Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone

Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone BIGLIETTERIA matinée ore 11 biglietto unico 5€ (acquistabile solo in loco) serale ore 20.30 intero 15€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Scheda Pulcinella...all'improvviso ALL'OPERA! symphonies and interludes taken from the most famous Operas of the Italian tradition The concert includes the performance, with original arrangements for Chamber Orchestra, of symphonies, preludes and interludes taken from the most famous Operas of the Italian tradition. From Bellini's Norma to Verdi's Forza del Destino , passing from Puccini's Manon Lescaut to the famous opening symphony of Rossini's Barbiere di Siviglia and again to the interludes of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci , and other popular interludes and symphonies of the Italian tradition. The Baraccano Orchestra will be involved in this project in a chamber formation with 8 orchestral players with real parts. The orchestral arrangements are by Lorenzo Meo. LA MASCHERA- CONFERENZA/LABORATORIO seminario teorico- pratico di approfondimento sulla maschera a cura dell’attore e regista Marco Sgrosso. Il linguaggio della maschera, il corpo che parla. Un approfondimento della tradizione della commedia dell’arte, attraverso la dimostrazione pratica della caratterizzazione del personaggio, con l’accentuazione dei suoi pregi e dei suoi difetti, sfruttando l’oggetto maschera. Con la maschera tutti i codici di comunicaizone vengono sovvertiti ed è il corpo che diventa il principale mezzo espressivo. LA MUSICA- PROVE APERTE “A LEGGIO” condotte dal M° Giambattista Giocoli L’Orchestra del Baraccano apre le porte al pubblico, offrendo la possiblità di assistere alle proprie prove, con una particolare modalità: stando seduti al fianco dei musicisti. Un’immersione nella musica a tutto tondo, con la possibilità di stare “dentro la musica”, seguire la concertazione del Direttore e percepire le dinamiche interne ad un’orchestra. CONCERTO TEATRALE La musica dal Conservatorio di Napoli e le commedie del 1700 della Biblioteca Nazionale di Napoli con protagonista Pulcinella, furono gli elementi che stimolarono la creazione ad Igor Stravinskij delle musiche del balletto Pulcinella (1919-1920), ispirato all’omonima opera di Pergolesi , musicista tra gli esponenti più importanti della Scuola Musicale Napoletana. Negli stessi anni Ottorino Respighi , grande appassionato di musica antica, arrangiava le Antiche Arie e Danze per liuto, una raccolta di danze popolari del ‘500 e del ‘600 e il pensiero va immediatamente all’epoca della nascita della commedia dell’arte , alla maschera e dunque al nostro Pulcinella . Il concerto teatrale PULCINELLA all’improvviso! comprende le musiche di Respighi, nella versione originale per ensemble e direttore e il Pulcinella di I. Stravinskij, anche queste arrangiate per ensemble . PULCINELLA, TRA CIELO E INFERNO Pigro, volubile e incostante, furbo ma anche stupido, intrigante, goloso e bugiardo, allegro e funereo, rudemente maschio ma intriso di femminilità, angelo e demonio, bonario e crudele, rassegnato e ostinato, comico e tragico, infedele, affamato e disperato, infiniti sono gli appellativi che si addicono a questa maschera straordinaria, sospesa tra il bianco candido dell’abito e il nero minaccioso del volto. Pulcinella, figlio della Luna e della Notte, originario di Acerra e inventato agli albori del Seicento dal famoso attore Silvio Fiorillo, che forse si ispirò al contadino Puccio D’Aniello da cui forse deriva il nome. La maschera di Pulcinella possiede una caratura inquietante e misteriosa, collegata all’uovo da cui si affaccia alla vita il ‘pulicinello’. È la dimensione più profonda e primordiale che ci interessa esplorare nel lavoro in maschera, che dai tempi più antichi svela e rivela le inquietudini, le fragilità e il bisogno vitale di libertà dell’uomo contemporaneo. Marco Sgrosso BARACCANO ORCHESTRA conductor Giambattista Giocoli piano accordion flûte and piccolo bassoon trumpet cello double bass horn arrangement by Lorenzo Meo organizational direction Nella Belfiore ALL'OPERA! Sinfonia dalla Norma by Vincenzo Bellini Preludio da La Traviata by Giuseppe Verdi Preludio da Aida by Giuseppe Verdi Ouverture dal Don Pasquale by Gaetano Donizetti Intermezzo da L'Amico Fritz by Pietro Mascagni Intermezzo dalla Cavalleria Rusticana by Pietro Mascagni Sinfonia da Il Barbiere di Siviglia by Gioacchino Rossini Intermezzo da I Pagliacci by Ruggero Leoncavallo Intermezzo dalla Manon Lescaut by Giacomo Puccini Sinfonia da La Forza del Destino by Giuseppe Verdi BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna. ORCHESTRA DEL BARACCANO L'Orchestra del Baraccano nasce all'interno delle attività del Teatro del Baraccano di Bologna, dove viene realizzato un progetto di produzione e ricerca sul teatro musicale da camera: ATTI SONORI. È stata fondata nel 2013 ed è diretta dal suo direttore artistico Giambattista Giocoli e ha prodotto numerosi spettacoli di teatro musicale. L’obiettivo dell'Orchestra è suonare, con formazioni per orchestra da camera, opere musicali originariamente composte per grandi orchestre, producendo nuove partiture suonate "a parti reali”. Tra le produzioni ricordiamo: lo spettacolo L’histoire du Soldat di Igor Stravinskij; 4th Gustav Mahler, la Quarta sinfonia di Mahler, arrangiata per orchestra da camera; il progetto All’Opera!, sinfonie, intermezzi e ouverture dell’Opera lirica italiana ed i musical A Little Night Music e Sweeney Todd di Stephen Sondheim. Nel 2017 ha realizzato Popular songs, con solista Cristina Zavalloni; un nuovo L’histoire du soldat con la voce recitante di Ivano Marescotti ed Il Barbiere a Fumetti, "Il Barbiere di Siviglia" per musica, animazioni e fumetti Manga. Nel 2019, in occasione del 100 anni della nascita del Bauhaus, ha prodotto il concerto IMMUTEA 1919, in collaborazione con Bologna Design Week. Nel 2021 ha registrato il CD RESPIGHI suite, nell’ambito del Respighi project, un progetto sul musicista e compositore bolognese Ottorino Respighi e ha realizzato il concerto teatrale Kafka, Lettere a Milena. Nel 2022 è stata il fulcro del progetto PON VoltONE su AIDA, una riduzione dell’Opera di G. Verdi per ensemble e voce recitante. Sempre nel 2022, con il programma RESPIGHI suite, è stata in tournée in Repubblica Ceca e Polonia, nel 2023 in Ungheria e nel 2024 in Croazia. L’Orchestra per la sua attività di produzione e distribuzione è sostenuta regolarmente dal Comune di Bologna e dalla Regione Emilia-Romagna.

AIDA the music dances in the sand reduction of Giuseppe Verdi's Opera for ensemble, narrator and lights Form Gallery

by and with Sandra Cavallini November 17, 9 pm SOLFERINO RED when the earth was dyed with the blood of forty thousand and more young soldiers and how the women of Castiglione made no distinctions in offering water, bandages and broth The story of the historic battle of San Martino and Solferino in 1859, which saw, among the dust of the nineteenth century, the birth of the Red Cross and humanitarian interventions, leads us in the midst of still current conflicts between otherness and belonging, between the idea of nation and supra-nationality of human rights. The historical premises, the evocation of events and places and the dynamics of war, are entrusted to the chorus of patriotic songs and a disenchanted narration, between romantic tones and enthusiasm of the first hour, up to the paroxysm of the Radetzky March. The following of the events that lead to the theater of battle is mitigated by a naively epic expressiveness, which recalls images and languages of nineteenth-century propaganda: vintage postcards, caricatured tones for emperors and princesses, implications of the beautiful Gigogin , puppet heads and lead soldiers. At the moment of the real impact of the firefight, the gait becomes so painful and astonished that it is suspended from time for a wide with contemporary tones. The light, imperceptibly concentrating, gives way to the dark where " the dust was so thick that one could hardly distinguish one from the other ". It is the pervasive concreteness of the testimonies of the time from the extracts of letters and diaries that brings us closer to the paradoxes of historical conflicts, while the incipit, inspired by contemporary poetics, and the ending they act as a bridge to current human affairs. The progress of the battle, between smoke and dust, flows before the eyes of the character of the Viv Bandiera , who tells us of the female presence in almost all the armed bodies of the time. These women, mostly in charge of commissions, also take care of the first transport of the injured with the supplied wagon. Faced with the sufferings of the soldiers abandoned on the ground / theater of battle, the vivandier evoked in the show embodies, and absolves as best she can, that restorative tension which, crossing borders and flags, animated the women of Castiglion delle Stiviere . The fundamental lines are dedicated to them, to these women, which still maintain the TUTTI FRATELLI passage in Italian, in the well-known publication by Henry Dunant Un Souvenir de Solferino . The publication was sent to the sovereigns of Europe with the desire to find a supranational agreement. The International Red Cross is born . From the first Geneva Convention in which the inviolability of rescuers and wounded was defined for the first time, the enunciation of the principles of human rights extended to peacetime up to the Universal Declaration of Human Rights of 1948 will follow, war after war. , where the inviolable right to peace still remains to be affixed. “ A great delicacy to narrate a noisy, dramatic and confusing historical event. The image of meat sewn with needle and thread is still very present in my mind, as well as the slow and gentle gesture of putting all the toy soldiers in the tin box, at the end of the war, with that lullaby that almost put a thin veil of silk on the field of the last battle. So in the end, everything was swallowed up by silence and the spectator was left alone, witnessing a tragedy, while the dead and wounded were carried away by the wagons. Thanks again for your time. " “ It was a really good show and very well done. When it finished I kept thinking, especially about the hot air balloon scene. That scene, in my opinion, makes you understand that man hates his fellow men so much that he prefers death rather than mutual aid. " “ The show was very stimulating because it talks about people, like the sutlers, who in history have helped us to get to who we are today, and are sometimes underestimated. " solo for actress, souvenirs, toy soldiers by and with SANDRA CAVALLINI historical-scientific collaboration Mirtide Gavelli of the Civic Museum of the Risorgimento in Bologna Giorgio De Marchi props and leather puppets by SALEBLU The Treasure Rooms - cultural Association Ticket 12 € (full), 10 € (reduced) Buy tickets Locandina Rosso Solferino logo Emilbanca

Illustrazioni di Inga Dagilė

Gallery R.A.D.

Respighi suite 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu flauto Filippo Mazzoli fagotto Corrado Barbieri arpa Alice Caradente clavicembalo Istvan Batori fisarmonica Umberto Turchi tromba Gabriele Buffi basso tuba Gianluigi Paganelli arrangiamenti Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. 1/3 ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

A LITTLE NIGHT MUSIC After the great success of a Broadway It is in the West End Londoner since 1973 to date, it finally arrives also in Italy exclusively "A Little Night Music", the award-winning musical by Stephen Sondheim with booklet by Hugh Wheler, produced by the fledgling company THE PERFORMErs with SOUND ACTS in collaboration with BSMT- Bernstein School of Musical Theater. Based on the 1955 film by Ingmar Bergman Smiles of a summer night, the musical is about love and affective relationships born between different couples. Sophisticated and full of spells, the soundtrack composed by Sondheim intertwines suggestive waltzes, bewitching vocal quartets and lyrics interwoven with humor and poetry. The exciting air Send in the Clowns it soon established itself as a hit, and became a "classic" of the musical, recorded by numerous pop and musical singers. Many other pieces also deserve to be mentioned, including the female duet Every Day a Little Death, You Must Meet my Wife and A Weekend in the Country, The Miller's Son and Night Waltz. A pressing melodic reconstruction to retrace, as already mentioned, the love stories of several couples that fate had removed and reunites in a country villa for a weekend. Duration: approx. 3 hours Singing, acting, dance and live music. Direction and adaptation Sara D'Angelo Choreography Carla Della Vecchia Artistic direction Edoardo Scalzini And Eleonora Lombardo Vocal direction Vincenzo Li Causi Musical direction Giambattista Giocoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli Desirée Armfeldt | Simona Distefano Fredrik Egerman | Antonio Cadoni Anne Egerman | Giulia Fabbri Henrik Egerman | Marco Trespioli Charlotte Malcolm | Eleonora Lombardo Carl Magnus Malcolm | Matteo Ferrari Petra | Beatrice Berdini Frederika Armfeldt | Veronica Appeddu Madame Armfeldt | Federica Ugolini Frid | Simone Mastria MRS Nordstrom | Sara D'Angelo MRS Anderssen | Rosalba Iacoviello MRS Segstrom | Irene Romano MR Erlanson | Edoardo Scalzini MR Lindquist | Michael Anzalone Malla / Osa | Clara Di Donato Italian registration document Andrea Ascari Italian music lyrics Michael Anzalone Costumes Fabio Cicolani and Silvia Cerpolini Scene objects Simona Distefano Scenographies Federica Amatuccio Lights Micaela Piccinini Graphics Stefano Bonsi General assistance Alessia Baggiolini BACK

ANDREA BIASCO video and lighting technician I was born in Casarano (LE) on April 6, 1991, and I lived there until the age of 19. After graduating from the Casarano linguistic high school with excellent marks, in 2010 I moved to Bologna to attend the faculty of Foreign Languages and Literatures. Here, thanks to a training internship at the end of the course, I came into contact with the Persephone Cultural Association, with which I first carried out the translation of technical data sheets and room programs, and later on the technical and organizational tasks. In 2015, at the end of the aforementioned internship, I began to actively collaborate with this association covering, in particular, the role of lighting technician. or therefore had the opportunity to work on all the activities that involved the Teatro del Baraccano and its staff. From musical theater to prose, passing through the technical collaboration with the contemporary dance festival "Gender Bender" which takes place every year in Bologna. In 2019 I attended a higher education course, organized by the Emilia Romagna region, on eco-sustainable audio-visual production: '' Green Movies Project Manager: promoting eco-sustainable audio-visual production ''; at the end of which I undertook a training internship at Ravenna Teatro, in Ravenna, in which I worked on the production and distribution of the film '' The Sky over Kibera '' by director Marco Martinelli. Thanks to my experience gained over the years in this sector, I have developed excellent communication skills, understanding and diplomacy. To which are added flexibility and adaptability to new work contexts. Working in the entertainment world allowed me, therefore, to learn how to manage the time at my disposal, meet deadlines, work in a team and under pressure.

Pulcinella all'improvviso Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Musiche di OTTORINO RESPIGHI (Bologna, 1879 – Roma, 1936) brani tratti dalle suite ANTICHE ARIE E DANZE PER LIUTO arrangementi di Fabio Codeluppi, Giambattista Giocoli e Filippo Mazzoli Balletto detto "Il Conte Orlando" (1599) Villanella (fine sec. XVI) Campanae parisienses - Aria (sec. XVII) Danza rustica (1617) Laura soave, Balletto con gagliarda, saltarello e canario (1581) Arie di corte (sec. XVI) Passo mezzo e Mascherada (fine sec. XVI) Gagliarda (155?) Italiana (fine sec. XVI) Bergamasca (1650) Siciliana (fine sec. XVI) ********** G. B. PERGOLESI (Jesi, 1710 – Pozzuoli, 1736) IGOR STRAVINSKIJ (Lomonosov, 1882 – New York 1971) brani tratti dal balletto PULCINELLA arrangiamenti originali per ensemble di Lorenzo Meo Sinfonia Vivo Finale ********** TESTI drammaturgia originale o ispirata a testi della tradizione partenopea a cura di MARCO SGROSSO Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".

RESPIGHI SUITE Form Gallery Video