Kafka100 September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome KAFKA: LETTERS TO MILENA Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Scopri di più LA PRAGA DI KAFKA tra immaginario, perturbazioni, realtà in viaggio con Vincenza Maugeri 10-13 settembre Scopri di più KAFKA, Lettere a Milena concerto teatrale 1 settembre | Teatro del Baraccano - Bologna rassegna ATTI SONORI, estate 2024 ore 19.30 intervista impossibile a F. Kafka con E. Marrese e A. Santonastaso ore 21 spettacolo 15 novembre | Teatro del Baraccano - Bologna 16 novembre | Sala Sangiorgi - Forlì 17 novembre | Sementerie Artistiche - Crevalcore (BO) Scopri di più

Orsoleo Spring Festival 2025 THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". 25 aprile ore 21 | Chiesa RADIO RITMO VOCI E SUONI DALL'ETERE radiodramma musicale Repliche 25 e 26 aprile, ore 21 28 aprile, ore 11 Il 30 ottobre 1938 la trasmissione radiofonica di Orson Welles scatenò il panico, facendo credere che un conflitto interplanetario era iniziato attraverso un’invasione aliena nel New Jersey. Liberamente ispirato a La Guerra dei mondi di H. G. Wells e all’esperienza di O. Welles, RADIO RITMO vuole ricordare l’impressionante potenza comunicativa della radio, all’epoca prima donna nel panorama delle comunicazioni e, parallelamente, stimolare una riflessione sull’imponente effetto dei media e sulla loro attendibilità. Due attori riproducono la trasmissione radiofonica ed un’orchestra suona le musiche della band ospitata nella trasmissione. regia Massimo Sceusa voci recitanti Sandra Cavallini e Mirko Rizzotto ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu violoncello Alessandro Culiani flauto Margherita Russo clarinetto Davide Braco pianoforte Honglin Zong

Scheda L'Angelo della Memoria un progetto ATTI SONORI/Teatro del Baraccano RAD Respighi Ancient Dances spettacolo di teatro musicale sulla memoria della Shoah DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. Musica QUATUOR POUR LA FIN DU TEMPS di Olivier Messiaen elaborazioni elettroniche originali di Valentino Corvino e Andrea Agostini Memorie e testimonianze di sopravvissuti e vittime del nazi- fascismo scelti e interpretati da Mirko Rizzotto ORCHESTRA DEL BARACCANO Davide Braco clarinetto Fabrizio Zoffoli violino Alessandra Cafaliello violoncello Denis Zardi pianoforte direttore Giambattista Giocoli attore e drammaturgia Mirko Rizzotto regia, luci e voce fuoricampo Massimo Sceusa ORCHESTRA DEL BARACCANO L'Orchestra del Baraccano nasce all'interno delle attività del Teatro del Baraccano di Bologna, dove viene realizzato un progetto di produzione e ricerca sul teatro musicale da camera. È stata fondata nel 2013 ed è diretta dal suo direttore artistico Giambattista Giocoli. L’Orchestra ha prodotto numerosi spettacoli di teatro musicale sia autonomamente sia in coproduzione e collaborazione con altri soggetti. L’obiettivo dell'Orchestra è suonare, con formazioni per orchestra da camera, opere musicali originariamente composte per grandi orchestre, producendo nuove partiture suonate "a parti reali”. Tra le produzioni ricordiamo: lo spettacolo L’histoire du Soldat di Igor Stravinskij; 4th Gustav Mahler , la Quarta sinfonia di Mahler, arrangiata per orchestra da camera; il progetto All’Opera! , sinfonie, intermezzi e ouverture dell’Opera lirica italiana ed i musical A Little Night Music e Sweeney Todd di Stephen Sondheim. Nel 2017 ha realizzato Popular songs , con solista Cristina Zavalloni; un nuovo L’histoire du soldat con la voce recitante di Ivano Marescotti ed Il Barbiere a Fumetti , "Il Barbiere di Siviglia" per musica, animazioni e fumetti Manga, disegnati da Tsukishiro Yuko, in coproduzione internazionale con il Giappone. Nel 2019, in occasione del 100 anni della nascita del Bauhaus, ha prodotto il concerto IMMUTEA 1919 , in collaborazione con Bologna Design Week. Nel 2021 sarà il centro degli appuntamenti di Respighi project , un progetto sul musicista e compositore bolognese Ottorino Respighi e di Progetto Kafka . Nel 2022 è stata il fulcro del progetto PON VoltONE su AIDA , una riduzione dell’Opera di G. Verdi per ensemble e voce recitante. Nel 2022, con il programma RESPIGHI suite , è stata in tournée in Repubblica Ceca e Polonia, nel 2023 in Ungheria e nel 2024 in Croazia. GIAMBATTISTA GIOCOLI Inizialmente Clarinettista, di origini lucane, studia clarinetto nella sua città natale diplomandosi poi al Conservatorio di Bologna. Come strumentista studia con Perrone, Quarenghi, Tirincanti, Pay e Carbonare, iniziando subito una intensa attività concertistica in Italia e all’estero. Effettua registrazioni per Radio italiane ed estere, incidendo diversi cd di musica classica e contemporanea. Per 10 anni collabora con le stagioni liriche e sinfoniche dell’Orchestra del Teatro Comunale di Bologna con la quale effettua molteplici tournée in Italia e all’estero. Ha collaborato con gli ensemble di Musica Contemporanea FontanaMIX di Bologna e con l’ensemble Sentieri Selvaggi di Milano, con una attività concertistica in Europa e Asia. Nel 2013 debutta come direttore d'orchestra nella produzione di Musical americani e nello stesso anno fonda l'Orchestra del Baraccano, con la quale produce progetti di Teatro Musicale da camera e progetti sinfonici che porta tutt’ora in tournée. Dal 2015 collabora come direttore ospite con l'Orchestra della Fondazione Toscanini di Parma e dal 2017 con l’Orchestra Sinfonica Rossini di Pesaro. Nel 2018 inizia a collaborare anche con la Fondazione Orchestra Lucana e i Virtuosi dell’Opera Italiana. Nel 2022, con la sua Orchestra è stato in tournée in Polonia e Repubblica Ceca, nel 2023 in Ungheria. E’ direttore artistico del Teatro del Baraccano di Bologna e del progetto di ricerca e produzione di Teatro Musicale ATTI SONORI di Bologna. MIRKO RIZZOTTO Si diploma alla Scuola di teatro Galante Garrone, segue corsi di dizione e fonetica, recitazione, tecnica del palcoscenico, mimo, acrobatica, improvvisazione, tecnica vocale, canto. Nel 2002 è vincitore del premio nazionale Wanda Capodoglio come miglior attore e del premio internazionale Salvo Randone città di Siracusa, mentre nel 2005 vince il premio Hystrio alla vocazione. Nel 1999 fonda l’associazione culturale ChiE’diSCENA. Ha insegnato movimento espressivo, improvvisazione e acrobatica alla scuola di teatro Galante Garrone di Bologna. Esperienze teatrali: Il Vangelo secondo Matteo di P.P Pasolini- regia Nanni Garella, Otello. Il moro di Venezia- regia R.Guicciardini, Odissea- regia L. Ronconi, Enrico IV e Promoteo incatenato- regia R. Guicciardini, Lighea e Delirio a due- regia M. Sceusa, Il Parlamento di A. Beolco- regia Vittorio Francesi, Despegdad la cabeza del suelo, cabrones!- regia Rodrigo Garcia, coreografie Elene Cordçba, Cinque Cabaret e L’angelo della memoria - regia Massimo Sceusa, Dinner Party- regia Nanni Garella, I sognatori- regia Elena Galeotti e Sandrà Enel, Histoire du soldat- regia M. Sceusa, Tourbillon- regia M. Sceusa, Pinocchio- regia F. Gervasi, Il maestro e Margherita, Praga Magica- regia M. Sceusa, Miseria e nobiltà- regia Nani Garella, Di topi e Uomini di Stainbeck, Il Miracolo della fratellanza- regia F. Gervasio, La Ciambella- regia M. Sceusa, Sogno di una notte di mezza estate- regia Nanni Garella, Il Maestro e Margherita da Bulgakov- regia Virginia Viviano, Bariona figlio del tuono e Non si sa come - regia R. Giucciardini, Macbeth- regia Gabriele Lavia. Esperienza cinematografiche: Frammenti di Valentia Zincati produzione Giostra Film Bologna- Vincitore premio DAMS, Wash & dry di Tommaso Volpi, Good bye mr Zeus per la regia di Carlo Sarti, La freccia del tempo con la regia di Carlo Sarti.

Scheda Il Barbiere a Fumetti, manga, Rossini, Orchesta del Baraccano RADIO RITMO on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC Sinfonia Piano pianissimo Ecco ridente in cielo Oh sorte! Signor Conte Mille grazie, mio signore Largo al factotum Se il mio nome saper voi bramate All’idea di quel metallo Numero quindici Una voce poco fa La calunnia Dunque io son Ehi di casa! Cosa accadde Mi par d’essere Contro un cor Don Basilio, cosa veggo Benissimo Bricconi birbanti Il vecchiotto cerca moglie Il Temporale Qual colpo inaspettato Zitti, zitti Di sì felice innesto ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

all'opera! Form Clip 1 Gallery

Radio Ritmo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRA SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSKY Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE Aperitivi a cura di Oui in cucina www.ouiincucina.com BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Acquista biglietti ATTI SONORI fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena. Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

concerto su musiche di Manuel De Falla, Luciano Berio e Maurice Ravel, con al centro la "canzone popolare” SOUND ACTS 8 August, 9.30 pm POPULAR SONGS music by Luciano Berio, Maurice Ravel and Manuel De Falla Concert with music by Berio, Ravel and De Falla, with "popular song" in the center. The Siete canciones populares españolas by Manuel De Falla and the Folk songs by Luciano Berio, interpreted by the voice of Patrizia Biccirè , show us how tradition can be crossed by the eccentric gaze of authors of Western "cultured" music. Another protagonist of the program will be the harp , already present in the pieces by De Falla and Berio, which will become a soloist in the famous Settimino by Maurice Ravel . Here, played by José Antonio Domené , it will express itself to its fullest potential, through variations and developments of popular themes, in an effective whirlwind of sound beams with a popular flavor. ORCHESTRA DEL BARACCANO director Giambattista Giocoli voice Patrizia Biccirè ( patrizia-biccire.com ) solo harp José Antonio Domené ( joseantoniodomene.com ) Roberto Noferini and Alessandro Di Marco violins Enrico Celestino purple | Luca Bacelli cello Elena Giri flute | Daniele Titti clarinet Paolo Rosetti bassoon Gabriele Genta And Nicolò Tomasello percussion Giambattista Giocoli José Antonio Domené Patrizia Biccirè Ticket 12 € (full) 10 € (reduced) Buy tickets PROGRAM YOU ARE CANCIONES POPULARES ESPANOLAS music by Manuel de Falla (1876-1946) original orchestration and arrangements for mezzo-soprano and seven performers INTRODUCTION AND CHEERFUL music by Maurice Ravel (1876-1946) for harp, flute, clarinet and string quartet The introduction and cheerful is a WEEK dedicated to Albert Blondel and was written on commission from the lutherie Erard, manufacturer of the double movement pedal mechanism. FOLK SONGS music by Luciano Berio (1925- 2003) for mezzo soprano and seven performers THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni e a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Initially a clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna . As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Orchestra of the Teatro Comunale di Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as guest conductor with the Orchestra of the Toscanini Foundation of Parma, and from 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera . AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna.

Concerto per il giorno della Memoria Teatro del Baraccano 23/01/22 ore 18 Scopri di più M.I.A. Musica insieme in Ateneo Auditorium DAMSLab 23/02/2022 ore 20.30 Scopri di più 23.01 ore 18 Concerto per il Giorno della Memoria Scopri di più 23.02 ore 20.30 M.I.A. Musica Insieme in Ateneo Scopri di più

The Barber in Comics Form ITA Form EN SKECTHES Interview Gallery 1 Video Catalog e CD

Atelier Quadri d'Opera Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". THE CARTOON BARBER The Barber of Seville for Manga music and drawings