Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di Piazza Maggiore e Piazza San Domenico passeggiata e concerto 25 giugno 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. MYSLIVEČEK, il divino boemo

27 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti

Progetti formativi per le scuole 2022 AIDA la musica danza nella sabbia riduzione dell’Opera di Giuseppe Verdi per ensemble, voce recitante e luci 25 e 26 novembre 2022, matinée La monumentale opera AIDA , nella versione in musica dell’Orchestra del Baraccano , non chiede forzature spettacolari in scena, né spazi colossali o grandiosità scenografiche. Ecco che anche gli elefanti potrebbero smettere di marciare, lasciando spazio stupiti e commossi al dramma umano tra vinti e vincitori , in guerra e in amore. Ritroviamo il soffocante gigantismo voluto da Giuseppe Verdi e l’effetto schiacciante sull’anima dei giovani protagonisti, nell’originale riduzione e nell’arrangiamento per organico strumentale a dieci parti reali, nello stile impetuoso del direttore Giambattista Giocoli , nei versi detti e sussurrati da Sandra Cavallini , nella voluta irregolarità metrica del libretto di Antonio Ghislanzoni . Accenti lirici, tratti trionfali e improvvise sospensioni svelano le delicate profondità dell’opera. Una riduzione e arrangiamento che cercheranno, pur senza i cantanti, di restituire la potenza drammaturgia e sinfonica di quest’Opera e di far arrivare la sua profonda intimità di sentimenti e musicalità, oltre ai momenti maestosi e grandiosi ispirati dalla magnificenza della civiltà egizia. Contrariamente alla tradizione predominante, che l’ha resa famosa principalmente per lo sfarzo delle scenografie, si vuole presentare quindi una lettura innovativa, incentrata sulla profonda intimità di sentimenti e riflessioni sulle dinamiche sociali. Orchestra del Baraccano direttore Giambattista Giocoli violino Roberto Noferini | flauto e ottavino Fabio Fabbrizzi | violoncello Andrea Noferini arpa Alice Caradente | fisarmonica Andrea Coruzzi marimba e percussioni Simone Beneventi tromba Fabio Codeluppi | trombone Valentino Spaggiari | basso tuba Gianluigi Paganelli voce recitante e adattamento teatrale Sandra Cavallini riduzione dell’Opera Giambattista Giocoli | arrangiamenti musicali Fabio Codeluppi

Scheda R.A.D. Respighi Ancient Dances RAD Respighi Ancient Dances DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Gabriele Bellu violino | Filippo Mazzoli flauto Lorenzo Fantini fagotto | Alice Caradente arpa Maria Luisa Baldassari clavicembalo Alexey Manyak fisarmonica Fabio Codeluppi tromba | Gianluigi Paganelli basso tuba Compagnia DNA coreografia Elisa Pagani danzatori Francesca Caselli , Michael Incarbone , Massimo Monticelli Ho cercato fin da subito di fare un’operazione di astrazione, asciugando la drammaturgia del gesto fino all’essenza pura del movimento, per snellire una narrazione già così pervasa di immagini come quella delle Suite. Per eludere il rischio di rendere la visione ridondante ho deciso di sfruttare il forte contrasto creato tra il linguaggio contemporaneo ed essenziale di DNA e l’aspetto rinascimentale della composizione musicale. Il processo è stato quello di rendere estremamente musicale il gesto e la costruzione coreografica, in modo che si adagiasse con grande accondiscendenza sulla partitura musicale e il suo riallestimento, senza appesantirlo, ma, al contrario, enfatizzandone la leggerezza e la freschezza. La coreografia, che doveva essere la prima immagine restituita al pubblico, ha creato il contesto fertile affinché i forti colori del suono potessero esprimere al meglio la caratterizzazione del paesaggio. Il risultato è stato quello di regalare al pubblico un intreccio di percezioni, create dall’intenso dialogo tra gesto e suono, in grado di tessere una conversazione spigliata, elegante ed intrigante. I tre danzatori in scena hanno dato vita ad un nodo infinito, che ha innescato un flusso persistente di dinamiche morbide ed effimere. Elisa Pagani

SOUND ACTS and NipPop August 21, hours 21.30 english version THE BARBER IN COMICS the Rossini's Barber of Sevilla with images, music and animation The Baraccano Orchestra , conducted by Giambattista Giocoli , will play the music of Il Barbiere di Siviglia , in the original version arranged for wind orchestra. Beyond the music, the story of Rosina and Figaro will be told by the original manga drawings of Tsukishiro Yūko and by some captions, that explain the sequence of scenes. For this version the captions will be in English. VIRTUOSES OF ITALIAN OPERA flute Filippo Mazzoli clarinets Stefano Franceschini and Ivan Villar Sanz bassoon Massimiliano Denti horns Ezio Rovetta and Andrea Brunati trumpet Fabio Codeluppi trombone Riccardo Gatti contrabass Daniele Rosi accordion Luca Piovesan ideation and conduction Giambattista Giocoli manga drawings Tsukishiro Yūko musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone http://www.attisonori.it/ITA/produzioni/barber.html Ticket 12 € (full), 10 € (reduced) Buy tickets The Barber in comics The Barber in comics The Barber in comics The Barber in comics The Barber in comics

Respighi e Bologna June 24th 6pm and 8.30pm | July 22, 8.30 pm 12 August 6 pm and 8.30 pm | September 16, 6 pm and 8.30 pm Charterhouse of Bologna WE REJECT MUSIC the Certosa, Bologna and Respighi musical guided tours Ottorino Respighi , one of the most famous composers of the twentieth century, rests in the Certosa. Beloved in the USA, famous for his famous works dedicated to Rome, the Eternal City , he maintained his contacts with Bologna, his hometown, throughout his life. A journey to remember the musical world that made him famous, and his fellow musicians of all ages, from Gioachino Rossini to Lucio Dalla. During the visit we will also discover the events of the composer's family who were sculptors, generals, writers. Guided tours by Mirarte. reservations required mirartecoop.it Musical interventions with the soloists of the Baraccano Orchestra Alice Caradente and Alessandra Ziveri harps Admission € 12, two euros donated to the Certosa. Reservation required through the site www.mirartecoop.it Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather.

Progetti formativi per le scuole 2023 SASSOLINO 27, 28 e 29 gennaio 2023, matinée Sassolino è uno spettacolo di teatro e musica sulla Shoah , ispirato all'omonimo albo illustrato scritto da Marius Marcinkevicius , edito da Caissa Italia . È l'estate del 1943. Eitan e Rivka giocano con il loro aquilone giallo, l’unico che può ancora volare libero. Tutt'intorno è la Shoah. Sono a Vilnius, in Lituania, ma potrebbero essere a Varsavia, Berlino, Parigi. O a Roma. Quando tutto sembra essere dolore, un sassolino porta un messaggio di amicizia e speranza . Scritto e diretto da Bruno Cappagli , lo spettacolo vede in scena due narratori che, oltre a raccontare la storia, interpretano i due protagonisti Rivka e Eitan . Con loro un quintetto musicale, diretto da Giambattista Giocoli , che dona pathos e profondità e, a livello drammaturgico, racconta di come la musica possa essere una culla di pace in alcuni momenti altamente drammatici. Le musiche eseguite sono di Arnold Schoenberg e Darius Milhaud , due compositori di origine ebraica. La musica vola, nella loro pienezza espressiva, come un aquilone nel cielo dell’animo umano. Le bellissime illustrazioni di Inga Dagilè faranno da corollario poetico a questa struggente storia d'amore e d'amicizia. Orchestra del Baraccano direttore Giambattista Giocoli violino Roberto Noferini | violoncello Andrea Noferini flauto Filippo Mazzoli | clarinetto Ivàn Villar Sanz pianoforte Denis Zardi regia Bruno Cappagli attori Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick

Musica per Sassolino ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Musica per Sassolino Henry Wieniawski Caprice Op.18 n.2 in Mi bemolle maggiore per violino solo Darius Milhaud La création du monde arrangiamento per quartetto di Filippo Mazzoli Prelude Fugue Romance Scherzo Final Felix Mendelssohn Bartholdy Romanza senza parole op.67 n.3 e op.53 n.3 per pianoforte solo Mario Castelnuovo-Tedesco Figaro Variazioni sul Figaro di G. Rossini per violoncello solo Arnold Schoenberg Kammersymphonie op.9 arrangiamento per ensemble di Anton Wbern Biglietteria passeggiata - aperitivo - concerto : intero 25€, ridotto 20€ concerto : intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, EmilBanca, Fitel, CNA, Lions Club Buy tickets July 9 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Spettacoli in corso, estate 2019 summer 2019 1/11

D.R.OP. 17 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 18 July DROP. Dance Research Opportunity DROP . is the youth company of DNA and heart of Alma PRO, a professional training center in contemporary dance, in Bologna, led by the artistic director Elisa Pagani . DROP. annually welcomes talented dancers and dancers - trained at the most important and prestigious national and international centers - to give them the opportunity to undertake life as professionals in a company, experiencing all the phases that lead from the creation of a show to the national tour and international. Each year, the dancers work with renowned guest choreographers to create a bold, challenging and ambitious triple bill for touring. The mission, in addition to delivering to young artists an experience that acts as a springboard into the world of the artistic profession, is also to bring on tour works of great artistic quality, captivating and current. The show is ideal and usable for all audiences, due to the high quality standard of the choreographers but also for the variety of the program chosen. Part 1 Part 2 Choreography by Biagio Caravano Music: Vatnajokull by Chris Watson, Duo for Violin and Cello, Pt 1 feat Aisha Orazbayeva Lucy Railton, and Slow Match by Moderat feat. Paul St. Hilaire Duration: 20 ' Depositing the will and undoing the concept of subject are elements that are placed at the center of the work. The rhythmic and dynamic quality of the action is defined through the relationship both with other bodies and with the external environment. It is an action linked to time, rhythm and joint fragility determined by the failure to the other rather than to himself. Dance becomes an act of learning and real-time evaluation of an energetic condition that allows the creation of a shared space, a complex and articulated place where the conditions for coexistence are established. These are the days… Choreography by Simona Bertozzi Music: Prometheus by Francesco Giomi Duration: 24 ' Starting from a look towards the plant world, with particular attention to the sensory activity of plants and to the strategies of environmental adherence that they know how to implement, between magnetisms, resonances, roots and energetic propulsions, the creation process faces different levels of cohabitation and entry into the relationship. The research on movement and the texture of the choreographic sections articulate the configuration of emerging behaviors, individual actions and rapid choral assemblages, whose anatomical polyphony becomes a necessary reason for the unlimited presence and reopening of listening. Materic Choreography by Elisa Pagani Music: Cecilia Stacchiotti Duration: 20 ' It tells of a journey. A journey into the material consistency of nature, through mechanical and physical dynamics that give order to geological evolutions, from Pangea to the first constitution of social systems in which a sense of belonging exists. Matter takes possession of space with vigor, in an organic act that claims the strength of its existence in a clear and miraculous way. Drop Drop Drop Drop Drop Drop DROP. - Dance Research Opportunity Artistic direction Elisa Pagani Test director Chiara Merolla Organizational manager Massimo Monticelli Performers Arianna Brugiolo Sonia Campanella Valentina Foschi Beatrice Gatti Ilaria Ignesti Gaia Martinelli Single ticket € 10 Buy tickets