THE NIGHTINGONE 19 August, hours 21.30 THE DANCING FINDER concert with music by Giuseppe Verdi The transcript of the Troubadour according to the popular tradition of Emilian dancers, especially between the territories of Reggio Emilia and Parma, not only is it stylistically very successful, but - we dare to affirm - it even seems to reveal the authentic “genetic matrix” of the melodies of Verdi's masterpiece; after all, it is far from improbable that Verdi had sucked its essence from his childhood, as they say, with his mother's milk. The Nightingale revisits the musical tradition of the "wind concerts" of Barco (Reggio Emilia), reworking scores of late 19th century dance music. The septet, founded by Francesco Gualerzi and Mirco Ghirardini , is placed as an organ size halfway between the original wind concert (12-13 elements) and the smaller dance orchestra (and different for the type of tools used). The name of the group is taken from the title of the waltz - The nightingale, in fact - with which the nineteenth-century wind concert of the Cantoni di Parma invited people to dance with virtuosic "chirps". transcription for wind concert Fabio Codeluppi quartino Mirco Ghirardini quartino Andrea Medici trumpet Fabio Codeluppi bombardino Valentino Spaggiari genis Marco Catelli horn Dimer Maccaferri tuba Gianluigi Paganelli Ticket 12 € (full), 10 € (reduced) Buy tickets L'USIGNOLO

Stagione ATTI SONORI al Teatro del Baraccano di Bologna PRODUCTIONS ATTI SONORI was born in 2005 as a musical theater festival at the Arena Del Sole Theater in Bologna. The festival was characterized by the production of shows characterized by the transversality of languages, combining cultured music and other forms of art: combinations born from collaborations with subjects and artists who shared the charm of the interaction between different expressive forms. Subsequently, the festival developed in various theaters in the city of Bologna and its province, finding a home in 2010 at the Teatro del Baraccano with an annual program, which also includes a summer section in August in the Cortile del Piccolo Teatro.

Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di Strada Maggiore e via Santo Stefano passeggiata e concerto 21 agosto 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. IL BARBIERE A FUMETTI

Scheda Sassolino a co-production Teatro del Baraccano La Baracca - Testoni Ragazzi in collaboration with Museo Ebraico di Bologna and Caissa Italia editore sassolino theater and music show on the Shoah Sassolino is a theater and music show about the Holocaust, inspired by the illustrated book of the same name written by Marius Marcinkevicius, published by Caissa Italia. It is the summer of 1943. Eitan and Rivka play with their yellow kite, the only one that can still fly free. All around is the Shoah. They are in Vilnius, Lithuania, but could be in Warsaw, Berlin, Paris. Or in Rome. When everything seems to be pain, a pebble brings a message of friendship and hope. From an idea by Giambattista Giocoli, written and directed by director Bruno Cappagli, the show features two narrators who, in addition to telling the story, play the two protagonists Rivka and Eitan. With them a musical quintet, directed by Giambattista Giocoli, which gives pathos and depth and, on a dramaturgical level, tells how music can be a cradle of peace in some highly dramatic moments. The music performed in the show is by Arnold Schoenberg and Darius Milhaud and Kurt Weill, composers of Jewish origin. Music flies, in their expressive fullness, like a kite in the sky of the human soul. Inga Dagilė's beautiful illustrations act as a poetic corollary to this poignant story of love and friendship. La Baracca - Testoni Ragazzi direction and theatrical adaptation Bruno Cappagli actors Lorenzo Monti e Daniela Micioni scenes Fabio Galanti costumes Tanja Eick video editing Andrea Aristidi e Lorenzo Monti Baraccano Orchestra conductor Giambattista Giocoli violin Roberto Noferini cello Katya Bannik flute Filippo Mazzoli bassoon Davide Braco piano Denis Zardi illustrations Inga Dagilė technical execution Francesco Vaselli Music by Arno ld Schoenberg Kammersymphonie op.9 quintet arrangement by Anton Webern Darius Milhaud La création du monde quintet arrangement by Filippo Mazzoli Kurt Weill songs from L’Opera da Tre soldi quintet arrangement by Giocoli and Mazzoli.

D.R.OP. 17 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 18 July DROP. Dance Research Opportunity DROP . is the youth company of DNA and heart of Alma PRO, a professional training center in contemporary dance, in Bologna, led by the artistic director Elisa Pagani . DROP. annually welcomes talented dancers and dancers - trained at the most important and prestigious national and international centers - to give them the opportunity to undertake life as professionals in a company, experiencing all the phases that lead from the creation of a show to the national tour and international. Each year, the dancers work with renowned guest choreographers to create a bold, challenging and ambitious triple bill for touring. The mission, in addition to delivering to young artists an experience that acts as a springboard into the world of the artistic profession, is also to bring on tour works of great artistic quality, captivating and current. The show is ideal and usable for all audiences, due to the high quality standard of the choreographers but also for the variety of the program chosen. Part 1 Part 2 Choreography by Biagio Caravano Music: Vatnajokull by Chris Watson, Duo for Violin and Cello, Pt 1 feat Aisha Orazbayeva Lucy Railton, and Slow Match by Moderat feat. Paul St. Hilaire Duration: 20 ' Depositing the will and undoing the concept of subject are elements that are placed at the center of the work. The rhythmic and dynamic quality of the action is defined through the relationship both with other bodies and with the external environment. It is an action linked to time, rhythm and joint fragility determined by the failure to the other rather than to himself. Dance becomes an act of learning and real-time evaluation of an energetic condition that allows the creation of a shared space, a complex and articulated place where the conditions for coexistence are established. These are the days… Choreography by Simona Bertozzi Music: Prometheus by Francesco Giomi Duration: 24 ' Starting from a look towards the plant world, with particular attention to the sensory activity of plants and to the strategies of environmental adherence that they know how to implement, between magnetisms, resonances, roots and energetic propulsions, the creation process faces different levels of cohabitation and entry into the relationship. The research on movement and the texture of the choreographic sections articulate the configuration of emerging behaviors, individual actions and rapid choral assemblages, whose anatomical polyphony becomes a necessary reason for the unlimited presence and reopening of listening. Materic Choreography by Elisa Pagani Music: Cecilia Stacchiotti Duration: 20 ' It tells of a journey. A journey into the material consistency of nature, through mechanical and physical dynamics that give order to geological evolutions, from Pangea to the first constitution of social systems in which a sense of belonging exists. Matter takes possession of space with vigor, in an organic act that claims the strength of its existence in a clear and miraculous way. Drop Drop Drop Drop Drop Drop DROP. - Dance Research Opportunity Artistic direction Elisa Pagani Test director Chiara Merolla Organizational manager Massimo Monticelli Performers Arianna Brugiolo Sonia Campanella Valentina Foschi Beatrice Gatti Ilaria Ignesti Gaia Martinelli Single ticket € 10 Buy tickets

Pandemusica Questo lavoro è stato concepito nel difficile periodo della pandemia, e da essa eredita come “condizioni al contorno” alcune particolarità del momento: il non potersi muovere ed incontrarsi facilmente, il costruirsi un proprio ambiente minimale nel quale continuare in qualche modo a scrivere pezzi e a fare vivere il lavoro di un gruppo che – nelle pur fisiologiche trasformazioni – è in circolazione da più di trenta anni. Dalla pandemia prende poi spunto fino a citarla espressamente nel titolo: alcune canzoni riportano – in maniera estremamente libera – stati d’animo, o raccontano frammenti di storie legati al momento che abbiamo vissuto, mentre le poche scritte prima, sono state incluse perché hanno acquistato un senso nuovo: sono risultate coerenti con le altre, come se fossero scaturite dalla stessa fonte di ispirazione. Abbiamo cercato di fare tesoro delle restrizioni del momento, e sperimentato un modo inedito per noi di costruire un disco, che cerchiamo di restituire anche nel live coi suoni e il clima che ci hanno contraddistinto in tutti questi anni. Oltre alle canzoni di Pandemusica, in concerto ne proponiamo alcune tratte dalla precedente discografia e rappresentative del nostro percorso musicale. Guido Sodo ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Biglietteria intero 12€ ridotto 10€ under 30, over 65, titolari Card Cultura Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Scheda AIDA RAD Respighi Ancient Dances DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. AIDA concerto riduzione per ensemble musiche di GIUSEPPE VERDI Preludio Atto I - Celeste Aida - Terzetto Atto I - Su del Nilo - Scena Aida Atto I - Consacrazione - Finale I Atto II - Introduzione - Danza e Duetto Atto II - Marcia Trionfale - Gran Finale Atto III - Intro - Romanza - Aria Aida Atto III - Duetto Aida Radames - Finale Atto IV - Aria Amneris Atto IV - Duetto Aida Radames - Finale ultimo ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Alessandro Di Marco violino Francesco Maria Parazzoli violoncello Fabio Fabbrizzi flauto e ottavino Ivàn Villar Sanz clarinetto Andrea Coruzzi fisarmonica Alice Caradente arpa Fabio Codeluppi tromba Valentino Spaggiari trombone Gianluigi Paganelli basso tuba Simone Beneventi percussioni arrangiamenti Fabio Codeluppi riduzioni Giambattista Giocoli

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di Strada Maggiore e via Santo Stefano passeggiata e concerto 27 maggio 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. IL BARBIERE A FUMETTI

Scheda AIDA AIDA the music dances in the sand reduction of Giuseppe Verdi's Opera for ensemble, narrator and lights The monumental opera AIDA, in the musical version of the Baraccano Orchestra, does not require spectacular forcing on stage, nor colossal spaces or scenographic grandeur. Here even the elephants could stop marching, leaving space, amazed and moved, to the human drama between losers and winners, in war and in love. We find the suffocating gigantism desired by Giuseppe Verdi and the overwhelming effect on the soul of the young protagonists, in the original reduction and arrangement for instrumental ensemble with ten real parts, in the impetuous style of the director Giambattista Giocoli, in the verses spoken and whispered by Sandra Cavallini, in the desired metric irregularity of Antonio Ghislanzoni's libretto. L yrical accents, triumphal traits and sudden suspensions reveal the delicate depths of the work. A reduction and arrangement that will try, even without the singers, to restore the dramaturgy and symphonic power of this Opera and to convey its profound intimacy of feelings and musicality, in addition to the majestic and grandiose moments inspired by the magnificence of Egyptian civilization. Contrary to the predominant tradition, which made it famous mainly for the magnificence of the scenography, we therefore want to present an innovative reading, focused on the profound intimacy of feelings and reflections on social dynamics. ORCHESTRA DEL BARACCANO conductor Giambattista Giocoli Alessandro Di Marco violin Francesco Maria Parazzoli cello Filippo Mazzoli flute and piccolo Raffaele Damen accordion Alice Caradente harp Luca Piazzi trumpet Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Simone Beneventi marimba and percussions reduction of the Opera Giambattista Giocoli arrangements Fabio Codeluppi actress and and theatrical adaptation Sandra Cavallini AIDA la musica danza nella sabbia Preludio ATTO I Celeste Aida - Terzetto Su del Nilo - Scena Aida Consacrazione - Finale I ATTO II Introduzione - Danza e Duetto Marcia Trionfale - Gran Finale ATTO III Intro - Romanza - Aria Aida Duetto Aida Radames - Finale ATTO IV Aria Amneris Duetto Aida Radames - Finale ultimo durata: 80 minuti circa BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. SANDRA CAVALLINI Actress in Le nozze di Figaro with Tullio Solenghi (Compagnia Lavia); in Italiani si nasce and L'apparenza inganna with Solenghi and Maurizio Micheli (Teatro Bobbio TS); in Miles Gloriosus with Vanessa Incontrada and in Lysistrata with Vanessa Gravina (Plautus Festival); in Reparto n.6 directed by Petru Vutcareu from the Ionesco Theater of Chisinau (SantiBriganti TO); in Falstaff and The Merry Wives of Windsor directed by Antonio Salines; in Fedra 2003 by Puppa directed by Angelo Generali (Rosaspina/ERT); in the chamber opera Nell'alba dell'umano with music by M° Adriano Guarnieri, directed by Claudio Longhi (Accademia Filarmonica BO - Teatro Rossini PU) and in La città capovolta, with music by M° Guarnieri and M° Gilberto Cappelli (Conservatorio GB Martini - Rai Trade). For the Teatro Aperto Dehon company, actress in over a dozen productions. Actress and co-author in Variazioni sul cielo with Margherita Hack, directed by Iaquone and Stoker, touring for years throughout Italy.Educational background: with the International Stage of Commedia dell'Arte, student, actress, and assistant for the technical gestural part with A. Fava in Italy and abroad in the research and practice of mask theater; in the university context with Prof. Gianfranco Ferri and Matilde Marullo; further studies with Yves Lebreton, Maria Teresa Di Clemente, Philip Radice, Giovanna Giovannini and Germana Giannini, Alain Le Bon, Luciano Leonesi. Academy of Fine Arts Bologna scenography. Teaching and directing activities: Permanent Comic Laboratory - Bologna, experimental and research activities on the language of theatrical masks from Commedia dell'Arte to Contemporary Comic for vocal, gestural, and deep expressive scores; collaborates with Giorgio De Marchi, sculptor, and mask maker. Conducts theater workshops at Cooperativa Teatro Laboratorio di Brescia; Jurta Teatro; i Commedianti and Circa Teatro - University of Urbino; SAT Santibriganti of Turin; Atelier Teatro Fisico of Turin, Teatro Binario, Chancesportout Copenhagen; University Primo Levi. With the Institution of Social Services of Castel San Pietro Terme, leads the Recreational Laboratory. Collaborates on the ARTE e SALUTE Project - I burattini di San Giovanni GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Il Barbiere a fumetti, Orchestra del Baraccano, Barbiere di Siviglia, Rossini, manga Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Atelier Quadri d'Opera Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". THE CARTOON BARBER The Barber of Seville for Manga music and drawings