SOUND ACTS 22 and 23 February, matinee for schools THE CARTOON BARBER "The Barber of Seville" told through music, images, animations and text The Count d'Almaviva wants to marry the beautiful Rosina and for this he gets help from Figaro , the barber-factotum who becomes the director of all the actions. Figaro resorts to tricks and disguises; for him, success in the "Rosina operation" will lead to an increase in prestige and economic well-being. But Rosina is kept segregated at home by her old guardian, Don Bartolo , from whom she wants to escape and, if she wants to marry Almaviva, she must collaborate in the intrigues, emancipating herself from the role of house and church girl. Thus begins a process of unmasking false values and abandoning current morality. The conclusion with the happy ending will be Bartolo's surrender and the triumph of love. Baraccano Orchestra director Giambattista Giocoli videoprojected manga images 012 014 016 013 018 015

Paolo Restani, pianoforte, Entroterre Festival August 28, 9.15 pm Entroterre Festival PAOLO RESTANI, piano PROGRAM Sergej Rachmaninov 3 Preludes Prelude op. 32 no. 10 in yes min. (slow) Prelude op. 32 no. 5 in G major (moderate) Prelude op. 3 nr. 2 in C sharp min. (slow) Richard Wagner-Franz Liszt Feierlicher Marsch aus Parsifal S. 450 Franz Liszt Rhapsodie espagnole S. 254 ----------interval---------- Giuseppe Verdi-Franz Liszt Aida: Sacred dance and final duet S. 436 Frederic Chopin Three Nights op. 9 no. 1 in B flat. min. (wide) no. 2 in E flat. major (andante) no. 3 in B major (allegretto) Nocturne in C sharp min. op. posth. (Slow with great expression) Polish in A flat. major op. 53 "Heroique" www.entroterrefestival.it Paolo Restani Paolo Restani Paolo Restani Single ticket € 10 Buy tickets

Amici dell'Orchestra del Baraccano THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". COME ISCRIVERSI versa la QUOTA ASSOCIATIVA DI 10€ tramite bonifico bancario indicando nella causale: cognome, nome, Amici dell'Orchestra del Baraccano IBAN: IT08A0707202403000000721562 intestato a Persephone, le pause del silenzio Emil Banca SCARICA IL MODULO DI ADESIONE INFO Teatro del Baraccano via del Baraccano, 2 - Bologna cell. 393.9142636 teatrodelbaraccano@gmail.com

Gallery Orchestra

Video All'Opera! LOOSIN YELAV A LA FEMMINISCA DANCE MALUROUS QU'O UNO FENNO BACK

2 SETTEMBRE 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti

4TH GUSTAV MAHLER Form Clip 1 Clip 2 Clip 3 Clip 4 Gallery

by and with Sandra Cavallini November 17, 9 pm SOLFERINO RED when the earth was dyed with the blood of forty thousand and more young soldiers and how the women of Castiglione made no distinctions in offering water, bandages and broth The story of the historic battle of San Martino and Solferino in 1859, which saw, among the dust of the nineteenth century, the birth of the Red Cross and humanitarian interventions, leads us in the midst of still current conflicts between otherness and belonging, between the idea of nation and supra-nationality of human rights. The historical premises, the evocation of events and places and the dynamics of war, are entrusted to the chorus of patriotic songs and a disenchanted narration, between romantic tones and enthusiasm of the first hour, up to the paroxysm of the Radetzky March. The following of the events that lead to the theater of battle is mitigated by a naively epic expressiveness, which recalls images and languages of nineteenth-century propaganda: vintage postcards, caricatured tones for emperors and princesses, implications of the beautiful Gigogin , puppet heads and lead soldiers. At the moment of the real impact of the firefight, the gait becomes so painful and astonished that it is suspended from time for a wide with contemporary tones. The light, imperceptibly concentrating, gives way to the dark where " the dust was so thick that one could hardly distinguish one from the other ". It is the pervasive concreteness of the testimonies of the time from the extracts of letters and diaries that brings us closer to the paradoxes of historical conflicts, while the incipit, inspired by contemporary poetics, and the ending they act as a bridge to current human affairs. The progress of the battle, between smoke and dust, flows before the eyes of the character of the Viv Bandiera , who tells us of the female presence in almost all the armed bodies of the time. These women, mostly in charge of commissions, also take care of the first transport of the injured with the supplied wagon. Faced with the sufferings of the soldiers abandoned on the ground / theater of battle, the vivandier evoked in the show embodies, and absolves as best she can, that restorative tension which, crossing borders and flags, animated the women of Castiglion delle Stiviere . The fundamental lines are dedicated to them, to these women, which still maintain the TUTTI FRATELLI passage in Italian, in the well-known publication by Henry Dunant Un Souvenir de Solferino . The publication was sent to the sovereigns of Europe with the desire to find a supranational agreement. The International Red Cross is born . From the first Geneva Convention in which the inviolability of rescuers and wounded was defined for the first time, the enunciation of the principles of human rights extended to peacetime up to the Universal Declaration of Human Rights of 1948 will follow, war after war. , where the inviolable right to peace still remains to be affixed. “ A great delicacy to narrate a noisy, dramatic and confusing historical event. The image of meat sewn with needle and thread is still very present in my mind, as well as the slow and gentle gesture of putting all the toy soldiers in the tin box, at the end of the war, with that lullaby that almost put a thin veil of silk on the field of the last battle. So in the end, everything was swallowed up by silence and the spectator was left alone, witnessing a tragedy, while the dead and wounded were carried away by the wagons. Thanks again for your time. " “ It was a really good show and very well done. When it finished I kept thinking, especially about the hot air balloon scene. That scene, in my opinion, makes you understand that man hates his fellow men so much that he prefers death rather than mutual aid. " “ The show was very stimulating because it talks about people, like the sutlers, who in history have helped us to get to who we are today, and are sometimes underestimated. " solo for actress, souvenirs, toy soldiers by and with SANDRA CAVALLINI historical-scientific collaboration Mirtide Gavelli of the Civic Museum of the Risorgimento in Bologna Giorgio De Marchi props and leather puppets by SALEBLU The Treasure Rooms - cultural Association Ticket 12 € (full), 10 € (reduced) Buy tickets Locandina Rosso Solferino logo Emilbanca

Orsoleo Spring Festival 2026 THE CARTOON BARBER The Barber of Seville for Manga music and drawings Ammirando la vista magnifica sia dell'architettura sia del panorama mozzafiato del Convento, ascoltando il racconto sonoro dell'Orchestra del Baraccano e quello teatrale di Sandra Cavallini, odorando i profumi delle erbe officinali che rievocano le antiche preparazioni monastiche, toccando le pietre secolari dei chiostri per sentire la materia di un luogo sospeso nel tempo ed infine assaporando le eccellenze culinarie locali, si potrà vivere una irripetibile e totalizzante immersione nella storia da protagonisti. Visite guidate a cura di Salvatore Mario Graziano . Appuntamenti 30 aprile, ore 18.45 1 maggio, ore 10 e 11.30 2 maggio, ore 10 e 21 3 maggio, ore 10 The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Repliche 2 e 3 maggio, ore 11.30 The Barber of Seville for Manga music and drawings Tra un concerto, una visita al Convento e una danza, sarà possibile assaporare i sapori della terra lucana, degustando alcuni dei prodotti tipici locali: salumi, formaggi, focacce, peperoni cruschi e l’immancabile Grottino di Roccanova DOP. Le degustazioni saranno a cura di Società agricola vitivinicola Torre Rosano srls sb Società agricola vitivinicola Vinicervino srls sb Masseria zootecnica Viviano Azienda Malaspina Agriturismo Masseria Cascino Appuntamenti 30 aprile, ore 19.30 1 e 2 maggio, ore 13 e 19.30 3 maggio, ore 13

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