Viaggio a Siviglia 2026 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". QUOTA INDIVIDUALE DI PARTECIPAZIONE su base camera doppia € 1.050 supplemento camera singola (su richiesta) numero minimo partecipanti: 15 ISCRIZIONI ENTRO IL 18 GIUGNO 2026 CON VERSAMENTO DELL’ACCONTO DI 350€ tramite bonifico bancario indicando cognome, nome e come causale “Siviglia 2026” IBAN IT08A0707202403000000721562 Intestato a Perséphone, le pause del silenzio EMIL BANCA SALDO ENTRO IL 24 LUGLIO 2026 LA QUOTA COMPRENDE -VOLO A/R operativi voli * 1 settembre con Ryanair Bologna | Siviglia 16.40 > 19.25 5 settembre con Ryanair Siviglia | Bologna 13.10 > 15.45 *[con orari soggetti a riconferma e con bagaglio a mano/trolley dimensioni massime: 55 cm x 40 cm x 20 cm (incluse maniglie e ruote), peso max 10 kg. e un piccolo zaino, con dimensioni massime 40 cm x 20 cm x 25 cm] -4 pernottamenti in hotel con servizio di prima colazione - Hotel 4* -1 cena -2 spettacoli musicali - visite e ingressi come da programma - presenza e assistenza coordinatori del viaggio - guide culturali qualificate - spese di gestione pratica - tassa di soggiorno LA QUOTA NON COMPRENDE - assicurazione contro annullamento e sanitaria - pasti liberi - tutto quanto non espressamente indicato alla voce “La quota di partecipazione comprende” - mance Per comunicare il proprio interesse scrivere a Teatro del Baraccano teatrodelbaraccano@gmail.com Per approfondimenti sui contenuti del viaggio scrivere a Vincenza Maugeri vincenzamaugeri@gmail.com

Gli ultimi anni di Rossini. Testo di Giulio Mozzi. Musica di Gioachino Rossini Quadrivium and AdM Association of Modena 7 August, 9.30 pm THAT FRAGOROUS SILENCE Rossini's last years Giulio Mozzi is inspired by a phase of Rossini 's life, that of compositional silence, after William Tell , in which the musician from Pesaro was followed by the loving care of his wife Olimpia Pelissier, to probe the reasons for this between the serious and the humorous. creative block. Roles and interpreters soprano, Olimpia - Patrizia Biccirè baritone, Rossini and the Expert - Maurizio Leoni the Speaker, Antonio - Stefano Pietro Detassis piano Antonio Vicentini scenes Domenico Tavernini directed by Amedeo Savoia musical consultancy by Claudio Rastelli and Nicola Straffelini. Ticket € 13 (full), € 10 (reduced) Buy tickets Quel Fragoroso Silenzio Quel Fragoroso Silenzio Quel Fragoroso Silenzio THE SAND BAGS

29 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti

Scheda All'Opera! ALL'OPERA! symphonies and interludes taken from the most famous Operas of the Italian tradition The concert includes the performance, with original arrangements for Chamber Orchestra, of symphonies, preludes and interludes taken from the most famous Operas of the Italian tradition. From Bellini's Norma to Verdi's Forza del Destino , passing from Puccini's Manon Lescaut to the famous opening symphony of Rossini's Barbiere di Siviglia and again to the interludes of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci , and other popular interludes and symphonies of the Italian tradition. The Baraccano Orchestra will be involved in this project in a chamber formation with 8 orchestral players with real parts. The orchestral arrangements are by Lorenzo Meo. BARACCANO ORCHESTRA conductor Giambattista Giocoli piano accordion flûte and piccolo bassoon trumpet cello double bass horn arrangement by Lorenzo Meo organizational direction Nella Belfiore ALL'OPERA! Sinfonia dalla Norma by Vincenzo Bellini Preludio da La Traviata by Giuseppe Verdi Preludio da Aida by Giuseppe Verdi Ouverture dal Don Pasquale by Gaetano Donizetti Intermezzo da L'Amico Fritz by Pietro Mascagni Intermezzo dalla Cavalleria Rusticana by Pietro Mascagni Sinfonia da Il Barbiere di Siviglia by Gioacchino Rossini Intermezzo da I Pagliacci by Ruggero Leoncavallo Intermezzo dalla Manon Lescaut by Giacomo Puccini Sinfonia da La Forza del Destino by Giuseppe Verdi BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Respighi suite tournée Croazia 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO direttore/conductor Giambattista Giocoli violino/violin Gabriele Bellu flauto e ottavino/flute and piccolo Letizia Spaggiari clarinetto basso/ bass clarinet Davide Braco arpa/harp Alice Caradente clavicembalo/harpsicord Chiara Cattani fisarmonica/accordion Raffaele Damen tromba/trumpet Sergio Ruiu basso tuba/bass tuba Gianluigi Paganelli arrangiamenti/arrangement by Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

5 August, hours 21.30 DISENCHANTED the musical Fun, hilarious, with the flavors of vaudeville and cabaret, Disenchanted it dispels the myth of the "Princess Complex", to make fun of the frivolities told in fairy tales and celebrate being a woman in all its facets. Ten princesses they will stage their variety, to the rhythm of funny gags, real star numbers, leaving the audience with important ideas for reflection. Our princesses, seen in the collective imagination as perfect girls, sweet and succubus of their prince charming, in this show they deal with themes that are always discussed and very current. Diversity , emancipation , image exploitation , alcoholism or the fear of losing one's beauty , they represent the subtext of what they tell the public. Princesses who are first and foremost women, ready to make their way and fight to honor their dignity, all with irony and a pinch of malice. The Italian version, produced by the PERFORMErs thanks to a special agreement with Theatrical Right Worldwide - New York marks the first time the show is staged in Europe. music, lyrics and lyrics Dennis T. Hyacinth directed and Italian adaptation Matteo Borghi musical direction Eleonora Beddini choreography Luca Peluso Italian translations Nino Pratticò assistant director Sara Persali executive production Giuseppe Di Falco Ticket € 15 (full), € 12 (reduced) Buy tickets Disincantate Disincantate Disincantate Disincantate Disincantate Disincantate

Aida, Orchestra del Baraccano, concerto Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". I concerti rientrano nel progetto " VoltONE, Orchestra Need Experience. Il benessere del suono nelle dinamiche attive di comunità", Programma Operativo Nazionale Città Metropolitane 2014 - 2020 REACT EU asse 7 azione 7.1.1, finanziato dai Fondi Strutturali e di Investimento Europei nell’ambito della risposta dell’Unione alla pandemia di COVID-19. ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone 1/13 Single ticket 5 € Acquista biglietti Biglietteria 26 novembre passeggiata - aperitivo - concerto : intero 25€, ridotto 20€ concerto : intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, EmilBanca, Fitel, CNA, Lions Club Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Scheda Danze Ritrovate RESPIGHI SUITE Ancient Airs and Dances arranged for ensemble The Ancient Airs and Dances are a collection of free transcriptions from lute pieces from the 16th and 17th centuries, created by Ottorino Respighi and organized in three suites for different orchestral organism. In 1917 Respighi composed the First Suite , in 1923 the Second Suite and in 1931 the Third Suite . His wife Elsa picked them up and reorganized them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors designed by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as harp and harpsichord, and the search for a new and modern sound, with the inclusion of accordion and bass tuba. BARACCANO ORCHESTRA conductor Giambattista Giocoli violin Gabriele Bellu flûte and piccolo Claudia Piga bassoon Davide Braco trumpet Luca Piazzi harp Alice Caradente accordion Raffaele Damen harpsichord Chiara Cattani bass tuba Gianluigi Paganelli arrangement by Fabio Codeluppi , Giambattista Giocoli e Filippo Mazzoli DANZE RITROVATE PRIMA SUITE Balletto Arie di Corte Villanella Gagliarda Passo mezzo e Mascherada di Ottorino Respighi SECONDA SUITE Italiana Laura Soave Danza Rustica Campanae Parisienses Bergamasca di Ottorino Respighi TERZA SUITE Sinfonia di Domenico Gallo Siciliana di Ottorino Respighi Vivo di Giambattista Pergolesi Gavotta di Carlo Ignazio Monza Finale: Allegro assai di Domenico Gallo BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Aida, Orchestra del Baraccano, concerto, Festival dei Portici, anteprima THE CARTOON BARBER Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BOLOGNAPORTICIFESTIVAL.IT PROGRAMMA 15 GIUGNO ore 20.30 | Teatro del Baraccano SUGGESTIONI DALL'AIDA Proiezione e inaugurazione della mostra delle opere grafiche e delle riflessioni ispirate all’AIDA, nell’interpretazione dell’Orchestra del Baraccano, create dai partecipanti del laboratorio artistico. Il progetto ha messo in relazione un’opera “grande” con il mondo di oggi, svelandone i significati, la complessità della struttura, la storia, le relazioni con l’archeologia e dimostrando così anche l’universalità e la trasmissibilità dei valori artistici contenuti in un capolavoro come quello verdiano. 16 GIUGNO ore 20.30 | Certosa di Bologna - Chiostro VI UN' Altra A IDA. Ri/Cre/Azione dell’opera di Verdi attraverso la lente del dialogo interculturale e della virtuosa commistione tra musica colta e di tradizione , con la consapevolezza che mescolare generi e culture crea bellezza! … e se Aida e Radames fossero di Salerno? …E se le convenzioni sociali che frenano il loro amore fossero espresse da un canto siciliano di Rosa Balistreri? …E se l'invocazione alla Pace di Aida fosse una preghiera Caucasica? Ri-leggiamo e facciamo ri-vivere questo capolavoro - che parla tanto anche al nostro complesso presente - facendo coesistere le note verdiane con brani di tradizione orale italiani e non, magari modificando il finale con una meravigliosa utopia: non più la morte di entrambi ma soluzione del conflitto che li fagocita. Un’ Altra AIDA è un racconto - concerto per dare voce alle tante Aida di tutti i tempi e di tutte le aree geografiche. L’intreccio dell’opera è universale, archetipico: donna, schiava e straniera incarna tutte le donne che nei secoli si sono sentite straniere, non viste. L’approccio musicale vuole restituire voce alle tante Aida dimenticate, attraverso un’apparentemente ardita contrapposizione tra le note di Verdi - appena accennate - ed i canti di tradizione orale al femminile, più in primo piano. Un percorso laboratoriale-performativo che vuole mettere assieme culture, suoni, età differenti e proprio in questo sforzo trova il suo momento di maggiore attualità. Le Musiche , come linguaggio universale, creano Pace ed Armonia. CORO FARTHAN di Marzabotto - Coro Ambasciatore di Pace Anna Palumbo fisarmonica - percussioni Antonio Stragapede chitarra e mandolino Marco Zanotti percussioni voci recitanti Coro Farthan ricerche storiche, drammaturgia ed adattamento testuale Sandra Cavallini ideazione, direzione ed arrangiamenti Elide Melchioni TUTTI GLI EVENTI SONO GRATUITI VoltONE fa parte di Bologna Portici Festival - Heritage meets Creativity, l'evento promosso e coordinato dal Comune di Bologna per celebrare i Portici Patrimonio dell’Umanità UNESCO nell'ambito del cartellone di eventi Bologna Estate. Il progetto è stato finanziato dall’Unione europea - Fondi Strutturali e di Investimento Europei, nell’ambito del Programma Operativo Città Metropolitane 2014-2020 e della risposta dell’Unione alla pandemia di COVID-19

March 10, 6.30 pm NipPop and Emotion for Change with the patronage of the Department of Modern Languages, Literatures and Cultures EMOTION FOR CHANGE for Fukushima Sara Michieletto and Giorgio Schiavon , who will present a special version of Emotion for change , dedicated to Japan. Emotion for change is a musical project unique, born from the desire and the will of raise awareness About the climate change and global warming, following the Paris "COP 21" conference at the United Nations, in which an agreement was reached to keep global warming below 2 degrees Celsius. Sara Michieletto violin Giorgio Schiavon sax The Emotion for Change project Emotion for Change brings together a group of artists who, having at heart the fate of the biosphere, have decided to develop an artistic project, so that we can get emotions and talk about the future scenarios that the short-sighted conduct of human beings, in its relationship with the environment, is provoking, aware that, as demonstrated by authoritative studies, the feeling of artistic communication can touch strings of the human soul that scientific communication alone cannot reach. www.musicofemotion.org www.nippop.it Free entry

R.A.D. Respighi Ancient Dances, Chiese corti cortili 27 and 28 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 29 August RAD Respighi Ancient Dances music and dance DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. DNA Company | choreography Elisa Pagani ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli

Atelier Quadri d'Opera Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". THE CARTOON BARBER The Barber of Seville for Manga music and drawings