R.A.D. Respighi Ancient Dances 27 and 28 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 29 August RAD Respighi Ancient Dances music and dance DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. R.A.D. R.A.D. Orchestra del Baraccano DNA Company | choreography Elisa Pagani ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli Single ticket € 10 Buy tickets

PAOLA PERRONE Graduated in Communication Sciences at the Faculty of Letters and Philosophy of the Faculty of Bologna with a thesis on “History of dance and mime” with Prof. Eugenia Casini Ropa. Since 2006 he has collaborated with the Perséphone Association, covering various roles (communication, press office, carrying out administrative procedures, ticketing service, photographic and web archives, website management, educational workshops…). Dancer for the southern Italian dance company "TarantArte" of Bologna (until 2010) and for the Indian bharatanatyam dance company "Dhuni" (2019-2020). Solo dancer for various musical groups of the southern Italian tradition (Paranza Ammiscata, Popular Consortium, Yule de sonos, etc). Teacher of southern Italian dances for children and adults, collaborates with various local realities (Ass. Danz'Aire, Museum of Music, Antoniano di Bologna, Carducci Schools, Porto 15, Reno Folk Festival) and national ones. Thanks to her interest in popular traditions, she organizes various events related to the music and dances of southern Italy (dance workshops, concerts) and is the creator of the Winter Sounds Festival, held in 2017 and 2018 in various places in Bologna (Centro Intercultural Zonarelli, Mercato Sonato, Teatro del Baraccano, Social Center of Peace) and Isolario: a journey through the sounds and dances of Sardinia and Sicily, in collaboration with the Kilombo Association of Cesena. From 2010 she began working as a photographer, creating some photographic projects and setting up exhibitions at the Cafè de la Paix (BO), the Soma Cultural Center (BO), the Teatro del Baraccano (BO) as part of Bologna Summer 2016, the review Cortes Apertas 2016 and 2017 in Dorgali (NU).

October 20, 18.30 GINGA The concert sees singer Ginga presenting her Ep produced by Happy Of the Joy for the Irma Rec. His voice and timbre range from sonority purely jazz in gospel and soul colors, in a repertoire that ranges between classic standards and new and current pop songs revisited. A complete artist who has already had the opportunity to be heard in her collaborations with Zucchero, M. Biondi, C. Porter ... Ginga will be together with Happy Of the Joy on the double bass and Alessandro Altarocca on the piano. Ginga (real name Claudia Scapolo) was born in Luanda on October 15, 1986. He approaches his first musical experiences as a pianist, winning twice in a row, at the young age of 12 and 13, a coveted prize in the “ Young notes for little musicians ” competition in Piazzola sul Brenta. She began her vocal training under the guidance of maestro Gianluca Caporello, a tenor who introduced her to the classical vocal technique. He then comes to jazz singing, attending various workshops with Kate Parker, American singer and jazz musician. As she continues her vocal training, Ginga discovers her love for the gospel genre: since 2010 backing vocalist and soloist of the " Summertime " gospel choir of Padua, she is now a backing member of the prestigious " Halleluja Gospel Singers " choir, a project of the famous vocal coach and singer. American, queen of gospel in Italy, Cheryl Porter , who leads her to tread the most prestigious stages of Italian theaters. Ginga was selected among the finalists, with 5 other performers among more than 14,000 members, of the international competition Tour Music Fest 2014, presided over by judge Mogol, performing at the Piper in Rome, the historic temple of Italian and international music. He participated as a backing vocalist in the Christmas album released in November 2014 by Mario Biondi "A very special Mario Christmas". Recently she performed as a soloist in her project "Ginga in Jazz" for the inauguration of the 73rd Venice Film Festival 2016 at the prestigious location of the Hotel Danieli in Venice. In September 2016 he participated as Zucchero's chorister with the Halleluja Gospel Singer & Cheryl Porter and in the Rai 1 television program "Partigiano Reggiano" and both at the concert that Zucchero held at the Arena di Verona on 25 September 2016 Ginga voice double bass Felice Del Gaudio piano Alessandro Altarocca Full ticket € 12, reduced € 10 Buy tickets Ginga

Between One Act and the Other in collaboration with ATER - Emilia Romagna Theater Association 20 October, hours 21 21 October, 5 pm TWO OLD WOMEN GOING NORTH Deux petites dames vers le Nord by Pierre Notte In Two direct old ladies in the North - a sort of road movie with two “elderly” Thelma and Louise - the actresses tackle the theme of death through the ironic writing of Pierre Notte . Annette and Bernadette have just lost their mother and decided to bury her ashes near those of their father, in the north of the country. But in reality a daring journey begins, both real and metaphorical, full of memories and accounts to close. A mix of corrosive humor and tenderness. " Deux petites dames vers le Nord is a delicate fantasy about disrupted mourning. It is the refrain of reconciliation, belated but real, between people. It is not so much the pain of loss, but rather the moment in which it is possible to laugh, sometimes , even suddenly, unwittingly, as if by magic, as if guided by a ghost, when we learn of someone's death. who accept to take their ghosts by the hand and dance with them instead of carrying them on their shoulders ”(Pierre Notte). In the long and tiring search for a text for two actresses, which would respond to certain decisions theatrical and dramaturgical characteristics, we came across Pierre Notte's text and immediately wanted to stage it. Thanks to the great availability of the author and the kindness of the talented translator - Anna D'Elia - we were able to start this journey "in four": Angela, Francesca, Bernadette and Annette. A journey into the fears of the future which, as the theater teaches, can be - if not defeated - faced through irony. Old age, loss, grief and the past weigh heavily ; they often stiffen us, they extinguish our will to continue to give meaning to that last portion of life as well. Annette and Bernadette seem to affirm their diversity only to nourish the eternal conflict that animates their daily life: in reality they are much more similar than it seems in the continuous exchange of arrogance and fragility, of bravado and naivety. Above all, they will find themselves firmly accomplices in deciding to live again, to discover again and to dare what was previously unthinkable. What will your last words be before you die, they ask each other? Annette - Thanks for everything, see you soon Bernadette - Thanks for everything and see you next time The father, twenty-five years earlier, had taken his leave saying “it's okay anyway, a lot of review”. The author, through the two petites dames, seems to suggest to us the idea of a possible return, of a death that puts us in a perennial cycle of transformation and rebirth. We want to believe him. Angela Malfitano and Francesca Mazza Pierre Night Pierre Notte has written for the theater since the early nineties; general secretary of the Académie française between 2006 and 2009, he is also a journalist, poet, novelist, actor, director, as well as the author of radio texts and cabaret shows. He is a Knight of Arts and Letters and has received many awards for his work including the Molière du Théatre privé. with Angela Malfitano | Bernadette Francesca Mazza | Annette translation Anna D'Elia sound Alessandro Saviozzi video interventions Lorenzo Letizia Thanks to Fabrizio Arcuri and Maurizio Cardillo Ticket 12 € (full), 10 € (reduced) Buy tickets due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza

AMORE E RIVOLUZIONE omaggio a Frida Kahlo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Mare Aperto Trasparenze Assalam Misirlou Historia de un amor Chante chante ma guitar Pausa monologo attrice Adio kerida Taksim La llorona Quando il vento tace Vent du sud BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Aperitivi a cura di Oui in cucina www.ouiincucina.com Acquista biglietti ATTI SONORI fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena. Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Reading musicale dedicato a Patti Smith. Con Angela Baraldi canto e Angela Malfitano voce recitante Between One Act and the Other August 27, 9.30 pm FULL OF DESTINY - PATTI An energetic and engaging show made of readings and songs. Taken from the book that Patti Smith recently wrote, Just Kids, a little gem of writing and confession, which tells of her arrival in New York in the late sixties, where the atmosphere is effervescent. Here he meets Robert Mapplethorpe and with him he weaves a path of art and initiation. A rare and precious friendship. An explicit pact of mutual support, based on the sharing of dreams and art. musical reading dedicated to Patti Smith I sing Angela Baraldi narrator Angela Malfitano bass Antonio Michelangelo Del Gaudio guitar Pietro Zarrelli battery Matteo Fucci Roberto Passuti video set Ticket € 13 (full), € 10 (reduced) Buy tickets Piene di destino PattiSmith

Maratona Respighi October | Baraccano Theater RESPIGHI MARATHON concerts in the matinee A series of concerts dedicated to schools , to raise awareness of the Bolognese musician's work even to the little ones and teenagers of the city. The marathon aims to be a continuous journey over the days, without interruptions, to savor the colors of all the musical instruments , from the piano to the harp, from the winds to the strings, up to the voices, male and female, used in such a sublime way by Ottorino Respighi , especially in chamber works. What we want to highlight is above all the mastery in the orchestration and coloring of the writing, a skill that has made Respighi immortal and absolutely innovative and always modern. ORCHESTRA DEL BARACCANO director Giambattista Giocoli Maratona Respighi

Histoire du soldat. Musiche di Stravinskji. 25 August, 9.15 pm SOUND ACTS and Music Together HISTOIRE DU SOLDAT music by Stravinskji ACTI SONORI stages the "poor" Opera that Igor Stranvinskij composed in 1918, against the sumptuous and cumbersome canons of traditional opera. The story is taken from the Russian fairytale tradition and has as its protagonist a soldier, a victim of the world war of 1915/18. The soldier's story concerns humanity as a whole and, in particular, the subject of man's inability to escape his own destiny. L'Histoire du Soldat | by Gianluca Cheli This work was initially conceived as a work for puppets: a simple and immediate artistic product, with a strong symbolic component. Here the graphic gesture is chosen as a marionette sign to reveal the dark aftertaste of the ironic atmospheres, musically outlined by Stravinskij in his chamber work. Elements that return in the expressive sign of the most submerged plane of the Histoire du Soldat: the melancholy, and all in all a bit funny, feeling of predetermination, combined with the creative madness of Russian fairy tales, from which the work takes its cue. Histoire du soldat Sementerie Artistiche2 Sementerie Artistiche ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini violin Fabio Quaranta contrabass Daniele Titti clarinet Davide Fumagalli bassoon Fabio Codeluppi trumpet Valentino Spaggiari trombone Simone Benedetti percussion In case of rain the event will take place on August 27th, at the same time Single ticket € 10 Buy tickets

27 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti