ANDREA BIASCO video and lighting technician I was born in Casarano (LE) on April 6, 1991, and I lived there until the age of 19. After graduating from the Casarano linguistic high school with excellent marks, in 2010 I moved to Bologna to attend the faculty of Foreign Languages and Literatures. Here, thanks to a training internship at the end of the course, I came into contact with the Persephone Cultural Association, with which I first carried out the translation of technical data sheets and room programs, and later on the technical and organizational tasks. In 2015, at the end of the aforementioned internship, I began to actively collaborate with this association covering, in particular, the role of lighting technician. or therefore had the opportunity to work on all the activities that involved the Teatro del Baraccano and its staff. From musical theater to prose, passing through the technical collaboration with the contemporary dance festival "Gender Bender" which takes place every year in Bologna. In 2019 I attended a higher education course, organized by the Emilia Romagna region, on eco-sustainable audio-visual production: '' Green Movies Project Manager: promoting eco-sustainable audio-visual production ''; at the end of which I undertook a training internship at Ravenna Teatro, in Ravenna, in which I worked on the production and distribution of the film '' The Sky over Kibera '' by director Marco Martinelli. Thanks to my experience gained over the years in this sector, I have developed excellent communication skills, understanding and diplomacy. To which are added flexibility and adaptability to new work contexts. Working in the entertainment world allowed me, therefore, to learn how to manage the time at my disposal, meet deadlines, work in a team and under pressure.

SOUND ACTS and NipPop 24 August, hours 21.30 Italian version THE CARTOON BARBER Rossini's Barber of Seville for images, music and animations The comic barber was born from a musical idea: the suite of Vincenzo Gambaro on the music of the Opera by Rossini , arranged for wind orchestra. To this musical version Giambattista Giocoli he thought of combining the intricate story of Rosina, through the unpublished drawings of the Japanese mangaka Tsukishiro Yūko . Two apparently distant languages, united however by the story and the expressiveness. The lyric plunges into the contemporaneity of Japanese comics, the immediacy of visual art intertwines with the sound, returning a new and original version of the work that knows how to speak even to a young and contemporary audience. VIRTUOSES OF ITALIAN OPERA Filippo Mazzoli flute clarinets Stefano Franceschini and Ivan Villar Sanz bassoon Massimiliano Denti horns Ezio Rovetta and Andrea Brunati trumpet Fabio Codeluppi trombone Riccardo Gatti double bass Daniele Rosi Luca Piovesan accordion director Giambattista Giocoli manga drawings Tsukishiro Yūko ideation Giambattista Giocoli musical arrangements Fabio Codeluppi And Giambattista Giocoli digital coloring Michele Cerone http://www.attisonori.it/ITA/produzioni/barber.html Ticket 12 € (full), 10 € (reduced) Buy tickets The Barber in comics The Barber in comics The Barber in comics The Barber in comics The Barber in comics

Orsoleo Spring Festival 2025 THE CARTOON BARBER 26 aprile ore 11 | Convento e Chiostro SCOPRI ORSOLEO visita e concerto itinerante Un'occasione per scoprire le sue bellezze architettoniche, conoscere la sua storia e ammirare il paesaggio mozzafiato che lo circonda. Accompagneranno la scoperta del Convento i solisti dell'Orchestra del Baraccano , con interventi e brevi concerti negli angoli più suggestivi della location, amplificandone la bellezza e dialogando con le varie acustiche degli spazi, in un gioco di luce, dalla mattina al tramonto, che incanterà il visitatore. Visite guidate a cura di Salvatore Mario Graziano . Le date 26 aprile, ore 11 27 aprile, ore 11 e 19 The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". 26 aprile ore 21 | Chiesa RADIO RITMO VOCI E SUONI DALL'ETERE radiodramma musicale Il 30 ottobre 1938 la trasmissione radiofonica di Orson Welles scatenò il panico, facendo credere che un conflitto interplanetario era iniziato attraverso un’invasione aliena nel New Jersey. Liberamente ispirato a La Guerra dei mondi di H. G. Wells e all’esperienza di O. Welles, RADIO RITMO vuole ricordare l’impressionante potenza comunicativa della radio, all’epoca prima donna nel panorama delle comunicazioni e, parallelamente, stimolare una riflessione sull’imponente effetto dei media e sulla loro attendibilità. Due attori riproducono la trasmissione radiofonica ed un’orchestra suona le musiche della band ospitata nella trasmissione. Repliche 25 e 26 aprile, ore 21 28 aprile, ore 11 regia Massimo Sceusa voci recitanti Sandra Cavallini e Mirko Rizzotto ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu violoncello Alessandro Culiani flauto Margherita Russo clarinetto Davide Braco pianoforte Honglin Zong

Respighi suite tournée Ungheria 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. The Orchestra of the Baraccano will be in concert with RESPIGHI SUITE , Antiche Arie e Danze per Liuto arranged for ensemble on September 7th at 7 pm at the Italian Cultural Institute in Budapest, Bródy Sándor utca 8.

Duo Harp & Hang per Bologna Harp Festival in collaborazione con ATTI SONORI Bologna Harp Festival in collaboration with ACTI SONORI February 11, 9 pm MENHIR Tales of Celtic lands, of journeys between Mediterranean islands and exotic counties, of tribal steles and precious gems, which mark a mythical path. The rhythmic and incisive pulsation marks the time leaving room for a melodic and emotional poetry. The instruments dialogue in a variety of harmonic sounds and create a fertile ground for meditative, relaxing and creative states. DUO HARP & HANG classical and celtic harp Marianne Gubri hang and percussion Paolo Borghi Ticket € 14 (full), € 12 (reduced) Buy tickets Duo Harp & Hang Marianne Gubri Paolo Borghi DUO HARP & HANG Harp & Hang DUO, founded by the two artists Marianne Gubri And Paolo Borghi , proposes an unprecedented combination of suggestive sounds between the harp , a classic instrument with a long musical history, and the hang , a very modern percussion of Swiss origin. The original compositions of the duo Harp & Hang find their inspiration in the repertoire of ancient, Celtic, tribal and ethnic music, but also in the minimalist and modern style. On 15 July 2015 the first CD recorded by Harp & Hang DUO entitled Nyanga .

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Single ticket 5 € Buy tickets July 8 Buy tickets July 9

Giardino Zed, Festival, Videodanza 11 July - 3 August - 1 September ZED International Videodanza Festival / Compagnia della Quarta ZED GARDEN videodance installation After the appointment of the last few months on the web, Giardino ZED becomes Live, invades the spaces of the Teatro del Baraccano, projects itself into the future by hosting, from July to September, frontal projections, at 360 degrees, video installations, information tools and augmented reality and virtual reality projects. ZED garden Live will accompany viewers on a multimedia and interactive journey to discover the creativity, wonder and visual worlds of this rapidly expanding art. It is a sound and visual installation path that starts from the videodance experience to tell three different ways of perceiving space, gaze, sound. A "sensitive / sensorial" experience that leads the viewer towards expanded visual landscapes, as opposed to the architectural boundaries that host it; a journey that shows videodance, touches emotional chords and uses new technologies with 360 ° projections ; an event that uses perception to overcome physical spaces and visual limits. Architects, visual designers, communication experts and 3D modelers put their skills and tools at the service of virtual reality applied to architecture, museum spaces and art. The project joins the natural path of the ZED International Videodanza Festival , which will be held in Bologna in mid-October, helping to create a permanent center, an Italian reference point that can welcome ideas, projects, artists from all over the world to investigate, promote , teach, distribute and produce artistic content on video. Duration 30 minutes. Each rerun is intended for 8 spectators at a time. Events in co-production with Coorpi , Cro.me - Chronicle and Memory of the Entertainment and Vitruvius Virtual Museum. https://www.zedfestival.org Giardino Zed Giardino Zed July 11, 9 pm > 11.30pm August 3, 8.30 pm> 11.30 pm September 1st, 8pm> 11.30pm Replies every half hour Each rerun is intended for 8 spectators at a time Exili 3 Exili 1 Castle 5 Castle 1 Castle 4 Castle 3 Castle 2 Single ticket 5 € Buy tickets

Jean Rondeau 1 August, 9.30 pm | Baraccano Theater Entroterre Festival MELANCHOLIA - jean rondeau Described as "one of the most interesting natural talents you can hear these days" by the Washington Post on a stage of classical music ”, Jean Rondeau can be considered a true "ambassador" of his instrument. His exceptional talent and his approach to the harpsichord repertoire have been particularly appreciated by music critics which credits him as one of the leading harpsichordists of today. Jean Rondeau studied harpsichord with Blandine Verlet at the Conservatoire National Supérieur de Musique in Paris, also deepening the studies of Bass continuo, organ, piano, jazz, improvisation, and conducting. He completed his musical training at the Guildhall School of Music and Drama in London. In 2012, at the age of 21, he won First Prize at the Bruges International Harpsichord Competition (MAfestival 2012) In the 2020/21 season, Jean Rondeau makes his debut at the Wiener Konzerthaus with a solo recital in a Bach and Scarlatti program. He also made his debut at the Konzerthaus in Dortmund, returned to the Köln Philharmonie and played Poulenc's Champêtre Concerto at the Essen Philharmonie. Jean Rondeau has signed an exclusive recording contract with Erato. For this important record label he has recorded several albums of ancient music , repertoire that remains the center of his musical identity. Jean Rondeau also undertook the career as a director: collaborates with Kammerorchester Basel , Köln Concert , the Orchester Philharmonique de Radio France and the Stuttgart KammerOrchestra. He will play music by Girolamo Frescobaldi (1583-1643), Giovanni Picchi (v. 1571-1643), Luzzasco Luzzaschi (1545-1607), Bernardo Storace (v. 1637-v. 1707), Gregorio Strozzi (1615-1687). Photo Jean Rondeau 11 (c) Shura Rusanova EE3A0428B (c) Edouard Bressy_edited Photo Jean Rondeau 16 (c) Shura Rusanova Single ticket € 10 Buy tickets

April 15, 9 pm BHARATANATYAM MARGAM Indian dance theater show with Apoorva Jayaraman The Bhārata Nāṭyam is the oldest form of sacred dance theater originating in South India. The term Nāṭyam in Sanskrit means dance, Bhārata is instead an acronym of the three words Bhāva (expression), Rāga (melody), Tāla (rhythm). The style known as Bhārata Nāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. APOORVA JAYARAMAN was born in Bangalore, and met Bhārata Nātyam at the tender age of 5. At 16 she moved to Chennai to study with the great teacher Kalanidhi Narayanan and since then she has had the opportunity to train permanently with Priyadarsini Govind, one of the most eminent dancers of this style of dance. In his own words ' Dancing, and activities surrounding it, have brought me a sense of fulfillment like nothing else so far has '. Apoorva has a degree in Physics from the University of Oxford and a PHD in Astronomy from the University of Cambridge (UK). Ticket 12 € (full), 10 € (reduced) Buy tickets Apoorva2_edited Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman

La storia del Barbiere di Siviglia di Rossini per immagini e musica. ATTI SONORI e Orchestra Sinfonica Rossini di Pesaro, in co-produzione con NipPop Festival. SOUND ACTS e NipPop 17 May, 9 pm THE CARTOON BARBER "The Barber of Seville" told through music, images, animations and text The comic barber was born from a musical idea: the suite of Vincenzo Gambaro on the music of the Opera by Rossini , arranged for wind orchestra. To this musical version Giambattista Giocoli he decided to complement the intricate story of Rosina , through the unpublished drawings of the Japanese mangaka Tsukishiro Yūko . Two apparently distant languages, united however by the story and the expressiveness. The lyric plunges into the contemporaneity of Japanese comics, the immediacy of visual art intertwines with the sound, returning a new and original version of the work that knows how to speak even to a young and contemporary audience. ideation and direction Giambattista Giocoli Baraccano Orchestra of Bologna manga drawings Tsukishiro Yūko musical arrangements Fabio Codeluppi And Giambattista Giocoli digital coloring Michele Cerone editing Giambattista Giocoli organizational management Nella Belfiore production assistance Paola Scrolavezza and Haruka Arakawa technical set-up Antonio Di Virgilio and Andrea Biasco photographic and web documentation Paola Perrone Buy tickets 016 018 Giambattista Giocoli 013 014 Il Barbiere a fumetti

Bologna Harp Festival Bologna Harp Festival - 5th edition February 9, 9 pm THE POSILLIPO SIREN Musical show freely based on the life of Adriana Basile Adriana Basile , sister of the writer Giambattista Basile and of the composer and poet Lelio Basile , was a famous Neapolitan singer and harpist of the early seventeenth century , also renowned for its exceptional beauty. Her fame attracted the interest of some writers who dedicated their poems to her: the Theater of the glories of Mrs. Adriana Basile to the virtue of her of the harps of the Amphions of this century manufactured , a collection printed in 1623 and 1628, and The idea of the vigil , from 1640. The first news about him dates back to 1610 , when she moved with her family and her husband Muzio Baroni, a nobleman in the service of the Carafa , a Mantua at the court of duke Vincenzo I Gonzaga , where the great composer Claudio Monteverdi himself was struck by the beauty of her voice and composed several works for her. TO Florence was hosted in the house of Giulio Caccini , where the members of the comrade de 'Bardi and the count himself Giovanni Bardi , confirming that she was the best singer in existence. The show presents a musical and poetic journey that traces the life of the mezzo-soprano: some Neapolitan arias , many written in her own hand by the singer herself in Spanish and extracted from the famous manuscript now preserved in the National Library of Naples (MS. I-NN, MS XVII.30), cantatas written by her brother and dedicated to her, works for harp from the great seventeenth-century Neapolitan school (Trabaci, Mayone), madrigals she sang at the courts of Florence and Mantua and works by Claudio Monteverdi dedicated to Adriana Basile, such as the famous Lamento d'Arianna. The show also offers, in addition to the recitation of letters and poems dedicated to the singer, a stage version that evokes life in seventeenth-century Naples in a subtle and contemporary way . Arianna Lanci voice Marco Muzzati percussion and acting Marianne Gubri baroque harp Buy tickets Arianna Lanci Marianne Gubri Marco Muzzati