Lenti passi nel tenebroso palazzo di fate from 24 May to 6 June | Charterhouse of Bologna SLOW STEPS IN THE DARK PALAZZO DI FATE the Charterhouse to the discovery of Ottorino Respighi treasure hunt From 24 May to 6 June the Risorgimento Museum offers a 'treasure hunt' in the monumental Cemetery of the Certosa to be done independently, dedicated to the figure of Ottorino Respighi (1879-1936) , one of the most famous musical composers of the twentieth century. Through a downloadable map by clicking on the button below, you will be able to discover the musical and family world of the artist, a relative of famous sculptors, art critics, doctors, men of arms and of the writer Vittoria Guerrini, aka Cristina Campo . In the stages of the route, QR codes will be available for those who want to learn more through texts, documents, videos and music. Made on the occasion of the Week to discover European cemeteries and the historical re-enactment of 8 hundred Aps Made Italy ; within the Respighi Project of the Teatro del Baraccano. Info: museorisorgimento@comune.bologna.it Download the map The map can also be downloaded through the Facebook channels of the Museum of the Risorgimento , 8 hundred , Baraccano Theater and Amici della Certosa , or by going to the Info Point of the Certosa during opening hours (via della Certosa 18 - Church courtyard). Smartphone with QR reader / app required. Ottorino Respighi Certosa Bologna Respighi Project

Commedia madrigalesca di Adriano Banchieri. Compagnia Dramatodia, ensemble di musica e teatro. Compagnia Dramatodia, music and theater ensemble 10 August, 9.30 pm THE BOAT OF VENICE FOR PADUA madrigal comedy by Adriano Banchieri The music gives voice to a colorful series of characters: merchants, courtesans, students, Jews, foreigners, gathered in an imaginary river journey between the two main centers of the Serenissima Republic, Venice and Padua. The Boat of Venice for Padua , published in Venice in 1605, is a profane music by Adriano Banchieri ; Olivetan monk of the Bolognese convent of San Michele in Bosco, composer and music theorist among the most illustrious of the early seventeenth century. Among his works attributable to the genre of the Madrid comedy La Barca stands out for the rich narrative frame in which the various pieces are set. The Dramatodía ensemble, made up of 13 elements, owes its name (from the Greek “representative song”) to the Intermediates above the deceived Aurora composed by Girolamo Giacobbi in 1605, which constituted the first example of musical theater in the Bolognese area. The ensemble was born in 2000 with the intention of reviving the theatrical repertoire of the comedians of the sixteenth and seventeenth centuries and to explore the musical production that arose to enrich the performances. Ticket € 13 (full), € 10 (reduced) Buy tickets Dramatodia La barca di Venezia per Padova Dramatodia THE SAND BAGS

Va dove va l'acqua, Teatro delle Temperie, teatro July 24, 9.15 pm Temperie Theater GOES WHERE WATER GOES tale of the Bologna of water There is another Bologna made of rivers, made of canals, a Bologna of water. A city that exists in history, in memories, in memory, but which still exists today, hidden among the houses, behind the ancient buildings, under the streets, hidden in small holes, where the water goes, placid ... where the water never stops… where water still reigns supreme. There was a time when water was the soul of Bologna, it was the engine of the economy. It was the defense of the city; if Bologna is our heart, the canals are our arteries, water is the blood of our community. Even today, those channels pulsate with stories, speak of men and women, keep secrets, carry memories. Through some of these wonderful stories, these freshwater stories, we will travel together in the veins of our beloved Bologna, where the Rhine pulsates. The stories and emotions that overflow from the Rhine together with its waters. All the stories of men and women, of peoples and countries that the water of the Rhine carries from the source to the valley remain entangled in the Casalecchio Lock and here they rest a little before resuming the journey. Sometimes these stories are so strong and numerous and exciting that they can no longer resist and break the banks, such is their need to be told. A magical evening in which we will give voice and music and body to these wonderful stories, right in the place where the river gently lays them with love. Va dove va l'acqua Va dove va l'acqua Va dove va l'acqua by and with Andrea Lupo live music Guido Sodo aerial dance Camilla Ferrari and with Michela Lo Preiato produced by Teatro delle Temperie Single ticket € 10 Buy tickets

biglietteria Teatro BARACCANO THEATER TICKET OFFICE the ticket office of the Teatro del Baraccano is in via del Baraccano, 2 20/12 TOYS AND COAL 31/01 I HEAVEN - FRIDA KAHLO 01/02 WIEGALA 07/02 PICTURES - ALCHEMY DUO 08/02 THE OVERTURNED CIRCUS 29/02 FROM THE WINDOW OF LUCIO 06/03 MARGAM REDUCTIONS under 26, over 65, Theater members, Culture Card * under 26, over 65, Teatro members, Culture Card, Jaya members online at www.vivaticket.it or c / o Bologna Welcome (Piazza Maggiore 1 / e - tel. 051.231454) TICKET OFFICE HOURS from Mon to Fri from 10 to 13 and on show evenings

Pulcinella all'improvviso Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Musiche di OTTORINO RESPIGHI (Bologna, 1879 – Roma, 1936) brani tratti dalle suite ANTICHE ARIE E DANZE PER LIUTO arrangementi di Fabio Codeluppi, Giambattista Giocoli e Filippo Mazzoli Balletto detto "Il Conte Orlando" (1599) Gagliarda (155?) Villanella (fine sec. XVI) Passo mezzo e Mascherada (fine sec. XVI) Laura soave, Balletto con gagliarda, saltarello e canario (1581) Danza rustica (1617) Campanae parisienses - Aria (sec.XVII) Bergamasca (1650) Arie di corte (sec. XVI) ********** G. B. PERGOLESI (Jesi, 1710 – Pozzuoli, 1736) IGOR STRAVINSKIJ (Lomonosov, 1882 – New York 1971) brani tratti dal balletto PULCINELLA Arrangiamenti originali per ensemble di Lorenzo Meo Sinfonia Vivo Finale Arrangiamenti originali per ensemble di Lorenzo Meo ********** TESTI drammaturgia originale o ispirata a testi della tradizione partenopea a cura di MARCO SGROSSO BIGLIETTERIA 29 SETTEMBRE BIGLIETTERIA 3 OTTOBRE Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".

SOUND ACTS 12 and 13 February, matinee for schools IN THE NAME OF A ROSE In this show, themes such as the meaning of life and the meaning of love and friendship are addressed. Each planet visited by the protagonist, who travels in the Universe, represents a metaphor of human nature. The King represents the thirst for power. The Vanitosa is a symptom of a gaze turned towards oneself and not towards the other. The drunkard is the emblem of the social unease of lonely people. The businessman is the explicit reference to the frenzy of the world. The Lampionario is the only figure of a man who does something useful, that is, he deals with something other than himself. Finally, the Geographer is the metaphor of knowledge, in which emotions are its engine, just as affectivity moves knowledge. Company ChiE'diSCENA 05 08 010 06 07 011

Bach e dintorni – nel segno del virtuosismo. Ensemble La Risonanza. 6 August, 9.30 pm | Baraccano Theater Entroterre Festival Bach and surroundings in the name of virtuosity La Risonanza ensemble La Risonanza is one of the most internationally successful Italian orchestras on original instruments. Among the most ambitious record projects there is the complete Italian cantatas with Handel instruments, for which the line-up has received various awards and numerous mentions and nominations. The monthly Gramophone defined the recording as «the best Handelian recording project of the decade». To this first integral is now added a new integral: that of the orchestral works of Johann Sebastian Bach , according to a multi-year project inaugurated in 2017. Regularly invited to perform at some of the most important concert seasons and festivals in Italy and abroad, La Risonanza is also in artistic residency at the Saint-Michel en Thiérache Festival. Since 2016 it has been organizing its own season " La Risonanza per Milano ", the only Milanese billboard entirely dedicated to the Baroque repertoire, which is divided between the Liberty Dario Fo and Franca Rame Palazzina and the Leonardo Da Vinci National Science and Technology Museum as main venues. Music by JS Bach , J.Ch. Graupner , B. Marcello , G.Ph. Telemann. La Risonanza_2017_0051 Altissima Single ticket € 10 Buy tickets The Resonance Will Copeland violin Ryo Terakado , Ulrike Slowik violins Sara Bagnati Viola Caterina Dell'Agnello cello Marco Lo Cicero contrabass Fabio Bonizzoni harpsichord and conductor

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura Acquista biglietti

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone

April 5, 8.30 pm VOLVER presentation of the new cd by Carlo Maver Volver is the new album by Carlo Maver , released on April 5th 2019 by Visage Music. Recorded live in May 2018 in the small church of Casola (BO), in solo for bandoneon and flute , this fourth musical chapter by Maver is the transformation of a feeling, where listening inside and out is a goal, thanks to the as listener and performer come together in a total experience. Volver is music that comes from silence and is attracted to silence. The only one does not entertain, it undresses. The choice to play solo allows Maver to keep the sounds of the instruments pure, working in subtraction and leaving an almost decisive role to the pauses. Carlo Maver bandoneon, bass flute, moxeno, flute Single ticket € 10 Buy tickets Carlo Maver Carlo Maver Carlo Maver

Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di via Belle Arti e via Zamboni passeggiata e concerto 26 novembre 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. AIDA, la musica danza nella sabbia