Monologo musicale sulla Resistenza, di e con Roberto Mercadini. Guido Sodo chitarre e voce, Davide Fasulo fisarmonica, Roberto Bartoli contrabbasso. 21 and 22 April, 9 pm THE MOST WILD THIRST, THE MOST WILD HUNGER musical monologue on the Resistance The show is a "choral monologue". Roberto Mercadin i, alone on stage, evokes a glowing multitude of characters and stories. Flashes tragic or hilarious, heroic or ridiculous, tender or merciless. The incredible story of the drunkard from Roversano or the poignant story of the unnamed German. Because the Resistance and what followed, the origin and foundation of our Republic, was a dizzying tangle of different and often extreme things. Thus the eyes see the purest light, the darkest darkness. The title mentions Fr Celan, a deported Jewish poet, but also recalls the Gospel of Matthew: “Blessed are those who hunger and thirst for justice”. Here, the partisans had, perhaps, "the wildest hunger, the wildest thirst". by and with Roberto Mercadini and with Guido Sodo guitars and vocals Carlo Loiodice accordion Roberto Bartoli contrabass Ticket 20 € (full), 15 € (reduced) Buy tickets Roberto Mercadini Guido Sodo Carlo Loiodice Roberto Bartoli ROBERTO MERCADINI Born in Cesena in 1978. Poet, monologist, storyteller, he has written and performed several narrative shows, including: Black fire on white fire - a journey into the Hebrew Bible. With translation from ancient Hebrew by the author .; We owe a rooster to Asclepius - monologue on the origin of philosophy. From a friendly suggestion from Rocco Ronchi; We are the soil, we are the earth - monologue for a planetary citizenship. A production from Popular Bank Ethics; How to educate to the storm - life and mind of Giuseppe Mazzini. Commissioned by the Italian Mazziniana Association, Cesena Section. Also represented at the National Assembly of Italian Mazzinians in Turin in 2011; L - or the chaotic journey of Leonardo da Vinci in Romagna. Commissioned by the ViaTerrea Cultural Association. Scientific advice by Pino Montalti. Represented at the 2013 Rimini Ancient World Festival with the extraordinary participation of the Osiris Band. He is the author and performer of shows that alternate poems and monologues, including: Show of Joy and Restlessness - lyrics, satire, storytelling; Focus on the rain - Poetic monologue with open eyes He has published: I never write anything (Sagoma, 2016); On the origin of the light it is pitch dark (Miraggi, 2016); Rhapsodies from Romagna (Ponte Vecchio, 2014); Madrigals for ecstatic surfers (Ponte Vecchio, 2011). He has a YouTube channel where he curates a Vlog entitled Talking Poet. Together with Guido Catalano he carries around a poetic reading entitled We had a beautiful title, but only us understood it.

Sacre du printemps, DNA 17 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 18 July DROP. Dance Research Opportunity DROP . is the youth company of DNA and heart of Alma PRO, a professional training center in contemporary dance, in Bologna, led by the artistic director Elisa Pagani . DROP. annually welcomes talented dancers and dancers - trained at the most important and prestigious national and international centers - to give them the opportunity to undertake life as professionals in a company, experiencing all the phases that lead from the creation of a show to the national tour and international. Each year, the dancers work with renowned guest choreographers to create a bold, challenging and ambitious triple bill for touring. The mission, in addition to delivering to young artists an experience that acts as a springboard into the world of the artistic profession, is also to bring on tour works of great artistic quality, captivating and current. The show is ideal and usable for all audiences, due to the high quality standard of the choreographers but also for the variety of the program chosen. Part 1 Part 2 Choreography by Biagio Caravano Music: Vatnajokull by Chris Watson, Duo for Violin and Cello, Pt 1 feat Aisha Orazbayeva Lucy Railton, and Slow Match by Moderat feat. Paul St. Hilaire Duration: 20 ' Depositing the will and undoing the concept of subject are elements that are placed at the center of the work. The rhythmic and dynamic quality of the action is defined through the relationship both with other bodies and with the external environment. It is an action linked to time, rhythm and joint fragility determined by the failure to the other rather than to himself. Dance becomes an act of learning and real-time evaluation of an energetic condition that allows the creation of a shared space, a complex and articulated place where the conditions for coexistence are established. These are the days… Choreography by Simona Bertozzi Music: Prometheus by Francesco Giomi Duration: 24 ' Starting from a look towards the plant world, with particular attention to the sensory activity of plants and to the strategies of environmental adherence that they know how to implement, between magnetisms, resonances, roots and energetic propulsions, the creation process faces different levels of cohabitation and entry into the relationship. The research on movement and the texture of the choreographic sections articulate the configuration of emerging behaviors, individual actions and rapid choral assemblages, whose anatomical polyphony becomes a necessary reason for the unlimited presence and reopening of listening. Materic Choreography by Elisa Pagani Music: Cecilia Stacchiotti Duration: 20 ' It tells of a journey. A journey into the material consistency of nature, through mechanical and physical dynamics that give order to geological evolutions, from Pangea to the first constitution of social systems in which a sense of belonging exists. Matter takes possession of space with vigor, in an organic act that claims the strength of its existence in a clear and miraculous way. Biglietto unico 10€ (non comprensivo di aperitivo) Acquista biglietti

Spettacolo di teatrocirco Collective production of the Bismantova Theater, Parpignol Theater and Compagnia Circolabile 6 December, 8.30 pm PLATO theater circus show by Andrea Menozzi , Francesco Marchesi and Christel dicembre An attic, an unstable light, objects piled up and assembled, improbable mechanisms, a man, Plato . Plato seems to have always lived alone in this universe, where his inventions shape his daily life and his relationships. Like everyone, he has built his own routine, his duties and obligations, his pastimes, his relationships, his alter ego. It moves and evolves in this reality, where it creates daily life energy and where each object becomes part of a vital ritual. Reality is made up of things we know and the idea we build of them. But what if Plato discovers the outside world and humans? This theatrical performance intertwines mime and circus arts to offer a poetic and amusing transposition of the allegory of the cave , a myth presented by Plato in Book VII of the Republic . Indeed "Plato" he takes up with humor and sensitivity the beacon theme of the allegory, the perception of reality and its transmission. Andrea Menozzi , the only actor on stage, reinterprets every object, every movement, in order to convey Plato's reality to the public. "Plato" was born from the collaboration between the Bismantova Theater , the Parpignol Theater and the Compagnia Circolabile , and from the study of two texts: in addition to " La Repubblica " by Plato, also " The Invisible Cities " by Italo Calvino. How the Great Khan built in his imagination the cities that Marco Polo described to him, Plato he composes with his fantasy, his out of phase universe, to offer it to the incredulous eyes of the public. with Andrea Menozzi Ticket 12 € Buy tickets

Mostra Sassolino 2024 THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". mostra prodotta da Teatro del Baraccano | Perséphone ETS ideazione e cura Vincenza Maugeri immagine coordinata e grafica Silvana Vialli illustrazioni Inga Dagilė testi Marius Marcinkevičius Orari di apertura da lunedì a venerdì 9.30>18.30 sabato e domenica 10.00>18.30 La mostra è ad accesso gratuito si ringraziano Istituto di Cultura Lituano Yuri Garret Tatiana Pepe in collaborazione con Museo Ebraico di Bologna Caissa Italia editore con il contributo di Regione Emilia- Romagna Comune di Bologna Fondazione del Monte di Bologna e Ravenna Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm

Giuseppe Guarrera per Entroterre Festival Il programma proposto questa sera è frutto di scelte che hanno a che fare con vari momenti della mia vita personale, momenti che hanno generato curiosità profonde legate agli stati d’animo che ciascuno dei brani mi sembra esplorare. L’apertura della serata, con la sonata di Brahms, offre lo spazio giusto per cercare nel dialogo col violino un momento di speranza e freschezza. La delicatezza delle melodie, la scrittura cameristica equilibrata e il territorio tonale del brano mi sembrano una continuazione organica del lascito beethoveniano. Come spesso accade coi grandi compositori romantici tedeschi, consciamente o inconsciamente iniziano dal punto estremo lasciato da Beethoven in ogni genere. Questo è accaduto con le sinfonie, i quartetti, le sonate e in questo caso le sonate per violino e pianoforte. La prima sonata di Brahms mi sembra scritta sulla scia dell’ultima sonata per violino di Beethoven, anche questa in sol maggiore. Se nelle grandi sonate che ho avuto modo di suonare con Mayumi (Kreutzer, Frank, Strauss) i due strumenti sono spesso in una posizione di grandiosa ed epica lotta, Brahms in questo brano mette in luce diverse possibilità di dialogo, creando un’interazione più intima e dai toni più calmi. Intimità che lega il brano anche ai gioielli nascosti di Schumann, gli Albumblätter, dove in poche battute si dipingono con grande poesia stati d’animo contrastanti e profondamente umani. I Pezzi di fantasia op.12 sono brani che ho imparato al mio ritorno da un viaggio in India lo scorso anno. Posso sinceramente confermare che lo stereotipo del viaggio spirituale in India che cambia la vita è fortemente giustificato. Ricordo ancora il senso di meraviglia che ho provato quando dopo quasi un mese di silenzio dalla Musica, ho suonato le prime note di Des Abends al mio rientro a Berlino. Non scorderò mai quel momento di meraviglia e incredulità, il suono del pianoforte mi sembrava essere troppo bello per essere vero ed è quella stessa sensazione che vorrei regalare al pubblico. Gli altri brani dell’opera 12 sono momenti di grande instabilità emotiva, che oscillano tra il sogno, la disperazione, gli slanci, le passioni tipiche di Schumann, squilibri in cui si riflette molto la mia natura, con improvvisi squarci su mondi estremamente lontani... gli stessi mondi metafisici di cui a volte, per pochi millesimi di secondi, mi è sembrato di percepire l’odore in India. La parentesi su Ligeti è una transizione sul Novecento e un omaggio ad un compositore, nel centenario dalla nascita, che è già diventato un classico. La Musica Ricercata sembra una risposta divertita alla dodecafonia, dove il criterio compositivo (ogni brano costruito su una, due, tre, quattro etc. note) diventa motivo di sperimentazione pura. Il concerto, o almeno il programma stabilito, si conclude con la festosa Venezia e Napoli di Liszt, compositore e uomo che considero tra i più interessanti nel mondo musicale. Frutto di viaggi e "pellegrinaggi" in giro per l’Europa, raccoglie le canzoni popolari del tempo a Venezia (La biondina in gondoleta, nel dialetto veneto) e Napoli (Tarantella e Fenesta vascia, canzone d’amore napoletana) trasformandole in uno spettacolo per le orecchie di altissima classe pianistica. Anche questo brano ha tanto valore personale, studiarlo è stato un consiglio del mio mentore S. Gadjiev: egli mi ha spinto a cercare attraverso Venezia e Napoli una riconnessione alle mie origini siciliane dopo anni (16, la metà della mia vita tra pochi giorni, il 27 agosto) di peregrinaggi nel mondo, odissee necessarie per studiare e apprendere da tante culture diverse. La Musica è sempre stata per me un modo di comunicare le verità dell’anima. Non sempre ci si riesce, ma questa meta all’orizzonte è sempre rimasta ben visibile e qualche volta sembra quasi di raggiungerla. Giuseppe Guarrera PROGRAMMA e FORMAZIONE MUSICALE ore 19:00 Aperi-concerto Giuseppe Guarrera pianoforte Mayumi Kanagawa violino J. Brahms Sonata n.1 per violino e pianoforte Aperitivo con gli artisti al Bar del Teatro Baraccano: tariffe à la carte ore 21.30 Recital pianistico Giuseppe Guarrera pianoforte R. Schumann Fantasiestücke op. 12 G. Ligeti Musica Ricercata F. Liszt Venezia e Napoli www.entroterrefestival.org Biglietteria apericoncerto + concerto serale €15 Buy tickets July 9 apericoncerto 7€ (aperitivo non compreso) concerto serale €10 Acquista biglietti Acquista biglietti Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Vieni notte, a bere luce RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli Single ticket € 10 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August

Stagione ATTI SONORI 2017.

Il Piccolo Teatro del Baraccano dal 2011 è gestito dall’Ass. Perséphone, con il progetto ATTI SONORI, che prevede spettacoli di teatro e musica. The Teatro del Baraccano , is part of the complex of the Baraccano Conservatory, of which it forms the west wing; its construction dates back to 1500. Until the 1970s it served as the Conservatory of the Putte , a place where the Bolognese orphans were educated and prepared for marriage. After the 1970s, the space was closed for about thirty years. Subject of a careful renovation by the Municipality of Bologna, it was reopened and used as a theater in 2006. During the renovation, further frescoes were found in the main hall. In 2010 the Perséphone Association has won the tender of Municipality of Bologna / Q.re Santo Stefano for the management of the theater, where the ACTS SONORI project is carried out, which includes theater, music, interaction between the arts, shows and workshops for children. In 2014 the Teatro del Baraccano was recognized by the Giunta Municipal as part of the "City Theater System", it therefore carries out "institutional activity". The space also includes an internal courtyard, the Cortile del Teatro del Baraccano , used, in the summer season, for larger musical theater performances, including musical and opera . in convenzione con con il sostegno di

SOUND ACTS and NipPop August 21, hours 21.30 english version THE BARBER IN COMICS the Rossini's Barber of Sevilla with images, music and animation The Baraccano Orchestra , conducted by Giambattista Giocoli , will play the music of Il Barbiere di Siviglia , in the original version arranged for wind orchestra. Beyond the music, the story of Rosina and Figaro will be told by the original manga drawings of Tsukishiro Yūko and by some captions, that explain the sequence of scenes. For this version the captions will be in English. VIRTUOSES OF ITALIAN OPERA flute Filippo Mazzoli clarinets Stefano Franceschini and Ivan Villar Sanz bassoon Massimiliano Denti horns Ezio Rovetta and Andrea Brunati trumpet Fabio Codeluppi trombone Riccardo Gatti contrabass Daniele Rosi accordion Luca Piovesan ideation and conduction Giambattista Giocoli manga drawings Tsukishiro Yūko musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone http://www.attisonori.it/ITA/produzioni/barber.html Ticket 12 € (full), 10 € (reduced) Buy tickets The Barber in comics The Barber in comics The Barber in comics The Barber in comics The Barber in comics

Jean Rondeau 1 August, 9.30 pm | Baraccano Theater Entroterre Festival MELANCHOLIA - jean rondeau Described as "one of the most interesting natural talents you can hear these days" by the Washington Post on a stage of classical music ”, Jean Rondeau can be considered a true "ambassador" of his instrument. His exceptional talent and his approach to the harpsichord repertoire have been particularly appreciated by music critics which credits him as one of the leading harpsichordists of today. Jean Rondeau studied harpsichord with Blandine Verlet at the Conservatoire National Supérieur de Musique in Paris, also deepening the studies of Bass continuo, organ, piano, jazz, improvisation, and conducting. He completed his musical training at the Guildhall School of Music and Drama in London. In 2012, at the age of 21, he won First Prize at the Bruges International Harpsichord Competition (MAfestival 2012) In the 2020/21 season, Jean Rondeau makes his debut at the Wiener Konzerthaus with a solo recital in a Bach and Scarlatti program. He also made his debut at the Konzerthaus in Dortmund, returned to the Köln Philharmonie and played Poulenc's Champêtre Concerto at the Essen Philharmonie. Jean Rondeau has signed an exclusive recording contract with Erato. For this important record label he has recorded several albums of ancient music , repertoire that remains the center of his musical identity. Jean Rondeau also undertook the career as a director: collaborates with Kammerorchester Basel , Köln Concert , the Orchester Philharmonique de Radio France and the Stuttgart KammerOrchestra. He will play music by Girolamo Frescobaldi (1583-1643), Giovanni Picchi (v. 1571-1643), Luzzasco Luzzaschi (1545-1607), Bernardo Storace (v. 1637-v. 1707), Gregorio Strozzi (1615-1687). Photo Jean Rondeau 11 (c) Shura Rusanova EE3A0428B (c) Edouard Bressy_edited Photo Jean Rondeau 16 (c) Shura Rusanova Single ticket € 10 Buy tickets

Lenti passi nel tenebroso palazzo di fate from 24 May to 6 June | Charterhouse of Bologna SLOW STEPS IN THE DARK PALAZZO DI FATE the Charterhouse to the discovery of Ottorino Respighi treasure hunt From 24 May to 6 June the Risorgimento Museum offers a 'treasure hunt' in the monumental Cemetery of the Certosa to be done independently, dedicated to the figure of Ottorino Respighi (1879-1936) , one of the most famous musical composers of the twentieth century. Through a downloadable map by clicking on the button below, you will be able to discover the musical and family world of the artist, a relative of famous sculptors, art critics, doctors, men of arms and of the writer Vittoria Guerrini, aka Cristina Campo . In the stages of the route, QR codes will be available for those who want to learn more through texts, documents, videos and music. Made on the occasion of the Week to discover European cemeteries and the historical re-enactment of 8 hundred Aps Made Italy ; within the Respighi Project of the Teatro del Baraccano. Info: museorisorgimento@comune.bologna.it Download the map The map can also be downloaded through the Facebook channels of the Museum of the Risorgimento , 8 hundred , Baraccano Theater and Amici della Certosa , or by going to the Info Point of the Certosa during opening hours (via della Certosa 18 - Church courtyard). Smartphone with QR reader / app required. Ottorino Respighi Certosa Bologna Respighi Project