Invenzioni a due voci 18 August, 9.30 pm | Courtyard of the Baraccano Theater Entroterre Festival TWO-VOICE INVENTIONS original plays and improvisations on the theme The original 'two-voice invention' format (inspired by JS Bach's homonymous compositions) is very simple and tends, as for Bach, to build a reasoned dialogue between the different voices in the field: Luca Damiani , the conductor, will listen to the audience and the musicians involved, a series of pieces by various authors and various genres. At the end of each piece, the musician Carlo Negroni will improvise on the theme just heard, supporting his own culture and musical sensitivity. Luca Damiani leads Carlo Negroni , piano Luca Damiani Carlo Negroni Single ticket € 10 Buy tickets

Respighi suite tournée Balatonfured 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO conductor Giambattista Giocoli violin Gabriele Bellu flute and piccolo Claudia Piga bass clarinet Davide Braco harp Alice Caradente harpsicord István Bátori accordion Raffaele Damen trumpet Giulio Padula bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

biglietteria Teatro BARACCANO THEATER TICKET OFFICE the ticket office of the Teatro del Baraccano is in via del Baraccano, 2 20/12 TOYS AND COAL 31/01 I HEAVEN - FRIDA KAHLO 01/02 WIEGALA 07/02 PICTURES - ALCHEMY DUO 08/02 THE OVERTURNED CIRCUS 29/02 FROM THE WINDOW OF LUCIO 06/03 MARGAM REDUCTIONS under 26, over 65, Theater members, Culture Card * under 26, over 65, Teatro members, Culture Card, Jaya members online at www.vivaticket.it or c / o Bologna Welcome (Piazza Maggiore 1 / e - tel. 051.231454) TICKET OFFICE HOURS from Mon to Fri from 10 to 13 and on show evenings

Catalogo Il Barbiere a Fumetti I ALREADY WIDEN MY ARMS My letters to Ottorino and hers to me trace the first period of our life together. After the wedding, the correspondence between us is very little, because in the eighteen years of life together we were only separated for a few days. (Elsa Olivieri Sangiacomo) A theatrical adaptation of the letters that Respighi exchanged with his wife Elsa Olivieri before their marriage was woven on the music of Ottorino Respighi's "Doppio Quartetto". These are letters that Elsa herself has collected in a volume, which she simply titled "Ottorino Respighi". A very precious instrument will enrich the musical performance: the violinist Roberto Noferini will play the violin that belonged to Respighi , a violin of prestigious and ancient Bolognese lutherie, built around 1730. by the luthier Florenus Guidantus (1687-1760). The scenographic images will help to discover a fragment of the life of this great Bolognese musician and composer, who, for his genius, deserves to be rediscovered by his city to which he was very attached. Respighi is deeply and intimately linked to the city of Bologna and lives it with very strong nostalgia every time he moves away from it. In fact, he settled in Rome in 1913, winning the competition for the Chair of Composition and Fugue at the Conservatory of Santa Cecilia, but his countless journeys can already be counted from his youth in via Castagnoli 2 (now Largo Respighi - BO), starting from the small room used as a study, from the fir bookcase built with his own hands, from the collection of vocabularies in different languages, with a particular curiosity for the less known ones. The vocabularies are followed by atlases and hours spent studying a geographical map. “ Those were, those were the first trips, the most beautiful I've ever done around the world ”. It is not always easy to play a dreamer. The event is part of the RESPIGHI project . ideazione e direzione musicale Giambattista Giocoli arrangiamenti musicali Fabio Codeluppi e Giambattista Giocoli disegni manga Tsukishiro Yūko montaggio video Giambattista Giocoli colorazione in digitale, lettering e grafica Michele Cerone direzione organizzativa Nella Belfiore assistenza alla produzione Paola Scrolavezza e Haruka Arakawa comunicazione Maja Kuliczkowska documentazione fotografica Paola Perrone ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Domenico Alfano flauto Ivàn Villar Sanz, Mirco Ghirardini clarinetto Augusto Palumbo, Umberto Codecà fagotto Umberto Turchi fisarmonica Paolo Faggi, Benedetto Dallaglio corni Fabio Codeluppi tromba Valentino Spaggiari trombone Gianluigi Paganelli basso tuba Track CD 13 e 22 Filippo Mazzoli f lauto Stefano Franceschini clarinetto Paolo Carlini fagotto Andrea Maccagnan trombone registrazione effettuata presso Teatro del Baraccan o ripresa audio Marco Ferri, Francesco Vaselli assistenza tecnica Andrea Biasco stage Michele Lo Veci, Costanza Balbi mixaggio S tudio Ermes di Marco Ferri Bologna, maggio 2022

Brochure Respighi REC I ALREADY WIDEN MY ARMS My letters to Ottorino and hers to me trace the first period of our life together. After the wedding, the correspondence between us is very little, because in the eighteen years of life together we were only separated for a few days. (Elsa Olivieri Sangiacomo) A theatrical adaptation of the letters that Respighi exchanged with his wife Elsa Olivieri before their marriage was woven on the music of Ottorino Respighi's "Doppio Quartetto". These are letters that Elsa herself has collected in a volume, which she simply titled "Ottorino Respighi". A very precious instrument will enrich the musical performance: the violinist Roberto Noferini will play the violin that belonged to Respighi , a violin of prestigious and ancient Bolognese lutherie, built around 1730. by the luthier Florenus Guidantus (1687-1760). The scenographic images will help to discover a fragment of the life of this great Bolognese musician and composer, who, for his genius, deserves to be rediscovered by his city to which he was very attached. Respighi is deeply and intimately linked to the city of Bologna and lives it with very strong nostalgia every time he moves away from it. In fact, he settled in Rome in 1913, winning the competition for the Chair of Composition and Fugue at the Conservatory of Santa Cecilia, but his countless journeys can already be counted from his youth in via Castagnoli 2 (now Largo Respighi - BO), starting from the small room used as a study, from the fir bookcase built with his own hands, from the collection of vocabularies in different languages, with a particular curiosity for the less known ones. The vocabularies are followed by atlases and hours spent studying a geographical map. “ Those were, those were the first trips, the most beautiful I've ever done around the world ”. It is not always easy to play a dreamer. The event is part of the RESPIGHI project . ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Gabriele Bellu violino Filippo Mazzoli flauto Enrico Bassi fagotto Alice Caradente arpa Chiara Cattani clavicembalo Umberto Turchi fisarmonica Fabio Codeluppi tromba Gianluigi Paganelli basso tuba registrazione effettuata presso Teatro del Baraccan o ripresa audio Antonio Di Virgilio, Francesco Vaselli assistenza tecnica Andrea Biasco Michele Lo Veci mixaggio S tudio Ermes di Marco Ferri Bologna, ottobre 2021

Respighiamo musica 23 October h 15 and 30 October h 10.30 | Charterhouse of Bologna FIFTY INCREDIBLE MUSICAL YEARS Bologna 1979-1936 | Artistic life and society in the years of Ottorino Respighi guided tours A journey of discovery together with the musicologist Maria Chiara Mazzi and the art historian Roberto Martorelli. A walk through cloisters and galleries, to tell - through sculptures and monuments - places, events and people of the Bolognese musical world. In the years of life of the famous composer Ottorino Respighi, who rests in the Certosa alongside Giosue Carducci. Roberto Martorelli, art historian and Maria Chiara Mazzi , musicologist Admission 4 euros, reduced 3 euros. Reservations required by writing to museorisorgimento@comune.bologna.it . Appointment of the review Charterhouse of Bologna | 2021 summer calendar , as part of the project Respighi Project of the Baraccano Theater. Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather. Ottorino Respighi Certosa di Bologna Certosa di Bologna

Scheda Respighi suite RESPIGHI SUITE Ancient Airs and Dances arranged for ensemble The Ancient Airs and Dances are a collection of free transcriptions from lute pieces from the 16th and 17th centuries, created by Ottorino Respighi and organized in three suites for different orchestral organism. In 1917 Respighi composed the First Suite , in 1923 the Second Suite and in 1931 the Third Suite . His wife Elsa picked them up and reorganized them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors designed by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as harp and harpsichord, and the search for a new and modern sound, with the inclusion of accordion and bass tuba. BARACCANO ORCHESTRA conductor Giambattista Giocoli violin Gabriele Bellu flûte and piccolo Claudia Piga bassoon Davide Braco trumpet Luca Piazzi harp Alice Caradente accordion Raffaele Damen harpsichord Chiara Cattani bass tuba Gianluigi Paganelli arrangement by Fabio Codeluppi , Giambattista Giocoli e Filippo Mazzoli RESPIGHI suite Antiche Danze ed Arie per Liuto arrangiate per ensemble PRIMA SUITE arrangiamenti Fabio Codeluppi Simone Molinaro: Balletto detto "Il Conte Orlando" (1599) Allegro moderato Vincenzo Galilei: Gagliarda (155?) Allegro marcato - Andantino mosso Ignoto: Villanella (fine sec.XVI) Andante cantabile Ignoto: Passo mezzo e Mascherada (fine sec.XVI) Allegro vivo - Vivacissimo SECONDA SUITE arrangiamenti Fabio Codeluppi Fabrizio Caroso: Laura soave, Balletto con gagliarda, saltarello e canario (1581) Andantino - Allegro marcato - Andantino Jean-Baptiste Besard: Danza rustica (1617) Allegretto Ignoto, con Marin Mersenne: Campanae parisienses - Aria (sec.XVII) Andante mosso - Largo espressivo Bernardo Gianoncelli detto Il Bernardello: Bergamasca (1650) Allegro TERZA SUITE arrangiamenti Giambattista Giocoli e Filippo Mazzoli Ignoto: Italiana (fine sec.XVI) Andantino Jean-Baptiste Besard: Arie di corte (sec.XVI) Andante cantabile - Allegretto - Vivace Lento con grande espressione Allegro vivace - Vivacissimo - Andante cantabile Ignoto: Siciliana (fine sec.XVI) Andantino Lodovico Roncalli: Passacaglia (1692) Maestoso - Vivace BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Commedia madrigalesca di Adriano Banchieri. Compagnia Dramatodia, ensemble di musica e teatro. Compagnia Dramatodia, music and theater ensemble 10 August, 9.30 pm THE BOAT OF VENICE FOR PADUA madrigal comedy by Adriano Banchieri The music gives voice to a colorful series of characters: merchants, courtesans, students, Jews, foreigners, gathered in an imaginary river journey between the two main centers of the Serenissima Republic, Venice and Padua. The Boat of Venice for Padua , published in Venice in 1605, is a profane music by Adriano Banchieri ; Olivetan monk of the Bolognese convent of San Michele in Bosco, composer and music theorist among the most illustrious of the early seventeenth century. Among his works attributable to the genre of the Madrid comedy La Barca stands out for the rich narrative frame in which the various pieces are set. The Dramatodía ensemble, made up of 13 elements, owes its name (from the Greek “representative song”) to the Intermediates above the deceived Aurora composed by Girolamo Giacobbi in 1605, which constituted the first example of musical theater in the Bolognese area. The ensemble was born in 2000 with the intention of reviving the theatrical repertoire of the comedians of the sixteenth and seventeenth centuries and to explore the musical production that arose to enrich the performances. Ticket € 13 (full), € 10 (reduced) Buy tickets Dramatodia La barca di Venezia per Padova Dramatodia THE SAND BAGS

Kafka, Letters to Milena Form Gallery 1

Lettura concerto su testi di Horacio Ferrer. Musiche di Cobian, Piazzolla e Pugliese. Con Matteo Belli e il Trio Lumiere du Tango Ca 'Rossa Association / Theater Center for Orality 17 and 18 March, 9 pm TRIBUTE TO HORACIO FERRER concert reading on texts by Horacio Ferrer music by Juan Carlos Cobian, Astor Piazzolla, Osvaldo Pugliese If, as Paolo Conte says, "the tango is the summary of life as the lizard is the summary of the crocodile", in the literary work of Horacio Ferrer we find a very wide variety of thematic interests: from poetic portraits of great singers and musicians (such as Carlos Gardel and Aníbal Troilo), to ruthless gazes on contemporary society that speak of child labor or violence against women, up to the poignant "hymns" to poetic madness or value universal freedom, passing through the moved and intimate "soliloquies" on the meaning of one's own Rio-Plateau origins, on the banks of a river too big to see the opposite bank, but so intimate as to merge together the language and culture of two countries like Argentina and Uruguay. The music performed live by the Trio "Lumière du Tango" renews the harmonic and melodic splendor of famous pieces immortalized by the global success achieved, for years now, by this repertoire and are enriched, in several moments, by interpretative counterpoint offered by Matteo's reciting voice Beautiful . Matteo Belli narrator TRIO LUMIERE DU TANGO Cristina Bertoli flute Marco Fabbri bandoneon Stefano Giavazzi piano Ticket 20 € (full), 15 € (reduced) Buy tickets Horacio Ferrer Matteo Belli Trio Lumiére du Tango TRIO LUMIERE DU TANGO Tango: synthesis music, born from the meeting of several cultures, which in the space of a few years has been able to take on characteristics so strong as to even connote the soul of the people Argentine. Perhaps for this reason it has always been difficult propose tango in ways that distance it from stylistic features of origin. This arduous challenge is accepted by the Trio Lumiere, who he offers us personal transcriptions of the most significant pieces of authors such as Plaza, Cobian, Bardi and Piazzola, in addition to presenting also original songs with various types of contamination, in which it will be easy rediscover the ardor and balance refined by the experience of concert performers engaged for years in a repertoire that straddles music cultured and jazz. All the various items come together in the Trio Lumiere project cultural suggestions as well as the instrumental and creative skills of the group, with the sensual timbre mixes of the flute and the bandoneon, which on several occasions challenge each other in intricate and refined percussive effects and where at the base of the milonga the counterpoint technique and the inimitable freshness of impressionism, in a virtuosic tension that is only of tango.

Musica di Igor Stravinskij, testo di C. F. Ramuz. Con Ivano Marescotti e l'Orchestra del Baraccano, diretta da Giambattista Giocoli HISTOIRE DU SOLDAT SOUND ACTS March 29, 9 pm at the Duse Theater music by Igor Stravinskij, text by CF Ramuz ACTI SONORI stages the “poor” Opera that Igor Stranvinsky composed in 1918, against the sumptuous canons of traditional opera. The story is taken from the Russian fairytale tradition and has as its protagonist a soldier, an emblematic victim of the world conflict of the Great War. The soldier's story it concerns humanity as a whole and, in particular, the issue of the impossibility of man to escape his own destiny. Histoire du Soldat | by Gianluca Cheli This work was initially conceived as a work for puppets: a simple and immediate artistic product, with a strong symbolic component. Here the graphic gesture is chosen as a marionette sign to reveal the dark aftertaste of the ironic atmospheres, musically outlined by Stravinskij in his chamber work. Elements that return in the expressive sign of the most submerged plane of the Histoire du Soldat: the melancholy, and all in all a bit funny, feeling of predetermination, combined with the creative madness of Russian fairy tales, from which the work takes its cue. ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini violin | Fabio Quaranta double bass Giovanni Picciati clarinet | Paolo Rosetti bassoon Fabio Codeluppi trumpet | Valentino Spaggiari trombone Simone Beneventi percussion narrator Ivano Marescotti illustrations Michele Cerone dramaturg Gianluca Cheli Ticket € 32 (full), € 24 (reduced) Buy tickets Ivano Marescotti Giambattista Giocoli Histoire du soldat Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni And a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. IVANO MARESCOTTI Actor from Romagna, he ranges from cinema (with over 50 films) to theater, where he undertook, among other things, a recovery of his Romagna dialect, taking up the texts of Raffaello Baldini, to reread and rewrite Dante's Divine Comedy in his own way and the Orlando Furioso de ll'Ariosto.

31 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti