June 24th 6pm and 8.30pm | July 22, 8.30 pm 12 August 6 pm and 8.30 pm | September 16, 6 pm and 8.30 pm Charterhouse of Bologna WE REJECT MUSIC the Certosa, Bologna and Respighi musical guided tours Ottorino Respighi , one of the most famous composers of the twentieth century, rests in the Certosa. Beloved in the USA, famous for his famous works dedicated to Rome, the Eternal City , he maintained his contacts with Bologna, his hometown, throughout his life. A journey to remember the musical world that made him famous, and his fellow musicians of all ages, from Gioachino Rossini to Lucio Dalla. During the visit we will also discover the events of the composer's family who were sculptors, generals, writers. Guided tours by Mirarte. reservations required mirartecoop.it Musical interventions with the soloists of the Baraccano Orchestra Alice Caradente and Alessandra Ziveri harps Admission € 12, two euros donated to the Certosa. Reservation required through the site www.mirartecoop.it Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather.

SOUND ACTS and NipPop August 21, hours 21.30 english version THE BARBER IN COMICS the Rossini's Barber of Sevilla with images, music and animation The Baraccano Orchestra , conducted by Giambattista Giocoli , will play the music of Il Barbiere di Siviglia , in the original version arranged for wind orchestra. Beyond the music, the story of Rosina and Figaro will be told by the original manga drawings of Tsukishiro Yūko and by some captions, that explain the sequence of scenes. For this version the captions will be in English. VIRTUOSES OF ITALIAN OPERA flute Filippo Mazzoli clarinets Stefano Franceschini and Ivan Villar Sanz bassoon Massimiliano Denti horns Ezio Rovetta and Andrea Brunati trumpet Fabio Codeluppi trombone Riccardo Gatti contrabass Daniele Rosi accordion Luca Piovesan ideation and conduction Giambattista Giocoli manga drawings Tsukishiro Yūko musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone http://www.attisonori.it/ITA/produzioni/barber.html Ticket 12 € (full), 10 € (reduced) Buy tickets The Barber in comics The Barber in comics The Barber in comics The Barber in comics The Barber in comics

Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone La Baracca - Testoni Ragazzi regia e adattamento teatrale Bruno Cappagli con Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick montaggio video Andrea Aristidi e Lorenzo Monti esecuzione tecnica Andrea Biasco e Francesco Vaselli BIGLIETTERIA incontro con l'illustratrice: gratuito per le scuole: 5.50€ prenotazione per le scuole secondarie di primo grado dal 23 settembre su prenotazioniscuole.testoniragazzi.it (fuori abbonamento) prenotazione per le scuole secondarie di secondo grado promo.teatrodelbaraccano@gmail.com pomeridiano e serale: intero 12€ ridotto 10€ ( under 30, over 65, card Cultura, soci Coop) ridotto5€ (under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

New production SOUND ACTS in collaboration with Bologna Harp Festival February 2, 9 pm at the Duse Theater POPULAR SONGS concert with music by Manuel De Falla, Luciano Berio and Maurice Ravel, with the "popular song" in the center The Siete canciones populares españolas by Manuel De Falla and the Folk songs by Luciano Berio, interpreted by the voice of Cristina Zavalloni , show us how tradition can be crossed by the eccentric gaze of authors of Western "cultured" music. Another protagonist of the program will be the harp , already present in the pieces by De Falla and Berio, which will become a soloist in the famous Settimino by Maurice Ravel . Here, played by Davide Burani , it will express itself to its full potential, through variations and developments of popular themes, in an effective whirlwind of sound beams with a popular flavor. ORCHESTRA DEL BARACCANO director Giambattista Giocoli mezzo soprano Cristina Zavalloni solo harp Davide Burani Roberto Noferini And Matteo Anderlini violins Olga Arzilli purple | Enrico Ferri cello Alessia Dall'Asta flute | Giovanni Picciati clarinet Gabriele Genta And Nicolò Tomasello percussion IMG_4556 Popular Songs Popular Songs Popular Songs Popular Songs Popular Songs Ticket € 27 (full) 20 € (reduced) Buy tickets PROGRAM YOU ARE CANCIONES POPULARES ESPANOLAS music by Manuel de Falla (1876-1946) original orchestration and arrangements for mezzo-soprano and seven performers INTRODUCTION AND CHEERFUL music by Maurice Ravel (1876-1946) for harp, flute, clarinet and string quartet The introduction and cheerful is a WEEK dedicated to Albert Blondel and was written on commission from the lutherie Erard, manufacturer of the double movement pedal mechanism. FOLK SONGS music by Luciano Berio (1925- 2003) for mezzo soprano and seven performers THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni e a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. CRISTINA ZAVALLONI Cristina Zavalloni was born in Bologna. Trained in jazz, at the age of eighteen he began studying bel canto and composition at the Conservatory of his city. For many years he also devoted himself to the practice of classical and contemporary dance. He performs in the most important theaters, in international concert seasons and jazz festivals , including the Montreux Jazz Festival, North Sea Jazz Festival, Antwerp Free Music Jazz Festival, Moers Music, Bimhuis, London Jazz Festival, Klara Festival, International Jazz Festival of Rotterdam, Amsterdam Concertgebouw, Bruges Concertgebouw, Lincoln Center and Carnegie Hall, Walt Disney Hall, Milan Scala Theater , Barbican Center, Beijing Concert Hall, Moscow International House, etc. She has performed with orchestras such as the London Sinfonietta, BBC Symphony Orchestra , Schoenberg Ensemble, Sentieri Selvaggi, Musik Fabrik, Orkest De Volharding, Orchestra della Rai Torino, Los Angeles Philharmonic , ORT, Orchestra Toscanini , Irish Chamber Orchestra, and was conducted by Martyn Brabbins, Stefan Asbury, Reinbert De Leeuw, Ivan Fischer, Oliver Knussen, David Robertson, Jurjen Hempel, Georges-Elie Octor, Andrea Molino, Marco Angius, among others. She collaborates with the Dutch composer Louis Andriessen , who has written for her some of her most recent works including A tram ride to America and back, The Passion, Inanna, Letter from Cathy, Tale from Hell , Dante's part The Comedy , the Anais Nin monodrama and the part of Sor Juana Ines de la Cruz in the opera Theater of the World . He is the interpreter of first performances of Carlo Boccadoro, Luca Mosca, Emanuele Casale, Michael Nyman, Mauro Montalbetti and some compositions by James McMillan (the USA premiere of Raising Sparks, Carnegie Hall, 2011). He attends the Baroque repertoire ( Coronazione di Poppea, Combattimento di Tancredi and Clorinda ), collaborating with directors and choreographers such as Mario Martone and Alain Platel (VSPRS and Pitié!, To music by Fabrizio Cassol) or with Brass Bang! (Paolo Fresu, Gianluca Petrella, Marcus Rojas, Steven Bernstein). His most recent jazz collaborations include voice and piano duos with Jason Moran, Stefano Bollani , Benoit Delbecq, Alfonso Santimone, collaborations with Radar Band, Uri Caine and his Special Dish quartet. He made for Italian television ( RaiTre ) the Musical Ephemerides - a series of pills aired in the 2013/2014 season, in which he talked about some of his own musical projects. He has recorded over 20 CDs. cristinazavalloni.it DAVIDE BURANI Graduated in piano and harp , he obtained with full marks and honors the second level Academic Diploma in harp at the “Arrigo Boito” C onservatory in Parma, under the guidance of Emanuela Degli Esposti. Perfected with Fabrice Pierre and Judith Liber, he won numerous national and international competitions (finalist with honorable mention at the "Tournoi International de Musique" XI ed. In Salon de Provence and overall winner of the " Music World " of Fivizzano (2004 He has performed as a soloist in prestigious concert venues in Italy and abroad: Teatro Regio di Parma , Teatro Comunale di Ferrara , Philharmonic Academy of Bologna , Franchetti Gallery at Ca 'd'Oro in Venice , Doge's Palace in Venice, Sala Puccini of the “Verdi” Conservatory in Milan , KKL of Lucerne , Cadogan Hall in London , Opera House in Prague , International Center for Beijing Arts, Tokyo Opera City, Osaka Symphony Hall. He has collaborated as first harp with the Orchestra of the Municipal Theater of Bologna, with the Orchestra of the Swiss Italian Radio of Lugano, with I Virtuosi Italiani, with the Arturo Toscanini Philharmonic Orchestra of Parma, with the Regional Orchestra of Emilia Romagna, with the “Bruno Maderna” Orchestra of Forlì. He has participated in numerous radio and television broadcasts and has been invited to present his record works at the Radio Uno studios of the Swiss Italian Radio and at the Radio Tre studios during the Radio Tre Suite and Piazza Verdi broadcasts. He has recorded several CDs . He held Arpa Masterclasses. Since 2014 he has collaborated with Maestro Leo Nucci accompanying him on his international tours and the Italian Opera Chamber Ensemble. Since 2009 he has been teaching harp at the “Achille Peri” Higher Institute of Musical Studies in Reggio Emilia. davideburani.com

26 July, 9.15 pm Entroterre Festival ITALIAN SOQQUADRO who's afraid of Baroque? Who's afraid of Baroque? certainly curious title, "borrowed" from the famous play by E. Albee "Who's afraid of Virgina Wolf". It is not a concert or even a theatrical show, but an unusual and amusing insight into the Italian music and culture of the seventeenth century. A continuous dialogue between ancient and modern, a refined game of fusion, aimed at ranging between jazz improvisation and the art of diminution, between jokes of the Commedia dell'Arte and swing atmospheres. Claudio Borgianni draws heavily on the musical and literary repertoire of the seventeenth century, dismembering it, deforming it, and finally reassembling it in order to trace the points of continuity that bind us to that distant world. Vincenzo Capezzuto , a peculiar voice with a rare and indefinite texture, former principal dancer and multifaceted artist is "the voice and the body" of this project, always poised between cultured expressiveness and popular immediacy. Who's afraid of Baroque? involves the viewer in an atmosphere of magical emotion, guiding him towards the rediscovery of a century so distant and complex that it reveals itself to our senses in all its extraordinary and simple modernity. Soqquadro italiano Vincenzo Capezzuto1 Soqquadro-Italiano_SLIDER01-800x375 Vincenzo Capezzuto voice Ensemble Soqquadro Italiano Francis Tomasi theorbo and baroque guitar Marco Forti double bass Leonardo Ramadori percussion Claudio Borgianni concept and art direction Single ticket € 10 Buy tickets

ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone PROGRAMMA Sinfonia Piano, pianissimo Ecco ridente in cielo Oh sorte! Signor conte Mille grazie, mio signore Largo al factotum All’idea di quel metallo Numero quindici a mano manca Una voce poco fa La calunnia è un venticello Dunque io son Ehi di casa, buona gente Che cosa accadde Mi par d’essere con la testa Contro un cor che accende amore Don Basilio, cosa veggo Bravissimo Bricconi birbanti Il vecchiotto cerca moglie Temporale Ah, qual colpo inaspettato Zitti zitti Di sì felice innesto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, Emil Banca, Fitel, CNA, Lions Club Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

summer 2019 Il Teatro della Gente Passeggiando fra i Portici di Strada Maggiore e Via Santo Stefano visita guidata e concerto 21 agosto 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. IL BARBIERE A FUMETTI

Programma Kurt Weill Fantasia da L'Opera da tre soldi Igor Stravinskij Suite da l'Histoire du soldat Béla Bart ók Danze rumene arrangiamenti Fabio Codeluppi Giambattista Giocoli Filippo Mazzoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Biglietteria intero 15€ ridotto 10€ abbonati Musica Insieme, Teatro del Baraccano, Teatro Duse e Teatro Comunale, Under 35, titolari Card Cultura, Card Bologna Welcome ridotto 5€ studenti Buy tickets July 9 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

6pm major, 6pm Voltone del Baraccano (in front of the theater entrance) BOLOGNA WAS FREE FROM THAT MOMENT More info : www.rievocazione.8cento.org

March 11, matinee hours 11 - POSTPONED NEW DATE 4 June 11 am in collaboration with MIA - Musica Insieme in Ateneo e Cultural Association Lucerne THE CITIES OF MUSIC The project intends to enhance the link between the cities of Bologna, Prague and Brno, through the figure of the composer Josef Mysliveček , known in Italy as “The Divine Bohemian”. Mysliveček, born in Prague , had a very close relationship with Italy, in particular with Bologna , where he studied, like Mozart and in the same years, at the Royal Philharmonic Academy. After an intense career in Italian theaters, he ended his life in Rome , where he rests in the Basilica of San Lorenzo. By Mysliveček will be performed his octet for winds (transcribed for the occasion for Decimino of strings and winds). Coming to the authors of the 20th century, Mládí is proposed, a composition for chamber orchestra by Leoš Janáček , who wrote this masterpiece recalling the years of his youth in Brno, where he lived part of his life and where he founded important musical institutions. Finally, the sumptuous Nonetto by Bohuslav Martinû , a composer who was musically trained in Prague. He was among the artists forced to emigrate to France and then to America due to the war. The concert will also be repeated at 20.30 at the DAMSLab, within the MIA season - Musica Insieme in Ateneo - XXIII edition ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Roberto Noferini , viola Costanza Pepini cello Catherine Bruni flute and piccolo Filippo Mazzoli , oboe Anna Leonardi Stefano Franceschini clarinet, Mirco Ghirardini bass clarinet horn Danilo Marchello , bassoon Luca Reverberi double bass Michele Gallo

March 10, 6.30 pm NipPop and Emotion for Change with the patronage of the Department of Modern Languages, Literatures and Cultures EMOTION FOR CHANGE for Fukushima Sara Michieletto and Giorgio Schiavon , who will present a special version of Emotion for change , dedicated to Japan. Emotion for change is a musical project unique, born from the desire and the will of raise awareness About the climate change and global warming, following the Paris "COP 21" conference at the United Nations, in which an agreement was reached to keep global warming below 2 degrees Celsius. Sara Michieletto violin Giorgio Schiavon sax The Emotion for Change project Emotion for Change brings together a group of artists who, having at heart the fate of the biosphere, have decided to develop an artistic project, so that we can get emotions and talk about the future scenarios that the short-sighted conduct of human beings, in its relationship with the environment, is provoking, aware that, as demonstrated by authoritative studies, the feeling of artistic communication can touch strings of the human soul that scientific communication alone cannot reach. www.musicofemotion.org www.nippop.it Free entry

February 16, 9 pm in collaboration with Bologna Harp Festival SYNANTYS Sangineto Ensemble Sparkling energy and great musical ability of two twins, Adriano and Caterina, born to a luthier father and raised in an environment pervaded by the music of great artists (such as Alan Stivell, The Chieftains and Carlos Núñez). Their concert combines ancient sounds and harmonies with modern rhythms and transports the audience into a riot of twists, alternating melodic suggestions of the Celtic tradition with more modern and unexpected musical genres: a Celtic harp and an arched psaltery (created by the hands wise men of his father Michele Sangineto) who move the most intense strings of the soul, leaving freedom to the masterful timbre of the two voices. An explosive mix for a performance that amazed the Russian, Belgian, Dutch, Spanish, French and Anglo-Saxon audiences. The Sangineto Ensemble was born in 2000 and initially includes all the members of the Sangineto family: the father Michele, the mother Paola and the two twins Adriano and Caterina. He performs throughout Europe presenting a repertoire of ancient music from the Middle Ages to the French, Italian and English Renaissance while exporting the instruments of the Sangineto violin making in festivals, reviews and exhibitions of musical instruments in France, Germany, England, Switzerland, Hungary, Spain and Belgium. Today the core of the group is made up of the two twins Adriano and Caterina Sangineto. Formed within the artistic environment of their father, Michele Sangineto, luthier of Celtic harps and bowed psalters, the twins could only develop a natural inclination for ancient music, which they approached in the very first phase of their musical growth. to then arrive at popular music in all its facets, with a special predilection for the Irish, Breton and French tradition. Thanks also to their classical training (they both studied successfully at the G. Verdi Conservatory in Milan) and to the knowledge of popular pop music, the group aims to reinterpret and recover the European musical tradition in a modern perspective, updating the use of ancient and popular instruments. Ensemble Sangineto is an ever-expanding, versatile and multifaceted project that skilfully combines archaic sounds and harmonies with modern rhythms and arrangements that are affected by influences from various musical genres: jazz, classical, Gregorian chant, musical, pop and Celtic music. In the direction of an interpenetration of all these genres, the musical experimentation of the Ensemble was born: songs mainly from the Irish, Scottish and Breton tradition, but also Italian, alternate original pieces that reflect the heterogeneity of the musical experiences of the musicians. Fascinating mixes in sparkling interpretations characterize one of the most exciting and original emerging groups in the Italian panorama of Celtic music. The precious combination of the harp and the arched psaltery and the magical blend of voices, the suspended and dreamy atmospheres, all in a riot of vibrations that envelop in their intense purity. The Ensemble collaborates with the international artist Carlos Núñez and occasionally with guitarists Tiziano Cogliati and Jacopo Ventura. www.adrianosangineto.com Ticket € 14 (full), € 12 (reduced) Buy tickets