding a home in 2010 at the Teatro del Baraccano with an annual program, which also includes a summer section in August in the Cortile del Piccolo Teatro.

March 24, 5pm and 9pm DISENCHANTED THE MOST BITCHES IN THE REALM Fun, hilarious, with the flavors of vaudeville and cabaret, Disenchanted it dispels the myth of the "Princess Complex", to make fun of the frivolities told in fairy tales and celebrate being a woman in all its facets. 10 princesses they will stage their variety, to the rhythm of funny gags, real star numbers, leaving the audience with important ideas for reflection. Our princesses, seen in the collective imagination as perfect girls, sweet and succubus of their prince charming, in this show they deal with themes that are always discussed and very current. Diversity , emancipation , image exploitation , alcoholism or the fear of losing one's beauty , they represent the subtext of what they tell the public. Princesses who are first and foremost women, ready to make their way and fight to honor their dignity, all with irony and a pinch of malice. The Italian version, produced by the PERFORMErs thanks to a special agreement with Theatrical Right Worldwide - New York marks the first time the show is staged in Europe. music, lyrics and lyrics Dennis T. Hyacinth directed and Italian adaptation Matteo Borghi musical direction Eleonora Beddini choreography Luca Peluso Italian translations Nino Pratticò costumes Elena Mancuso assistant director Sara Persali executive production Giuseppe Di Falco Ticket € 16 (full), € 12 (reduced) Buy tickets Disincantate Disincantate Disincantate Disincantate Disincantate Disincantate

Histoire du soldat. Musiche di Stravinskji. 25 August, 9.15 pm SOUND ACTS and Music Together HISTOIRE DU SOLDAT music by Stravinskji ACTI SONORI stages the "poor" Opera that Igor Stranvinskij composed in 1918, against the sumptuous and cumbersome canons of traditional opera. The story is taken from the Russian fairytale tradition and has as its protagonist a soldier, a victim of the world war of 1915/18. The soldier's story concerns humanity as a whole and, in particular, the subject of man's inability to escape his own destiny. L'Histoire du Soldat | by Gianluca Cheli This work was initially conceived as a work for puppets: a simple and immediate artistic product, with a strong symbolic component. Here the graphic gesture is chosen as a marionette sign to reveal the dark aftertaste of the ironic atmospheres, musically outlined by Stravinskij in his chamber work. Elements that return in the expressive sign of the most submerged plane of the Histoire du Soldat: the melancholy, and all in all a bit funny, feeling of predetermination, combined with the creative madness of Russian fairy tales, from which the work takes its cue. Histoire du soldat Sementerie Artistiche2 Sementerie Artistiche ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini violin Fabio Quaranta contrabass Daniele Titti clarinet Davide Fumagalli bassoon Fabio Codeluppi trumpet Valentino Spaggiari trombone Simone Benedetti percussion In case of rain the event will take place on August 27th, at the same time Single ticket € 10 Buy tickets

film, Myslivececk, Il Boemo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". INGRESSO GRATUITO Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

All'Opera! Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Sinfonia dalla Norma di Vincenzo Bellini Preludio da La Traviata di Giuseppe Verdi Preludio da Aida di Giuseppe Verdi Ouverture dal Don Pasquale di Gaetano Donizetti Intermezzo dalla Cavalleria Rusticana di Pietro Mascagni Sinfonia da Il Barbiere di Siviglia di Gioacchino Rossini Intermezzo da I Pagliacci di Ruggero Leoncavallo Intermezzo dalla Manon Lescaut di Giacomo Puccini Sinfonia da La Forza del Destino di Giuseppe Verdi BIGLIETTERIA intero 15€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Kafka, Lettere a Milena, Orchestra del Baraccano September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome in coproduzione con Sementerie Artistiche KAFKA: LETTERS TO MILENA Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Theatrical adaptation German Rosary with Rosario Tedesco and Nicola Bortolotti scenographic paintings Andrea Louis Ballardini production assistance Laura Ballardini ORCHESTRA DEL BARACCANO director Giambattista Giocoli Silvia Colageo flute Marco Soprana oboe Giovanni Picciati clarinet Mirco Ghirardini bass clarinet Giulia Ginestrini bassoon Imerio Tagliaferri horn Fabio Codeluppi trumpet Kafka. Lettere a Milena Franz Kafka (Praga 1883- Kierling 1924) musiche Settimino - Paul Hindemith Mládí - Leoš Janáček Ballardini info cell. 339.9142636 teatrodelbaraccano@gmail.com Biglietteria 15 novembre matinée per le scuole gratuito serale: intero 12€ ridotto 10€ under 30, over 65 ridotto 5€ under 18, card Cultura Acquista biglietti Biglietteria 16 novembre gratuito info cell. 0543.33598 | 388.835655 Biglietteria 17 novembre biglietto unico 12€ ingresso riservato ai soci (tessera associativa 3€ ) info cell. 388.2460985 Dopo lo spettacolo aperitivo a cura dell'Agriturismo Valle Torretta

Lucio Dalla February 29, 20.30 - POSTPONED NEW DATE to be defined FROM THE WINDOW OF LUCIO A show that celebrates the artistic and cultural value of the great singer-songwriter Lucio Dalla , starting with the presentation of the new single "Dalla Finestra di Lucio" by the well-known Bolognese tenor Cristiano Cremonini , aka Cris La Torre , freely inspired by a letter from Dalla published in the book " Lucio Dalla - The man of mirrors " (Minerva Edizioni) and continuing through a chronological journey in stages that tells Lucio, his songs, stories and everything that remains in the minds and hearts of the people who loved him and who they continue to do so. With Sara6 , Rod Mannara , Kevin Crime , Le Cadavere Exisite , Jo Brown , Bolletz , Sofia Mehiel , Il Signorino Depunzio , Marsala , Francesco Guarino and with the participation of Vito D'Eri . Artistic direction of Rod Mannara , with the musicians Giorgio Santisi and Damiano Trevisan . Event organized by the record label MegaDischi \ PMS , with the patronage of CNA Bologna , the support of Emil Banca Credito Cooperativo and the collaboration of Lions Club Bologna and Edizioni Minerva . During the evening a preview of the video clip " From the window of Lucio " curated by the director Federica Lecce will be screened. Full ticket € 13, reduced € 10 Buy tickets Locandina Dalla finestra di Lucio, 29 fe

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Scheda Popular Songs RADIO RITMO on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC FOLK SONGS musiche di Luciano Berio (1925- 2003) per mezzosoprano e sette esecutori INTRODUZIONE E ALLEGRO - “SETTIMINO” musiche di Maurice Ravel (1876-1946) per arpa, flauto, clarinetto e quartetto d’archi SIETE CANCIONES POPULARES ESPAÑOLAS musiche di Manuel de Falla (1876-1946) orchestrazione e arrangiamenti originali per mezzosoprano e nove esecutori ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna. CRISTINA ZAVALLONI Cristina Zavalloni nasce a Bologna. Di formazione jazzistica, intraprende a diciotto anni lo studio del belcanto e della composizione presso il Conservatorio della sua città. Per molti anni si dedica anche alla pratica della danza classica e contemporanea. Si esibisce nei più importanti teatri, in stagioni concertistiche internazionali e festival jazz, tra cui il Montreux Jazz Festival, North Sea Jazz Festival, Free Music Jazz Festival di Anversa, Moers Music, Bimhuis, London Jazz Festival, Klara Festival, International Jazz Festival di R o t t e r d a m , C o n c e r t g e b o u w d i A m s t e r d a m , Concertgebouw di Bruges, Lincoln Center e Carnegie Hall, Walt Disney Hall, Teatro alla Scala di Milano, Barbican Center, Beijing Concert Hall, Moscow International House, ecc. Si è esibita con orchestre quali la London Sinfonietta, BBC Symphony Orchestra, Schoenberg Ensemble, Sentieri Selvaggi, Musik Fabrik, Orkest De Volharding, Orchestra della Rai Torino, Los Angeles Philharmonic, ORT, Orchestra Toscanini, Irish Chamber Orchestra, ed è stata diretta da Martyn Brabbins, Stefan Asbury, Reinbert De Leeuw, Ivan Fischer, Oliver Knussen, David Robertson, Jurjen Hempel, Georges-Elie Octor, Andrea Molino, Marco Angius, tra gli altri. Collabora con il compositore olandese Louis Andriessen, che ha scritto per lei alcuni dei suoi più recenti lavori tra cui Passeggiata in tram per l’America e ritorno, La Passione, Inanna, Letter from Cathy, Racconto dall’Inferno, la parte di Dante ne La Commedia, il monodramma Anais Nin e la parte di Sor Juana Ines de la Cruz ne l’opera Theatre of the World. E’ interprete di prime esecuzioni di Carlo Boccadoro, Luca Mosca, Emanuele Casale, Michael Nyman, Mauro Montalbetti e di alcune composizioni di James McMillan (la prima USA di Raising Sparks, Carnegie Hall, 2011). Frequenta il repertorio barocco (Incoronazione di Poppea, Combattimento di Tancredi e Clorinda), collaborando con registi e coreografi quali Mario Martone e Alain Platel (VSPRS e Pitié!, su musiche di Fabrizio Cassol) o con la Brass Bang! (Paolo Fresu, Gianluca Petrella, Marcus Rojas, Steven Bernstein). Le sue più recenti collaborazioni in ambito jazzistico includono i duo voce e piano con Jason Moran, Stefano Popular songs Bollani, Benoit Delbecq, Alfonso Santimone, le collaborazioni con Radar Band, Uri Caine e il suo quartetto Special Dish. Ha realizzato per la televisione italiana (RaiTre) le Effemeridi Musicali - serie di pillole andate in onda nella stagione 2013/2014, in cui raccontava alcuni dei propri progetti musicali. Ha inciso oltre 20 CD DAVIDE BURANI Diplomato in pianoforte e in arpa, ha conseguito con il massimo dei voti e lode il Diploma Accademico di secondo livello in arpa presso il Conservatorio “Boito” di Parma. Perfezionatosi con Fabrice Pierre e Judith Liber, si è imposto in numerosi concorsi nazionali ed internazionali (finalista con menzione d’onore al “Tournoi International de Musique” XI ed. a Salon de Provence e vincitore assoluto del “Music World” di Fivizzano (2004). Si è esibito come solista in prestigiose sedi concertistiche in Italia e all’estero: Teatro Regio di Parma, Teatro Comunale di Ferrara, Accademia Filarmonica di Bologna, Galleria Franchetti alla Ca’ d’Oro di Venezia, Palazzo Ducale di Venezia, Conservatorio “Verdi” di Milano, Lucerna, Cadogan Hall di Londra, Teatro dell’Opera di Praga, Centro Internazionale delle Arti di Pechino, Tokyo Opera City, Symphony Hall di Osaka. Ha collaborato in qualità di prima arpa con l’Orchestra del Teatro Comunale di Bologna, con l’Orchestra della Radio Svizzera Italiana di Lugano, con I Virtuosi Italiani, con l’Orchestra Filarmonica Arturo Toscanini di Parma, con l’Orchestra Regionale dell’Emilia Romagna, con l’Orchestra “Bruno Maderna” di Forlì. Ha partecipato a numerose trasmissioni radiofoniche e televisive ed è stato invitato a presentare i suoi lavori discografici presso gli studi di Radio Uno della Radio Svizzera Italiana e presso gli studi di Radio Tre nel corso delle trasmissioni Radio Tre Suite e Piazza Verdi. Ha inciso vari CD. Ha tenuto Masterclass di Arpa. Dal 2014 collabora con il Maestro Leo Nucci accompagnandolo nelle sue tournées internazionali ed il gruppo cameristico Italian Opera Chamber Ensemble. Dal 2009 è docente di arpa presso l’Istituto Superiore di Studi Musicali “Achille Peri” di Reggio Emilia.