GUYU - PIOGGIA PER IL GRANO Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone PROGRAMMA 1. 采薇Cai Wei arr. di Yaqin Zhang Jing Tan | voce Wanying Fu e Yaqin Zhang | guzheng Wenjin Lai | Ruan 2. 卧龙吟 Canto di Wolong Verso la luna Jingzhi Zhao | guqin 3. 剑器Danza della spada Wenjin Lai | liuqin 4. 春江花月夜Fiori sul fiume illuminato dalla luna primaverile 5. 紫竹调Suono del bambù 6. 梨花颂 Canzone del fiore di pero arr. di Yaqin Zhang Jing Tan | voce Yaqin Zhang | guzheng 7. 姑苏行 Un viaggio a Suzhou Yuli Zhang | dizi 8. 西部主题畅想曲 Fantasia sui temi della Cina occidentale Yaqin Zhang | guzheng 9. 彝族舞曲Danza del popolo yi QilingYu | pipa 10. 盛世国乐 L’età della fioritura arr. di Yaqin Zhang Yaqin Zhang e Wanying Fu | guzheng Wenjin Lai | ruan e liuqin ZiyuXie | erhu Biglietteria biglietto unico 5€ Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Allargo già le braccia 24 and 25 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 26 July I ALREADY WIDEN MY ARMS the secret essence of unspoken things concert for musical ensemble, narrator and images ELSA and OTTORINO RESPIGHI. Letters and Double Quartet Music and musical gesture are the body on stage. Letters, documents and images are essential traces of Elsa and Ottorino Respighi's life. (Sandra Cavallini) My letters to Ottorino and hers to me trace the first period of our life together. After the wedding, the correspondence between us is very little, because in the eighteen years of life together we were only separated for a few days. (Elsa Olivieri Sangiacomo) A theatrical adaptation of the letters that Respighi exchanged with his wife Elsa Olivieri before their marriage was woven on the music of Ottorino Respighi's "Doppio Quartetto". These are letters that Elsa herself has collected in a volume, which she simply titled "Ottorino Respighi". A very precious instrument will enrich the musical performance: the violinist Roberto Noferini will play the violin that belonged to Respighi , a violin of prestigious and ancient Bolognese lutherie, built around 1730. by the luthier Florenus Guidantus (1687-1760). The scenographic images will help to discover a fragment of the life of this great Bolognese musician and composer, who, for his genius, deserves to be rediscovered by his city to which he was very attached. Respighi is deeply and intimately linked to the city of Bologna and lives it with very strong nostalgia every time he moves away from it. In fact, he settled in Rome in 1913, winning the competition for the Chair of Composition and Fugue at the Conservatory of Santa Cecilia, but his countless journeys can already be counted from his youth in via Castagnoli 2 (now Largo Respighi - BO), starting from the small room used as a study, from the fir bookcase built with his own hands, from the collection of vocabularies in different languages, with a particular curiosity for the less known ones. The vocabularies are followed by atlases and hours spent studying a geographical map. “ Those were, those were the first trips, the most beautiful I've ever done around the world ”. It is not always easy to play a dreamer. The event is part of the RESPIGHI project . Allargo già le braccia Allargo già le braccia Allargo già le braccia Allargo già le braccia ideation Giambattista Giocoli Sandra Cavallini narrator and theatrical adaptation images edited by BLUE SALT music Double Quartet from Ottorino Respighi ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini , Henry Domenico Durante Luca Ranzato , Matteo Anderlini violins Thomas Cavuoto, Lorenza Merlini violets Giacomo Grava and Francesco Stefanelli cellos Single ticket € 10 Buy tickets BIGLIETTERIA 28 NOVEMBRE Biglietto unico 10€ Prenotazioni e info: Associazione culturale Crescendo asscrescendo@gmail.com tel. e whatsapp: 335.1748737

Scheda Popular Songs RADIO RITMO on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC FOLK SONGS musiche di Luciano Berio (1925- 2003) per mezzosoprano e sette esecutori INTRODUZIONE E ALLEGRO - “SETTIMINO” musiche di Maurice Ravel (1876-1946) per arpa, flauto, clarinetto e quartetto d’archi SIETE CANCIONES POPULARES ESPAÑOLAS musiche di Manuel de Falla (1876-1946) orchestrazione e arrangiamenti originali per mezzosoprano e nove esecutori ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna. CRISTINA ZAVALLONI Cristina Zavalloni nasce a Bologna. Di formazione jazzistica, intraprende a diciotto anni lo studio del belcanto e della composizione presso il Conservatorio della sua città. Per molti anni si dedica anche alla pratica della danza classica e contemporanea. Si esibisce nei più importanti teatri, in stagioni concertistiche internazionali e festival jazz, tra cui il Montreux Jazz Festival, North Sea Jazz Festival, Free Music Jazz Festival di Anversa, Moers Music, Bimhuis, London Jazz Festival, Klara Festival, International Jazz Festival di R o t t e r d a m , C o n c e r t g e b o u w d i A m s t e r d a m , Concertgebouw di Bruges, Lincoln Center e Carnegie Hall, Walt Disney Hall, Teatro alla Scala di Milano, Barbican Center, Beijing Concert Hall, Moscow International House, ecc. Si è esibita con orchestre quali la London Sinfonietta, BBC Symphony Orchestra, Schoenberg Ensemble, Sentieri Selvaggi, Musik Fabrik, Orkest De Volharding, Orchestra della Rai Torino, Los Angeles Philharmonic, ORT, Orchestra Toscanini, Irish Chamber Orchestra, ed è stata diretta da Martyn Brabbins, Stefan Asbury, Reinbert De Leeuw, Ivan Fischer, Oliver Knussen, David Robertson, Jurjen Hempel, Georges-Elie Octor, Andrea Molino, Marco Angius, tra gli altri. Collabora con il compositore olandese Louis Andriessen, che ha scritto per lei alcuni dei suoi più recenti lavori tra cui Passeggiata in tram per l’America e ritorno, La Passione, Inanna, Letter from Cathy, Racconto dall’Inferno, la parte di Dante ne La Commedia, il monodramma Anais Nin e la parte di Sor Juana Ines de la Cruz ne l’opera Theatre of the World. E’ interprete di prime esecuzioni di Carlo Boccadoro, Luca Mosca, Emanuele Casale, Michael Nyman, Mauro Montalbetti e di alcune composizioni di James McMillan (la prima USA di Raising Sparks, Carnegie Hall, 2011). Frequenta il repertorio barocco (Incoronazione di Poppea, Combattimento di Tancredi e Clorinda), collaborando con registi e coreografi quali Mario Martone e Alain Platel (VSPRS e Pitié!, su musiche di Fabrizio Cassol) o con la Brass Bang! (Paolo Fresu, Gianluca Petrella, Marcus Rojas, Steven Bernstein). Le sue più recenti collaborazioni in ambito jazzistico includono i duo voce e piano con Jason Moran, Stefano Popular songs Bollani, Benoit Delbecq, Alfonso Santimone, le collaborazioni con Radar Band, Uri Caine e il suo quartetto Special Dish. Ha realizzato per la televisione italiana (RaiTre) le Effemeridi Musicali - serie di pillole andate in onda nella stagione 2013/2014, in cui raccontava alcuni dei propri progetti musicali. Ha inciso oltre 20 CD DAVIDE BURANI Diplomato in pianoforte e in arpa, ha conseguito con il massimo dei voti e lode il Diploma Accademico di secondo livello in arpa presso il Conservatorio “Boito” di Parma. Perfezionatosi con Fabrice Pierre e Judith Liber, si è imposto in numerosi concorsi nazionali ed internazionali (finalista con menzione d’onore al “Tournoi International de Musique” XI ed. a Salon de Provence e vincitore assoluto del “Music World” di Fivizzano (2004). Si è esibito come solista in prestigiose sedi concertistiche in Italia e all’estero: Teatro Regio di Parma, Teatro Comunale di Ferrara, Accademia Filarmonica di Bologna, Galleria Franchetti alla Ca’ d’Oro di Venezia, Palazzo Ducale di Venezia, Conservatorio “Verdi” di Milano, Lucerna, Cadogan Hall di Londra, Teatro dell’Opera di Praga, Centro Internazionale delle Arti di Pechino, Tokyo Opera City, Symphony Hall di Osaka. Ha collaborato in qualità di prima arpa con l’Orchestra del Teatro Comunale di Bologna, con l’Orchestra della Radio Svizzera Italiana di Lugano, con I Virtuosi Italiani, con l’Orchestra Filarmonica Arturo Toscanini di Parma, con l’Orchestra Regionale dell’Emilia Romagna, con l’Orchestra “Bruno Maderna” di Forlì. Ha partecipato a numerose trasmissioni radiofoniche e televisive ed è stato invitato a presentare i suoi lavori discografici presso gli studi di Radio Uno della Radio Svizzera Italiana e presso gli studi di Radio Tre nel corso delle trasmissioni Radio Tre Suite e Piazza Verdi. Ha inciso vari CD. Ha tenuto Masterclass di Arpa. Dal 2014 collabora con il Maestro Leo Nucci accompagnandolo nelle sue tournées internazionali ed il gruppo cameristico Italian Opera Chamber Ensemble. Dal 2009 è docente di arpa presso l’Istituto Superiore di Studi Musicali “Achille Peri” di Reggio Emilia.

R.A.D. Respighi Ancient Dances 27 and 28 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 29 August RAD Respighi Ancient Dances music and dance DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. DNA Company | choreography Elisa Pagani ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli Biglietto unico 10€ (non comprensivo di aperitivo) Acquista biglietti

gallery Orsoleo Spring Festival 2026 ORSOLEO SPRING FESTIVAL edizione #2 dal 30 aprile al 3 maggio 2026 Convento di Santa Maria di Orsoleo Sant'Arcangelo (PZ) direzione artistica Giambattista Giocoli direzione organizzativa e progettazione Nella Belfiore

April 15, 9 pm BHARATANATYAM MARGAM Indian dance theater show with Apoorva Jayaraman The Bhārata Nāṭyam is the oldest form of sacred dance theater originating in South India. The term Nāṭyam in Sanskrit means dance, Bhārata is instead an acronym of the three words Bhāva (expression), Rāga (melody), Tāla (rhythm). The style known as Bhārata Nāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. APOORVA JAYARAMAN was born in Bangalore, and met Bhārata Nātyam at the tender age of 5. At 16 she moved to Chennai to study with the great teacher Kalanidhi Narayanan and since then she has had the opportunity to train permanently with Priyadarsini Govind, one of the most eminent dancers of this style of dance. In his own words ' Dancing, and activities surrounding it, have brought me a sense of fulfillment like nothing else so far has '. Apoorva has a degree in Physics from the University of Oxford and a PHD in Astronomy from the University of Cambridge (UK). Ticket 12 € (full), 10 € (reduced) Buy tickets Apoorva2_edited Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman

Kafka: Letters to Milena Form Gallery 1 Video

I Sacchi di Sabbia/Compagnia Lombardi-Tiezzi in Ein Musikalischer Spass zu Don Giovanni. Un progetto di Giovanni Guerrieri, Giulia Solano e Giulia Gallo The Sandbags / Lombardi-Tiezzi Company 4 August, 9.30 pm DON GIOVANNI Ein musikalischer Spass zu Don Giovanni is a whim for "noises and noises" which proposes, through a very rigorous score of "musical gestures", the essential structure of Mozart's Don Giovanni: a selection of the most significant arias set in a complete dramaturgical design and interpreted "noisily ”By the actors of the I Sacchi di Sabbia Company. A tribute to Mozart: a mockery and at the same time an act of love for a magnificent opera. a project by Giovanni Guerrieri , Giulia Solano and Giulia Gallo with Giulia Gallo , Giovanni Guerrieri , Maria Pacelli , Matteo Pizzanelli , Federico Polacci , Rosa Maria Rizzi , Giulia Solano to follow: ARIE from DON GIOVANNI soprano Patrizia Bicciré baritone Maurizio Leoni piano Paola Del Verme Ticket € 13 (full), € 10 (reduced) Buy tickets Don Giovanni

Kafka, Lettere a Milena, Orchestra del Baraccano September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome in coproduzione con Sementerie Artistiche KAFKA: LETTERS TO MILENA Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Theatrical adaptation German Rosary with Rosario Tedesco and Nicola Bortolotti scenographic paintings Andrea Louis Ballardini production assistance Laura Ballardini ORCHESTRA DEL BARACCANO director Giambattista Giocoli Silvia Colageo flute Marco Soprana oboe Giovanni Picciati clarinet Mirco Ghirardini bass clarinet Giulia Ginestrini bassoon Imerio Tagliaferri horn Fabio Codeluppi trumpet Kafka. Lettere a Milena Franz Kafka (Praga 1883- Kierling 1924) musiche Settimino - Paul Hindemith Mládí - Leoš Janáček Ballardini info cell. 339.9142636 teatrodelbaraccano@gmail.com Biglietteria 15 novembre matinée per le scuole gratuito serale: intero 12€ ridotto 10€ under 30, over 65 ridotto 5€ under 18, card Cultura Acquista biglietti Biglietteria 16 novembre gratuito info cell. 0543.33598 | 388.835655 Biglietteria 17 novembre biglietto unico 12€ ingresso riservato ai soci (tessera associativa 3€ ) info cell. 388.2460985 Dopo lo spettacolo aperitivo a cura dell'Agriturismo Valle Torretta

October 6, hours 21 October 7, 5 pm THE PRINCESS ON THE PEA the musical The story of The Princess and the Pea relives in the theater in a hilarious musical. Will the young and awkward Winnifred be able to prove to the evil Queen Aggravia that she is a real princess? Among knights, wizards, mattresses, jealous mothers, a bizarre dumb king and a small green pea, a musical journey into the Middle Ages that will make the whole family laugh and excite. The Muffins Maddalena Luppi, Stefano Colli Giulia Mattarucco and Riccardo Sarti direction and adaptation Edoardo Scalzini collaboration with texts and lyrics by Nino Pratticò and Jacopo Gilone musical direction Eleonora Beddini musical assistance Chiara Todeschi piano and Mute King Lorenzo Vacchi the voice of the Magician Davide Lepore costumes Silvia Cerpolini and Fabio Cicolani scenographies Barbara and Sara Sgambati graphics and illustrations Stefano Bonsi Ticket € 13 (full), € 10 (reduced) Buy tickets Principessa sul Pisello fronte finale Principessa sul Pisello - CAST

Pulcinella all'improvviso Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Musiche di OTTORINO RESPIGHI (Bologna, 1879 – Roma, 1936) brani tratti dalle suite ANTICHE ARIE E DANZE PER LIUTO arrangiamenti di Fabio Codeluppi, Giambattista Giocoli e Filippo Mazzoli Balletto detto "Il Conte Orlando" (1599) Gagliarda (155?) Villanella (fine sec. XVI) Passo mezzo e Mascherada (fine sec. XVI) Laura soave, Balletto con gagliarda, saltarello e canario (1581) Danza rustica (1617) Campanae parisienses - Aria (sec.XVII) Bergamasca (1650) Arie di corte (sec. XVI) ********** G. B. PERGOLESI (Jesi, 1710 – Pozzuoli, 1736) IGOR STRAVINSKIJ (Lomonosov, 1882 – New York 1971) brani tratti dal balletto PULCINELLA arrangiamenti originali per ensemble di Lorenzo Meo Sinfonia Vivo Finale ********** TESTI drammaturgia originale o ispirata a testi della tradizione partenopea a cura di MARCO SGROSSO Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ACQUISTA Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".

Respighi suite 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. RESPIGHI Suite Orchestra del Baraccano Giambattista Giocoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli Single ticket € 10 Buy tickets