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Spettacolo di bharata natyam con Shweta Prachande November 18, 9 pm SAMYUKTA dance, divine union bharata natyam indian dance theater show with Shweta Prachande Shweta Prachande , extraordinary exponent of Indian style dance Bhārata Nāṭyam e peak pupil of Priyadarsini Govind , carrying on a solid hereditary lineage that constantly confronts the contemporary, will enchant us with the show Saṃyukta • dance, divine union , a mārgam in which we will see her transform (and transform us) with surprising agility and strength. SHWETA PRACHANDE Shweta Prachande began studying bharatanatyam dance at the age of 5 and is currently perfecting herself with the renowned artist Smt. Priyadarsini Govind , after completing a 5-year course at the Kalavardhini Dance Institute with teacher Dr. Sucheta Chapekar . Moving to Chennai in 2005 to continue her career as a dancer, Shweta quickly established herself as one of the most promising and talented dancers of the new generation. In parallel with her training in Bharatanatyam dance, she studied Kalaripayattu martial art for some years and obtained a Diploma in Contemporary Dance Studies at the Trinity Laban Conservatory of Music and Dance in London. He also studied rhythmic solfeggio (nattuvangam) and Carnatic classical music, and holds a Master's Degree in Fine Arts - Bharatanatyam from Bharathidasan University. He has won several scholarships with which he was able to deepen and further refine his training. He has received important critical accolades and won numerous awards in all major dance competitions nationwide. She has presented shows in India and abroad and is a regular guest of the prestigious event December Music and Dance Festival in Chennai. Shweta has also performed on television shows for the national networks Doordarshan and Star Plus. Shweta also regularly practices Yoga, Kalaripayattu and Rugby at a high level. THE BHARATA NATYAM The Bhārata Nāṭyam it is the oldest form of sacred dance theater originating in South India. The term Nāṭyam in Sanskrit it means dance, Bharata instead it is an acronym of the three words Bhāva (expression), Guys (melody), Tāla (rhythm). The style known as Bhārata Nāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. Ticket 12 € (full), 10 € (reduced) Buy tickets SHWETA PRACHANDE

Catalogo Il Barbiere a Fumetti I ALREADY WIDEN MY ARMS My letters to Ottorino and hers to me trace the first period of our life together. After the wedding, the correspondence between us is very little, because in the eighteen years of life together we were only separated for a few days. (Elsa Olivieri Sangiacomo) A theatrical adaptation of the letters that Respighi exchanged with his wife Elsa Olivieri before their marriage was woven on the music of Ottorino Respighi's "Doppio Quartetto". These are letters that Elsa herself has collected in a volume, which she simply titled "Ottorino Respighi". A very precious instrument will enrich the musical performance: the violinist Roberto Noferini will play the violin that belonged to Respighi , a violin of prestigious and ancient Bolognese lutherie, built around 1730. by the luthier Florenus Guidantus (1687-1760). The scenographic images will help to discover a fragment of the life of this great Bolognese musician and composer, who, for his genius, deserves to be rediscovered by his city to which he was very attached. Respighi is deeply and intimately linked to the city of Bologna and lives it with very strong nostalgia every time he moves away from it. In fact, he settled in Rome in 1913, winning the competition for the Chair of Composition and Fugue at the Conservatory of Santa Cecilia, but his countless journeys can already be counted from his youth in via Castagnoli 2 (now Largo Respighi - BO), starting from the small room used as a study, from the fir bookcase built with his own hands, from the collection of vocabularies in different languages, with a particular curiosity for the less known ones. The vocabularies are followed by atlases and hours spent studying a geographical map. “ Those were, those were the first trips, the most beautiful I've ever done around the world ”. It is not always easy to play a dreamer. The event is part of the RESPIGHI project . ideazione e direzione musicale Giambattista Giocoli arrangiamenti musicali Fabio Codeluppi e Giambattista Giocoli disegni manga Tsukishiro Yūko montaggio video Giambattista Giocoli colorazione in digitale, lettering e grafica Michele Cerone direzione organizzativa Nella Belfiore assistenza alla produzione Paola Scrolavezza e Haruka Arakawa comunicazione Maja Kuliczkowska documentazione fotografica Paola Perrone ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Domenico Alfano flauto Ivàn Villar Sanz, Mirco Ghirardini clarinetto Augusto Palumbo, Umberto Codecà fagotto Umberto Turchi fisarmonica Paolo Faggi, Benedetto Dallaglio corni Fabio Codeluppi tromba Valentino Spaggiari trombone Gianluigi Paganelli basso tuba Track CD 13 e 22 Filippo Mazzoli f lauto Stefano Franceschini clarinetto Paolo Carlini fagotto Andrea Maccagnan trombone registrazione effettuata presso Teatro del Baraccan o ripresa audio Marco Ferri, Francesco Vaselli assistenza tecnica Andrea Biasco stage Michele Lo Veci, Costanza Balbi mixaggio S tudio Ermes di Marco Ferri Bologna, maggio 2022

Sassolino, Orchestra del Baraccano Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone La Baracca - Testoni Ragazzi regia e adattamento teatrale Bruno Cappagli con Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick montaggio video Andrea Aristidi e Lorenzo Monti esecuzione tecnica Andrea Biasco e Francesco Vaselli BIGLIETTERIA incontro con l'illustratrice: gratuito per le scuole: 5.50€ prenotazione per le scuole secondarie di primo grado dal 23 settembre su prenotazioniscuole.testoniragazzi.it (fuori abbonamento) prenotazione per le scuole secondarie di secondo grado promo.teatrodelbaraccano@gmail.com pomeridiano e serale: intero 12€ ridotto 10€ ( under 30, over 65, card Cultura, soci Coop) ridotto5€ (under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Stravinskij disegnato 3 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 4th July STRAVINSKIJ DRAWN music by Igor Stravinskij The Fontanamix ensemble proposes a musical and visual project that the ensemble dedicates to Igor Stravinsky , whose 50 years since his death occur in 2021. The origin of this idea is in the 1956 documentary film Le Mystère Picasso , where Picasso himself tells his story through drawing and color, and the graphic line seems to be born from Georges' notes Auric. A format in which live drawing, curated here by the visual artist and performer Martina Zena , extemporaneously illustrates some chamber jewels of the Russian composer, tracing short visual stories, abstract stories without a plot where I listen, inside and outside the sound, takes shape in signs, traces, sketches, gestures. BANNER_concerto Program Histoire du Soldat (Suite for Clarinet, Violin and Piano) Three pieces for Clarinet Tango , version for violin and piano Elegy , for violin Five easy pieces (arrangement for ensemble by F. La Licata) FontanaMIX Ensemble Valentino Corvino concert violin Lavinia Guillari flute Marco Ignoti clarinet Stefano Malferrari piano Sebastiano Severi cello with live illustrations by Martina Zena Single ticket € 10 Information From Monday to Saturday from 10.30 to 12.30 Phone, WhatsApp and SMS: 353 427 5474 | e-mail: ticket office.fontanamix@gmail.com Buy tickets

vite da chansonnier e canti ribelli, con Giangilberto Monti Fort Alamo Association 3 and 4 March, 9 pm CURSED FRENCH chansonnier lives and rebellious songs After cabaret performances, comic-musical essays and theatrical projects, Giangilberto Monti summarizes the French repertoire he has always loved. His translations of Vian, Ferré, Gainsbourg and Renaud, have been published on musical albums, essays and historical books, such as his Maledetti Francesi (2011, NdA), cited by Gianni Mura in Repubblica as one of the books to remember about that year. Here the Milanese chansonnier tells off the cuff the beginnings of the French songwriter, recalls anecdotes and fragments of history from beyond the Alps, talks about how the poetic song went through the twentieth century. And it does so by interpreting the most beautiful songs of the French maudits par excellence: from the versatility of Boris Vian to the desperate and barricaded texts of Leo Ferré, from the poetic provocations of Serge Gainsbourg to the heart-breaking stanzas of Jacques Brel, up to the jeers of Georges Brassens, one of the main inspirers of the Italian singer-songwriter, and to the ironic hardness of Renaud, the last of the classic French maudits. The utopias and rebelliousness of all time can be found in the words of these artists, between folk and author ballads, which Monti interprets accompanied by his musicians. A musical narration from a passionate and curious conductor, showing the public that contamination between poetry, music and comedy that has always been the heritage of our French-speaking cousins. From the press "Monti chansonnier, bravo and cursed, in the name of Vian" - The Republic "Monti's performance flows away with unusual vivacity, amidst libertarian noises, celebrations of women, love, and linguistic and moral transgression" - The newspaper "Notes cursed in freedom by Giangilberto Monti" - The poster . with Giangilberto Monti Ticket 20 € (full), 15 € (reduced) Buy tickets Giangilberto Monti Giangilberto Monti Giangilberto Monti GIANGILBERTO MONTI Writer and chansonnier , Giangilberto Monti wrote his first songs in the mid-seventies. He attended the world of independent labels of that period, met the producer Nanni Ricordi and the songwriters Ricky Gianco and Ivan Cattaneo and graduated in Engineering in Milan, signing immediately afterwards for CBS, now Sony Music. In his first albums ( The order is public?, 1978; Il giro del giorno , 1979; And tomorrow?, 1981) he alternates poetic texts of civil commitment with sarcastic passages on the society of the time. He undertakes a parallel theatrical activity : he studies singing with Cathy Berberian, acts with Dario Fo and Franca Rame , graduates from the Civic School of Dramatic Art in Milan and writes with Flavio Premoli, keyboardist of the PFM, the rock-opera Guardie e Ladri (1982 ), an album that features among others Alberto Camerini, Francesco Di Giacomo del Banco, Anna Oxa and vocalist Bernardo Lanzetti. Always with Premoli he writes songs for Fiordaliso and Anna Oxa, signing with the violinist Mauro Pagani My Race (1990), for Mia Martini. During the eighties he frequented the environment of the Zelig in Milan, collaborating as an author with the comedians Aldo Baglio and Giovanni Storti - of the future trio Aldo, Giovanni & Giacomo - the stand-up comedian Marco Della Noce and the duo of the Fichi d'India. He writes and acts with the actress Lella Costa , realizes theater-song shows with the jazz player Gaetano Liguori and the composer Sergio Conforti, the Rocco Tanica of Elio & Le Storie Tese, signs scripts for the Italian Swiss Radio. After having staged the musical repertoire of Dario Fo (1999-2000) with the jazz player Laura Fedele, he developed a writer and essayist activity with Garzanti, who published the Dictionary of Cantautori (2003-2005), signed with Veronica Di Pietro, and the Dictionary of Comedians and Cabaret (2008). In the same years he recalls the 1968 period with the show A little after the lead and the album of unreleased songs Ce n'est qu'un début , to be followed by the Comicanti CD - both published with Carosello Records - in which he duets with a fifteen comic artists, interpreting the best pieces of Italian musical comedy, from Ettore Petrolini to Dario Fo. His theatrical version, directed by Vito Molinari, sees him on stage with Flavio Oreglio and Stefano Nosei (2010-2011). Since 1994 he has developed his passion for French music : he undertakes a long research on the work of Boris Vian, curating with Giulia Colace the volume Boris Vian-The songs (Marcos y Marcos), he publishes a choice of songs by the French artist. , which he adapted into Italian (Manifesto) and stages La Banda Bonnot - the story of the anarchist bandit Jules Bonnot , based on unreleased songs by Vian - which in 2004 won the Prix Suisse as a musical radio play and was released on CD for the FolkClub Ethnosuoni. Two years later it will be the turn of Maledette Canzoni - a discographic tribute to Vian, Léo Ferré and Serge Gainsbourg, of which Monti is the first in Italy to translate the songs - followed in 2011 by the Belle Équipe project, a musical show with comedian Alberto Patrucco and singer-songwriter Andrea Mirò, preceded by Maledetti Francesi (NdA, 2010), a book in which lives of the chansonniers, the same ones who have marked the history of our songwriting.

Respighiamo musica 23 October h 15 and 30 October h 10.30 | Charterhouse of Bologna FIFTY INCREDIBLE MUSICAL YEARS Bologna 1979-1936 | Artistic life and society in the years of Ottorino Respighi guided tours A journey of discovery together with the musicologist Maria Chiara Mazzi and the art historian Roberto Martorelli. A walk through cloisters and galleries, to tell - through sculptures and monuments - places, events and people of the Bolognese musical world. In the years of life of the famous composer Ottorino Respighi, who rests in the Certosa alongside Giosue Carducci. Roberto Martorelli, art historian and Maria Chiara Mazzi , musicologist Admission 4 euros, reduced 3 euros. Reservations required by writing to museorisorgimento@comune.bologna.it . Appointment of the review Charterhouse of Bologna | 2021 summer calendar , as part of the project Respighi Project of the Baraccano Theater. Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather. Ottorino Respighi Certosa di Bologna Certosa di Bologna

Lenti passi nel tenebroso palazzo di fate from 24 May to 6 June | Charterhouse of Bologna SLOW STEPS IN THE DARK PALAZZO DI FATE the Charterhouse to the discovery of Ottorino Respighi treasure hunt From 24 May to 6 June the Risorgimento Museum offers a 'treasure hunt' in the monumental Cemetery of the Certosa to be done independently, dedicated to the figure of Ottorino Respighi (1879-1936) , one of the most famous musical composers of the twentieth century. Through a downloadable map by clicking on the button below, you will be able to discover the musical and family world of the artist, a relative of famous sculptors, art critics, doctors, men of arms and of the writer Vittoria Guerrini, aka Cristina Campo . In the stages of the route, QR codes will be available for those who want to learn more through texts, documents, videos and music. Made on the occasion of the Week to discover European cemeteries and the historical re-enactment of 8 hundred Aps Made Italy ; within the Respighi Project of the Teatro del Baraccano. Info: museorisorgimento@comune.bologna.it Download the map The map can also be downloaded through the Facebook channels of the Museum of the Risorgimento , 8 hundred , Baraccano Theater and Amici della Certosa , or by going to the Info Point of the Certosa during opening hours (via della Certosa 18 - Church courtyard). Smartphone with QR reader / app required. Ottorino Respighi Certosa Bologna Respighi Project

Commedia madrigalesca di Adriano Banchieri. Compagnia Dramatodia, ensemble di musica e teatro. Compagnia Dramatodia, music and theater ensemble 10 August, 9.30 pm THE BOAT OF VENICE FOR PADUA madrigal comedy by Adriano Banchieri The music gives voice to a colorful series of characters: merchants, courtesans, students, Jews, foreigners, gathered in an imaginary river journey between the two main centers of the Serenissima Republic, Venice and Padua. The Boat of Venice for Padua , published in Venice in 1605, is a profane music by Adriano Banchieri ; Olivetan monk of the Bolognese convent of San Michele in Bosco, composer and music theorist among the most illustrious of the early seventeenth century. Among his works attributable to the genre of the Madrid comedy La Barca stands out for the rich narrative frame in which the various pieces are set. The Dramatodía ensemble, made up of 13 elements, owes its name (from the Greek “representative song”) to the Intermediates above the deceived Aurora composed by Girolamo Giacobbi in 1605, which constituted the first example of musical theater in the Bolognese area. The ensemble was born in 2000 with the intention of reviving the theatrical repertoire of the comedians of the sixteenth and seventeenth centuries and to explore the musical production that arose to enrich the performances. Ticket € 13 (full), € 10 (reduced) Buy tickets Dramatodia La barca di Venezia per Padova Dramatodia THE SAND BAGS

Va dove va l'acqua, Teatro delle Temperie, teatro July 24, 9.15 pm Temperie Theater GOES WHERE WATER GOES tale of the Bologna of water There is another Bologna made of rivers, made of canals, a Bologna of water. A city that exists in history, in memories, in memory, but which still exists today, hidden among the houses, behind the ancient buildings, under the streets, hidden in small holes, where the water goes, placid ... where the water never stops… where water still reigns supreme. There was a time when water was the soul of Bologna, it was the engine of the economy. It was the defense of the city; if Bologna is our heart, the canals are our arteries, water is the blood of our community. Even today, those channels pulsate with stories, speak of men and women, keep secrets, carry memories. Through some of these wonderful stories, these freshwater stories, we will travel together in the veins of our beloved Bologna, where the Rhine pulsates. The stories and emotions that overflow from the Rhine together with its waters. All the stories of men and women, of peoples and countries that the water of the Rhine carries from the source to the valley remain entangled in the Casalecchio Lock and here they rest a little before resuming the journey. Sometimes these stories are so strong and numerous and exciting that they can no longer resist and break the banks, such is their need to be told. A magical evening in which we will give voice and music and body to these wonderful stories, right in the place where the river gently lays them with love. Va dove va l'acqua Va dove va l'acqua Va dove va l'acqua by and with Andrea Lupo live music Guido Sodo aerial dance Camilla Ferrari and with Michela Lo Preiato produced by Teatro delle Temperie Single ticket € 10 Buy tickets

biglietteria Teatro BARACCANO THEATER TICKET OFFICE the ticket office of the Teatro del Baraccano is in via del Baraccano, 2 20/12 TOYS AND COAL 31/01 I HEAVEN - FRIDA KAHLO 01/02 WIEGALA 07/02 PICTURES - ALCHEMY DUO 08/02 THE OVERTURNED CIRCUS 29/02 FROM THE WINDOW OF LUCIO 06/03 MARGAM REDUCTIONS under 26, over 65, Theater members, Culture Card * under 26, over 65, Teatro members, Culture Card, Jaya members online at www.vivaticket.it or c / o Bologna Welcome (Piazza Maggiore 1 / e - tel. 051.231454) TICKET OFFICE HOURS from Mon to Fri from 10 to 13 and on show evenings

Pulcinella all'improvviso Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Musiche di OTTORINO RESPIGHI (Bologna, 1879 – Roma, 1936) brani tratti dalle suite ANTICHE ARIE E DANZE PER LIUTO arrangementi di Fabio Codeluppi, Giambattista Giocoli e Filippo Mazzoli Balletto detto "Il Conte Orlando" (1599) Gagliarda (155?) Villanella (fine sec. XVI) Passo mezzo e Mascherada (fine sec. XVI) Laura soave, Balletto con gagliarda, saltarello e canario (1581) Danza rustica (1617) Campanae parisienses - Aria (sec.XVII) Bergamasca (1650) Arie di corte (sec. XVI) ********** G. B. PERGOLESI (Jesi, 1710 – Pozzuoli, 1736) IGOR STRAVINSKIJ (Lomonosov, 1882 – New York 1971) brani tratti dal balletto PULCINELLA Arrangiamenti originali per ensemble di Lorenzo Meo Sinfonia Vivo Finale Arrangiamenti originali per ensemble di Lorenzo Meo ********** TESTI drammaturgia originale o ispirata a testi della tradizione partenopea a cura di MARCO SGROSSO BIGLIETTERIA 29 SETTEMBRE BIGLIETTERIA 3 OTTOBRE Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".