Illustrazioni di Inga Dagilė

26 and November 27 matinee for schools THE SOUL or THE VIOLIN musical theater show The soul or the violin it is a story that takes place in the intertwining of music and storytelling. Through the story of a soldier who sells his violin to the devil in exchange for his soul, the concept of duality between good and evil is expressed. The soldier, that is the man, can choose to have easy money, money, but this well-being can hide dangers, it can have consequences including losing happiness and the things that really matter in life: affections, friendship. , being real people. The soldier will remain a victim of his own riches, but I will have an opportunity to redeem himself, he will have a second chance and, if he knows how to grasp it, he will finally have rediscovered the meaning of life. ORCHESTRA DEL BARACCANO director Giambattista Giocoli narrator Angela Malfitano Roberto Noferini violin | Fabio Quaranta double bass Giovanni Picciati clarinet | Luca Reverberi bassoon Fabio Codeluppi trumpet | Valentino Spaggiari trombone Nunzio Dicorato percussion illustrations Michele Cerone dramaturg Gianluca Cheli Histoire du soldat Histoire2 Giambattista Giocoli Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano THE ORCHESTRA The Baraccano Orchestra was born within the activities of Theater of They baraccano of Bologna, where a production and research project on the theater is carried out chamber music. IS was founded in 2013 and is directed by its artistic director Giambattista Juggles . The Orchestra has produced numerous musical theater performances both independently both in co-production and collaboration with the Teatro Comunale di Bologna, BSMT productions and the University of Bologna. Among the productions we remember: the musicals A Little Night Music And Sweeney Todd by Stephen Sondheim, the show Histoire du Soldat by Igor stravinskij, the projects At the Opera! , symphonies, interludes and overtures of the Italian opera e 4th Gustav Mahler , the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017 he carried out the following projects: Popular songs , with soloist Cristina Zavalloni, a new Histoire du soldat with the reciting voice of Ivano Marescotti and The Barber in Comics , "The Barber of Seville" for music, animations and Manga comics, designed by Tsukishiro Yuko, in international co-production with the Japan. The goal of the Orchestra is to play, with formations for chamber orchestra, musical works originally composed for large orchestras, producing new scores played "in real parts". THE DIRECTOR GIAMBATTISTA GIOCOLI At first clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna. As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Municipal Theater Orchestra from Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as guest conductor with the Orchestra of the Toscanini Foundation of Parma , and from 2017 with the Rossini Symphony Orchestra of Pesaro . In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera. AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna.

July 25, 9.15 pm Entroterre Food Festival TWO BUDS ... WITH ROSSINI Harmonic taste - the music of food The show is inspired by the presence at the International Museum and Library of Music of a room dedicated to Rossini. The founding elements will be cooking and comedy tackled without any antiquarian vocation starting from the music of the Est trio that makes eccentricity, the game of quotations, the parody its own code. We will start from Rossini to create a completely original and innovative emotional design. www.entroterrefestival.it Fabrizia Ventura Chef Designer - Euro Project Manager, member of the European Register of Europrogettisti, Accredited teacher of the Ministry of Education, member of the Lazio Region trainers register. APCI Lazio Director: PROFESSIONAL ASSOCIATION OF ITALIAN COOKS - Lazio delegation, Communication Manager DOC ITALY Association - Communication Manager Pastry Chef Ciro Chiazzolino - Chef Sandro Serva (La TROTA ** Michelin Stars). Executive Chef Rizzotti Restaurant Prague - Executive Chef Designer Entroterre Food Festival, Project Communication Manager Romagna Musica, Brand Ambassador Circuito da Lavoro. - Brand Ambassador Antica Maccheroneria - Executive Chef trainer Vish INTERNATIONAL SCHOOL - Turism, Hospitality & Culinary Arts - Chef Trainer Hotelier Amatrice / School TU CHEF ROME / Gastronomic Hotel Institute SAFI ELIS Rome, Executive Chef World Chilli Pepper Trade Fair. Member of the International Order of Disciples of Auguste Escoffier. ONAF Cheese Taster. Creator and promoter of the Cook Design ITALY and SUSCItaliano brands, she spreads the concept of food design, as design, art and communication of food. Theory that develops from personal artistic training: Degree in art history with a research thesis and specialization in drawing, engraving and graphics, together with the experience gained in the world of communication and catering and an immense passion for the food sector. The experience gained, the development of the sector in a technological and media key and the consequent birth of new communication needs of chefs and operators, have paved the way for a double consultancy activity as Executive Chef and in the planning and management of events, training, communication and marketing. Est trio Alessandro Tampieri Fabrizia Ventura EST TRIO Nicola Nieddu violin Antonio Cortesi cello Luca di Chiara double bass Alessandro Tampieri actor Fabrizia Ventura executive Chef Single ticket € 10 Buy tickets

21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu flauto Claudia Piga clarinetto basso Davide Braco arpa Alice Caradente clavicembalo Istvan Batori fisarmonica Raffaele Damen tromba Giulio Padula basso tuba Gianluigi Paganelli arrangiamenti Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

LYRICAL ORCHESTRA CONDUCTING COURSE by Maestro Pietro Veneri October 2019 - May 2020 The course will follow a study program based essentially on the great Italian opera repertoire , without neglecting any combinations with schools of other backgrounds. There are 16 individual lessons per student, in the presence and participation of each member. At least 6 lessons will take place in collaboration with the Cupiditas Orchestra of Florence and with the help of opera singers. Auditors are expected. At the end of the course, a certificate of participation will be issued by the Cupiditas Association. Please note that the course will start only upon reaching a minimum number of 8 students . Registration form (by 30 September): https://www.cupiditas.it/nuovo/wp-content/uploads/2019/04/Modulo-Iscrizione.pdf More info : https://www.cupiditas.it/nuovo/corso-direzione-lirica/#!/discover LABORATORY OF DRAWINGS MANGA in collaboration with NipPop age 11-18 years from 13 March to 17 April 2019 teacher Giulia Morisi of the European Academy of Manga. Six dates on Wednesday afternoon , starting from 13 March 2019. The workshop offers the first tools for making Manga: drawing a face, creating the expression of the face, marking the difference between man and woman, designing the clothes and the various ages of a person. Free workshop for school students of the Santo Stefano district INFO teatrodelbaraccano@gmail.com LEGALITY PROJECT theater workshop for children age 11 - 18 years teacher Angela Malfitano , actress and theater teacher. It aims to build the ability to feel one's individuality, one's critical autonomy, the inner strength that will be sought to keep us balanced individuals. Deepen the awareness that we also have weakness and the attitude of greed and stupidity in us, but at the same time also have the ability to discern and understand how to counteract negative forces. All this can be done through a stage, telling the story of the soldier or the stories lived. Eight appointments on Thursday afternoon , starting from March 2019, with a final performance. Free workshop for school students of the Santo Stefano district INFO teatrodelbaraccano@gmail.com DIVERTEATRO amateur theater course for adults DiverTeatro is the FIRST theatrical reality in Bologna ENTIRELY dedicated to those who do theater for fun! DiverTeatro is not the usual series of weekly lessons: it is a real world where you can discover the theater and its secrets, through numerous other activities: internships, trips to the theater, meetings with artists, visits to theaters and much, much more. The Amateur Company is also about to be born… find out how to be part of it! Transform the way you live your free time, meet new people and find new friends, come and discover what lies behind the curtain ... Have fun doing theater! Teachers: Sara D'Angelo, Mirko De Pasquale, Daniel Favento MONDAY, TUESDAY and WEDNESDAY evening Info info@diverteatro.it www.diverteatro.it/il-corso TAIJI AND QI GONG Yang style taijiquan and qi gong course QiGong is an ancient practice with more than 4000 years of history, whose principles represent the basis of the entire Traditional Chinese Medicine. Its goal is to preserve or restore health, increase longevity, balance emotions, dissolve emotional and body tensions, all in fusion with Nature. Taiji is a martial art that derives from QiGong. Born as a self-defense system, it is deeply linked to philosophical and moral concepts and is completed in a kind of dance called Forma. What is taught is the Traditional Form 108 Yang style, which is divided into three parts. During the course we will study and practice simple and effective QiGong techniques to be applied to daily life, movements of the Medical QiGong to heal the internal organs, the basic Martial Applications for the construction of the Form. It will be a moment dedicated to oneself, to the well-being of the body and mind. Teacher: Edda Vittoria Venturi MONDAY from 6.45pm to 8.15pm INFO cell. 347.3908196 edda.venturi@gmail.com

RESPIGHI SUITE Form Gallery Video

Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Single ticket 5 € Buy tickets July 9 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

PRODUCTIONS ATTI SONORI was born in 2005 as a musical theater festival at the Arena Del Sole Theater in Bologna. The festival was characterized by the production of shows characterized by the transversality of languages, combining cultured music and other forms of art: combinations born from collaborations with subjects and artists who shared the charm of the interaction between different expressive forms. Subsequently, the festival developed in various theaters in the city of Bologna and its province, finding a home in 2010 at the Teatro del Baraccano with an annual program, which also includes a summer section in August in the Cortile del Piccolo Teatro.

Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone La Baracca - Testoni Ragazzi regia e adattamento teatrale Bruno Cappagli con Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick montaggio video Andrea Aristidi e Lorenzo Monti esecuzione tecnica Francesco Vaselli BIGLIETTERIA per le scuole: 5.50€ pomeridiano e serale: intero 12€ ridotto 10€ ( under 30, over 65, card Cultura, soci Coop) ridotto5€ (under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome in coproduzione con Sementerie Artistiche KAFKA: LETTERS TO MILENA Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Theatrical adaptation German Rosary with Rosario Tedesco and Nicola Bortolotti scenographic paintings Andrea Louis Ballardini production assistance Laura Ballardini ORCHESTRA DEL BARACCANO director Giambattista Giocoli Silvia Colageo flute Marco Soprana oboe Giovanni Picciati clarinet Mirco Ghirardini bass clarinet Giulia Ginestrini bassoon Imerio Tagliaferri horn Fabio Codeluppi trumpet Kafka. Lettere a Milena Franz Kafka (Praga 1883- Kierling 1924) musiche Settimino - Paul Hindemith Mládí - Leoš Janáček Ballardini info cell. 339.9142636 teatrodelbaraccano@gmail.com Biglietteria 15 novembre matinée per le scuole gratuito serale: intero 12€ ridotto 10€ under 30, over 65 ridotto 5€ under 18, card Cultura Acquista biglietti Biglietteria 16 novembre gratuito info cell. 0543.33598 | 388.835655 Biglietteria 17 novembre biglietto unico 12€ ingresso riservato ai soci (tessera associativa 3€ ) info cell. 388.2460985 Dopo lo spettacolo aperitivo a cura dell'Agriturismo Valle Torretta

August 18, 9.15 pm Entroterre Festival Arsene Duevi, Dudu Kouatè and Phase Duo afro beat and minimal electric music concert ARSENE DUEVI Arsene Duevi singer, ethnomusicologist, multi-instrumentalist and musical shaman. He was director of the choir of the Cathedral of Lomé , capital of Togo and has lived in Italy since 2002. Nel 2010 his recording debut with La Mia Africa which has sold over 2500 copies at concerts. In 2016 , Haya , hymn to life, was released (Musicamorfosi) a celebration of the life and hopes of those forced to migrate. In 2018 its first international launch with the official showcase at the Atlantic Music Festival in Cape Verde, the important reviews of RFI, the French radio specialized in the African continent and the live concert for WDR Cologne broadcast by the Bochum International Festival in Germany. 2019 is the year of the first international concerts: WOMAD (CHILE), AWA festival and Canadian Music Week in Toronto, then Paris, Lugano, Accra, Lomè, Abidjan, the birth of the new project with Enzo Avitabile and the opening of the Fatoumata Diawarà concert. DUDU KOUATE ' Mohamadou Kouatè , aka Dudù , griot son of griot, keeper and heir of a millenary tradition that he brought to Italy, disembarking in Messina in 1988, musician with exceptional skills, stable member since 2017 of the historic Art Ensemble of Chicago , with whom he recorded a record and played worldwide. Dudu tells, blows, sings, hits and plays his thousand instruments with which he takes us on a journey to the root of the sounds of the elements of the earth. He has played in Santiago in Praia for Atlantic Music Expo in Cape Verde and in almost every corner of the planet: from the prestigious Kennedy Center in Washington (USA) to Assilah Festival in Morocco, passing through Australia, South America, Russia etc. Dudu collaborates with Eloisa Manera, Arsene Duevi , Giovanni Falzone , Guido Bombardieri . PHASE DUO Phase duo mixes the typical accounting of tradition with electronic, classical, jazz and electronic sounds in a thin thread that unravels between Vivaldi , Steve Reich and the Indian Raga . Phase duo are Eloisa Manera (violinist, composer and improviser) and Stefano Greco (producer, sound designer and DJ). You come from the world of classical music, you have played with Mario Brunello and Herbie Hancock and your art has no boundaries; the monthly Musica Jazz included her in the shortlist of the 10 women who are changing jazz; he from the Milanese electronic environment with an unbridled passion for polyrhythms, Africa and Mussorgsky. The duo was born as an arranged marriage with Saul Beretta as matchmaker for one of the Musicamorfosi projects, a true artistic love that blossomed at Notturni 2015 and then exploded at LAC in Lugano for Focus India 2017 and which led to the production of their first album, where is it they mix their different histories and artistic backgrounds. A mix or rather a live remix of minimal music by Steve Reich and Terry Riley that led them to write and experiment original and minimal Indian Raga songs between live and electronic. They collaborated with Cristina Crippi for the Universal Phase project conceived with Fabio Peri for Danae Festival which debuted at the Milan Planetarium in October 2019. Phase Duo's first album was released by AUT records in Berlin on June 24, 2019. www.entroterrefestival.it Arsene Duevi Dudu Kouatè Phase Duo Single ticket € 10 Buy tickets

27 and 28 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 29 August RAD Respighi Ancient Dances music and dance DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. R.A.D. R.A.D. Orchestra del Baraccano DNA Company | choreography Elisa Pagani ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli Single ticket € 10 Buy tickets