R.A.D. Respighi Ancient Dances 27 and 28 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 29 August RAD Respighi Ancient Dances music and dance DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. R.A.D. R.A.D. Orchestra del Baraccano DNA Company | choreography Elisa Pagani ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli Single ticket € 10 Buy tickets

gallery Orsoleo Spring Festival 2026 ORSOLEO SPRING FESTIVAL edizione #2 dal 30 aprile al 3 maggio 2026 Convento di Santa Maria di Orsoleo Sant'Arcangelo (PZ) direzione artistica Giambattista Giocoli direzione organizzativa e progettazione Nella Belfiore

Va dove va l'acqua, Teatro delle Temperie, teatro July 24, 9.15 pm Temperie Theater GOES WHERE WATER GOES tale of the Bologna of water There is another Bologna made of rivers, made of canals, a Bologna of water. A city that exists in history, in memories, in memory, but which still exists today, hidden among the houses, behind the ancient buildings, under the streets, hidden in small holes, where the water goes, placid ... where the water never stops… where water still reigns supreme. There was a time when water was the soul of Bologna, it was the engine of the economy. It was the defense of the city; if Bologna is our heart, the canals are our arteries, water is the blood of our community. Even today, those channels pulsate with stories, speak of men and women, keep secrets, carry memories. Through some of these wonderful stories, these freshwater stories, we will travel together in the veins of our beloved Bologna, where the Rhine pulsates. The stories and emotions that overflow from the Rhine together with its waters. All the stories of men and women, of peoples and countries that the water of the Rhine carries from the source to the valley remain entangled in the Casalecchio Lock and here they rest a little before resuming the journey. Sometimes these stories are so strong and numerous and exciting that they can no longer resist and break the banks, such is their need to be told. A magical evening in which we will give voice and music and body to these wonderful stories, right in the place where the river gently lays them with love. Va dove va l'acqua Va dove va l'acqua Va dove va l'acqua by and with Andrea Lupo live music Guido Sodo aerial dance Camilla Ferrari and with Michela Lo Preiato produced by Teatro delle Temperie Single ticket € 10 Buy tickets

February 16, 9 pm in collaboration with Bologna Harp Festival SYNANTYS Sangineto Ensemble Sparkling energy and great musical ability of two twins, Adriano and Caterina, born to a luthier father and raised in an environment pervaded by the music of great artists (such as Alan Stivell, The Chieftains and Carlos Núñez). Their concert combines ancient sounds and harmonies with modern rhythms and transports the audience into a riot of twists, alternating melodic suggestions of the Celtic tradition with more modern and unexpected musical genres: a Celtic harp and an arched psaltery (created by the hands wise men of his father Michele Sangineto) who move the most intense strings of the soul, leaving freedom to the masterful timbre of the two voices. An explosive mix for a performance that amazed the Russian, Belgian, Dutch, Spanish, French and Anglo-Saxon audiences. The Sangineto Ensemble was born in 2000 and initially includes all the members of the Sangineto family: the father Michele, the mother Paola and the two twins Adriano and Caterina. He performs throughout Europe presenting a repertoire of ancient music from the Middle Ages to the French, Italian and English Renaissance while exporting the instruments of the Sangineto violin making in festivals, reviews and exhibitions of musical instruments in France, Germany, England, Switzerland, Hungary, Spain and Belgium. Today the core of the group is made up of the two twins Adriano and Caterina Sangineto. Formed within the artistic environment of their father, Michele Sangineto, luthier of Celtic harps and bowed psalters, the twins could only develop a natural inclination for ancient music, which they approached in the very first phase of their musical growth. to then arrive at popular music in all its facets, with a special predilection for the Irish, Breton and French tradition. Thanks also to their classical training (they both studied successfully at the G. Verdi Conservatory in Milan) and to the knowledge of popular pop music, the group aims to reinterpret and recover the European musical tradition in a modern perspective, updating the use of ancient and popular instruments. Ensemble Sangineto is an ever-expanding, versatile and multifaceted project that skilfully combines archaic sounds and harmonies with modern rhythms and arrangements that are affected by influences from various musical genres: jazz, classical, Gregorian chant, musical, pop and Celtic music. In the direction of an interpenetration of all these genres, the musical experimentation of the Ensemble was born: songs mainly from the Irish, Scottish and Breton tradition, but also Italian, alternate original pieces that reflect the heterogeneity of the musical experiences of the musicians. Fascinating mixes in sparkling interpretations characterize one of the most exciting and original emerging groups in the Italian panorama of Celtic music. The precious combination of the harp and the arched psaltery and the magical blend of voices, the suspended and dreamy atmospheres, all in a riot of vibrations that envelop in their intense purity. The Ensemble collaborates with the international artist Carlos Núñez and occasionally with guitarists Tiziano Cogliati and Jacopo Ventura. www.adrianosangineto.com Ticket € 14 (full), € 12 (reduced) Buy tickets

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura Acquista biglietti

Respighiamo musica 23 October h 15 and 30 October h 10.30 | Charterhouse of Bologna FIFTY INCREDIBLE MUSICAL YEARS Bologna 1979-1936 | Artistic life and society in the years of Ottorino Respighi guided tours A journey of discovery together with the musicologist Maria Chiara Mazzi and the art historian Roberto Martorelli. A walk through cloisters and galleries, to tell - through sculptures and monuments - places, events and people of the Bolognese musical world. In the years of life of the famous composer Ottorino Respighi, who rests in the Certosa alongside Giosue Carducci. Roberto Martorelli, art historian and Maria Chiara Mazzi , musicologist Admission 4 euros, reduced 3 euros. Reservations required by writing to museorisorgimento@comune.bologna.it . Appointment of the review Charterhouse of Bologna | 2021 summer calendar , as part of the project Respighi Project of the Baraccano Theater. Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather. Ottorino Respighi Certosa di Bologna Certosa di Bologna

Show Gallery

Scheda Popular Songs RADIO RITMO on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC FOLK SONGS musiche di Luciano Berio (1925- 2003) per mezzosoprano e sette esecutori INTRODUZIONE E ALLEGRO - “SETTIMINO” musiche di Maurice Ravel (1876-1946) per arpa, flauto, clarinetto e quartetto d’archi SIETE CANCIONES POPULARES ESPAÑOLAS musiche di Manuel de Falla (1876-1946) orchestrazione e arrangiamenti originali per mezzosoprano e nove esecutori ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna. CRISTINA ZAVALLONI Cristina Zavalloni nasce a Bologna. Di formazione jazzistica, intraprende a diciotto anni lo studio del belcanto e della composizione presso il Conservatorio della sua città. Per molti anni si dedica anche alla pratica della danza classica e contemporanea. Si esibisce nei più importanti teatri, in stagioni concertistiche internazionali e festival jazz, tra cui il Montreux Jazz Festival, North Sea Jazz Festival, Free Music Jazz Festival di Anversa, Moers Music, Bimhuis, London Jazz Festival, Klara Festival, International Jazz Festival di R o t t e r d a m , C o n c e r t g e b o u w d i A m s t e r d a m , Concertgebouw di Bruges, Lincoln Center e Carnegie Hall, Walt Disney Hall, Teatro alla Scala di Milano, Barbican Center, Beijing Concert Hall, Moscow International House, ecc. Si è esibita con orchestre quali la London Sinfonietta, BBC Symphony Orchestra, Schoenberg Ensemble, Sentieri Selvaggi, Musik Fabrik, Orkest De Volharding, Orchestra della Rai Torino, Los Angeles Philharmonic, ORT, Orchestra Toscanini, Irish Chamber Orchestra, ed è stata diretta da Martyn Brabbins, Stefan Asbury, Reinbert De Leeuw, Ivan Fischer, Oliver Knussen, David Robertson, Jurjen Hempel, Georges-Elie Octor, Andrea Molino, Marco Angius, tra gli altri. Collabora con il compositore olandese Louis Andriessen, che ha scritto per lei alcuni dei suoi più recenti lavori tra cui Passeggiata in tram per l’America e ritorno, La Passione, Inanna, Letter from Cathy, Racconto dall’Inferno, la parte di Dante ne La Commedia, il monodramma Anais Nin e la parte di Sor Juana Ines de la Cruz ne l’opera Theatre of the World. E’ interprete di prime esecuzioni di Carlo Boccadoro, Luca Mosca, Emanuele Casale, Michael Nyman, Mauro Montalbetti e di alcune composizioni di James McMillan (la prima USA di Raising Sparks, Carnegie Hall, 2011). Frequenta il repertorio barocco (Incoronazione di Poppea, Combattimento di Tancredi e Clorinda), collaborando con registi e coreografi quali Mario Martone e Alain Platel (VSPRS e Pitié!, su musiche di Fabrizio Cassol) o con la Brass Bang! (Paolo Fresu, Gianluca Petrella, Marcus Rojas, Steven Bernstein). Le sue più recenti collaborazioni in ambito jazzistico includono i duo voce e piano con Jason Moran, Stefano Popular songs Bollani, Benoit Delbecq, Alfonso Santimone, le collaborazioni con Radar Band, Uri Caine e il suo quartetto Special Dish. Ha realizzato per la televisione italiana (RaiTre) le Effemeridi Musicali - serie di pillole andate in onda nella stagione 2013/2014, in cui raccontava alcuni dei propri progetti musicali. Ha inciso oltre 20 CD DAVIDE BURANI Diplomato in pianoforte e in arpa, ha conseguito con il massimo dei voti e lode il Diploma Accademico di secondo livello in arpa presso il Conservatorio “Boito” di Parma. Perfezionatosi con Fabrice Pierre e Judith Liber, si è imposto in numerosi concorsi nazionali ed internazionali (finalista con menzione d’onore al “Tournoi International de Musique” XI ed. a Salon de Provence e vincitore assoluto del “Music World” di Fivizzano (2004). Si è esibito come solista in prestigiose sedi concertistiche in Italia e all’estero: Teatro Regio di Parma, Teatro Comunale di Ferrara, Accademia Filarmonica di Bologna, Galleria Franchetti alla Ca’ d’Oro di Venezia, Palazzo Ducale di Venezia, Conservatorio “Verdi” di Milano, Lucerna, Cadogan Hall di Londra, Teatro dell’Opera di Praga, Centro Internazionale delle Arti di Pechino, Tokyo Opera City, Symphony Hall di Osaka. Ha collaborato in qualità di prima arpa con l’Orchestra del Teatro Comunale di Bologna, con l’Orchestra della Radio Svizzera Italiana di Lugano, con I Virtuosi Italiani, con l’Orchestra Filarmonica Arturo Toscanini di Parma, con l’Orchestra Regionale dell’Emilia Romagna, con l’Orchestra “Bruno Maderna” di Forlì. Ha partecipato a numerose trasmissioni radiofoniche e televisive ed è stato invitato a presentare i suoi lavori discografici presso gli studi di Radio Uno della Radio Svizzera Italiana e presso gli studi di Radio Tre nel corso delle trasmissioni Radio Tre Suite e Piazza Verdi. Ha inciso vari CD. Ha tenuto Masterclass di Arpa. Dal 2014 collabora con il Maestro Leo Nucci accompagnandolo nelle sue tournées internazionali ed il gruppo cameristico Italian Opera Chamber Ensemble. Dal 2009 è docente di arpa presso l’Istituto Superiore di Studi Musicali “Achille Peri” di Reggio Emilia.

SOUND ACTS 12 and 13 February, matinee for schools IN THE NAME OF A ROSE In this show, themes such as the meaning of life and the meaning of love and friendship are addressed. Each planet visited by the protagonist, who travels in the Universe, represents a metaphor of human nature. The King represents the thirst for power. The Vanitosa is a symptom of a gaze turned towards oneself and not towards the other. The drunkard is the emblem of the social unease of lonely people. The businessman is the explicit reference to the frenzy of the world. The Lampionario is the only figure of a man who does something useful, that is, he deals with something other than himself. Finally, the Geographer is the metaphor of knowledge, in which emotions are its engine, just as affectivity moves knowledge. Company ChiE'diSCENA 05 08 010 06 07 011

Kafka, Letters to Milena Form Gallery 1

La Praga di Kafka Praga non ci lascia più andare. Questa piccola madre ha gli artigli. Non c’è altro da fare che cedere. Per potersene liberare bisognerebbe darle fuoco da due lati, il Vyšehrad e il Hradčany. Franz Kafka Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". PRENOTAZIONI teatrodelbaraccano@gmail.com cell. 393.9142636 INFO J&K Jabalito& Karma Viaggi jabalitokarma@gmail.com cell. 3270503296 Vincenza Maugeri cell. 349 7774749 QUOTA INDIVIDUALE DI PARTECIPAZIONE € 750,00 * supplemento camera singola € 210,00 numero minimo partecipanti: 20 numero massimo partecipanti: 25 [*salvo adeguamento tariffe voli] ISCRIZIONI CON VERSAMENTO DELL’ACCONTO DI € 250,00 SALDO ENTRO 25 LUGLIO 2024 iscrizion i con pagamento tramite bonifico bancario indicando cognome, nome, causale “La Praga di Kafka” IBAN: IT08A0707202403000000721562 intestato a Persephone, le pause del silenzio Emil Banca LA QUOTA COMPRENDE - voli RYANAIR A\R - 3 pernottamenti con prima colazione in hotel 4 stelle - trasferimenti in pullman privato dall’aeroporto di Praga all’hotel e viceversa - cena come da programma - Opera come da programma - visite e ingressi come da programma - guide culturali qualificate - presenza e assistenza coordinatore del viaggio LA QUOTA NON COMPRENDE - assicurazione medico-bagaglio e contro annullamento - trasferimenti al di fuori del programma - pasti non menzionati nel programma - mance - extra di carattere personale e tutto quanto non specificato alla voce «la quota comprende» GUARDA IL VIDEO VAI ALLA GALLERY Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings