Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Home RESPIGHI SUITE la musica danza nella sabbia AIDA I ALREADY WIDE MY ARMS KAFKA, LETTERS TO MILENA RESPIGHI SUITE PULCINELLA all'improvviso! TO THE WORK THE BARBER IN COMICS RADIO RITMO HISTOIRE DU SOLDAT POPULAR SONGS 4TH GUSTAV MAHLER SASSOLINO CITIES OF MUSIC RESPIGHI SUITE MYSLIVEČEK, IL DIVINO BOEMO SWEENEY TODD

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone

Respighi suite 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli Single ticket € 10 Buy tickets

Vieni notte, a bere luce RESPIGHI SUITE Form Gallery Video

Gallery Orchestra

Charles Bukowski July 18, 9.15 pm Temperie Theater HUNDRED YEARS MELTED IN A GLASS "The mad and the drunks are the last saints on earth." Charles Bukowski To celebrate the hundredth anniversary of the birth of Charles Bukowski , an evening of poems and anecdotes about his life, to discover the man and the poet who lives behind the stories of endless drunks , underground adventures and behind the raw and violent events narrated in the his writings. Bukowski marked the twentieth century with his vivid realism, traveling with his crazy characters between provocations and non-conformities . A tribute to his work to overcome the prevailing pessimism of his lyrics, capturing the comic side of a senseless and very hard life, but which, after all, is worth living. Cent'anni sciolti in un bicchiere the myth of Charles Bukowski by and with Andrea Lupo live music Guido Sodo aerial dance Camilla Ferrari and with Michela Lo Preiato produced by Teatro delle Temperie Single ticket € 10 Buy tickets In case of rain the tickets will not be refunded

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Single ticket 5 € Buy tickets July 9 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Il Teatro della gente summer 2019 Il Teatro della Gente Passeggiando fra i Portici di Strada Maggiore e Via Santo Stefano visita guidata e concerto 21 agosto 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. IL BARBIERE A FUMETTI

GUYU - PIOGGIA PER IL GRANO Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone PROGRAMMA 1. 采薇 Cai Wei arr. Zhang Yaqin Zhang Yaqin, Fu Wanying | guzheng Lai Wenjin | ruan Tan Jing | voce 2. 剑器 Danza della spada Lai Wenjin | liuqin 3. 送我⼀只玫瑰花 Regalami una rosa Yu Qiling | pipa 4. 紫竹调 Suono del bambù arr. Zhang Yaqin 5. 江南 A sud del fiume Fu Wanying, Zhang Yaqin | guzheng 6. 梅花三弄 Tre variazioni di fiori di prugna arr. Zhang Yaqin 7. ⼆泉映⽉ La luna riflessa nella fontana Xie Ziyu | erhu 8. 越⼈歌 Canto di Barcaiolo Tan Jing | voce Lai Wenjin | ruan Zhang Yaqin | guzheng Zhang Yuli | dizi 9. 幽远的歌声 Canto remoto Lai Wenjin | ruan 10. 姑苏行 Un viaggio a Suzhou Zhang Yuli | dizi 11. 林冲夜奔 Lin Chong in fuga Zhang Yaqin | guzheng 12. 盛世国乐 L’età della fioritura arr. Zhang Yaqin Aperitivi a cura di Oui in cucina www.ouiincucina.com BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Acquista biglietti ATTI SONORI fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena. THE CARTOON BARBER

La 4th di Gustav Mahler eseguita dall'Orchestra del Baraccano, diretta da Giambattista Giocoli SOUND ACTS January 20, 9 pm 4th GUSTAV MAHLER the fourth symphony arranged for chamber orchestra This symphony for voice and orchestra by Gustav Mahler is an absolute masterpiece of the early twentieth century. Composed between 1899 and 1901 (although the lied of the fourth movement for soprano was written in 1892), it will be performed in a transcription for chamber orchestra which, starting from that of 1921 by Erwin Stein (1885-1958), a pupil of Arnold Schönberg, has become a completely original version with a new orchestration. Arianna Rinaldi will give voice to the song of the angels. The Symphony No. 4 in G major is the one that completes the group of the three so-called Wunderhornsymphonie (Symphonies of the Magic Horn), symphonies that can be considered formed by instrumental and vocal movements in which the texts are mostly inspired by Arnim's collection of German popular poems and Brentano Des Knaben Wunderhorn (The magic horn of the child), in which the protagonist is a mythical world that is a bit fairytale, childish and peasant, a little lost earthly paradise. The Fourth is the seal of that world and in its fourth movement there is a magnificent song of the angels praising life in paradise. In Das himmlische Leben (Celestial life), in fact, it is described with childish eyes as a sort of heavenly place, in which wine is drunk at will, asparagus and beans are eaten, the saints are intent on slaughtering animals and cooking. It is an ironic and grotesque vision, in which a shrewd interpretation of the dogmas of Catholicism (St. happy in the heavenly one. Here are some verses: “We enjoy the pleasures of heaven, therefore we flee earthly things. The worldly tumult is not heard in the sky! He lives everything in the sweetest quiet. We lead an angelic life, and yet we are also very cheerful; we dance and jump, jump and sing. St. Peter in heaven is watching us, St. John lets the little lamb go, and Herod, the butcher, is spying ... ». ORCHESTRA DEL BARACCANO director Giambattista Giocoli voice Arianna Rinaldi Federico Parravicini and Sophie Chang violin Aldo Maria Zangheri purple | Enrico Ferri cello Michele Valentini double bass | Alessia Dall'Asta flutes Alessio Gentilini oboe and English horn | Marco Ignoti clarinets | Luca Piovesan accordion A lice Caradente harp | Simone Beneventi marimba Gabriele Genta and Nicolò Tomasello percussion PROGRAM Bedächtig, Nicht eilen, recht gemächlich Thoughtful, not rushed, very comfortable Im gemächlicher Bewegung With quiet movement, without haste Ruhevoll Calm Sehr behaglich "Das himmlische Leben" Very comfortably "The heavenly life" for soprano solo from "Des Knaben Wunderhorn" Ticket 20 € (full) 15 € (reduced) Buy tickets 4th Gustav Mahler 4th Gustav Mahler 4th Gustav Mahler 4th Gustav Mahler 4th Gustav Mahler Arianna Rinaldi THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni And a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. ARIANNA RINALDI He began his musical career at the age of 13 singing in the White Voice Choir of the Teatro Comunale di Bologna under the guidance of M ° Silvia Rossi; he participates in various opera and concert productions as a chorister and as a soloist, but above all he falls in love with musical theater. At the age of 24 he graduated in Lyric Singing under the guidance of Nemi Bertagni at the A. Boito Conservatory of Parma and at 27 he graduated with honors and honorable mention in Chamber Vocal Music at the GB Pergolesi Conservatory of Fermo with Elisabetta Lombardi. He perfected himself with teachers such as E. Mathis, E. Moser, R. Bruson, D. Baldwin, and in 2013 he won admission in Brussels to the Internationale Lied Masterclass held by C. Stotijn. He gets prizes and acknowledgments at important international competitions: in 2015, second Prize and Special Prize for best chamber interpretation at the "A. Burzi" International Competition in Pesaro; in 2012 finalist in the Opera and Vocal Chamber Music sections at Lauri Volpi; Best Young Award at the City of Basciano Opera Competition of the same year; in 2010 Special Young Talents Award to Giulio Neri of Torrita di Siena; First Prize to Giuseppina Cobelli of Brescia in duo with Lorenzo Orlandi; on the same occasion also the Best Duo, Youth Award and Special Radio Classica-Class Editori awards. His vast repertoire of chamber vocal music ranges from the 1700s to the present day . He regularly collaborates with the pianist Lorenzo Orlandi in the ARLO DUO formation; with the pianist Eleonora Beddini; with the Ensemble Concordanze. He sang Mahler's IV Symphony with the Toscanini Philharmonic Orchestra Ensemble conducted by Michele Mariotti, Pergolesi's Stabat Mater with the Orchestra of the Teatro Comunale di Bologna, conducted by Giuseppe La Malfa. In 2014 the VI Blumenmädchen debuted in the Wagnerian Parsifal at the Teatro Comunale in Bologna, conducted by Roberto Abbado. With LTL opera-studio Nicklausse made his debut in Les Contes d'Hoffmann by J. Offenbach in the theaters of Pisa, Livorno, Lucca and Novara. In April 2015 she sang again at the Teatro Comunale di Bologna in the role of Pastuchyna in Janacek's Jenufa. Winner of the role in the opera studio Silvio Varviso, Cherubino made her debut in August in the Ticino Festival. In 2016 he tackled the Baroque repertoire with the masters Gloria Banditelli and Michele Vannelli and made his debut with Nero in L'Incoronazione di Poppea .

Respighi suite, Basilicata 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu flauto Claudia Piga clarinetto basso Davide Braco arpa Alice Caradente clavicembalo Istvan Batori fisarmonica Raffaele Damen tromba Giulio Padula basso tuba Gianluigi Paganelli arrangiamenti Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli