Orsoleo Spring Festival 2026 THE CARTOON BARBER The Barber of Seville for Manga music and drawings Ammirando la vista magnifica sia dell'architettura sia del panorama mozzafiato del Convento, ascoltando il racconto sonoro dell'Orchestra del Baraccano e quello teatrale di Sandra Cavallini, odorando i profumi delle erbe officinali che rievocano le antiche preparazioni monastiche, toccando le pietre secolari dei chiostri per sentire la materia di un luogo sospeso nel tempo ed infine assaporando le eccellenze culinarie locali, si potrà vivere una irripetibile e totalizzante immersione nella storia da protagonisti. Visite guidate a cura di Salvatore Mario Graziano . Appuntamenti 30 aprile, ore 18.45 1 maggio, ore 10 e 11.30 2 maggio, ore 10 e 21 3 maggio, ore 10 The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Repliche 2 e 3 maggio, ore 11.30 The Barber of Seville for Manga music and drawings Tra un concerto, una visita al Convento e una danza, sarà possibile assaporare i sapori della terra lucana, degustando alcuni dei prodotti tipici locali: salumi, formaggi, focacce, peperoni cruschi e l’immancabile Grottino di Roccanova DOP. Le degustazioni saranno a cura di Società agricola vitivinicola Torre Rosano srls sb Società agricola vitivinicola Vinicervino srls sb Masseria zootecnica Viviano Azienda Malaspina Agriturismo Masseria Cascino Appuntamenti 30 aprile, ore 19.30 1 e 2 maggio, ore 13 e 19.30 3 maggio, ore 13 2 maggio ore 16 e 19 | Chiostro grande Factory Compagnia Transadriatica HAMELIN spettacolo per bambini dai 5 anni liberamente ispirato alla fiaba “Il Pifferaio Magico” dei Fratelli Grimm Un fatto di cronaca traslato via via in fiaba. Ad Hamelin vige ancora il divieto assoluto di suonare musica nella via Senzatamburi. La città vive un periodo oscuro che richiama inquietanti analogie con il presente. Ma cosa è successo ai bambini di Hamelin? Dove finisce la realtà e dove inizia la finzione? Lo spettacolo gioca su diversi pianipercettivi della storia. Il Pifferaio, come artista, porta ad una visione diversa da quella adulta, fatta di sorpresa e bellezza. Allo stesso tempo, la sua figura richiama il teatro viaggiante e invita a riflettere sul ruolo dell’arte nella società di oggi. con Fabio Tinella • drammaturgia e regia Tonio De Nitto dramaturg Riccardo Spagnulo • musiche originali Paolo Coletta voiceover Sara Bevilacqua • sound designer Graziano Giannuzzi produzione Factory Compagnia Transadriatica - Fondazione Sipario Toscana

AMORE E RIVOLUZIONE omaggio a Frida Kahlo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Mare Aperto Trasparenze Assalam Misirlou Historia de un amor Chante chante ma guitar Pausa monologo attrice Adio kerida Taksim La llorona Quando il vento tace Vent du sud BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Aperitivi a cura di Oui in cucina www.ouiincucina.com Acquista biglietti ATTI SONORI fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena. Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

L'Orchestra del Baraccano nasce nel 2013 all'interno delle attività del Teatro del Baccano. Fondata e diretta da Giambattista Giocoli. The Baraccano Orchestra was born within the activities of Theater of They baraccano of Bologna, where a production and research project on the theater is carried out chamber music. IS was founded in 2013 and is directed by its artistic director Giambattista Juggles . The Orchestra has produced numerous musical theater performances both independently both in co-production and collaboration with the Teatro Comunale di Bologna, BSMT productions and the University of Bologna. Among the productions we remember: the musicals A Little Night Music And Sweeney Todd by Stephen Sondheim, the show Histoire du Soldat by Igor Stravinskij, the projects At the Opera! , symphonies, interludes and overtures of the Italian opera e 4th Gustav Mahler , the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017 he carried out the following projects: Popular songs , with soloist Cristina Zavallon i, a new Histoire du soldat with the reciting voice of Ivano Marescotti and The Barber in Comics , "The Barber of Seville" for music, animations and Manga comics, designed by Tsukishiro Yuko, in international co-production with the Japan . The goal of the Orchestra is to play, with formations for chamber orchestra, musical works originally composed for large orchestras, producing new scores played "in real parts". PRODUCTIONS RESPIGHI SUITE HISTOIRE DU SOLDAT THE CARTOON BARBER POPULAR SONGS A LITTLE NIGHT MUSIC KAFKA: LETTERS TO MILENA IMMUTEA 1919 AT THE OPERA! 4th GUSTAV MAHLER SWEENEY TODD Il Barbiere a Fumetti Orchestra del Baraccano 2017 Histoire du soldat Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano 2016 Giocoli a Ferrara Orchestra applausi Mostra altro THE DIRECTOR GIAMBATTISTA GIOCOLI At first clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna . As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Orchestra of the Teatro Comunale di Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as a guest conductor with the Orchestra of the Toscanini Foundation of Parma, and from 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera . AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna. Giambattista Giocoli G. Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli Giambattista Giocoli

Between One Act and the Other in collaboration with ATER - Emilia Romagna Theater Association 20 October, hours 21 21 October, 5 pm TWO OLD WOMEN GOING NORTH Deux petites dames vers le Nord by Pierre Notte In Two direct old ladies in the North - a sort of road movie with two “elderly” Thelma and Louise - the actresses tackle the theme of death through the ironic writing of Pierre Notte . Annette and Bernadette have just lost their mother and decided to bury her ashes near those of their father, in the north of the country. But in reality a daring journey begins, both real and metaphorical, full of memories and accounts to close. A mix of corrosive humor and tenderness. " Deux petites dames vers le Nord is a delicate fantasy about disrupted mourning. It is the refrain of reconciliation, belated but real, between people. It is not so much the pain of loss, but rather the moment in which it is possible to laugh, sometimes , even suddenly, unwittingly, as if by magic, as if guided by a ghost, when we learn of someone's death. who accept to take their ghosts by the hand and dance with them instead of carrying them on their shoulders ”(Pierre Notte). In the long and tiring search for a text for two actresses, which would respond to certain decisions theatrical and dramaturgical characteristics, we came across Pierre Notte's text and immediately wanted to stage it. Thanks to the great availability of the author and the kindness of the talented translator - Anna D'Elia - we were able to start this journey "in four": Angela, Francesca, Bernadette and Annette. A journey into the fears of the future which, as the theater teaches, can be - if not defeated - faced through irony. Old age, loss, grief and the past weigh heavily ; they often stiffen us, they extinguish our will to continue to give meaning to that last portion of life as well. Annette and Bernadette seem to affirm their diversity only to nourish the eternal conflict that animates their daily life: in reality they are much more similar than it seems in the continuous exchange of arrogance and fragility, of bravado and naivety. Above all, they will find themselves firmly accomplices in deciding to live again, to discover again and to dare what was previously unthinkable. What will your last words be before you die, they ask each other? Annette - Thanks for everything, see you soon Bernadette - Thanks for everything and see you next time The father, twenty-five years earlier, had taken his leave saying “it's okay anyway, a lot of review”. The author, through the two petites dames, seems to suggest to us the idea of a possible return, of a death that puts us in a perennial cycle of transformation and rebirth. We want to believe him. Angela Malfitano and Francesca Mazza Pierre Night Pierre Notte has written for the theater since the early nineties; general secretary of the Académie française between 2006 and 2009, he is also a journalist, poet, novelist, actor, director, as well as the author of radio texts and cabaret shows. He is a Knight of Arts and Letters and has received many awards for his work including the Molière du Théatre privé. with Angela Malfitano | Bernadette Francesca Mazza | Annette translation Anna D'Elia sound Alessandro Saviozzi video interventions Lorenzo Letizia Thanks to Fabrizio Arcuri and Maurizio Cardillo Ticket 12 € (full), 10 € (reduced) Buy tickets due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza

SOUND ACTS in collaboration with Bologna Jazz Festival November 12, 5.30 pm RADIO RHYTHM voices and sounds from the ether RADIO RITMO wants to remember the impressive communicative power of the radio in the 30s, when she was still the first woman on the communication scene. It is enough to recall the experience of Orson Wells' radio broadcast The war of the Worlds, which inspired this show, to get an idea of the extraordinary capacity of involvement of sounds and voices, still independent from the image. On October 30, 1938, that broadcast sparked panic, suggesting that an interplanetary conflict had started through an alien invasion of New York. conceived by Giambattista Giocoli direction and theatrical adaptation Massimo Sceusa voices reciting Angela Malfitano and Massimo Sceusa Piero Bittolo Bon alto sax, flutes, clarinets, electronics Stefano Dallaporta double bass Andrea Grillini drums, percussion Ticket € 13 (full), € 10 (reduced) Buy tickets

FRANCESCO VASELLI Born on March 5, 1989 in Bologna, I graduated from the Liceo Scientifico A.Righi in Bologna in 2009. During the summer of 2010 I worked as a warehouse worker at the Cantina Marittima (Milano Marittima - Ra). Enrolled at the University of Literature and Philosophy in the Dams-Music course, I carried out the curricular internship at the Teatro del Baraccano in Bologna between October 2015 and February 2016, during which I gained experience as an audio technician and mask in the hall. Between October 2017 and April 2018 I attended basic and advanced professional courses for sound engineer at Fonoprint studios. Since November 2017 I have been collaborating with the Teatro del Baraccano as an audio technician, where I take care of the correct functioning of the system and the care of live shows, concerts and conferences. Occasionally I have also collaborated with various services in the sector, for events of different kinds, even over several days. Thanks to these experiences I was able to learn how to manage work even under pressure, to work in a group and to satisfy requests in every situation, using the material in the best possible way. technician at my disposal.

Scheda AIDA AIDA the music dances in the sand reduction of Giuseppe Verdi's Opera for ensemble, narrator and lights The monumental opera AIDA, in the musical version of the Baraccano Orchestra, does not require spectacular forcing on stage, nor colossal spaces or scenographic grandeur. Here even the elephants could stop marching, leaving space, amazed and moved, to the human drama between losers and winners, in war and in love. We find the suffocating gigantism desired by Giuseppe Verdi and the overwhelming effect on the soul of the young protagonists, in the original reduction and arrangement for instrumental ensemble with ten real parts, in the impetuous style of the director Giambattista Giocoli, in the verses spoken and whispered by Sandra Cavallini, in the desired metric irregularity of Antonio Ghislanzoni's libretto. L yrical accents, triumphal traits and sudden suspensions reveal the delicate depths of the work. A reduction and arrangement that will try, even without the singers, to restore the dramaturgy and symphonic power of this Opera and to convey its profound intimacy of feelings and musicality, in addition to the majestic and grandiose moments inspired by the magnificence of Egyptian civilization. Contrary to the predominant tradition, which made it famous mainly for the magnificence of the scenography, we therefore want to present an innovative reading, focused on the profound intimacy of feelings and reflections on social dynamics. ORCHESTRA DEL BARACCANO conductor Giambattista Giocoli Alessandro Di Marco violin Francesco Maria Parazzoli cello Filippo Mazzoli flute and piccolo Raffaele Damen accordion Alice Caradente harp Luca Piazzi trumpet Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Simone Beneventi marimba and percussions reduction of the Opera Giambattista Giocoli arrangements Fabio Codeluppi actress and and theatrical adaptation Sandra Cavallini AIDA la musica danza nella sabbia Preludio ATTO I Celeste Aida - Terzetto Su del Nilo - Scena Aida Consacrazione - Finale I ATTO II Introduzione - Danza e Duetto Marcia Trionfale - Gran Finale ATTO III Intro - Romanza - Aria Aida Duetto Aida Radames - Finale ATTO IV Aria Amneris Duetto Aida Radames - Finale ultimo durata: 80 minuti circa BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. SANDRA CAVALLINI Actress in Le nozze di Figaro with Tullio Solenghi (Compagnia Lavia); in Italiani si nasce and L'apparenza inganna with Solenghi and Maurizio Micheli (Teatro Bobbio TS); in Miles Gloriosus with Vanessa Incontrada and in Lysistrata with Vanessa Gravina (Plautus Festival); in Reparto n.6 directed by Petru Vutcareu from the Ionesco Theater of Chisinau (SantiBriganti TO); in Falstaff and The Merry Wives of Windsor directed by Antonio Salines; in Fedra 2003 by Puppa directed by Angelo Generali (Rosaspina/ERT); in the chamber opera Nell'alba dell'umano with music by M° Adriano Guarnieri, directed by Claudio Longhi (Accademia Filarmonica BO - Teatro Rossini PU) and in La città capovolta, with music by M° Guarnieri and M° Gilberto Cappelli (Conservatorio GB Martini - Rai Trade). For the Teatro Aperto Dehon company, actress in over a dozen productions. Actress and co-author in Variazioni sul cielo with Margherita Hack, directed by Iaquone and Stoker, touring for years throughout Italy.Educational background: with the International Stage of Commedia dell'Arte, student, actress, and assistant for the technical gestural part with A. Fava in Italy and abroad in the research and practice of mask theater; in the university context with Prof. Gianfranco Ferri and Matilde Marullo; further studies with Yves Lebreton, Maria Teresa Di Clemente, Philip Radice, Giovanna Giovannini and Germana Giannini, Alain Le Bon, Luciano Leonesi. Academy of Fine Arts Bologna scenography. Teaching and directing activities: Permanent Comic Laboratory - Bologna, experimental and research activities on the language of theatrical masks from Commedia dell'Arte to Contemporary Comic for vocal, gestural, and deep expressive scores; collaborates with Giorgio De Marchi, sculptor, and mask maker. Conducts theater workshops at Cooperativa Teatro Laboratorio di Brescia; Jurta Teatro; i Commedianti and Circa Teatro - University of Urbino; SAT Santibriganti of Turin; Atelier Teatro Fisico of Turin, Teatro Binario, Chancesportout Copenhagen; University Primo Levi. With the Institution of Social Services of Castel San Pietro Terme, leads the Recreational Laboratory. Collaborates on the ARTE e SALUTE Project - I burattini di San Giovanni GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

I Sacchi di Sabbia/Compagnia Lombardi-Tiezzi in Ein Musikalischer Spass zu Don Giovanni. Un progetto di Giovanni Guerrieri, Giulia Solano e Giulia Gallo The Sandbags / Lombardi-Tiezzi Company 4 August, 9.30 pm DON GIOVANNI Ein musikalischer Spass zu Don Giovanni is a whim for "noises and noises" which proposes, through a very rigorous score of "musical gestures", the essential structure of Mozart's Don Giovanni: a selection of the most significant arias set in a complete dramaturgical design and interpreted "noisily ”By the actors of the I Sacchi di Sabbia Company. A tribute to Mozart: a mockery and at the same time an act of love for a magnificent opera. a project by Giovanni Guerrieri , Giulia Solano and Giulia Gallo with Giulia Gallo , Giovanni Guerrieri , Maria Pacelli , Matteo Pizzanelli , Federico Polacci , Rosa Maria Rizzi , Giulia Solano to follow: ARIE from DON GIOVANNI soprano Patrizia Bicciré baritone Maurizio Leoni piano Paola Del Verme Ticket € 13 (full), € 10 (reduced) Buy tickets Don Giovanni

Allargo già le braccia 24 and 25 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 26 July I ALREADY WIDEN MY ARMS the secret essence of unspoken things concert for musical ensemble, narrator and images ELSA and OTTORINO RESPIGHI. Letters and Double Quartet Music and musical gesture are the body on stage. Letters, documents and images are essential traces of Elsa and Ottorino Respighi's life. (Sandra Cavallini) My letters to Ottorino and hers to me trace the first period of our life together. After the wedding, the correspondence between us is very little, because in the eighteen years of life together we were only separated for a few days. (Elsa Olivieri Sangiacomo) A theatrical adaptation of the letters that Respighi exchanged with his wife Elsa Olivieri before their marriage was woven on the music of Ottorino Respighi's "Doppio Quartetto". These are letters that Elsa herself has collected in a volume, which she simply titled "Ottorino Respighi". A very precious instrument will enrich the musical performance: the violinist Roberto Noferini will play the violin that belonged to Respighi , a violin of prestigious and ancient Bolognese lutherie, built around 1730. by the luthier Florenus Guidantus (1687-1760). The scenographic images will help to discover a fragment of the life of this great Bolognese musician and composer, who, for his genius, deserves to be rediscovered by his city to which he was very attached. Respighi is deeply and intimately linked to the city of Bologna and lives it with very strong nostalgia every time he moves away from it. In fact, he settled in Rome in 1913, winning the competition for the Chair of Composition and Fugue at the Conservatory of Santa Cecilia, but his countless journeys can already be counted from his youth in via Castagnoli 2 (now Largo Respighi - BO), starting from the small room used as a study, from the fir bookcase built with his own hands, from the collection of vocabularies in different languages, with a particular curiosity for the less known ones. The vocabularies are followed by atlases and hours spent studying a geographical map. “ Those were, those were the first trips, the most beautiful I've ever done around the world ”. It is not always easy to play a dreamer. The event is part of the RESPIGHI project . Allargo già le braccia Allargo già le braccia Allargo già le braccia Allargo già le braccia ideation Giambattista Giocoli Sandra Cavallini narrator and theatrical adaptation images edited by BLUE SALT music Double Quartet from Ottorino Respighi ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini , Henry Domenico Durante Luca Ranzato , Matteo Anderlini violins Thomas Cavuoto, Lorenza Merlini violets Giacomo Grava and Francesco Stefanelli cellos Single ticket € 10 Buy tickets BIGLIETTERIA 28 NOVEMBRE Biglietto unico 10€ Prenotazioni e info: Associazione culturale Crescendo asscrescendo@gmail.com tel. e whatsapp: 335.1748737

SOUND ACTS 22 and 23 February, matinee for schools THE CARTOON BARBER "The Barber of Seville" told through music, images, animations and text The Count d'Almaviva wants to marry the beautiful Rosina and for this he gets help from Figaro , the barber-factotum who becomes the director of all the actions. Figaro resorts to tricks and disguises; for him, success in the "Rosina operation" will lead to an increase in prestige and economic well-being. But Rosina is kept segregated at home by her old guardian, Don Bartolo , from whom she wants to escape and, if she wants to marry Almaviva, she must collaborate in the intrigues, emancipating herself from the role of house and church girl. Thus begins a process of unmasking false values and abandoning current morality. The conclusion with the happy ending will be Bartolo's surrender and the triumph of love. Baraccano Orchestra director Giambattista Giocoli videoprojected manga images 012 014 016 013 018 015

Solisti Lucani Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". PROGRAMMA A.Vivaldi concerti Il Gardellino La Notte La Tempesta di Mare J. S. Bach Suite n.2 in B minore, BWV 1067 M° ANDREA MANCO Primo Flauto dell'Orchestra del Teatro alla Scala e della Filarmonica della Scala dal 2015. Ha studiato al Conservatorio ”Tito Schipa” di Lecce sotto la guida di Luigi Bisanti, diplomandosi a 16 anni col massimo dei voti e la lode. Si è perfezionato all'Accademia di Imola con Persichilli, Mercelli e Cambursano, a Firenze con Marasco e al “Conservatoire Superieure de Musique” di Ginevra con Jacques Zoon.Considerato uno dei più brillanti flautisti della sua generazione, ha ottenuto premi nei maggiori concorsi flautistici internazionali: “Francesco Cilea” di Palmi, “Leonardo De Lorenzo” di Viggiano, Yamaha Music Foundation di Milano, “Emanuele Krakamp” di Napoli, “Pellegrini” di Cagliari, il XXXVIII Concorso Internazionale di Budapest e il Primo Concorso Flautistico Internazionale “Maxence Larrieu” a Nizza. Nel 2002 è stato scelto da Riccardo Muti come primo flauto dell’Orchestra Giovanile “Luigi Cherubini”, da lui creata. Nel 2003, a soli 20 anni, ha ottenuto il posto di primo flauto nell’Orchestra del Teatro Regio di Torino diretta da Gianandrea Noseda. E’ stato invitato, in qualità di primo flauto ospite, dalle orchestre: Maggio Musicale Fiorentino, Opera di Roma, Stuttgart Philharmoniker, Hungarian National Philharmonic, Noord Nederlands Orkest, Symphonica Toscanini diretta da Lorin Maazel, effettuando tournée in Europa, U.S.A., Giappone, Cina e Israele. Ha effettuato inoltre, come solista e camerista, concerti in numerosi festivals italiani ed internazionali: Falaut Festival, Flautissimo, NFA negli Stati Uniti, Belgrade Flute Festival, German Flute Festival a Freiburg... Nel 2018 è stato invitato nell’Orchestra del Festival diLucerna diretta da Riccardo Chailly. Ha registrato la Sonata op.115 di Prokofiev per i CD della rivista musicale Syrinx e un disco con opere per flauto e pianoforte di Casella, Feld, Liebermann e Martinu, allegato alla rivista italiana del flauto FaLaUt. Ha inciso inoltre per Amadeus brani di Carulli e Giuliani incollaborazione col chitarrista Giulio Tampalini e per Warner Music con l’ottetto della Scala. Ha inciso per Brilliant l’integrale dei quartetti di Mozart e “French Songs” in duo con l’arpa. È docente dell' Accademia del Teatro alla Scala e dal 2020 è stato nominato direttore artistico dell'Accademia Internazionale "Incontri col Maestro" di Imola. Single ticket 5 € Buy tickets July 9

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