SASSOLINO Teatro del Baraccano dal 26 al 29/01/23 Scopri di più RESPIGHI SUITE Basilicata 1-7 agosto Scopri di più RESPIGH'S TRAIL Accademia delle Arti Ungherese / Budapest 6 settembre Scopri di più RESPIGHI SUITE Teatro del Baraccano 10 settembre Scopri di più IL BARBIERE A FUMETTI Basilicata 28 marzo - 2 aprile Scopri di più R.A.D. Teatro del Baraccano 31 agosto Scopri di più RESPIGHI SUITE Budapest 7 settembre Scopri di più CLASSICAL FOLK Teatro del Baraccano 25 novembre Scopri di più AIDA, la musica danza nella sabbia Teatro del Baraccano 28/05/23 Scopri di più R.A.D. Corti, Chiese e Cortili 2 settembre Scopri di più RESPIGHI SUITE Balatonfured | Ungheria 8 settembre Scopri di più 2022

ARCHIVIO STAGIONI PASSATE AUTUNNO 2023 STAGIONE 2022 ESTATE 2021 AUTUNNO 2019 INVERNO 2019 INVERNO 2018 ESTATE 2017 ESTATE 2023 AUTUNNO 2021 ESTATE 2020 ESTATE 2019 ESTATE 2018 AUTUNNO 2017 PRECEDENTI

Stagione ATTI SONORI 2017. SOUND ACTS 2017 musical theater 12 - 13 - 14 October, 9pm GIUSEPPE VERDI, KING OF POP 21 October, 9 pm '77 AND S8 IN JAZZ 11 November, 9 pm MUSICAL CABARET November 12, 5.30 pm RADIO RHYTHM 21 November matinee for schools IN THE NAME OF A ROSE 24 November, 9.30 am STRAY' (HARD-SIDED) 2 December, 9 pm NYANGA December 15, 9 pm AMONG THE CLOUDS 15 and 16 December matinee for schools THE CARTOON BARBER

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone

Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di Strada Maggiore e via Santo Stefano passeggiata e concerto 27 maggio 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. IL BARBIERE A FUMETTI

Scheda AIDA RAD Respighi Ancient Dances DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. AIDA concerto riduzione per ensemble musiche di GIUSEPPE VERDI Preludio Atto I - Celeste Aida - Terzetto Atto I - Su del Nilo - Scena Aida Atto I - Consacrazione - Finale I Atto II - Introduzione - Danza e Duetto Atto II - Marcia Trionfale - Gran Finale Atto III - Intro - Romanza - Aria Aida Atto III - Duetto Aida Radames - Finale Atto IV - Aria Amneris Atto IV - Duetto Aida Radames - Finale ultimo ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Alessandro Di Marco violino Francesco Maria Parazzoli violoncello Fabio Fabbrizzi flauto e ottavino Ivàn Villar Sanz clarinetto Andrea Coruzzi fisarmonica Alice Caradente arpa Fabio Codeluppi tromba Valentino Spaggiari trombone Gianluigi Paganelli basso tuba Simone Beneventi percussioni arrangiamenti Fabio Codeluppi riduzioni Giambattista Giocoli

Kafka100 September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome KAFKA: LETTERS TO MILENA Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Scopri di più LA PRAGA DI KAFKA tra immaginario, perturbazioni, realtà in viaggio con Vincenza Maugeri 10-13 settembre Scopri di più KAFKA, Lettere a Milena concerto teatrale 1 settembre | Teatro del Baraccano - Bologna rassegna ATTI SONORI, estate 2024 ore 19.30 intervista impossibile a F. Kafka con E. Marrese e A. Santonastaso ore 21 spettacolo 15 novembre | Teatro del Baraccano - Bologna 16 novembre | Sala Sangiorgi - Forlì 17 novembre | Sementerie Artistiche - Crevalcore (BO) Scopri di più

a little night music Form Teaser and Trailer Showreel Show Gallery Gallery Director

RESPIGHI SUITE Form Gallery

concerto su musiche di Manuel De Falla, Luciano Berio e Maurice Ravel, con al centro la "canzone popolare” SOUND ACTS 8 August, 9.30 pm POPULAR SONGS music by Luciano Berio, Maurice Ravel and Manuel De Falla Concert with music by Berio, Ravel and De Falla, with "popular song" in the center. The Siete canciones populares españolas by Manuel De Falla and the Folk songs by Luciano Berio, interpreted by the voice of Patrizia Biccirè , show us how tradition can be crossed by the eccentric gaze of authors of Western "cultured" music. Another protagonist of the program will be the harp , already present in the pieces by De Falla and Berio, which will become a soloist in the famous Settimino by Maurice Ravel . Here, played by José Antonio Domené , it will express itself to its fullest potential, through variations and developments of popular themes, in an effective whirlwind of sound beams with a popular flavor. ORCHESTRA DEL BARACCANO director Giambattista Giocoli voice Patrizia Biccirè ( patrizia-biccire.com ) solo harp José Antonio Domené ( joseantoniodomene.com ) Roberto Noferini and Alessandro Di Marco violins Enrico Celestino purple | Luca Bacelli cello Elena Giri flute | Daniele Titti clarinet Paolo Rosetti bassoon Gabriele Genta And Nicolò Tomasello percussion Giambattista Giocoli José Antonio Domené Patrizia Biccirè Ticket 12 € (full) 10 € (reduced) Buy tickets PROGRAM YOU ARE CANCIONES POPULARES ESPANOLAS music by Manuel de Falla (1876-1946) original orchestration and arrangements for mezzo-soprano and seven performers INTRODUCTION AND CHEERFUL music by Maurice Ravel (1876-1946) for harp, flute, clarinet and string quartet The introduction and cheerful is a WEEK dedicated to Albert Blondel and was written on commission from the lutherie Erard, manufacturer of the double movement pedal mechanism. FOLK SONGS music by Luciano Berio (1925- 2003) for mezzo soprano and seven performers THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni e a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Initially a clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna . As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Orchestra of the Teatro Comunale di Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as guest conductor with the Orchestra of the Toscanini Foundation of Parma, and from 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera . AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna.

R.A.D. Respighi Ancient Dances 27 and 28 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 29 August RAD Respighi Ancient Dances music and dance DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. DNA Company | choreography Elisa Pagani ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli Biglietto unico 10€ (non comprensivo di aperitivo) Acquista biglietti