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March 6, 8.30 pm - POSTPONED NEW DATE May 30, 8.30 pm in collaboration with the Jaya Association BHĀRATANĀTYAM MARGAM Indian dance theater show with Apoorva Jayaraman The Bhāratanāṭyam it is the oldest form of dance theater originating in South India. The term Nāṭyam in Sanskrit it means dance, Bharata instead it is an acronym of the three words Bhāva (expression), Guys (melody), Tāla (rhythm). The style known as Bhāratanāṭyam is in fact a perfect synthesis of these three elements. The dancer, or the dancer, through the movements and expressiveness of her body tells stories of gods and heroes. Life in all its forms is represented through this wonderful form of yoga in motion in which even the eyes dance. APOORVA JAYARAMAN was born in Bangalore, and met Bhārata Nātyam at the tender age of 5. At 16 she moved to Chennai to study with the great teacher Kalanidhi Narayanan and since then she has had the opportunity to train permanently with Priyadarsini Govind, one of the most eminent dancers of this style of dance. In his own words ' Dancing, and activities surrounding it, have brought me a sense of fulfillment like nothing else so far has '. Apoorva has a degree in Physics from the University of Oxford and a PHD in Astronomy from the University of Cambridge (UK). Ticket € 13 (full), € 10 (reduced) Buy tickets Apoorva Apoorva Jayaraman Apoorva Apoorva Jayaraman Apoorva Jayaraman Apoorva Jayaraman

SOUND ACTS 22 and 23 February, matinee for schools THE CARTOON BARBER "The Barber of Seville" told through music, images, animations and text The Count d'Almaviva wants to marry the beautiful Rosina and for this he gets help from Figaro , the barber-factotum who becomes the director of all the actions. Figaro resorts to tricks and disguises; for him, success in the "Rosina operation" will lead to an increase in prestige and economic well-being. But Rosina is kept segregated at home by her old guardian, Don Bartolo , from whom she wants to escape and, if she wants to marry Almaviva, she must collaborate in the intrigues, emancipating herself from the role of house and church girl. Thus begins a process of unmasking false values and abandoning current morality. The conclusion with the happy ending will be Bartolo's surrender and the triumph of love. Baraccano Orchestra director Giambattista Giocoli videoprojected manga images 012 014 016 013 018 015

Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone

2 and 3 March, 9 pm PURGATORY BUM BUM a project of the Compagnia della Quarta To play down the sacredness of the three places traditionally dedicated to the purification of the spirit, is the goal of Purgatorio Bum Bum, the first chapter of a trilogy of theater and dance in which hell, purgatory and paradise become surreal and grotesque settings in which a veteran and a fool sinful freshman play with competition and gambling on the probabilities of their own destiny. Purgatorio boom boom opens with a danced divertissement that tells the long wait towards the divine in an exchange of roles that does not guarantee salvation, much less, the assumption into heaven of the chosen one. Original sin has made us guilty against our will. Regardless of the conduct of an entire life, the path to redemption becomes necessary and inevitable. What better place, if not purgatory, to decontaminate the soul from any dirt and then aspire to the empyrean? In Purgatorio Bum Bum a choreographer / dancer and an actor / performer, through body language and an "English-speaking gramelot" in a non-place suspended between the possible and the unimaginable, put on stage the story of a "teacher" who sees as his last hope for approaching a better life, the transmission of his experiences to a pupil who is not really adequate to the circumstances. Purgatorio Bum Bum is the emblem of change and spiritual transformation that passes from the need for a real physical transmutation: to resemble those who are about to cross the threshold, who can finally access Celestial Spheres becomes a necessary step to hope to really make it. On stage the fetishes and emblems of humanity sacred images transformed into a slot machine, tequila glasses that are transformed into the game of three cards in an apotheosis of vices transformed into games of skill. Who wants to play? Rien ne va plus ... concept and choreography Mario Coccetti interpreters Fabrizio Molducci / Mario Coccetti production Compagnia della Quarta organization Valentina Bressanin Supported by Teatro De Micheli (FE - Italy) Center de résidence La Chapelle (Brest - France) www.compagniadellaquarta.it Ticket 12 € (full), 10 € (reduced) Buy tickets

March 24, 5pm and 9pm DISENCHANTED THE MOST BITCHES IN THE REALM Fun, hilarious, with the flavors of vaudeville and cabaret, Disenchanted it dispels the myth of the "Princess Complex", to make fun of the frivolities told in fairy tales and celebrate being a woman in all its facets. 10 princesses they will stage their variety, to the rhythm of funny gags, real star numbers, leaving the audience with important ideas for reflection. Our princesses, seen in the collective imagination as perfect girls, sweet and succubus of their prince charming, in this show they deal with themes that are always discussed and very current. Diversity , emancipation , image exploitation , alcoholism or the fear of losing one's beauty , they represent the subtext of what they tell the public. Princesses who are first and foremost women, ready to make their way and fight to honor their dignity, all with irony and a pinch of malice. The Italian version, produced by the PERFORMErs thanks to a special agreement with Theatrical Right Worldwide - New York marks the first time the show is staged in Europe. music, lyrics and lyrics Dennis T. Hyacinth directed and Italian adaptation Matteo Borghi musical direction Eleonora Beddini choreography Luca Peluso Italian translations Nino Pratticò costumes Elena Mancuso assistant director Sara Persali executive production Giuseppe Di Falco Ticket € 16 (full), € 12 (reduced) Buy tickets Disincantate Disincantate Disincantate Disincantate Disincantate Disincantate

Histoire du soldat. Musiche di Stravinskji. 25 August, 9.15 pm SOUND ACTS and Music Together HISTOIRE DU SOLDAT music by Stravinskji ACTI SONORI stages the "poor" Opera that Igor Stranvinskij composed in 1918, against the sumptuous and cumbersome canons of traditional opera. The story is taken from the Russian fairytale tradition and has as its protagonist a soldier, a victim of the world war of 1915/18. The soldier's story concerns humanity as a whole and, in particular, the subject of man's inability to escape his own destiny. L'Histoire du Soldat | by Gianluca Cheli This work was initially conceived as a work for puppets: a simple and immediate artistic product, with a strong symbolic component. Here the graphic gesture is chosen as a marionette sign to reveal the dark aftertaste of the ironic atmospheres, musically outlined by Stravinskij in his chamber work. Elements that return in the expressive sign of the most submerged plane of the Histoire du Soldat: the melancholy, and all in all a bit funny, feeling of predetermination, combined with the creative madness of Russian fairy tales, from which the work takes its cue. Histoire du soldat Sementerie Artistiche2 Sementerie Artistiche ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini violin Fabio Quaranta contrabass Daniele Titti clarinet Davide Fumagalli bassoon Fabio Codeluppi trumpet Valentino Spaggiari trombone Simone Benedetti percussion In case of rain the event will take place on August 27th, at the same time Single ticket € 10 Buy tickets

film, Myslivececk, Il Boemo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". INGRESSO GRATUITO Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

All'Opera! Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Sinfonia dalla Norma di Vincenzo Bellini Preludio da La Traviata di Giuseppe Verdi Preludio da Aida di Giuseppe Verdi Ouverture dal Don Pasquale di Gaetano Donizetti Intermezzo da L'Amico Fritz di Pietro Mascagni Intermezzo dalla Cavalleria Rusticana di Pietro Mascagni Sinfonia da Il Barbiere di Siviglia di Gioacchino Rossini Intermezzo da I Pagliacci di Ruggero Leoncavallo Intermezzo dalla Manon Lescaut di Giacomo Puccini Sinfonia da La Forza del Destino di Giuseppe Verdi BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Bando formazione, selezione Atelier Opera VOI all'opera! Form Form Clip 1 Clip 1

Gallery fotografica del teatro del baraccano e del cortile del teatro del baraccano

Sassolino, Orchestra del Baraccano Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone La Baracca - Testoni Ragazzi regia e adattamento teatrale Bruno Cappagli con Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick montaggio video Andrea Aristidi e Lorenzo Monti esecuzione tecnica Francesco Vaselli BIGLIETTERIA per le scuole: 5.50€ pomeridiano e serale: intero 12€ ridotto 10€ ( under 30, over 65, card Cultura, soci Coop) ridotto5€ (under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings