RESPIGHI SUITE Form Gallery 1 Brochure e cd

21 and 22 April, 9 pm THE MOST WILD THIRST, THE MOST WILD HUNGER musical monologue on the Resistance The show is a "choral monologue". Roberto Mercadin i, alone on stage, evokes a glowing multitude of characters and stories. Flashes tragic or hilarious, heroic or ridiculous, tender or merciless. The incredible story of the drunkard from Roversano or the poignant story of the unnamed German. Because the Resistance and what followed, the origin and foundation of our Republic, was a dizzying tangle of different and often extreme things. Thus the eyes see the purest light, the darkest darkness. The title mentions Fr Celan, a deported Jewish poet, but also recalls the Gospel of Matthew: “Blessed are those who hunger and thirst for justice”. Here, the partisans had, perhaps, "the wildest hunger, the wildest thirst". by and with Roberto Mercadini and with Guido Sodo guitars and vocals Carlo Loiodice accordion Roberto Bartoli contrabass Ticket 20 € (full), 15 € (reduced) Buy tickets Roberto Mercadini Guido Sodo Carlo Loiodice Roberto Bartoli ROBERTO MERCADINI Born in Cesena in 1978. Poet, monologist, storyteller, he has written and performed several narrative shows, including: Black fire on white fire - a journey into the Hebrew Bible. With translation from ancient Hebrew by the author .; We owe a rooster to Asclepius - monologue on the origin of philosophy. From a friendly suggestion from Rocco Ronchi; We are the soil, we are the earth - monologue for a planetary citizenship. A production from Popular Bank Ethics; How to educate to the storm - life and mind of Giuseppe Mazzini. Commissioned by the Italian Mazziniana Association, Cesena Section. Also represented at the National Assembly of Italian Mazzinians in Turin in 2011; L - or the chaotic journey of Leonardo da Vinci in Romagna. Commissioned by the ViaTerrea Cultural Association. Scientific advice by Pino Montalti. Represented at the 2013 Rimini Ancient World Festival with the extraordinary participation of the Osiris Band. He is the author and performer of shows that alternate poems and monologues, including: Show of Joy and Restlessness - lyrics, satire, storytelling; Focus on the rain - Poetic monologue with open eyes He has published: I never write anything (Sagoma, 2016); On the origin of the light it is pitch dark (Miraggi, 2016); Rhapsodies from Romagna (Ponte Vecchio, 2014); Madrigals for ecstatic surfers (Ponte Vecchio, 2011). He has a YouTube channel where he curates a Vlog entitled Talking Poet. Together with Guido Catalano he carries around a poetic reading entitled We had a beautiful title, but only us understood it.

ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu flauto Filippo Mazzoli fagotto Corrado Barbieri arpa Alice Caradente clavicembalo Istvan Batori fisarmonica Umberto Turchi tromba Gabriele Buffi basso tuba Gianluigi Paganelli arrangiamenti di Fabio Codeluppi , Giambattista Giocoli e Filippo Mazzoli L'evento fa parte di Bologna Estate 2022, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena. The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli Biglietteria intero 22€, ridotto 18€ Acquista biglietti 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite

11 and 12 April Forum DISSENT IN / WITH (CON) SCIENCE More info : https://site.unibo.it/wetell/en

5 August, 9.30 pm DISENCHANTED 8 August, 9.30 pm POPULAR SONGS 12 August, 9.30 pm CONCERT FOR JACK LONDON August 16, 9.30 pm THE FISHER AND THE CROW 19 August, 9.30 pm THE DANCING FINDER August 21, 9.30 pm THE BARBER IN COMICS english version 24 August, 9.30 pm THE CARTOON BARBER Italian version

Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone 1/6 INGRESSO GRATUITO Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

July 6, 9.15 pm FontanaMIX ensemble - In.Nova Fert SEVEN SONGS FOR BRUNO a concert / documentary for Bruno Maderna's 100th anniversary Sette Canzoni per Bruno is a tribute that the FontanaMIXensemble and the "In.Nova Fert" Collective dedicate to Bruno Maderna on the occasion of the centenary of his birth. The concert / documentary represents the final moment of a research work and of a "Madernian" laboratory, with composers and performers, which wants to restore the image of the man and the artist, recalling the historical weight of his contribution and reflecting on his music as an example of an eternal classic. A different way to creatively revive the thought and the work suspended between a profound humanism and the rigor of the Neue Musik , between the love for ancient music and the game of magic squares , between a complex thought and a light one. Sette Canzoni per Bruno is made up of several expressive elements: one visual, one narrative and one musical. Fragments, sketches, magical squares of Maderna's work, also taken from the transcriptions of authors of the past and of the lighter production, represent the sources for free compositional elaborations that together form a musical tale strongly imbued with his way of making music and his tenacity to always investigate the new. In the same way the projections present in the concert / documentary collect and elaborate fragments of the life of the Venetian composer, of his intense activity as director and popularizer, forming visual compositions that interact musically with the elaborations for ensemble. The final result are seven musical moments for voices, ensembles, videos and electronics , which tell seven different chapters of Maderna's life, as a violinist and director of The Happy Grossato Company to the composer of the great masterpieces of the '70s. The compositional work curated by the In.Nova Fert Collective was made possible thanks to the precious consultations of the audiovisual material preserved at the Maderna Study Center of the Department of Arts of the University of Bologna. "From the childhood of an enfant prodige, between jazz and conducting, to the discovery of the Gabrieli and Monteverdi, to the comparison with the postdecaphonic lesson, here is the standing portrait of one of the protagonists of the music of the second half of the twentieth century, who often he preferred to highlight others and not his work, in a frenetic activity that always had an extraordinary humanity as its center of gravity, the pendulum of the most reckless artistic adventures. " (Luca Scarlini) Sette canzoni per Bruno FontanaMIX ensemble In.Nova Fert FontanaMIX ensemble In.Nova Fert Collective Luca Scarlini dramaturgy and narrator Stefano Croci video Valentina Coladonato voice Francesco La Licata direction Single ticket € 10 Buy tickets In case of rain the tickets will not be refunded

SASSOLINO Teatro del Baraccano - Bologna dal 25 al 27/01/24 Scopri di più RESPIGHI SUITE Spalato - CROAZIA 31 luglio 2024 Scopri di più KAFKA Lettere a Milena Teatro del Baraccano - Bologna 15 novembre 2024 Scopri di più ALL'OPERA! Teatro del Baraccano - Bologna 13 dicembre 2024 Scopri di più RADIO RITMO voci e suoni dall'etere Teatro del Baraccano - Bologna 27 aprile 2024 Scopri di più RADIO RITMO voci e suoni dall'etere Teatro del Baraccano - Bologna 24 agosto 2024 Scopri di più KAFKA Lettere a Milena Sala Sangiorgi Fondazione Masini - Forlì 16 novembre 2024 Scopri di più RADIO RITMO voci e suoni dall'etere Piazza San Francesco - Bologna 28 giugno 2024 Scopri di più KAFKA Lettere a Milena Teatro del Baraccano - Bologna 1 settembre 2024 Scopri di più KAFKA Lettere a Milena Sementerie Artistiche - Crevalcore (BO) 17 novembre 2024 Scopri di più 2022 2023

Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Mare Aperto Trasparenze Assalam Misirlou Historia de un amor Chante chante ma guitar Pausa monologo attrice Adio kerida Taksim La llorona Quando il vento tace Vent du sud BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Aperitivi a cura di Oui in cucina www.ouiincucina.com Acquista biglietti ATTI SONORI fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena. Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

June 9, 9 pm LONG SHADOWS Seth Graham & Jay Glass Dubs After the last edition last December, Long Shadows reopens the year with 2 concerts in the Teatro del Baraccano. Seth Graham is an American artist, composer and co-founder of Orange Milk Records . His latest work Gasp it is a sort of digital blob of classical music, within which the limits of classical structure and modern technology are tested. Through a dense digital synthesis he creates images that are now lively and colorful, now sad and gloomy, thus placing his own imprint in the area of general vulnerability. Dimitris Papadatos (in art Jay Glass Dubs ) conceals his best card in change. Exploded in 2016 with the Dancehall Mixtape release (Bokeh Versions) Dimitris assimilates, modifies, changes and reassembles the basic elements of the dancehall of his personal collection. In a few years this typical change-rearrange approach led him to final maturity: with the debut album Epitaph , gets rid of the “dub” ending at the end of each title and is reborn into something completely new. Single ticket € 10 Buy tickets Ombre_Lunghe_9-06-19

ATER - EMILIA ROMAGNA THEATER ASSOCIATION 16 August, hours 21.30 THE FISHER AND THE CROW theatrical concert Sarah Jane Morris , singer and author between rock, blues and jazz, and the great actor and performer Silvio Castiglion have given life to a new project that will amaze the most loyal fans. Famous for her red mane and a censored interpretation of the classic Me and Mrs. Jones , the singer has always attracted attention for both political views and vocals. His talent joins the fertile research of Silvio Castiglioni, actor and theatrical researcher. This is the continuation of the happy intuition and collaboration between Silvio Castiglioni, Fabrizio Bosso and Luciano Biondini which resulted in a concert for Jack London . Now as then, the encounter between the arts is the protagonist, that of the poetic story of the fabulator Castiglioni, and of singing through the power and vocal charisma of Morris, accompanied by Tony Remy and Tim Cansfield on guitars. “ When Sarah sent me her new songs - says Castiglioni - and in particular the one that gives the show its title, I thought about the crow and the world of fairy tales. In many civilizations the crow is considered a ferryman between the kingdom of the living and that of the dead: when the heart of the dead person is particularly filled with pain and anger, or with grateful love, the crow resurrects his soul so that it can return to settle the scores. In fairy tales, the involvement of the dead is frequent, as is the hero's journey into the unknown; a journey that many people in the world today are forced to make out of desperation and necessity, as sung by Sarah in her poignant version of Imagine (the show also includes some of her well-known interpretations!) These and other suggestions have led us into the heart of a fairy tale created by the genius of HC Andersen; a little known story, light and profound, which cultivates the ancient pleasure of listening, here arranged to emotionally intertwine the different worlds evoked by the songs, and prepare us for the disturbing power of Sarah's grand finale ”. www.ater.emr.it I sing Sarah Jane Morris voice Silvio Castiglioni Tony Remy guitar Tim Cansfield guitar Ticket € 13 (full), € 10 (reduced) Buy tickets Sarah Jane Morris

January 31, 2020, matinee for schools and 8.30 pm I HEAVEN - FRIDA KHALO " Is it legitimate to invent new verbs? I want to give you one: I heaven, so that my wings can spread out beyond measure to love you without borders. " (Frida Kahlo) A show that traces the life of Frida Kahlo against the backdrop of revolutionary Mexico. Shots of a tormented, passionate, violent existence; of a crazy woman, very sweet and in love with life. The show revolves around the love that Frida had for her land, for painting, for Diego, for life, for love itself. The languages to tell it range from theater to music: the text is made up of stories, letters from his diary, the voice of Diego Rivera that gives different nuances to the known figure of the painter. And finally, the music. Songs of the Mexican tradition carefully chosen to enrich and embellish the story, left to the skilful live interpretation of Massimo Donno on voice and guitar and Francesco Pellizzari to percussion. The first meeting with Frida took place in 2015 during a torrid summer in Bologna. "Here, read this!", My roommate gave me a book: "Pino Cacucci ¡Viva la vida!". On the cover a face, still little known. From that August my personal research on Frida began: with passion I studied her life and her works, Diego Rivera and muralist art, Mexico and the revolution of the early 1900s; I discovered my friendship with Leon Trotsky and the one with great artists of the time (T. Modotti, L. Matiz, A. Breton, LA Bravo), the affection for his friend as well as doctor L. Eloesser and the bond with his family, in particular with his sister Cristina. This was accompanied by a constant listening and growing interest in Mexican music: from the pre-Columbian sounds to the corrido, up to reach the great artists of yesterday and today (P. Infante, C. Vargas, L.Downs ...). Thus the desire to tell others, you, the wealth of this woman has made its way. Frida gave life to what she loved. He spared nothing, he gave himself all. This awareness raised a question in me: what am I giving my life for? I live with my peers the difficulties of the working world, the nonsense, the injustices. We stagger in a space devoid of guidelines, we cling to the first who passes and who tells his truth, we rape in "hope." that one day ... "; meanwhile they eat on our heads. In all this chaos, what can we do? Choose. Ask ourselves every day: for what, to whom am I giving my life? Frida continues to suggest the answer. Aurelia Cipollini by and with Aurelia Cipollini Massimo Donno voice and guitar Francesco Pellizzari percussion heading off Diego Rivera Tomas Acosta Ticket 12 € (full), 10 € (reduced) Buy tickets frida-14 frida-04 frida-13