Show Gallery

Scheda Popular Songs RADIO RITMO on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC FOLK SONGS musiche di Luciano Berio (1925- 2003) per mezzosoprano e sette esecutori INTRODUZIONE E ALLEGRO - “SETTIMINO” musiche di Maurice Ravel (1876-1946) per arpa, flauto, clarinetto e quartetto d’archi SIETE CANCIONES POPULARES ESPAÑOLAS musiche di Manuel de Falla (1876-1946) orchestrazione e arrangiamenti originali per mezzosoprano e nove esecutori ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna. CRISTINA ZAVALLONI Cristina Zavalloni nasce a Bologna. Di formazione jazzistica, intraprende a diciotto anni lo studio del belcanto e della composizione presso il Conservatorio della sua città. Per molti anni si dedica anche alla pratica della danza classica e contemporanea. Si esibisce nei più importanti teatri, in stagioni concertistiche internazionali e festival jazz, tra cui il Montreux Jazz Festival, North Sea Jazz Festival, Free Music Jazz Festival di Anversa, Moers Music, Bimhuis, London Jazz Festival, Klara Festival, International Jazz Festival di R o t t e r d a m , C o n c e r t g e b o u w d i A m s t e r d a m , Concertgebouw di Bruges, Lincoln Center e Carnegie Hall, Walt Disney Hall, Teatro alla Scala di Milano, Barbican Center, Beijing Concert Hall, Moscow International House, ecc. Si è esibita con orchestre quali la London Sinfonietta, BBC Symphony Orchestra, Schoenberg Ensemble, Sentieri Selvaggi, Musik Fabrik, Orkest De Volharding, Orchestra della Rai Torino, Los Angeles Philharmonic, ORT, Orchestra Toscanini, Irish Chamber Orchestra, ed è stata diretta da Martyn Brabbins, Stefan Asbury, Reinbert De Leeuw, Ivan Fischer, Oliver Knussen, David Robertson, Jurjen Hempel, Georges-Elie Octor, Andrea Molino, Marco Angius, tra gli altri. Collabora con il compositore olandese Louis Andriessen, che ha scritto per lei alcuni dei suoi più recenti lavori tra cui Passeggiata in tram per l’America e ritorno, La Passione, Inanna, Letter from Cathy, Racconto dall’Inferno, la parte di Dante ne La Commedia, il monodramma Anais Nin e la parte di Sor Juana Ines de la Cruz ne l’opera Theatre of the World. E’ interprete di prime esecuzioni di Carlo Boccadoro, Luca Mosca, Emanuele Casale, Michael Nyman, Mauro Montalbetti e di alcune composizioni di James McMillan (la prima USA di Raising Sparks, Carnegie Hall, 2011). Frequenta il repertorio barocco (Incoronazione di Poppea, Combattimento di Tancredi e Clorinda), collaborando con registi e coreografi quali Mario Martone e Alain Platel (VSPRS e Pitié!, su musiche di Fabrizio Cassol) o con la Brass Bang! (Paolo Fresu, Gianluca Petrella, Marcus Rojas, Steven Bernstein). Le sue più recenti collaborazioni in ambito jazzistico includono i duo voce e piano con Jason Moran, Stefano Popular songs Bollani, Benoit Delbecq, Alfonso Santimone, le collaborazioni con Radar Band, Uri Caine e il suo quartetto Special Dish. Ha realizzato per la televisione italiana (RaiTre) le Effemeridi Musicali - serie di pillole andate in onda nella stagione 2013/2014, in cui raccontava alcuni dei propri progetti musicali. Ha inciso oltre 20 CD DAVIDE BURANI Diplomato in pianoforte e in arpa, ha conseguito con il massimo dei voti e lode il Diploma Accademico di secondo livello in arpa presso il Conservatorio “Boito” di Parma. Perfezionatosi con Fabrice Pierre e Judith Liber, si è imposto in numerosi concorsi nazionali ed internazionali (finalista con menzione d’onore al “Tournoi International de Musique” XI ed. a Salon de Provence e vincitore assoluto del “Music World” di Fivizzano (2004). Si è esibito come solista in prestigiose sedi concertistiche in Italia e all’estero: Teatro Regio di Parma, Teatro Comunale di Ferrara, Accademia Filarmonica di Bologna, Galleria Franchetti alla Ca’ d’Oro di Venezia, Palazzo Ducale di Venezia, Conservatorio “Verdi” di Milano, Lucerna, Cadogan Hall di Londra, Teatro dell’Opera di Praga, Centro Internazionale delle Arti di Pechino, Tokyo Opera City, Symphony Hall di Osaka. Ha collaborato in qualità di prima arpa con l’Orchestra del Teatro Comunale di Bologna, con l’Orchestra della Radio Svizzera Italiana di Lugano, con I Virtuosi Italiani, con l’Orchestra Filarmonica Arturo Toscanini di Parma, con l’Orchestra Regionale dell’Emilia Romagna, con l’Orchestra “Bruno Maderna” di Forlì. Ha partecipato a numerose trasmissioni radiofoniche e televisive ed è stato invitato a presentare i suoi lavori discografici presso gli studi di Radio Uno della Radio Svizzera Italiana e presso gli studi di Radio Tre nel corso delle trasmissioni Radio Tre Suite e Piazza Verdi. Ha inciso vari CD. Ha tenuto Masterclass di Arpa. Dal 2014 collabora con il Maestro Leo Nucci accompagnandolo nelle sue tournées internazionali ed il gruppo cameristico Italian Opera Chamber Ensemble. Dal 2009 è docente di arpa presso l’Istituto Superiore di Studi Musicali “Achille Peri” di Reggio Emilia.

SOUND ACTS 12 and 13 February, matinee for schools IN THE NAME OF A ROSE In this show, themes such as the meaning of life and the meaning of love and friendship are addressed. Each planet visited by the protagonist, who travels in the Universe, represents a metaphor of human nature. The King represents the thirst for power. The Vanitosa is a symptom of a gaze turned towards oneself and not towards the other. The drunkard is the emblem of the social unease of lonely people. The businessman is the explicit reference to the frenzy of the world. The Lampionario is the only figure of a man who does something useful, that is, he deals with something other than himself. Finally, the Geographer is the metaphor of knowledge, in which emotions are its engine, just as affectivity moves knowledge. Company ChiE'diSCENA 05 08 010 06 07 011

Kafka, Letters to Milena Form Gallery 1

La Praga di Kafka Praga non ci lascia più andare. Questa piccola madre ha gli artigli. Non c’è altro da fare che cedere. Per potersene liberare bisognerebbe darle fuoco da due lati, il Vyšehrad e il Hradčany. Franz Kafka Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". PRENOTAZIONI teatrodelbaraccano@gmail.com cell. 393.9142636 INFO J&K Jabalito& Karma Viaggi jabalitokarma@gmail.com cell. 3270503296 Vincenza Maugeri cell. 349 7774749 QUOTA INDIVIDUALE DI PARTECIPAZIONE € 750,00 * supplemento camera singola € 210,00 numero minimo partecipanti: 20 numero massimo partecipanti: 25 [*salvo adeguamento tariffe voli] ISCRIZIONI CON VERSAMENTO DELL’ACCONTO DI € 250,00 SALDO ENTRO 25 LUGLIO 2024 iscrizion i con pagamento tramite bonifico bancario indicando cognome, nome, causale “La Praga di Kafka” IBAN: IT08A0707202403000000721562 intestato a Persephone, le pause del silenzio Emil Banca LA QUOTA COMPRENDE - voli RYANAIR A\R - 3 pernottamenti con prima colazione in hotel 4 stelle - trasferimenti in pullman privato dall’aeroporto di Praga all’hotel e viceversa - cena come da programma - Opera come da programma - visite e ingressi come da programma - guide culturali qualificate - presenza e assistenza coordinatore del viaggio LA QUOTA NON COMPRENDE - assicurazione medico-bagaglio e contro annullamento - trasferimenti al di fuori del programma - pasti non menzionati nel programma - mance - extra di carattere personale e tutto quanto non specificato alla voce «la quota comprende» GUARDA IL VIDEO VAI ALLA GALLERY Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Invenzioni a due voci 18 August, 9.30 pm | Courtyard of the Baraccano Theater Entroterre Festival TWO-VOICE INVENTIONS original plays and improvisations on the theme The original 'two-voice invention' format (inspired by JS Bach's homonymous compositions) is very simple and tends, as for Bach, to build a reasoned dialogue between the different voices in the field: Luca Damiani , the conductor, will listen to the audience and the musicians involved, a series of pieces by various authors and various genres. At the end of each piece, the musician Carlo Negroni will improvise on the theme just heard, supporting his own culture and musical sensitivity. Luca Damiani leads Carlo Negroni , piano Luca Damiani Carlo Negroni Single ticket € 10 Buy tickets

Commedia madrigalesca di Adriano Banchieri. Compagnia Dramatodia, ensemble di musica e teatro. Compagnia Dramatodia, music and theater ensemble 10 August, 9.30 pm THE BOAT OF VENICE FOR PADUA madrigal comedy by Adriano Banchieri The music gives voice to a colorful series of characters: merchants, courtesans, students, Jews, foreigners, gathered in an imaginary river journey between the two main centers of the Serenissima Republic, Venice and Padua. The Boat of Venice for Padua , published in Venice in 1605, is a profane music by Adriano Banchieri ; Olivetan monk of the Bolognese convent of San Michele in Bosco, composer and music theorist among the most illustrious of the early seventeenth century. Among his works attributable to the genre of the Madrid comedy La Barca stands out for the rich narrative frame in which the various pieces are set. The Dramatodía ensemble, made up of 13 elements, owes its name (from the Greek “representative song”) to the Intermediates above the deceived Aurora composed by Girolamo Giacobbi in 1605, which constituted the first example of musical theater in the Bolognese area. The ensemble was born in 2000 with the intention of reviving the theatrical repertoire of the comedians of the sixteenth and seventeenth centuries and to explore the musical production that arose to enrich the performances. Ticket € 13 (full), € 10 (reduced) Buy tickets Dramatodia La barca di Venezia per Padova Dramatodia THE SAND BAGS

Il Teatro del Baraccano dal 2011 è gestito dall’Ass. Perséphone, con il progetto ATTI SONORI, che prevede spettacoli di teatro e musica. Foyer Teatro del Baraccano Teatro del Baraccano Foyer Teatro del Baraccano 1/25

Il Barbiere a fumetti, Orchestra Rossini, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Gallery Director

Bruno Maderna July 6, 9.15 pm FontanaMIX ensemble - In.Nova Fert SEVEN SONGS FOR BRUNO a concert / documentary for Bruno Maderna's 100th anniversary Sette Canzoni per Bruno is a tribute that the FontanaMIXensemble and the "In.Nova Fert" Collective dedicate to Bruno Maderna on the occasion of the centenary of his birth. The concert / documentary represents the final moment of a research work and of a "Madernian" laboratory, with composers and performers, which wants to restore the image of the man and the artist, recalling the historical weight of his contribution and reflecting on his music as an example of an eternal classic. A different way to creatively revive the thought and the work suspended between a profound humanism and the rigor of the Neue Musik , between the love for ancient music and the game of magic squares , between a complex thought and a light one. Sette Canzoni per Bruno is made up of several expressive elements: one visual, one narrative and one musical. Fragments, sketches, magical squares of Maderna's work, also taken from the transcriptions of authors of the past and of the lighter production, represent the sources for free compositional elaborations that together form a musical tale strongly imbued with his way of making music and his tenacity to always investigate the new. In the same way the projections present in the concert / documentary collect and elaborate fragments of the life of the Venetian composer, of his intense activity as director and popularizer, forming visual compositions that interact musically with the elaborations for ensemble. The final result are seven musical moments for voices, ensembles, videos and electronics , which tell seven different chapters of Maderna's life, as a violinist and director of The Happy Grossato Company to the composer of the great masterpieces of the '70s. The compositional work curated by the In.Nova Fert Collective was made possible thanks to the precious consultations of the audiovisual material preserved at the Maderna Study Center of the Department of Arts of the University of Bologna. "From the childhood of an enfant prodige, between jazz and conducting, to the discovery of the Gabrieli and Monteverdi, to the comparison with the postdecaphonic lesson, here is the standing portrait of one of the protagonists of the music of the second half of the twentieth century, who often he preferred to highlight others and not his work, in a frenetic activity that always had an extraordinary humanity as its center of gravity, the pendulum of the most reckless artistic adventures. " (Luca Scarlini) Sette canzoni per Bruno FontanaMIX ensemble In.Nova Fert FontanaMIX ensemble In.Nova Fert Collective Luca Scarlini dramaturgy and narrator Stefano Croci video Valentina Coladonato voice Francesco La Licata direction Single ticket € 10 Buy tickets In case of rain the tickets will not be refunded

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Single ticket 5 € Buy tickets July 9 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings