Gallery Director Gallery Orchestra

Il Teatro della gente Il Teatro della Gente Passeggiate fra i Portici, i Teatri e la loro Storia The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. Passeggiando fra i Portici di Strada Maggiore e Via Santo Stefano + Il Barbiere a Fumetti 27 maggio 25 giugno PERCORSO 2 + MYSLIVEČEK, il divino boemo 19 agosto PERCORSO 2 + MYSLIVEČEK, il divino boemo 21 agosto PERCORSO 1 + IL BARBIERE A FUMETTI 30 agosto PERCORSO 3 + AIDA 20 settembre PERCORSO + VISITE MUSICALI 26 novembre PERCORSO + L'ELETTA, Sagra della Primavera 10 dicembre PERCORSO 3 + AIDA

Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Kafka, Lettere a Milena, Orchestra del Baraccano September 6, 9.15 pm SOUND ACTS, Jewish Museum of Bologna Goethe-Zentrum, Embassy of the Czech Republic Cultural Association Lucerne, Czech Center Rome KAFKA: LETTERS TO MILENA theatrical concert Kafka in the time of the Corona virus! It already seems like a mockery in full Kafkesko style. And instead no. It is the reality. This is what happened to us and what is going to happen to you who are finally sitting again, finally together again in the same space, at the same time and in front of the same story shared with us actors and musicians. The story could only be a love story. Fragile and cruel, impossible and eternal as only Kafka can imagine and experience it. These letters to Milena are a continuous game of hiding and revealing oneself by vague allusions. Except that Milena is too intelligent, persevering and sensitive to play along. Here the two lovers push themselves to reveal themselves, to get naked as it had never happened to both of them. All in a time, which is full of dark omens and radical and nefarious changes. The Europe that trembles under their feet turns black, everything falters: the order of things; the knowledge acquired up to that point; and finally their love too. Kafka - irreducible to life - is the only one whose letters we read; we can only imagine Milena's answers, intuit them and it would be interesting to invent them from scratch. I chose to follow a chronological order, yes, but in reverse: that is, from the end to the beginning of their story. A time that is therefore configured simultaneously as a fable and as an omen over which history hangs, pregnant with destruction. The truth emerges only between the lines and at the end of their correspondence. It emerges almost from exhaustion. By reversing time, we proceed backwards towards an obscure origin which in Kafka's letters borders and is always confused with the literary invention that envelops life and the tenuous bond between people in mystery. The background of these letters is a rugged and sublime natural landscape like the circle of sharp rocks that surrounds Merano, where Kafka was on vacation. A wooden tongue separates the spectators, as if it were a bridge thrown over the abyss or a raft on which to drift in life. The only island of certainty, the music, suspended like a mirage, on the stage. In this time of covid, in which everything needs to be rethought: from the relationship with the public and with the stories that we have to bring to the stage: this painful story of an epistolary love seems to me a good omen to radically rethink our way of being inside. the stories we tell. And you, do you write love letters? I thank the Jewish Museum and the Goethe-Zentrum of Bologna with whom I have been collaborating for years for asking me to participate in this new adventure by sharing the stage with the musicians of the Teatro del Baraccano. This sharing of spaces and intentions has been what I have been passionate about for years, especially when, as in this case, it is used to tell a story. The music chosen by the director Giambattista Giocoli of the Teatro del Baraccano for Kafka is by Hindemith and Janacek, works very much in line with the fragility of this story. German Rosary "A book must be the ax to break the sea of ice that is within us" Ein Buch muß by Axt sein für das gefrorene Meer in uns Franz Kafka Ballardini Rosario Tedesco, foto Gianluca Moro Nicola Bortolotti Theatrical adaptation German Rosary with Rosario Tedesco and Nicola Bortolotti scenographic paintings Andrea Louis Ballardini production assistance Laura Ballardini ORCHESTRA DEL BARACCANO director Giambattista Giocoli Silvia Colageo flute Marco Soprana oboe Giovanni Picciati clarinet Mirco Ghirardini bass clarinet Giulia Ginestrini bassoon Imerio Tagliaferri horn Fabio Codeluppi trumpet Single ticket € 10 Buy tickets

Kafka: Letters to Milena Form Gallery 1 Video

Respighi suite 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. RESPIGHI Suite Orchestra del Baraccano Giambattista Giocoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli Single ticket € 10 Buy tickets

In viaggio con Pulcinella, Campania, dicembre, 2025 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". QUOTA INDIVIDUALE DI PARTECIPAZIONE € 1.100,00 * supplemento camera singola € 120,00 numero minimo partecipanti: 15 [*salvo adeguamento tariffe voli] voli RYANAIR 26 aprile Bologna-Bari 16.50 >18.10 0 1 maggio Bari-Bologna 23.40 > 01.00 ISCRIZIONI CON VERSAMENTO DELL’ACCONTO 30% QUOTA VIAGGIO tramite bonifico bancario indicando cognome, nome, causale “Basilicata 2025” IBAN IT 60P0306902493100000005530 Intestato a j&K Jabalito & Karma Viaggi di Claudio Cristofori INTESA SAN PAOLO SALDO 30 GG PRIMA DELLA PARTENZA LA QUOTA COMPRENDE - volo diretto Ryanair A/R - 5 pernottamenti con prima colazione in hotel 4* - 5 cene e 1 pranzo - trasferimenti in pullman privato come da programma - due spettacoli del Festival di Orsoleo - visite e ingressi come da programma - guide culturali qualificate - presenza e assistenza coordinatore del viaggio - assistenza accompagnatore agenzia LA QUOTA NON COMPRENDE - assicurazione medico-bagaglio e contro annullamento - trasferimenti al di fuori del programma - pasti non menzionati nel programma - mance - extra di carattere personale e tutto quanto specificato alla voce «la quota comprende» Per approfondimenti sui contenuti del viaggio Vincenza Maugeri cell. 349.7774749 INFO E PRENOTAZIONI J&K Jabalito& Karma Viaggi Claudio Cristofori cell. 327.0503296 | 351.6957728 jabalitokarma@gmail.com

ANDREA BIASCO video and lighting technician I was born in Casarano (LE) on April 6, 1991, and I lived there until the age of 19. After graduating from the Casarano linguistic high school with excellent marks, in 2010 I moved to Bologna to attend the faculty of Foreign Languages and Literatures. Here, thanks to a training internship at the end of the course, I came into contact with the Persephone Cultural Association, with which I first carried out the translation of technical data sheets and room programs, and later on the technical and organizational tasks. In 2015, at the end of the aforementioned internship, I began to actively collaborate with this association covering, in particular, the role of lighting technician. or therefore had the opportunity to work on all the activities that involved the Teatro del Baraccano and its staff. From musical theater to prose, passing through the technical collaboration with the contemporary dance festival "Gender Bender" which takes place every year in Bologna. In 2019 I attended a higher education course, organized by the Emilia Romagna region, on eco-sustainable audio-visual production: '' Green Movies Project Manager: promoting eco-sustainable audio-visual production ''; at the end of which I undertook a training internship at Ravenna Teatro, in Ravenna, in which I worked on the production and distribution of the film '' The Sky over Kibera '' by director Marco Martinelli. Thanks to my experience gained over the years in this sector, I have developed excellent communication skills, understanding and diplomacy. To which are added flexibility and adaptability to new work contexts. Working in the entertainment world allowed me, therefore, to learn how to manage the time at my disposal, meet deadlines, work in a team and under pressure.

Charles Bukowski July 18, 9.15 pm Temperie Theater HUNDRED YEARS MELTED IN A GLASS "The mad and the drunks are the last saints on earth." Charles Bukowski To celebrate the hundredth anniversary of the birth of Charles Bukowski , an evening of poems and anecdotes about his life, to discover the man and the poet who lives behind the stories of endless drunks , underground adventures and behind the raw and violent events narrated in the his writings. Bukowski marked the twentieth century with his vivid realism, traveling with his crazy characters between provocations and non-conformities . A tribute to his work to overcome the prevailing pessimism of his lyrics, capturing the comic side of a senseless and very hard life, but which, after all, is worth living. Cent'anni sciolti in un bicchiere the myth of Charles Bukowski by and with Andrea Lupo live music Guido Sodo aerial dance Camilla Ferrari and with Michela Lo Preiato produced by Teatro delle Temperie Single ticket € 10 Buy tickets In case of rain the tickets will not be refunded

Transparency obligations for companies and associations benefiting from contributions and subsidies from public administrations (Law 124/2017). CONTRIBUTIONS AWARDED BY PUBLIC BODIES 2020 Emilia Romagna region € 20,500 Municipality of Bologna € 35,000 Transparency obligations for companies and associations benefiting from contributions and subsidies from public administrations (Law 124/2017). CONTRIBUTIONS AWARDED BY PUBLIC BODIES 2020 Emilia Romagna region € 20,500 Municipality of Bologna € 35,000 CU consulenza organizzativa Transparency obligations for companies and associations benefiting from contributions and subsidies from public administrations (Law 124/2017). CONTRIBUTIONS AWARDED BY PUBLIC BODIES 2020 Emilia Romagna region € 20,500 Municipality of Bologna € 35,000 CU 2025 Transparency obligations for companies and associations benefiting from contributions and subsidies from public administrations (Law 124/2017). CONTRIBUTIONS AWARDED BY PUBLIC BODIES 2020 Emilia Romagna region € 20,500 Municipality of Bologna € 35,000

4TH GUSTAV MAHLER Form Clip 1 Clip 2 Clip 3 Clip 4 Gallery