BURATTINGEGNO November 24, 9.30 am STRAY' (HARD-SIDED) A show on the value of four-legged friendship . "Sure, but who tells you that he likes to have someone pull his tail, that he forgets to take him to the garden or he forgets the his dinner? The other day your mother told you to take Birillo out and you replied that you didn't have time because you had to finish watching cartoons ... " "But it was true!" “Very well, then let's start right from the day when Giovanna wants to go out in the garden and her owner Dalmata has no intention of moving from her kennel where she is cheerfully nibbling a bone. If you want to find out how this story ends, you have to go ahead " RandaGiò - a muzzle for a heart ”is a show that speaks to the sensitivity of children, explaining how cruel a man can be who decides to mistreat or abandon a four-legged friend on the street. What does a dog think when it loses its owner? And what does a human cub feel when the situation is reversed and he finds himself alone in a world of selfish and enemy dogs? A relationship is built by weaving threads of patience marked by the passage of time, mistreating a four-legged friend until you get to abandon it means finding yourself alone struggling with your own selfishness. But Giò's grandparents know all this well and, in telling their story, they will accompany it to make the value of respect for all our four-legged friends shine again. Written and directed by Stefano Antonini with Anna Pancaldi and Marco Soccol

GIAMBATTISTA GIOCOLI artistic director and director of the Baraccano Orchestra Initially a clarinetist, born in 1976 in Matera, he studied clarinet in his hometown and then graduated from the Bologna Conservatory. As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. He makes recordings for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Orchestra of the Teatro Comunale di Bologna with which he made many tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music ensemble of Bologna and with the Sentieri Selvaggi ensemble of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra, with which he produced chamber musical theater projects and symphonic projects which he still carries on tour. Since 2015 he has been collaborating as guest conductor with the Orchestra of the Toscanini Foundation of Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began to collaborate with the Lucana Orchestra Foundation and the Virtuosi dell'Opera Italiana. In 2021, with his orchestra, he will be on tour in the Czech Republic. He is artistic director of the Baraccano Theater of Bologna and of the musical theater research and production project ATTI SONORI in Bologna. Contact details: e-mail: giambattistagiocoli@gmail.com

Aida, Orchestra del Baraccano, concerto, tournée, Basilicata Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone 1/6 INGRESSO GRATUITO Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Scheda Kafka, Lettere a Milena un progetto ATTI SONORI/Teatro del Baraccano Museo Ebraico di Bologna Centro Ceco di Roma Associazione Culturale Italo Ceca Lucerna RAD Respighi Ancient Dances concerto teatrale DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. Kafka Lettere a Milena CONCERTO TEATRALE Franz Kafka (Praga 1883- Kierling 1924) adattamento drammaturgico Manuela De Meo Manuela De Meo e Pietro Traldi voci recitanti dipinti scenografici originali Andrea Louis Ballardini Orchestra del Baraccano direttore Giambattista Giocoli Filippo Mazzoli flauto | Alessio Gentilini oboe Giovanni Picciati clarinetto | Davide Braco clarinetto basso Gianni Dallaturca tromba | Paolo Faggi corno Marco Taraddei fagotto Musiche di Paul Hindemith Settimino Leoš Janáček Mládí ORCHESTRA DEL BARACCANO L'Orchestra del Baraccano nasce all'interno delle attività del Teatro del Baraccano di Bologna, dove viene realizzato un progetto di produzione e ricerca sul teatro musicale da camera. È stata fondata nel 2013 ed è diretta dal suo direttore artistico Giambattista Giocoli. L’Orchestra ha prodotto numerosi spettacoli di teatro musicale sia autonomamente sia in coproduzione e collaborazione con altri soggetti. L’obiettivo dell'Orchestra è suonare, con formazioni per orchestra da camera, opere musicali originariamente composte per grandi orchestre, producendo nuove partiture suonate "a parti reali”. Tra le produzioni ricordiamo: lo spettacolo L’histoire du Soldat di Igor Stravinskij; 4th Gustav Mahler , la Quarta sinfonia di Mahler, arrangiata per orchestra da camera; il progetto All’Opera! , sinfonie, intermezzi e ouverture dell’Opera lirica italiana ed i musical A Little Night Music e Sweeney Todd di Stephen Sondheim. Nel 2017 ha realizzato Popular songs , con solista Cristina Zavalloni; un nuovo L’histoire du soldat con la voce recitante di Ivano Marescotti ed Il Barbiere a Fumetti , "Il Barbiere di Siviglia" per musica, animazioni e fumetti Manga, disegnati da Tsukishiro Yuko, in coproduzione internazionale con il Giappone. Nel 2019, in occasione del 100 anni della nascita del Bauhaus, ha prodotto il concerto IMMUTEA 1919 , in collaborazione con Bologna Design Week. Nel 2021 sarà il centro degli appuntamenti di Respighi project , un progetto sul musicista e compositore bolognese Ottorino Respighi e di Progetto Kafka . Nel 2022 è stata il fulcro del progetto PON VoltONE su AIDA , una riduzione dell’Opera di G. Verdi per ensemble e voce recitante. Nel 2022, con il programma RESPIGHI suite , è stata in tournée in Repubblica Ceca e Polonia, nel 2023 in Ungheria e nel 2024 in Croazia. GIAMBATTISTA GIOCOLI Inizialmente Clarinettista, nato nel 1976 a Matera, studia clarinetto nella sua città natale diplomandosi poi al Conservatorio di Bologna. Come strumentista studia con Perrone, Quarenghi, Tirincanti, Pay e Carbonare, iniziando subito una intensa attività concertistica in Italia e all’estero. Effettua registrazioni per Radio italiane ed estere, incidendo diversi cd di musica classica e contemporanea. Per 10 anni collabora con le stagioni liriche e sinfoniche dell’Orchestra del Teatro Comunale di Bologna con la quale effettua molteplici tournée in Italia e all’estero. Ha collaborato con gli ensemble di Musica Contemporanea FontanaMIX di Bologna e con l’ensemble Sentieri Selvaggi di Milano, con una attività concertistica in Europa e Asia. Nel 2013 debutta come direttore d'orchestra nella produzione di Musical americani e nello stesso anno fonda l'Orchestra del Baraccano, con la quale produce progetti di Teatro Musicale da camera e progetti sinfonici che porta tutt’ora in tournée. Dal 2015 collabora come direttore ospite con l'Orchestra della Fondazione Toscanini di Parma e dal 2017 con l’Orchestra Sinfonica Rossini di Pesaro. Nel 2018 inizia a collaborare anche con la Fondazione Orchestra Lucana e i Virtuosi dell’Opera Italiana. Nel 2022, con la sua Orchestra è stato in tournée in Polonia e Repubblica Ceca, nel 2023 in Ungheria. E’ direttore artistico del Teatro del Baraccano di Bologna e del progetto di ricerca e produzione di Teatro Musicale ATTI SONORI di Bologna. ANDREA LOUIS BALLARDINI Andrea Louis Ballardini (1960), è nato a Praga dove suo padre insegnava pittura e tecnica del mosaico all’Accademia delle Belle Arti. Dopo gli studi d’arte nel 1982 si è trasferito a Bologna e iniziato la sua carriera di restauratore e pittore. Dal 1984 ha esposto i suoi dipinti in mostre collettive e personali in Italia ma anche in Francia, Malta e in Repubblica Ceca. Ha illustrato raccolte di poesia italiana contemporanea e madrigali di Carlo Gesualdo da Venosa. Ha redatto e una serie di vite d’artisti per un progetto editoriale pubblicato in Svizzera. Le sue intense relazioni con gli ambiti culturali praghesi lo hanno portato a fondare a Bologna un’associazione che promuove scambi culturali italo -cechi. Nel 2014 è stato eletto, unico italiano, membro della storica Associazione degli artisti cechi Manes per la quale ha scritto testi e saggi introduttivi per cataloghi e importanti mostre a carattere storico al Castello di Praga. Di recente ha eseguito le tempere per le scenografie del progetto teatrale musicale Franz Kafka - Lettere a Milena andato in scena a Bologna al Teatro del Baraccano nel settembre 2020. per cataloghi e importanti mostre a carattere storico al Castello di Praga. Di recente ha eseguito le tempere per le scenografie del progetto teatrale musicale Kafka - Lettere a Milena andato in scena a Bologna al Teatro del Baraccano nel settembre 2020. MANUELA DE MEO - PIETRO TRALDI Sono entrambi diplomati come attori alla Civica Scuola d'Arte Drammatica Paolo Grassi di Milano. Sono fondatori e direttori artistici del progetto Sementerie Artistiche, compagnia teatrale e centro culturale che sorge all’interno di un’azienda agricola nella pianura bolognese. Il progetto è attivo dal 2016 e ha visto l’organizzazione di rassegne, residenze artistiche e percorsi di formazione. Traldi e De Meo hanno collaborato a lungo con il Banfield Teatro Ensamble di Buenos Aires come attori e insegnanti. Sono anche attori negli spettacoli della compagnia e in progetti esterni con altri artisti. Tra il 2008 e il 2011 lavorano come attori indipendenti. Manuela De Meo inizia la sua carriera in teatro lavorando con Alessandro Genovesi, Massimo Castri, Marco Plini, Federico Grazzini. Pietro Traldi inizia a la vorare in teatro con Maurizio Schimdt e Federico Grazzini ed è attivo anche per cinema e tv apparendo tra i protagonisti della fiction I delitti del cuoco. Nel 2020 interpreta Marino Mazzacurati in Volevo nascondermi di Giorgio Diritti. Nel 2011 i due attori uniscono di nuovo il loro percorso artistico partecipando alla produzione di Karamazov con la regia di Cèsar Brie per ERT Emilia-Romagna Teatro. Da allora continueranno a lavorare con Brie tra l'Italia e l'Argentina recitando sia in italiano che in spagnolo, fino alla fondazione della compagnia Sementerie Artistiche e all'apertura dell'omonimo centro culturale. Dal 2016 dirigono Sementerie Artistiche scrivendo, producendo e distribuendo spettacoli, organizzando rassegne teatrali, corsi di formazione, workshop e progetti sociali. Tra il 2016 e il 2019 hanno presentato i loro spettacoli anche in Argentina (Banfield Teatro Ensamble, Teatro Picadero, Teatro Metodo Kairòs, Festival Internacional de Teatro de La Plata) e tenuto seminari di approfondimento attoriale alle Sementerie Artistiche in Italia e presso il Banfield Teatro Ensamble di Buenos Aires grazie al sostegno dell'Istituto di Cultura Italiana di Buenos Aires e del bando Movin'Up.

11 and 12 April Forum DISSENT IN / WITH (CON) SCIENCE More info : https://site.unibo.it/wetell/en

Vieni notte, a bere luce Concerto per il Giorno della Memoria Teatro del Baraccano 23/01/22 ore 18 Scopri di più Myslivecek il divino boemo Orchestra del Baraccano Teatro del Baraccano 25/06/2022 ore 21 Scopri di più Respighi suite in tournée Varsavia e Praga 10 e 11 agosto Scopri di più SmartOpera Il Barbiere a fumetti Orchestra del Baraccano Cortile del Teatro del Baraccano 21/08/22 ore 21 Scopri di più Myslivecek il divino boemo Orchestra del Baraccano Roma 16/10/22 ore 21 Scopri di più AIDA, la musica danza nella sabbia in tournée Basilicata dal 27 al 30/12/22 Scopri di più Myslivecek il divino boemo M.I.A. Musica insieme in Ateneo Auditorium DAMSLab 23/02/2022 ore 20.30 Scopri di più SmartOpera Il Barbiere a fumetti in tournée Basilicata dal 9 al 15 luglio Scopri di più Respighi suite Orchestra del Baraccano Certosa di Bologna 15/08/22 ore 21 Scopri di più Respighi suite Orchestra del Baraccano Cortile del Teatro del Baraccano 24/08/22 ore 21 Scopri di più SmartOpera AIDA Orchestra del Baraccano Teatro del Baraccano 25-26/11/22 Scopri di più SmartOpera Il Barbiere a fumetti Orchestra del Baraccano Teatro del Baraccano 27/05/2022 ore 21 Scopri di più SmartOpera Il Barbiere a fumetti Orchestra del Baraccano Forlì 22 luglio - RINVIATO Scopri di più Myslivecek il divino boemo Orchestra del Baraccano Cortile del Teatro del Baraccano 19/08/22 ore 21 Scopri di più Smart Opera Aida selezione dall'Opera in concerto Cortile del Teatro del Baraccano 30-31/08/22 ore 21 Scopri di più Musica per Sassolino Orchestra del Baraccano Teatro del Baraccano 10/12/22 Scopri di più

Trittico Botticelliano 8 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 9 August BOTTICELLIANO TRIPTYCH narration through images and music: Respighi and Botticelli A show that brings to the stage the music composed by Ottorino Respighi and the three paintings by Sandro Botticelli that were the inspiration (the Spring , the Birth of Venus , the Adoration of the Magi ), told and interpreted by a professional of historical and artistic dissemination . The spirit of the paintings will be revealed to us, translated into music and words, through an exciting sound dance that evokes images and rhythms linked to the natural world, sometimes idyllic, rural or wooded, elsewhere open to more contemplative views, or even "moved" and swaying like the sea in the Birth of Venus . A thrilling crescendo full of suggestions that involve all the senses: sight, hearing, mind, but above all the soul. Max Martelli Trittico botticelliano Max Martelli art historian sound interventions by Alice Caradente and Alessandra Ziveri , harps Single ticket € 10 Buy tickets

Gallery fotografica del teatro del baraccano e del cortile del teatro del baraccano

Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone BIGLIETTERIA matinée ore 11 biglietto unico 5€ (acquistabile solo in loco) Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Elisir d'amore 2025 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA biglietto unico 5€ Acquista biglietti TUTTE LE DATE DE "L'ELISIR D'AMORE" 9 febbraio , ore 20 | Circolo Lirico Bolognese - Bologna 14 febbraio , ore 20 | Chiesa del Sacro Cuore di Gesù - Castel Guelfo (BO) 16 febbraio , ore 20.30 | Teatro Comunale - Castello d'Argile (BO) 21 febbraio , ore 20 | Teatro del Baraccano - Bologna 22 febbraio , ore 20.30 | Teatro Comunale - San Giovanni in Persiceto (BO) THE CARTOON BARBER The Barber of Seville for Manga music and drawings

ANDREA BIASCO video and lighting technician I was born in Casarano (LE) on April 6, 1991, and I lived there until the age of 19. After graduating from the Casarano linguistic high school with excellent marks, in 2010 I moved to Bologna to attend the faculty of Foreign Languages and Literatures. Here, thanks to a training internship at the end of the course, I came into contact with the Persephone Cultural Association, with which I first carried out the translation of technical data sheets and room programs, and later on the technical and organizational tasks. In 2015, at the end of the aforementioned internship, I began to actively collaborate with this association covering, in particular, the role of lighting technician. or therefore had the opportunity to work on all the activities that involved the Teatro del Baraccano and its staff. From musical theater to prose, passing through the technical collaboration with the contemporary dance festival "Gender Bender" which takes place every year in Bologna. In 2019 I attended a higher education course, organized by the Emilia Romagna region, on eco-sustainable audio-visual production: '' Green Movies Project Manager: promoting eco-sustainable audio-visual production ''; at the end of which I undertook a training internship at Ravenna Teatro, in Ravenna, in which I worked on the production and distribution of the film '' The Sky over Kibera '' by director Marco Martinelli. Thanks to my experience gained over the years in this sector, I have developed excellent communication skills, understanding and diplomacy. To which are added flexibility and adaptability to new work contexts. Working in the entertainment world allowed me, therefore, to learn how to manage the time at my disposal, meet deadlines, work in a team and under pressure.

concerto su musiche di Manuel De Falla, Luciano Berio e Maurice Ravel, con al centro la "canzone popolare” New production SOUND ACTS in collaboration with Bologna Harp Festival February 2, 9 pm at the Duse Theater POPULAR SONGS concert with music by Manuel De Falla, Luciano Berio and Maurice Ravel, with the "popular song" in the center The Siete canciones populares españolas by Manuel De Falla and the Folk songs by Luciano Berio, interpreted by the voice of Cristina Zavalloni , show us how tradition can be crossed by the eccentric gaze of authors of Western "cultured" music. Another protagonist of the program will be the harp , already present in the pieces by De Falla and Berio, which will become a soloist in the famous Settimino by Maurice Ravel . Here, played by Davide Burani , it will express itself to its full potential, through variations and developments of popular themes, in an effective whirlwind of sound beams with a popular flavor. ORCHESTRA DEL BARACCANO director Giambattista Giocoli mezzo soprano Cristina Zavalloni solo harp Davide Burani Roberto Noferini And Matteo Anderlini violins Olga Arzilli purple | Enrico Ferri cello Alessia Dall'Asta flute | Giovanni Picciati clarinet Gabriele Genta And Nicolò Tomasello percussion IMG_4556 Popular Songs Popular Songs Popular Songs Popular Songs Popular Songs Ticket € 27 (full) 20 € (reduced) Buy tickets PROGRAM YOU ARE CANCIONES POPULARES ESPANOLAS music by Manuel de Falla (1876-1946) original orchestration and arrangements for mezzo-soprano and seven performers INTRODUCTION AND CHEERFUL music by Maurice Ravel (1876-1946) for harp, flute, clarinet and string quartet The introduction and cheerful is a WEEK dedicated to Albert Blondel and was written on commission from the lutherie Erard, manufacturer of the double movement pedal mechanism. FOLK SONGS music by Luciano Berio (1925- 2003) for mezzo soprano and seven performers THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni e a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. CRISTINA ZAVALLONI Cristina Zavalloni was born in Bologna. Trained in jazz, at the age of eighteen he began studying bel canto and composition at the Conservatory of his city. For many years he also devoted himself to the practice of classical and contemporary dance. He performs in the most important theaters, in international concert seasons and jazz festivals , including the Montreux Jazz Festival, North Sea Jazz Festival, Antwerp Free Music Jazz Festival, Moers Music, Bimhuis, London Jazz Festival, Klara Festival, International Jazz Festival of Rotterdam, Amsterdam Concertgebouw, Bruges Concertgebouw, Lincoln Center and Carnegie Hall, Walt Disney Hall, Milan Scala Theater , Barbican Center, Beijing Concert Hall, Moscow International House, etc. She has performed with orchestras such as the London Sinfonietta, BBC Symphony Orchestra , Schoenberg Ensemble, Sentieri Selvaggi, Musik Fabrik, Orkest De Volharding, Orchestra della Rai Torino, Los Angeles Philharmonic , ORT, Orchestra Toscanini , Irish Chamber Orchestra, and was conducted by Martyn Brabbins, Stefan Asbury, Reinbert De Leeuw, Ivan Fischer, Oliver Knussen, David Robertson, Jurjen Hempel, Georges-Elie Octor, Andrea Molino, Marco Angius, among others. She collaborates with the Dutch composer Louis Andriessen , who has written for her some of her most recent works including A tram ride to America and back, The Passion, Inanna, Letter from Cathy, Tale from Hell , Dante's part The Comedy , the Anais Nin monodrama and the part of Sor Juana Ines de la Cruz in the opera Theater of the World . He is the interpreter of first performances of Carlo Boccadoro, Luca Mosca, Emanuele Casale, Michael Nyman, Mauro Montalbetti and some compositions by James McMillan (the USA premiere of Raising Sparks, Carnegie Hall, 2011). He attends the Baroque repertoire ( Coronazione di Poppea, Combattimento di Tancredi and Clorinda ), collaborating with directors and choreographers such as Mario Martone and Alain Platel (VSPRS and Pitié!, To music by Fabrizio Cassol) or with Brass Bang! (Paolo Fresu, Gianluca Petrella, Marcus Rojas, Steven Bernstein). His most recent jazz collaborations include voice and piano duos with Jason Moran, Stefano Bollani , Benoit Delbecq, Alfonso Santimone, collaborations with Radar Band, Uri Caine and his Special Dish quartet. He made for Italian television ( RaiTre ) the Musical Ephemerides - a series of pills aired in the 2013/2014 season, in which he talked about some of his own musical projects. He has recorded over 20 CDs. cristinazavalloni.it DAVIDE BURANI Graduated in piano and harp , he obtained with full marks and honors the second level Academic Diploma in harp at the “Arrigo Boito” C onservatory in Parma, under the guidance of Emanuela Degli Esposti. Perfected with Fabrice Pierre and Judith Liber, he won numerous national and international competitions (finalist with honorable mention at the "Tournoi International de Musique" XI ed. In Salon de Provence and overall winner of the " Music World " of Fivizzano (2004 He has performed as a soloist in prestigious concert venues in Italy and abroad: Teatro Regio di Parma , Teatro Comunale di Ferrara , Philharmonic Academy of Bologna , Franchetti Gallery at Ca 'd'Oro in Venice , Doge's Palace in Venice, Sala Puccini of the “Verdi” Conservatory in Milan , KKL of Lucerne , Cadogan Hall in London , Opera House in Prague , International Center for Beijing Arts, Tokyo Opera City, Osaka Symphony Hall. He has collaborated as first harp with the Orchestra of the Municipal Theater of Bologna, with the Orchestra of the Swiss Italian Radio of Lugano, with I Virtuosi Italiani, with the Arturo Toscanini Philharmonic Orchestra of Parma, with the Regional Orchestra of Emilia Romagna, with the “Bruno Maderna” Orchestra of Forlì. He has participated in numerous radio and television broadcasts and has been invited to present his record works at the Radio Uno studios of the Swiss Italian Radio and at the Radio Tre studios during the Radio Tre Suite and Piazza Verdi broadcasts. He has recorded several CDs . He held Arpa Masterclasses. Since 2014 he has collaborated with Maestro Leo Nucci accompanying him on his international tours and the Italian Opera Chamber Ensemble. Since 2009 he has been teaching harp at the “Achille Peri” Higher Institute of Musical Studies in Reggio Emilia. davideburani.com