Classical Folk Programma Kurt Weill Fantasia da L'Opera da tre soldi Igor Stravinskij Suite da l'Histoire du soldat Béla Bart ók Danze rumene arrangiamenti Fabio Codeluppi Giambattista Giocoli Filippo Mazzoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Biglietteria intero 15€ ridotto 10€ abbonati Musica Insieme, Teatro del Baraccano, Teatro Duse e Teatro Comunale, Under 35, titolari Card Cultura, Card Bologna Welcome ridotto 5€ studenti Buy tickets July 9 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Bando Atelier Opera Voi Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". all'opera! all'opera! ATTENZIONE: SCADENZA PROROGRATA AL 25 AGOSTO! SCARICA LA SCHEDA DI ADESIONE

PAOLA PERRONE Graduated in Communication Sciences at the Faculty of Letters and Philosophy of the Faculty of Bologna with a thesis on “History of dance and mime” with Prof. Eugenia Casini Ropa. Since 2006 he has collaborated with the Perséphone Association, covering various roles (communication, press office, carrying out administrative procedures, ticketing service, photographic and web archives, website management, educational workshops…). Dancer for the southern Italian dance company "TarantArte" of Bologna (until 2010) and for the Indian bharatanatyam dance company "Dhuni" (2019-2020). Solo dancer for various musical groups of the southern Italian tradition (Paranza Ammiscata, Popular Consortium, Yule de sonos, etc). Teacher of southern Italian dances for children and adults, collaborates with various local realities (Ass. Danz'Aire, Museum of Music, Antoniano di Bologna, Carducci Schools, Porto 15, Reno Folk Festival) and national ones. Thanks to her interest in popular traditions, she organizes various events related to the music and dances of southern Italy (dance workshops, concerts) and is the creator of the Winter Sounds Festival, held in 2017 and 2018 in various places in Bologna (Centro Intercultural Zonarelli, Mercato Sonato, Teatro del Baraccano, Social Center of Peace) and Isolario: a journey through the sounds and dances of Sardinia and Sicily, in collaboration with the Kilombo Association of Cesena. From 2010 she began working as a photographer, creating some photographic projects and setting up exhibitions at the Cafè de la Paix (BO), the Soma Cultural Center (BO), the Teatro del Baraccano (BO) as part of Bologna Summer 2016, the review Cortes Apertas 2016 and 2017 in Dorgali (NU).

THE NIGHTINGONE 19 August, hours 21.30 THE DANCING FINDER concert with music by Giuseppe Verdi The transcript of the Troubadour according to the popular tradition of Emilian dancers, especially between the territories of Reggio Emilia and Parma, not only is it stylistically very successful, but - we dare to affirm - it even seems to reveal the authentic “genetic matrix” of the melodies of Verdi's masterpiece; after all, it is far from improbable that Verdi had sucked its essence from his childhood, as they say, with his mother's milk. The Nightingale revisits the musical tradition of the "wind concerts" of Barco (Reggio Emilia), reworking scores of late 19th century dance music. The septet, founded by Francesco Gualerzi and Mirco Ghirardini , is placed as an organ size halfway between the original wind concert (12-13 elements) and the smaller dance orchestra (and different for the type of tools used). The name of the group is taken from the title of the waltz - The nightingale, in fact - with which the nineteenth-century wind concert of the Cantoni di Parma invited people to dance with virtuosic "chirps". transcription for wind concert Fabio Codeluppi quartino Mirco Ghirardini quartino Andrea Medici trumpet Fabio Codeluppi bombardino Valentino Spaggiari genis Marco Catelli horn Dimer Maccaferri tuba Gianluigi Paganelli Ticket 12 € (full), 10 € (reduced) Buy tickets L'USIGNOLO

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Reading musicale dedicato a Patti Smith. Con Angela Baraldi canto e Angela Malfitano voce recitante Between One Act and the Other August 27, 9.30 pm FULL OF DESTINY - PATTI An energetic and engaging show made of readings and songs. Taken from the book that Patti Smith recently wrote, Just Kids, a little gem of writing and confession, which tells of her arrival in New York in the late sixties, where the atmosphere is effervescent. Here he meets Robert Mapplethorpe and with him he weaves a path of art and initiation. A rare and precious friendship. An explicit pact of mutual support, based on the sharing of dreams and art. musical reading dedicated to Patti Smith I sing Angela Baraldi narrator Angela Malfitano bass Antonio Michelangelo Del Gaudio guitar Pietro Zarrelli battery Matteo Fucci Roberto Passuti video set Ticket € 13 (full), € 10 (reduced) Buy tickets Piene di destino PattiSmith

La storia del Barbiere di Siviglia di Rossini per immagini e musica. ATTI SONORI e Orchestra Sinfonica Rossini di Pesaro, in co-produzione con NipPop Festival. SOUND ACTS e NipPop 12 and 13 February, matinee for schools THE CARTOON BARBER "The Barber of Seville" told through music, images, animations and text The comic barber was born from a musical idea: the suite of Vincenzo Gambaro on the music of the Opera by Rossini , arranged for wind orchestra. To this musical version Giambattista Giocoli he decided to complement the intricate story of Rosina , through the unpublished drawings of the Japanese mangaka Tsukishiro Yūko . Two apparently distant languages, united however by the story and the expressiveness. The lyric plunges into the contemporaneity of Japanese comics, the immediacy of visual art intertwines with the sound, returning a new and original version of the work that knows how to speak even to a young and contemporary audience. ideation and direction Giambattista Giocoli Baraccano Orchestra of Bologna manga drawings Tsukishiro Yūko musical arrangements Fabio Codeluppi And Giambattista Giocoli digital coloring Michele Cerone editing Giambattista Giocoli organizational management Nella Belfiore production assistance Paola Scrolavezza and Haruka Arakawa technical set-up Antonio Di Virgilio and Andrea Biasco photographic and web documentation Paola Perrone Locandina Barbiere a fumetti copy

D.R.OP. 17 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 18 July DROP. Dance Research Opportunity DROP . is the youth company of DNA and heart of Alma PRO, a professional training center in contemporary dance, in Bologna, led by the artistic director Elisa Pagani . DROP. annually welcomes talented dancers and dancers - trained at the most important and prestigious national and international centers - to give them the opportunity to undertake life as professionals in a company, experiencing all the phases that lead from the creation of a show to the national tour and international. Each year, the dancers work with renowned guest choreographers to create a bold, challenging and ambitious triple bill for touring. The mission, in addition to delivering to young artists an experience that acts as a springboard into the world of the artistic profession, is also to bring on tour works of great artistic quality, captivating and current. The show is ideal and usable for all audiences, due to the high quality standard of the choreographers but also for the variety of the program chosen. Part 1 Part 2 Choreography by Biagio Caravano Music: Vatnajokull by Chris Watson, Duo for Violin and Cello, Pt 1 feat Aisha Orazbayeva Lucy Railton, and Slow Match by Moderat feat. Paul St. Hilaire Duration: 20 ' Depositing the will and undoing the concept of subject are elements that are placed at the center of the work. The rhythmic and dynamic quality of the action is defined through the relationship both with other bodies and with the external environment. It is an action linked to time, rhythm and joint fragility determined by the failure to the other rather than to himself. Dance becomes an act of learning and real-time evaluation of an energetic condition that allows the creation of a shared space, a complex and articulated place where the conditions for coexistence are established. These are the days… Choreography by Simona Bertozzi Music: Prometheus by Francesco Giomi Duration: 24 ' Starting from a look towards the plant world, with particular attention to the sensory activity of plants and to the strategies of environmental adherence that they know how to implement, between magnetisms, resonances, roots and energetic propulsions, the creation process faces different levels of cohabitation and entry into the relationship. The research on movement and the texture of the choreographic sections articulate the configuration of emerging behaviors, individual actions and rapid choral assemblages, whose anatomical polyphony becomes a necessary reason for the unlimited presence and reopening of listening. Materic Choreography by Elisa Pagani Music: Cecilia Stacchiotti Duration: 20 ' It tells of a journey. A journey into the material consistency of nature, through mechanical and physical dynamics that give order to geological evolutions, from Pangea to the first constitution of social systems in which a sense of belonging exists. Matter takes possession of space with vigor, in an organic act that claims the strength of its existence in a clear and miraculous way. Drop Drop Drop Drop Drop Drop DROP. - Dance Research Opportunity Artistic direction Elisa Pagani Test director Chiara Merolla Organizational manager Massimo Monticelli Performers Arianna Brugiolo Sonia Campanella Valentina Foschi Beatrice Gatti Ilaria Ignesti Gaia Martinelli Single ticket € 10 Buy tickets

October 20, 18.30 GINGA The concert sees singer Ginga presenting her Ep produced by Happy Of the Joy for the Irma Rec. His voice and timbre range from sonority purely jazz in gospel and soul colors, in a repertoire that ranges between classic standards and new and current pop songs revisited. A complete artist who has already had the opportunity to be heard in her collaborations with Zucchero, M. Biondi, C. Porter ... Ginga will be together with Happy Of the Joy on the double bass and Alessandro Altarocca on the piano. Ginga (real name Claudia Scapolo) was born in Luanda on October 15, 1986. He approaches his first musical experiences as a pianist, winning twice in a row, at the young age of 12 and 13, a coveted prize in the “ Young notes for little musicians ” competition in Piazzola sul Brenta. She began her vocal training under the guidance of maestro Gianluca Caporello, a tenor who introduced her to the classical vocal technique. He then comes to jazz singing, attending various workshops with Kate Parker, American singer and jazz musician. As she continues her vocal training, Ginga discovers her love for the gospel genre: since 2010 backing vocalist and soloist of the " Summertime " gospel choir of Padua, she is now a backing member of the prestigious " Halleluja Gospel Singers " choir, a project of the famous vocal coach and singer. American, queen of gospel in Italy, Cheryl Porter , who leads her to tread the most prestigious stages of Italian theaters. Ginga was selected among the finalists, with 5 other performers among more than 14,000 members, of the international competition Tour Music Fest 2014, presided over by judge Mogol, performing at the Piper in Rome, the historic temple of Italian and international music. He participated as a backing vocalist in the Christmas album released in November 2014 by Mario Biondi "A very special Mario Christmas". Recently she performed as a soloist in her project "Ginga in Jazz" for the inauguration of the 73rd Venice Film Festival 2016 at the prestigious location of the Hotel Danieli in Venice. In September 2016 he participated as Zucchero's chorister with the Halleluja Gospel Singer & Cheryl Porter and in the Rai 1 television program "Partigiano Reggiano" and both at the concert that Zucchero held at the Arena di Verona on 25 September 2016 Ginga voice double bass Felice Del Gaudio piano Alessandro Altarocca Full ticket € 12, reduced € 10 Buy tickets Ginga