Allargo già le braccia 24 and 25 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 26 July I ALREADY WIDEN MY ARMS the secret essence of unspoken things concert for musical ensemble, narrator and images ELSA and OTTORINO RESPIGHI. Letters and Double Quartet Music and musical gesture are the body on stage. Letters, documents and images are essential traces of Elsa and Ottorino Respighi's life. (Sandra Cavallini) My letters to Ottorino and hers to me trace the first period of our life together. After the wedding, the correspondence between us is very little, because in the eighteen years of life together we were only separated for a few days. (Elsa Olivieri Sangiacomo) A theatrical adaptation of the letters that Respighi exchanged with his wife Elsa Olivieri before their marriage was woven on the music of Ottorino Respighi's "Doppio Quartetto". These are letters that Elsa herself has collected in a volume, which she simply titled "Ottorino Respighi". A very precious instrument will enrich the musical performance: the violinist Roberto Noferini will play the violin that belonged to Respighi , a violin of prestigious and ancient Bolognese lutherie, built around 1730. by the luthier Florenus Guidantus (1687-1760). The scenographic images will help to discover a fragment of the life of this great Bolognese musician and composer, who, for his genius, deserves to be rediscovered by his city to which he was very attached. Respighi is deeply and intimately linked to the city of Bologna and lives it with very strong nostalgia every time he moves away from it. In fact, he settled in Rome in 1913, winning the competition for the Chair of Composition and Fugue at the Conservatory of Santa Cecilia, but his countless journeys can already be counted from his youth in via Castagnoli 2 (now Largo Respighi - BO), starting from the small room used as a study, from the fir bookcase built with his own hands, from the collection of vocabularies in different languages, with a particular curiosity for the less known ones. The vocabularies are followed by atlases and hours spent studying a geographical map. “ Those were, those were the first trips, the most beautiful I've ever done around the world ”. It is not always easy to play a dreamer. The event is part of the RESPIGHI project . Allargo già le braccia Allargo già le braccia Allargo già le braccia Allargo già le braccia ideation Giambattista Giocoli Sandra Cavallini narrator and theatrical adaptation images edited by BLUE SALT music Double Quartet from Ottorino Respighi ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini , Henry Domenico Durante Luca Ranzato , Matteo Anderlini violins Thomas Cavuoto, Lorenza Merlini violets Giacomo Grava and Francesco Stefanelli cellos Single ticket € 10 Buy tickets BIGLIETTERIA 28 NOVEMBRE Biglietto unico 10€ Prenotazioni e info: Associazione culturale Crescendo asscrescendo@gmail.com tel. e whatsapp: 335.1748737

SOUND ACTS 22 and 23 February, matinee for schools THE CARTOON BARBER "The Barber of Seville" told through music, images, animations and text The Count d'Almaviva wants to marry the beautiful Rosina and for this he gets help from Figaro , the barber-factotum who becomes the director of all the actions. Figaro resorts to tricks and disguises; for him, success in the "Rosina operation" will lead to an increase in prestige and economic well-being. But Rosina is kept segregated at home by her old guardian, Don Bartolo , from whom she wants to escape and, if she wants to marry Almaviva, she must collaborate in the intrigues, emancipating herself from the role of house and church girl. Thus begins a process of unmasking false values and abandoning current morality. The conclusion with the happy ending will be Bartolo's surrender and the triumph of love. Baraccano Orchestra director Giambattista Giocoli videoprojected manga images 012 014 016 013 018 015

Solisti Lucani Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". PROGRAMMA A.Vivaldi concerti Il Gardellino La Notte La Tempesta di Mare J. S. Bach Suite n.2 in B minore, BWV 1067 M° ANDREA MANCO Primo Flauto dell'Orchestra del Teatro alla Scala e della Filarmonica della Scala dal 2015. Ha studiato al Conservatorio ”Tito Schipa” di Lecce sotto la guida di Luigi Bisanti, diplomandosi a 16 anni col massimo dei voti e la lode. Si è perfezionato all'Accademia di Imola con Persichilli, Mercelli e Cambursano, a Firenze con Marasco e al “Conservatoire Superieure de Musique” di Ginevra con Jacques Zoon.Considerato uno dei più brillanti flautisti della sua generazione, ha ottenuto premi nei maggiori concorsi flautistici internazionali: “Francesco Cilea” di Palmi, “Leonardo De Lorenzo” di Viggiano, Yamaha Music Foundation di Milano, “Emanuele Krakamp” di Napoli, “Pellegrini” di Cagliari, il XXXVIII Concorso Internazionale di Budapest e il Primo Concorso Flautistico Internazionale “Maxence Larrieu” a Nizza. Nel 2002 è stato scelto da Riccardo Muti come primo flauto dell’Orchestra Giovanile “Luigi Cherubini”, da lui creata. Nel 2003, a soli 20 anni, ha ottenuto il posto di primo flauto nell’Orchestra del Teatro Regio di Torino diretta da Gianandrea Noseda. E’ stato invitato, in qualità di primo flauto ospite, dalle orchestre: Maggio Musicale Fiorentino, Opera di Roma, Stuttgart Philharmoniker, Hungarian National Philharmonic, Noord Nederlands Orkest, Symphonica Toscanini diretta da Lorin Maazel, effettuando tournée in Europa, U.S.A., Giappone, Cina e Israele. Ha effettuato inoltre, come solista e camerista, concerti in numerosi festivals italiani ed internazionali: Falaut Festival, Flautissimo, NFA negli Stati Uniti, Belgrade Flute Festival, German Flute Festival a Freiburg... Nel 2018 è stato invitato nell’Orchestra del Festival diLucerna diretta da Riccardo Chailly. Ha registrato la Sonata op.115 di Prokofiev per i CD della rivista musicale Syrinx e un disco con opere per flauto e pianoforte di Casella, Feld, Liebermann e Martinu, allegato alla rivista italiana del flauto FaLaUt. Ha inciso inoltre per Amadeus brani di Carulli e Giuliani incollaborazione col chitarrista Giulio Tampalini e per Warner Music con l’ottetto della Scala. Ha inciso per Brilliant l’integrale dei quartetti di Mozart e “French Songs” in duo con l’arpa. È docente dell' Accademia del Teatro alla Scala e dal 2020 è stato nominato direttore artistico dell'Accademia Internazionale "Incontri col Maestro" di Imola. Single ticket 5 € Buy tickets July 9

Statuto Perséphone ETS

GUYU - PIOGGIA PER IL GRANO Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone PROGRAMMA 1. 采薇Cai Wei arr. di Yaqin Zhang Jing Tan | voce Wanying Fu e Yaqin Zhang | guzheng Wenjin Lai | Ruan 2. 卧龙吟 Canto di Wolong Verso la luna Jingzhi Zhao | guqin 3. 剑器Danza della spada Wenjin Lai | liuqin 4. 春江花月夜Fiori sul fiume illuminato dalla luna primaverile 5. 紫竹调Suono del bambù 6. 梨花颂 Canzone del fiore di pero arr. di Yaqin Zhang Jing Tan | voce Yaqin Zhang | guzheng 7. 姑苏行 Un viaggio a Suzhou Yuli Zhang | dizi 8. 西部主题畅想曲 Fantasia sui temi della Cina occidentale Yaqin Zhang | guzheng 9. 彝族舞曲Danza del popolo yi QilingYu | pipa 10. 盛世国乐 L’età della fioritura arr. di Yaqin Zhang Yaqin Zhang e Wanying Fu | guzheng Wenjin Lai | ruan e liuqin ZiyuXie | erhu Biglietteria biglietto unico 5€ Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

film, Myslivececk, Il Boemo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". INGRESSO GRATUITO Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di Piazza Maggiore e Piazza San Domenico passeggiata e concerto 25 giugno 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. MYSLIVEČEK, il divino boemo

27 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti

Progetti formativi per le scuole 2022 AIDA la musica danza nella sabbia riduzione dell’Opera di Giuseppe Verdi per ensemble, voce recitante e luci 25 e 26 novembre 2022, matinée La monumentale opera AIDA , nella versione in musica dell’Orchestra del Baraccano , non chiede forzature spettacolari in scena, né spazi colossali o grandiosità scenografiche. Ecco che anche gli elefanti potrebbero smettere di marciare, lasciando spazio stupiti e commossi al dramma umano tra vinti e vincitori , in guerra e in amore. Ritroviamo il soffocante gigantismo voluto da Giuseppe Verdi e l’effetto schiacciante sull’anima dei giovani protagonisti, nell’originale riduzione e nell’arrangiamento per organico strumentale a dieci parti reali, nello stile impetuoso del direttore Giambattista Giocoli , nei versi detti e sussurrati da Sandra Cavallini , nella voluta irregolarità metrica del libretto di Antonio Ghislanzoni . Accenti lirici, tratti trionfali e improvvise sospensioni svelano le delicate profondità dell’opera. Una riduzione e arrangiamento che cercheranno, pur senza i cantanti, di restituire la potenza drammaturgia e sinfonica di quest’Opera e di far arrivare la sua profonda intimità di sentimenti e musicalità, oltre ai momenti maestosi e grandiosi ispirati dalla magnificenza della civiltà egizia. Contrariamente alla tradizione predominante, che l’ha resa famosa principalmente per lo sfarzo delle scenografie, si vuole presentare quindi una lettura innovativa, incentrata sulla profonda intimità di sentimenti e riflessioni sulle dinamiche sociali. Orchestra del Baraccano direttore Giambattista Giocoli violino Roberto Noferini | flauto e ottavino Fabio Fabbrizzi | violoncello Andrea Noferini arpa Alice Caradente | fisarmonica Andrea Coruzzi marimba e percussioni Simone Beneventi tromba Fabio Codeluppi | trombone Valentino Spaggiari | basso tuba Gianluigi Paganelli voce recitante e adattamento teatrale Sandra Cavallini riduzione dell’Opera Giambattista Giocoli | arrangiamenti musicali Fabio Codeluppi

Scheda R.A.D. Respighi Ancient Dances RAD Respighi Ancient Dances DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Gabriele Bellu violino | Filippo Mazzoli flauto Lorenzo Fantini fagotto | Alice Caradente arpa Maria Luisa Baldassari clavicembalo Alexey Manyak fisarmonica Fabio Codeluppi tromba | Gianluigi Paganelli basso tuba Compagnia DNA coreografia Elisa Pagani danzatori Francesca Caselli , Michael Incarbone , Massimo Monticelli Ho cercato fin da subito di fare un’operazione di astrazione, asciugando la drammaturgia del gesto fino all’essenza pura del movimento, per snellire una narrazione già così pervasa di immagini come quella delle Suite. Per eludere il rischio di rendere la visione ridondante ho deciso di sfruttare il forte contrasto creato tra il linguaggio contemporaneo ed essenziale di DNA e l’aspetto rinascimentale della composizione musicale. Il processo è stato quello di rendere estremamente musicale il gesto e la costruzione coreografica, in modo che si adagiasse con grande accondiscendenza sulla partitura musicale e il suo riallestimento, senza appesantirlo, ma, al contrario, enfatizzandone la leggerezza e la freschezza. La coreografia, che doveva essere la prima immagine restituita al pubblico, ha creato il contesto fertile affinché i forti colori del suono potessero esprimere al meglio la caratterizzazione del paesaggio. Il risultato è stato quello di regalare al pubblico un intreccio di percezioni, create dall’intenso dialogo tra gesto e suono, in grado di tessere una conversazione spigliata, elegante ed intrigante. I tre danzatori in scena hanno dato vita ad un nodo infinito, che ha innescato un flusso persistente di dinamiche morbide ed effimere. Elisa Pagani

SOUND ACTS and NipPop August 21, hours 21.30 english version THE BARBER IN COMICS the Rossini's Barber of Sevilla with images, music and animation The Baraccano Orchestra , conducted by Giambattista Giocoli , will play the music of Il Barbiere di Siviglia , in the original version arranged for wind orchestra. Beyond the music, the story of Rosina and Figaro will be told by the original manga drawings of Tsukishiro Yūko and by some captions, that explain the sequence of scenes. For this version the captions will be in English. VIRTUOSES OF ITALIAN OPERA flute Filippo Mazzoli clarinets Stefano Franceschini and Ivan Villar Sanz bassoon Massimiliano Denti horns Ezio Rovetta and Andrea Brunati trumpet Fabio Codeluppi trombone Riccardo Gatti contrabass Daniele Rosi accordion Luca Piovesan ideation and conduction Giambattista Giocoli manga drawings Tsukishiro Yūko musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone http://www.attisonori.it/ITA/produzioni/barber.html Ticket 12 € (full), 10 € (reduced) Buy tickets The Barber in comics The Barber in comics The Barber in comics The Barber in comics The Barber in comics

Respighi e Bologna June 24th 6pm and 8.30pm | July 22, 8.30 pm 12 August 6 pm and 8.30 pm | September 16, 6 pm and 8.30 pm Charterhouse of Bologna WE REJECT MUSIC the Certosa, Bologna and Respighi musical guided tours Ottorino Respighi , one of the most famous composers of the twentieth century, rests in the Certosa. Beloved in the USA, famous for his famous works dedicated to Rome, the Eternal City , he maintained his contacts with Bologna, his hometown, throughout his life. A journey to remember the musical world that made him famous, and his fellow musicians of all ages, from Gioachino Rossini to Lucio Dalla. During the visit we will also discover the events of the composer's family who were sculptors, generals, writers. Guided tours by Mirarte. reservations required mirartecoop.it Musical interventions with the soloists of the Baraccano Orchestra Alice Caradente and Alessandra Ziveri harps Admission € 12, two euros donated to the Certosa. Reservation required through the site www.mirartecoop.it Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather.