Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di Strada Maggiore e via Santo Stefano passeggiata e concerto 27 maggio 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. IL BARBIERE A FUMETTI

Scheda AIDA AIDA the music dances in the sand reduction of Giuseppe Verdi's Opera for ensemble, narrator and lights The monumental opera AIDA, in the musical version of the Baraccano Orchestra, does not require spectacular forcing on stage, nor colossal spaces or scenographic grandeur. Here even the elephants could stop marching, leaving space, amazed and moved, to the human drama between losers and winners, in war and in love. We find the suffocating gigantism desired by Giuseppe Verdi and the overwhelming effect on the soul of the young protagonists, in the original reduction and arrangement for instrumental ensemble with ten real parts, in the impetuous style of the director Giambattista Giocoli, in the verses spoken and whispered by Sandra Cavallini, in the desired metric irregularity of Antonio Ghislanzoni's libretto. L yrical accents, triumphal traits and sudden suspensions reveal the delicate depths of the work. A reduction and arrangement that will try, even without the singers, to restore the dramaturgy and symphonic power of this Opera and to convey its profound intimacy of feelings and musicality, in addition to the majestic and grandiose moments inspired by the magnificence of Egyptian civilization. Contrary to the predominant tradition, which made it famous mainly for the magnificence of the scenography, we therefore want to present an innovative reading, focused on the profound intimacy of feelings and reflections on social dynamics. ORCHESTRA DEL BARACCANO conductor Giambattista Giocoli Alessandro Di Marco violin Francesco Maria Parazzoli cello Filippo Mazzoli flute and piccolo Raffaele Damen accordion Alice Caradente harp Luca Piazzi trumpet Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Simone Beneventi marimba and percussions reduction of the Opera Giambattista Giocoli arrangements Fabio Codeluppi actress and and theatrical adaptation Sandra Cavallini AIDA la musica danza nella sabbia Preludio ATTO I Celeste Aida - Terzetto Su del Nilo - Scena Aida Consacrazione - Finale I ATTO II Introduzione - Danza e Duetto Marcia Trionfale - Gran Finale ATTO III Intro - Romanza - Aria Aida Duetto Aida Radames - Finale ATTO IV Aria Amneris Duetto Aida Radames - Finale ultimo durata: 80 minuti circa BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. SANDRA CAVALLINI Actress in Le nozze di Figaro with Tullio Solenghi (Compagnia Lavia); in Italiani si nasce and L'apparenza inganna with Solenghi and Maurizio Micheli (Teatro Bobbio TS); in Miles Gloriosus with Vanessa Incontrada and in Lysistrata with Vanessa Gravina (Plautus Festival); in Reparto n.6 directed by Petru Vutcareu from the Ionesco Theater of Chisinau (SantiBriganti TO); in Falstaff and The Merry Wives of Windsor directed by Antonio Salines; in Fedra 2003 by Puppa directed by Angelo Generali (Rosaspina/ERT); in the chamber opera Nell'alba dell'umano with music by M° Adriano Guarnieri, directed by Claudio Longhi (Accademia Filarmonica BO - Teatro Rossini PU) and in La città capovolta, with music by M° Guarnieri and M° Gilberto Cappelli (Conservatorio GB Martini - Rai Trade). For the Teatro Aperto Dehon company, actress in over a dozen productions. Actress and co-author in Variazioni sul cielo with Margherita Hack, directed by Iaquone and Stoker, touring for years throughout Italy.Educational background: with the International Stage of Commedia dell'Arte, student, actress, and assistant for the technical gestural part with A. Fava in Italy and abroad in the research and practice of mask theater; in the university context with Prof. Gianfranco Ferri and Matilde Marullo; further studies with Yves Lebreton, Maria Teresa Di Clemente, Philip Radice, Giovanna Giovannini and Germana Giannini, Alain Le Bon, Luciano Leonesi. Academy of Fine Arts Bologna scenography. Teaching and directing activities: Permanent Comic Laboratory - Bologna, experimental and research activities on the language of theatrical masks from Commedia dell'Arte to Contemporary Comic for vocal, gestural, and deep expressive scores; collaborates with Giorgio De Marchi, sculptor, and mask maker. Conducts theater workshops at Cooperativa Teatro Laboratorio di Brescia; Jurta Teatro; i Commedianti and Circa Teatro - University of Urbino; SAT Santibriganti of Turin; Atelier Teatro Fisico of Turin, Teatro Binario, Chancesportout Copenhagen; University Primo Levi. With the Institution of Social Services of Castel San Pietro Terme, leads the Recreational Laboratory. Collaborates on the ARTE e SALUTE Project - I burattini di San Giovanni GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Atelier Quadri d'Opera Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Metamorfosi bestiali Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Arsene Duevi, Dudu Kouatè e Phase Duo, concerto di musica afro beat e minimal electric, Entroterre festival August 18, 9.15 pm Entroterre Festival Arsene Duevi, Dudu Kouatè and Phase Duo afro beat and minimal electric music concert ARSENE DUEVI Arsene Duevi singer, ethnomusicologist, multi-instrumentalist and musical shaman. He was director of the choir of the Cathedral of Lomé , capital of Togo and has lived in Italy since 2002. Nel 2010 his recording debut with La Mia Africa which has sold over 2500 copies at concerts. In 2016 , Haya , hymn to life, was released (Musicamorfosi) a celebration of the life and hopes of those forced to migrate. In 2018 its first international launch with the official showcase at the Atlantic Music Festival in Cape Verde, the important reviews of RFI, the French radio specialized in the African continent and the live concert for WDR Cologne broadcast by the Bochum International Festival in Germany. 2019 is the year of the first international concerts: WOMAD (CHILE), AWA festival and Canadian Music Week in Toronto, then Paris, Lugano, Accra, Lomè, Abidjan, the birth of the new project with Enzo Avitabile and the opening of the Fatoumata Diawarà concert. DUDU KOUATE ' Mohamadou Kouatè , aka Dudù , griot son of griot, keeper and heir of a millenary tradition that he brought to Italy, disembarking in Messina in 1988, musician with exceptional skills, stable member since 2017 of the historic Art Ensemble of Chicago , with whom he recorded a record and played worldwide. Dudu tells, blows, sings, hits and plays his thousand instruments with which he takes us on a journey to the root of the sounds of the elements of the earth. He has played in Santiago in Praia for Atlantic Music Expo in Cape Verde and in almost every corner of the planet: from the prestigious Kennedy Center in Washington (USA) to Assilah Festival in Morocco, passing through Australia, South America, Russia etc. Dudu collaborates with Eloisa Manera, Arsene Duevi , Giovanni Falzone , Guido Bombardieri . PHASE DUO Phase duo mixes the typical accounting of tradition with electronic, classical, jazz and electronic sounds in a thin thread that unravels between Vivaldi , Steve Reich and the Indian Raga . Phase duo are Eloisa Manera (violinist, composer and improviser) and Stefano Greco (producer, sound designer and DJ). You come from the world of classical music, you have played with Mario Brunello and Herbie Hancock and your art has no boundaries; the monthly Musica Jazz included her in the shortlist of the 10 women who are changing jazz; he from the Milanese electronic environment with an unbridled passion for polyrhythms, Africa and Mussorgsky. The duo was born as an arranged marriage with Saul Beretta as matchmaker for one of the Musicamorfosi projects, a true artistic love that blossomed at Notturni 2015 and then exploded at LAC in Lugano for Focus India 2017 and which led to the production of their first album, where is it they mix their different histories and artistic backgrounds. A mix or rather a live remix of minimal music by Steve Reich and Terry Riley that led them to write and experiment original and minimal Indian Raga songs between live and electronic. They collaborated with Cristina Crippi for the Universal Phase project conceived with Fabio Peri for Danae Festival which debuted at the Milan Planetarium in October 2019. Phase Duo's first album was released by AUT records in Berlin on June 24, 2019. www.entroterrefestival.it Arsene Duevi Dudu Kouatè Phase Duo Single ticket € 10 Buy tickets

Radio Ritmo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRA SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSKY Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE Aperitivi a cura di Oui in cucina www.ouiincucina.com BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Acquista biglietti ATTI SONORI fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena. Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone

Spettacoli in corso, estate 2021 summer 2019 Estate 2021 Estate 2021 Estate 2021 Estate 2021 1/11 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. Buy your ticket online

October 5th, hours 20 THE BUTTON / KNOFLIK Knoflik or Comedy for two. Two actors meet the masks of the Italian Commedia dell'arte . Five typical characters come to life from the meeting, whirling around each other, tying a short story built according to I. jokes of the commedia dell'arte. Harlequin's loss of a button unleashes a series of fast-paced, frenzied comic events and misunderstandings. To complicate everything, the voice of Berta, the sixth invisible character. The work proposes a review of the techniques and specific skills of the Commedia dell'arte, proposing them as a model for a theater that enhances the figure and creativity of the actor. with Jáchym Kučera and Richard Juan Rozkovec directed by Maddalena Rossi Single ticket € 8 Buy tickets Il Bottone Knoflik

AIDA 2026 AIDA the music dances in the sand reduction of Giuseppe Verdi's Opera for ensemble, narrator and lights The monumental opera AIDA, in the musical version of the Baraccano Orchestra, does not require spectacular forcing on stage, nor colossal spaces or scenographic grandeur. Here even the elephants could stop marching, leaving space, amazed and moved, to the human drama between losers and winners, in war and in love. We find the suffocating gigantism desired by Giuseppe Verdi and the overwhelming effect on the soul of the young protagonists, in the original reduction and arrangement for instrumental ensemble with ten real parts, in the impetuous style of the director Giambattista Giocoli, in the verses spoken and whispered by Sandra Cavallini, in the desired metric irregularity of Antonio Ghislanzoni's libretto. L yrical accents, triumphal traits and sudden suspensions reveal the delicate depths of the work. A reduction and arrangement that will try, even without the singers, to restore the dramaturgy and symphonic power of this Opera and to convey its profound intimacy of feelings and musicality, in addition to the majestic and grandiose moments inspired by the magnificence of Egyptian civilization. Contrary to the predominant tradition, which made it famous mainly for the magnificence of the scenography, we therefore want to present an innovative reading, focused on the profound intimacy of feelings and reflections on social dynamics. ORCHESTRA DEL BARACCANO conductor Giambattista Giocoli Alessandro Di Marco violin Francesco Maria Parazzoli cello Filippo Mazzoli flute and piccolo Raffaele Damen accordion Alice Caradente harp Luca Piazzi trumpet Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Simone Beneventi marimba and percussions reduction of the Opera Giambattista Giocoli arrangements Fabio Codeluppi actress and and theatrical adaptation Sandra Cavallini AIDA la musica danza nella sabbia Preludio ATTO I Celeste Aida - Terzetto Su del Nilo - Scena Aida Consacrazione - Finale I ATTO II Introduzione - Danza e Duetto Marcia Trionfale - Gran Finale ATTO III Intro - Romanza - Aria Aida Duetto Aida Radames - Finale ATTO IV Aria Amneris Duetto Aida Radames - Finale ultimo Acquista biglietti