Spettacolo di teatrocirco Collective production of the Bismantova Theater, Parpignol Theater and Compagnia Circolabile 6 December, 8.30 pm PLATO theater circus show by Andrea Menozzi , Francesco Marchesi and Christel dicembre An attic, an unstable light, objects piled up and assembled, improbable mechanisms, a man, Plato . Plato seems to have always lived alone in this universe, where his inventions shape his daily life and his relationships. Like everyone, he has built his own routine, his duties and obligations, his pastimes, his relationships, his alter ego. It moves and evolves in this reality, where it creates daily life energy and where each object becomes part of a vital ritual. Reality is made up of things we know and the idea we build of them. But what if Plato discovers the outside world and humans? This theatrical performance intertwines mime and circus arts to offer a poetic and amusing transposition of the allegory of the cave , a myth presented by Plato in Book VII of the Republic . Indeed "Plato" he takes up with humor and sensitivity the beacon theme of the allegory, the perception of reality and its transmission. Andrea Menozzi , the only actor on stage, reinterprets every object, every movement, in order to convey Plato's reality to the public. "Plato" was born from the collaboration between the Bismantova Theater , the Parpignol Theater and the Compagnia Circolabile , and from the study of two texts: in addition to " La Repubblica " by Plato, also " The Invisible Cities " by Italo Calvino. How the Great Khan built in his imagination the cities that Marco Polo described to him, Plato he composes with his fantasy, his out of phase universe, to offer it to the incredulous eyes of the public. with Andrea Menozzi Ticket 12 € Buy tickets

Bach e dintorni – nel segno del virtuosismo. Ensemble La Risonanza. 6 August, 9.30 pm | Baraccano Theater Entroterre Festival Bach and surroundings in the name of virtuosity La Risonanza ensemble La Risonanza is one of the most internationally successful Italian orchestras on original instruments. Among the most ambitious record projects there is the complete Italian cantatas with Handel instruments, for which the line-up has received various awards and numerous mentions and nominations. The monthly Gramophone defined the recording as «the best Handelian recording project of the decade». To this first integral is now added a new integral: that of the orchestral works of Johann Sebastian Bach , according to a multi-year project inaugurated in 2017. Regularly invited to perform at some of the most important concert seasons and festivals in Italy and abroad, La Risonanza is also in artistic residency at the Saint-Michel en Thiérache Festival. Since 2016 it has been organizing its own season " La Risonanza per Milano ", the only Milanese billboard entirely dedicated to the Baroque repertoire, which is divided between the Liberty Dario Fo and Franca Rame Palazzina and the Leonardo Da Vinci National Science and Technology Museum as main venues. Music by JS Bach , J.Ch. Graupner , B. Marcello , G.Ph. Telemann. La Risonanza_2017_0051 Altissima Single ticket € 10 Buy tickets The Resonance Will Copeland violin Ryo Terakado , Ulrike Slowik violins Sara Bagnati Viola Caterina Dell'Agnello cello Marco Lo Cicero contrabass Fabio Bonizzoni harpsichord and conductor

8 February 2020, 8.30 pm THE OVERTURNED CIRCUS An intense and exciting show. A vortex in whose memory, belonging, family and blood mix in war, deportations, betrayals, escapes and revenge. Two parallel stories but closely intertwined, that of Branko and that of his grandfather Nap'apò, two generations of Roma in this Europe in which the nomadic ethnic groups have lived and still live separate lives, "apart" lives. One generation ended up in concentration camps, the next in Roma camps on the outskirts of big cities. Branko Hrabal fleeing Hungary takes refuge in a Roma camp in Italy. He carries ten boxes containing what remains of the famous circus inherited from his grandfather. Circus that had to abruptly stop its activity during the Second World War, when the Nazis first locked up and then exterminated all the artists. Branko doesn't know what to do with this heavy and cumbersome inheritance. But in the camp he finds a group of curious children who oblige him to tell the story of that circus, which is the story of his family and which is, in synthesis, the history of Europe from which we all descend. Branko thus finds himself retracing the epic of his own family, from the joy, enchantment and amazement that his grandfather's circus was able to bring around all of Europe, up to escape, deportation, imprisonment and extermination. Seven children listen to him with eyes full of enchantment and finally find a new hope of redemption and happiness among a trapeze, five clubs and some old costumes. Among the people of the camp who are no longer even able to imagine a tomorrow for themselves and their family, there are still those who can see a possibility of the future: those seven children who transform the story of Branko's family into new energy. and desire for redemption. Hidden in the cellars of an old abandoned building, inspired by Branko they work hard and eventually manage to create a new circus… their new circus… an underground circus… an upside-down circus. by and with Andrea Lupo from the novel of the same name by Milena Magnani directed by Andrea Paolucci original music by David Sarnelli light and sound design Andrea Bondi a Teatro delle Temperie production winner of the Rome Fringe Festival 2017 as BEST ACTOR AUDIENCE AWARD BEST DRAMATURGY winner of the MAZINGA 1st edition the Ticket 12 € (full), 10 € (reduced) Buy tickets Il Circo Capovolto

Kafka, Letters to Milena 2024: cento anni dalla morte di Franz Kafka Form Gallery 1 Video

IN THE BELFIORE president and project manager She graduated in transverse flute at the “GB Martini” Conservatory of Bologna with Maestro Giorgio Zagnoni. He attended advanced courses including the one with Prof. Anna Maria Morini. Interested in the study of Gregorian Chant, she attended the "International Course of Gregorian Chant" held in Cremona, under the direction of prof. A. Albarosa. Graduated in Music Disciplines (DAMS) at the Faculty of Literature and Philosophy of the University of Bologna, she supported a thesis in "Organization and Economics of the Entertainment", supervisor prof. Lamberto Trezzini. After graduating, he followed a Master in Manager for the management of live entertainment, promoted by the University of Bologna / Department of Music and Entertainment, managed by ATER, financed by the Emilia-Romagna Region and the European Social Fund; achieves qualification level V European level, higher education. In the summer of 1998 he organized a cycle of Baroque music concerts for the summer festival "Art under the stars" of BoEst '98, at the Cloister of the National Art Gallery of Bologna. After the Master she took on a professional role of collaboration at the Cultural Office of the Municipality of Crevalcore (BO), carrying out the task of organizing cultural activities (exhibitions, concerts and children's theater). In January 2000 he participated in the European project "Kaleidoscope" at "Ferrara Musica", on the occasion of the production of the Opera "Cosi fan tutti", directed by Maestro Claudio Abbado and directed by Mario Martone. He has collaborated with the consulting company for musical training projects Thomas Consulting group and for the MusicaPer musical associations, Associations Organi Antichi and Euterpe Mousiké. He has held lectures-conferences for the University of Bologna on the Organization of Live Entertainment and the Atti Sonori festival, as a case study, at the Faculty of Communication Sciences. He collaborated with the FontanaMIX Association as an organizational consultant, in particular for the organization of the EXITIME02 Festival, at the University of Bologna / Dep. of Music and Entertainment and with the association "Between one act and another", as an administrative collaboration. In 2001 he founded the Perséphone Cultural Association, the pause of silence, of which he is president; since 2001 he has been responsible for and supervising the planning, administrative and external relations of the Association. It has also followed, from an organizational, administrative and promotional point of view, all the reviews and festivals it organizes: Borghi e Frazioni in Musica (Municipalities in the Reno-Galliera area); With the favor of the Dark (Loiano-BO) and InCanto (Municipal Theater of Castello d'Argile and Pieve di Cento-BO). In 2005 he conceived the ATTI SONORI festival, musical theater, which debuted in February 2005 at the Arena del Sole and takes place, after several years in various places in the city, now at the Teatro del Baraccano. Since 2010 she manages and is the manager of the Teatro del Baraccano in Bologna. Contact details: cell. +39 347.5080913 e-mail: Presidente.teatrodelbaraccano@gmail.com

Stagione ATTI SONORI estate 2018. 5 August, 9.30 pm DISENCHANTED 8 August, 9.30 pm POPULAR SONGS 12 August, 9.30 pm CONCERT FOR JACK LONDON August 16, 9.30 pm THE FISHER AND THE CROW 19 August, 9.30 pm THE DANCING FINDER August 21, 9.30 pm THE BARBER IN COMICS english version 24 August, 9.30 pm THE CARTOON BARBER Italian version

Il Barbiere di Siviglia di Rossini attraverso immagini, animazioni e suoni. ATTI SONORI e Orchestra Rossini di Pesaro, in collaborazione con NipPop Festival. May 25, 6 pm an ACTS SOUND production in collaboration with NipPop festival THE CARTOON BARBER the story of Rossini's Barber of Seville through images, animations and sounds Study on The comic barber . From an idea of Giambattista Giocoli the project of Barber of Seville , told through images. On May 25 the Japanese mangaka Tsukishiro Yūko he will illustrate the drawings made for this project and the public will be able to admire his technique in live painting on the music recorded by the Barbiere di Rossini. Following, the soprano Yasuko Arimitsu will propose a suggestive selection of passages taken from Rossini's work and from the Japanese tradition. The complete project de The comic barber it will be presented in August, as part of the summer festival SOUND ACTS… musical theater in summer! with live music. The evening will be enriched by a Japanese aperitif, kindly offered by the restaurant Yuzuya from Bologna. The event is promoted by NipPop: Words and Forms from Tokyo to Bologna , the annual festival dedicated to the pop cultures of contemporary Japan and promoted by the School of Languages of the University of Bologna. ideation and direction Giambattista Giocoli soprano Yasuko Arimitsu Images Tsukishiro Yūko dramaturg Gianluca Cheli _________________ free entry _________________ The final project: some previews Il Barbiere a fumetti , which by virtue of the collaboration with the Rossini Symphony Orchestra Pesaro from next summer will be staged and will go on tour throughout Italy, it will be an exceptional show in which the immediacy of the visual art and the expressiveness of the visual and sound interweaving update the Rossini masterpiece, returning an original version who knows how to speak to a young and contemporary audience. From the Suite from Vincenzo Gambaro and with arrangements for chamber orchestra made by SOUND ACTS , a new score for 12 real parts is born: the work is stripped of the recitative parts to stage only the music, directed by Giambattista Giocoli , together with a scenographic backdrop on which the artist's original comics are projected Tsukishiro Yūko , who tell the story in images, under the direction of the dramaturg Gianluca Cheli . Tsukishiro Yūko Illustrator and mangaka, during her career she has created drawings for many science fiction, fantastic, horror and erotic novels collaborating with the most famous Japanese genre literature magazines (high circulation publications such as Shōsetsu NON, Mondai Shōsetsu and J-novel ) and the country's major publishing houses, including Fujimi Shobō, Kadokawa, Kōdansha, Tokuma Shoten and Square Enix. From January 14 to February 14, 2010, his works were exhibited in Italy in the exhibition Dall'ukiyo-e to contemporary illustration: great Japanese graphics, held in the halls of the Albertina Academy of Fine Arts in Turin. Among his latest manga are Tōrisugari no kaijiken (Supernatural cases that pass us by), released in 2016 by the publishing house Shūeisha Home-sha, and Teihon Shōkan no banmei-Goety (Authentic text of the barbarian names of evocation-Goety) , published in 2017 by Atelier Third. The latter, inspired by HP Lovecraft's Myths of Cthulhu, was also highly regarded by well-known writers of horror and supernatural literature Asamatsu Ken and Kikuchi Hideyuki. On the occasion of the presentation of the Comic Book Barber project at the opening of NipPop 2017: Words and Forms from Tokyo to Bologna, Tsukishiro Yūko will be in Bologna: on the evening of May 25th he will be the protagonist of a meeting during which he will illustrate his work for this project, and the public will be able to admire his technique in a live painting on stage. Giambattista Giocoli He made his debut as a conductor in 2013, in the production of the S. Sondheim musical A Little Night Music, receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra. In 2014 he directed I. Stravinsky's Histoire du Soldat (still on tour) and Sondheim's best known and most demanding musical, Sweeney Todd. In 2015 he produced the project on opera interludes and symphonies All'Opera! and in December he made his debut at the helm of the Toscanini Orchestra of Parma. In 2016 he made his debut with the project of the Fourth Symphony by G. Mahler and at the beginning of 2017 he staged the Popular songs project at the Teatro Duse in Bologna, with the voice of Cristina Zavalloni and Histoire du soldat with the voice of Ivano Marescotti . Yasuko Arimitsu Every year he plays joint concerts in renowned Japanese theaters such as Kanon (Kagoshima), Saneru (Kagoshima), JT Hall (Tokyo), Oji Hall (Tokyo), Grand Hill Ichigaya (Tokyo), and simultaneously participates in international opera singing workshops at the Opera Internship School of Pesaro and the Spanish one (Valencia). She trained with teachers of the caliber of Kyoko Tsukada, Franco Federici, Giuseppe Riva, Sergio Bertocchi and pianists such as Claudio Cirelli and Stefano Conticello, also joining the Circolo Lirico di Bologna. In 2011 he won the audition for the Opera La Bohème at the Cultural Association for classical music in Bellano (LC) and performed in Cremona in the concert in honor of Franco Federici together with the tenor Ivo Scarpellini. In recent years she has performed in numerous concerts on the Italian territory and in 2009 received the support of the Japanese Kirishima-kai Association for the realization of concerts-récital that see her as a protagonist.

Radio Ritmo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Darius MILHAUD Scherzo da LA CREATION DU MONDE George GERSHWIN Preludio I dai TRE PRELUDI JAZZ Kurt WEILL Kanonen Song da L’OPERA DA TRE SOLDI André CAPLET Piece George GERSHWIN Preludio II dai TRE PRELUDI JAZZ Francis POULENC Tango Darius MILHAUD Emporté dal QUARTETTO Kurt WEILL Polly’s Lied da L’OPERA DA TRE SOLDI Franz SCHUBERT Serenata Igor STRAVINSKIJ Tango per pianoforte solo Béla BARTÓK Danza Rumena n° 5 Danza Rumena n° 6 Johann S. BACH Sarabanda per flauto solo Claude DEBUSSY Syrinx per flauto solo Igor STRAVINSK IJ Danza del Diavolo da L'HISTOIRE DU SOLDAT Giovanni SOLLIMA Melodia per violoncello solo Ottorino RESPIGHI Andantino dal QUINTETTO IN FA MINORE per pianoforte e archi Dmitrij KABALEVSKY The Clowns per pianoforte solo René de CASTÉRA Rondeau dal CONCERT Darius MILHAUD Brazileira dalla suite SCARAMOUCHE Biglietteria intero 15€ ridotto 10€ ( under 30, over 65, titolari Card Cultura ) ridotto 5€ ( under 18) Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Reading musicale dedicato a Patti Smith. Con Angela Baraldi canto e Angela Malfitano voce recitante Between One Act and the Other August 27, 9.30 pm FULL OF DESTINY - PATTI An energetic and engaging show made of readings and songs. Taken from the book that Patti Smith recently wrote, Just Kids, a little gem of writing and confession, which tells of her arrival in New York in the late sixties, where the atmosphere is effervescent. Here he meets Robert Mapplethorpe and with him he weaves a path of art and initiation. A rare and precious friendship. An explicit pact of mutual support, based on the sharing of dreams and art. musical reading dedicated to Patti Smith I sing Angela Baraldi narrator Angela Malfitano bass Antonio Michelangelo Del Gaudio guitar Pietro Zarrelli battery Matteo Fucci Roberto Passuti video set Ticket € 13 (full), € 10 (reduced) Buy tickets Piene di destino PattiSmith

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli A causa delle condizioni instabili del tempo la passeggiata è stata annullata. Il concerto si terrà all'interno del Teatro del Baraccano MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, EmilBanca, Fitel, CNA, Lions Club Acquista biglietti