Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone BIGLIETTERIA matinée ore 11 biglietto unico 5€ (acquistabile solo in loco) serale ore 20.30 intero 15€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Stagione ATTI SONORI estate 2018. 5 August, 9.30 pm DISENCHANTED 8 August, 9.30 pm POPULAR SONGS 12 August, 9.30 pm CONCERT FOR JACK LONDON August 16, 9.30 pm THE FISHER AND THE CROW 19 August, 9.30 pm THE DANCING FINDER August 21, 9.30 pm THE BARBER IN COMICS english version 24 August, 9.30 pm THE CARTOON BARBER Italian version

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore durata 18 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) durata 23 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore durata 14 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, Emil Banca, Fitel, CNA, Lions Club Acquista biglietti

A LITTLE NIGHT MUSIC After the great success of a Broadway It is in the West End Londoner since 1973 to date, it finally arrives also in Italy exclusively "A Little Night Music", the award-winning musical by Stephen Sondheim with booklet by Hugh Wheler, produced by the fledgling company THE PERFORMErs with SOUND ACTS in collaboration with BSMT- Bernstein School of Musical Theater. Based on the 1955 film by Ingmar Bergman Smiles of a summer night, the musical is about love and affective relationships born between different couples. Sophisticated and full of spells, the soundtrack composed by Sondheim intertwines suggestive waltzes, bewitching vocal quartets and lyrics interwoven with humor and poetry. The exciting air Send in the Clowns it soon established itself as a hit, and became a "classic" of the musical, recorded by numerous pop and musical singers. Many other pieces also deserve to be mentioned, including the female duet Every Day a Little Death, You Must Meet my Wife and A Weekend in the Country, The Miller's Son and Night Waltz. A pressing melodic reconstruction to retrace, as already mentioned, the love stories of several couples that fate had removed and reunites in a country villa for a weekend. Duration: approx. 3 hours Singing, acting, dance and live music. Direction and adaptation Sara D'Angelo Choreography Carla Della Vecchia Artistic direction Edoardo Scalzini And Eleonora Lombardo Vocal direction Vincenzo Li Causi Musical direction Giambattista Giocoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli Desirée Armfeldt | Simona Distefano Fredrik Egerman | Antonio Cadoni Anne Egerman | Giulia Fabbri Henrik Egerman | Marco Trespioli Charlotte Malcolm | Eleonora Lombardo Carl Magnus Malcolm | Matteo Ferrari Petra | Beatrice Berdini Frederika Armfeldt | Veronica Appeddu Madame Armfeldt | Federica Ugolini Frid | Simone Mastria MRS Nordstrom | Sara D'Angelo MRS Anderssen | Rosalba Iacoviello MRS Segstrom | Irene Romano MR Erlanson | Edoardo Scalzini MR Lindquist | Michael Anzalone Malla / Osa | Clara Di Donato Italian registration document Andrea Ascari Italian music lyrics Michael Anzalone Costumes Fabio Cicolani and Silvia Cerpolini Scene objects Simona Distefano Scenographies Federica Amatuccio Lights Micaela Piccinini Graphics Stefano Bonsi General assistance Alessia Baggiolini BACK

Laboratori per bambini e adulti al Teatro del Baraccano di Bologna Programma Operativo Nazionale Città Metropolitane 2014 - 2020 REACT EU asse 7 azione 7.1.1 Progetto finanziato dai Fondi Strutturali e di Investimento Europei nell’ambito della risposta dell’Unione alla pandemia di COVID-19” I TELL ME ERGO SUM online theater course From 18 January 2021 teacher Sandra Cavallini I TELL ME EGO SUM … and I tell it a little bit. “Where everything is fake and nothing is fake” the language of the theater opens us to emotions, frees the imagination and expressiveness. MI TALE ERGO SUM is an experimental path that wants to play on the possibility of listening to and telling us despite the digital filter. And what a screen it is! We will discover that we have many options available that are not exactly found on the keyboard but in the click of our imagination, in the pleasure of telling us about it and in the possibility of saving everything in the self-irony folder. Experimental online path (on zoom platform) 8 meetings - Monday from 5.15pm to 7.15pm INFO AND RESERVATIONS sandracavallini.club22@gmail.com cell. 348.4450843 teatrodelbaraccano@gmail.com I TELL ME ERGO SUM online theater course From 18 January 2021 teacher Sandra Cavallini I TELL ME EGO SUM … and I tell it a little bit. “Where everything is fake and nothing is fake” the language of the theater opens us to emotions, frees the imagination and expressiveness. MI TALE ERGO SUM is an experimental path that wants to play on the possibility of listening to and telling us despite the digital filter. And what a screen it is! We will discover that we have many options available that are not exactly found on the keyboard but in the click of our imagination, in the pleasure of telling us about it and in the possibility of saving everything in the self-irony folder. Experimental online path (on zoom platform) 8 meetings - Monday from 5.15pm to 7.15pm INFO AND RESERVATIONS sandracavallini.club22@gmail.com cell. 348.4450843 teatrodelbaraccano@gmail.com I TELL ME ERGO SUM online theater course From 18 January 2021 teacher Sandra Cavallini I TELL ME EGO SUM … and I tell it a little bit. “Where everything is fake and nothing is fake” the language of the theater opens us to emotions, frees the imagination and expressiveness. MI TALE ERGO SUM is an experimental path that wants to play on the possibility of listening to and telling us despite the digital filter. And what a screen it is! We will discover that we have many options available that are not exactly found on the keyboard but in the click of our imagination, in the pleasure of telling us about it and in the possibility of saving everything in the self-irony folder. Experimental online path (on zoom platform) 8 meetings - Monday from 5.15pm to 7.15pm INFO AND RESERVATIONS sandracavallini.club22@gmail.com cell. 348.4450843 teatrodelbaraccano@gmail.com DANCES OF SOUTH ITALY teacher Paola Perrone Folk dances are an expression of the history and culture of a people. Studying and dancing the choreutic forms of the popular tradition fulfills a double task: it allows us to enter into communication with our body in relation to space, time, music (or silence); and at the same time it carries out a historical-social function, giving us back our past and our history. The workshop will cover the study of the tarantella of Southern Italy, macro-genre within which different styles and dances of the various southern regions fall (pizzica pizzica, tammurriate, sonu a ballu, tarantella del pollino, tarantella del gargano ...). Of each tarantella, after a brief historical and geographical contextualization, the basic steps, the relational dynamics, the similarities / differences with the other tarantellas, any variations and contaminations over time, the relationship with music will be analyzed. In addition to the work on the steps, it will be essential to work on the body, in order to acquire a greater awareness of oneself and of one's inner rhythm, so as to be able to express oneself in the most authentic and natural way possible in folk dances as in everyday life. The dances will be accompanied by both recorded music and live music. INFO AND RESERVATIONS paola.perrone@gmail.com cell. 377.3081869 DANCES OF SOUTH ITALY teacher Paola Perrone Folk dances are an expression of the history and culture of a people. Studying and dancing the choreutic forms of the popular tradition fulfills a double task: it allows us to enter into communication with our body in relation to space, time, music (or silence); and at the same time it carries out a historical-social function, giving us back our past and our history. The workshop will cover the study of the tarantella of Southern Italy, macro-genre within which different styles and dances of the various southern regions fall (pizzica pizzica, tammurriate, sonu a ballu, tarantella del pollino, tarantella del gargano ...). Of each tarantella, after a brief historical and geographical contextualization, the basic steps, the relational dynamics, the similarities / differences with the other tarantellas, any variations and contaminations over time, the relationship with music will be analyzed. In addition to the work on the steps, it will be essential to work on the body, in order to acquire a greater awareness of oneself and of one's inner rhythm, so as to be able to express oneself in the most authentic and natural way possible in folk dances as in everyday life. The dances will be accompanied by both recorded music and live music. INFO AND RESERVATIONS paola.perrone@gmail.com cell. 377.3081869

Grants and Grants Transparency obligations for companies and associations benefiting from contributions and subsidies from public administrations (Law 124/2017). CONTRIBUTIONS AWARDED BY PUBLIC BODIES 2020 Emilia Romagna region € 20,500 Municipality of Bologna € 35,000

ATER - EMILIA ROMAGNA THEATER ASSOCIATION 16 August, hours 21.30 THE FISHER AND THE CROW theatrical concert Sarah Jane Morris , singer and author between rock, blues and jazz, and the great actor and performer Silvio Castiglion have given life to a new project that will amaze the most loyal fans. Famous for her red mane and a censored interpretation of the classic Me and Mrs. Jones , the singer has always attracted attention for both political views and vocals. His talent joins the fertile research of Silvio Castiglioni, actor and theatrical researcher. This is the continuation of the happy intuition and collaboration between Silvio Castiglioni, Fabrizio Bosso and Luciano Biondini which resulted in a concert for Jack London . Now as then, the encounter between the arts is the protagonist, that of the poetic story of the fabulator Castiglioni, and of singing through the power and vocal charisma of Morris, accompanied by Tony Remy and Tim Cansfield on guitars. “ When Sarah sent me her new songs - says Castiglioni - and in particular the one that gives the show its title, I thought about the crow and the world of fairy tales. In many civilizations the crow is considered a ferryman between the kingdom of the living and that of the dead: when the heart of the dead person is particularly filled with pain and anger, or with grateful love, the crow resurrects his soul so that it can return to settle the scores. In fairy tales, the involvement of the dead is frequent, as is the hero's journey into the unknown; a journey that many people in the world today are forced to make out of desperation and necessity, as sung by Sarah in her poignant version of Imagine (the show also includes some of her well-known interpretations!) These and other suggestions have led us into the heart of a fairy tale created by the genius of HC Andersen; a little known story, light and profound, which cultivates the ancient pleasure of listening, here arranged to emotionally intertwine the different worlds evoked by the songs, and prepare us for the disturbing power of Sarah's grand finale ”. www.ater.emr.it I sing Sarah Jane Morris voice Silvio Castiglioni Tony Remy guitar Tim Cansfield guitar Ticket € 13 (full), € 10 (reduced) Buy tickets Sarah Jane Morris

Sassolino, Teatro del Baraccano, Testoni Ragazzi sassolino Form Gallery 1 EXHIBITION Illustrazioni Video

Stagione ATTI SONORI inverno 2018. 12 and 13 February matinee for schools IN THE NAME OF A ROSE February 14, 9 pm I LOVE YOU February 16, 9 pm SYNANTYS 22 and 23 February matinee for schools THE CARTOON BARBER 2 and 3 March, 9 pm PURGATORY BUM BUM March 10, 18.30 EMOTION FOR CHANGE for Fukushima March 24, 5pm and 9pm DISENCHANTED April 5, 5.30 pm AN ORDINARY STORY OF A BULL April 7, 9 pm MUSICAL CABARET 2 April 15, 9 pm Bhāratanāṭyam Margam May 5, 9 pm | May 6, 5 pm OUT-ING 18, 19 and 20 May NipPop

Scheda Radio Ritmo, voci e suoni dall'etere, Guglielmo Marconi, Orchesta del Baraccano RADIO RITMO voices and sounds from the ether on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRA SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSKIJ Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Musica di Igor Stravinskij, testo di C. F. Ramuz. Orchestra del Baraccano, diretta da Giambattista Giocoli. Per le scuole. Histoire du soldat. 26 and November 27 matinee for schools THE SOUL or THE VIOLIN musical theater show The soul or the violin it is a story that takes place in the intertwining of music and storytelling. Through the story of a soldier who sells his violin to the devil in exchange for his soul, the concept of duality between good and evil is expressed. The soldier, that is the man, can choose to have easy money, money, but this well-being can hide dangers, it can have consequences including losing happiness and the things that really matter in life: affections, friendship. , being real people. The soldier will remain a victim of his own riches, but I will have an opportunity to redeem himself, he will have a second chance and, if he knows how to grasp it, he will finally have rediscovered the meaning of life. ORCHESTRA DEL BARACCANO director Giambattista Giocoli narrator Angela Malfitano Roberto Noferini violin | Fabio Quaranta double bass Giovanni Picciati clarinet | Luca Reverberi bassoon Fabio Codeluppi trumpet | Valentino Spaggiari trombone Nunzio Dicorato percussion illustrations Michele Cerone dramaturg Gianluca Cheli Histoire du soldat Histoire2 Giambattista Giocoli Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano THE ORCHESTRA The Baraccano Orchestra was born within the activities of Theater of They baraccano of Bologna, where a production and research project on the theater is carried out chamber music. IS was founded in 2013 and is directed by its artistic director Giambattista Juggles . The Orchestra has produced numerous musical theater performances both independently both in co-production and collaboration with the Teatro Comunale di Bologna, BSMT productions and the University of Bologna. Among the productions we remember: the musicals A Little Night Music And Sweeney Todd by Stephen Sondheim, the show Histoire du Soldat by Igor stravinskij, the projects At the Opera! , symphonies, interludes and overtures of the Italian opera e 4th Gustav Mahler , the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017 he carried out the following projects: Popular songs , with soloist Cristina Zavalloni, a new Histoire du soldat with the reciting voice of Ivano Marescotti and The Barber in Comics , "The Barber of Seville" for music, animations and Manga comics, designed by Tsukishiro Yuko, in international co-production with the Japan. The goal of the Orchestra is to play, with formations for chamber orchestra, musical works originally composed for large orchestras, producing new scores played "in real parts". THE DIRECTOR GIAMBATTISTA GIOCOLI At first clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna. As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Municipal Theater Orchestra from Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as guest conductor with the Orchestra of the Toscanini Foundation of Parma , and from 2017 with the Rossini Symphony Orchestra of Pesaro . In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera. AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna.

IN THE BELFIORE president and project manager She graduated in transverse flute at the “GB Martini” Conservatory of Bologna with Maestro Giorgio Zagnoni. He attended advanced courses including the one with Prof. Anna Maria Morini. Interested in the study of Gregorian Chant, she attended the "International Course of Gregorian Chant" held in Cremona, under the direction of prof. A. Albarosa. Graduated in Music Disciplines (DAMS) at the Faculty of Literature and Philosophy of the University of Bologna, she supported a thesis in "Organization and Economics of the Entertainment", supervisor prof. Lamberto Trezzini. After graduating, he followed a Master in Manager for the management of live entertainment, promoted by the University of Bologna / Department of Music and Entertainment, managed by ATER, financed by the Emilia-Romagna Region and the European Social Fund; achieves qualification level V European level, higher education. In the summer of 1998 he organized a cycle of Baroque music concerts for the summer festival "Art under the stars" of BoEst '98, at the Cloister of the National Art Gallery of Bologna. After the Master she took on a professional role of collaboration at the Cultural Office of the Municipality of Crevalcore (BO), carrying out the task of organizing cultural activities (exhibitions, concerts and children's theater). In January 2000 he participated in the European project "Kaleidoscope" at "Ferrara Musica", on the occasion of the production of the Opera "Cosi fan tutti", directed by Maestro Claudio Abbado and directed by Mario Martone. He has collaborated with the consulting company for musical training projects Thomas Consulting group and for the MusicaPer musical associations, Associations Organi Antichi and Euterpe Mousiké. He has held lectures-conferences for the University of Bologna on the Organization of Live Entertainment and the Atti Sonori festival, as a case study, at the Faculty of Communication Sciences. He collaborated with the FontanaMIX Association as an organizational consultant, in particular for the organization of the EXITIME02 Festival, at the University of Bologna / Dep. of Music and Entertainment and with the association "Between one act and another", as an administrative collaboration. In 2001 he founded the Perséphone Cultural Association, the pause of silence, of which he is president; since 2001 he has been responsible for and supervising the planning, administrative and external relations of the Association. It has also followed, from an organizational, administrative and promotional point of view, all the reviews and festivals it organizes: Borghi e Frazioni in Musica (Municipalities in the Reno-Galliera area); With the favor of the Dark (Loiano-BO) and InCanto (Municipal Theater of Castello d'Argile and Pieve di Cento-BO). In 2005 he conceived the ATTI SONORI festival, musical theater, which debuted in February 2005 at the Arena del Sole and takes place, after several years in various places in the city, now at the Teatro del Baraccano. Since 2010 she manages and is the manager of the Teatro del Baraccano in Bologna. Contact details: cell. +39 347.5080913 e-mail: Presidente.teatrodelbaraccano@gmail.com