Orsoleo Spring Festival 2025 THE CARTOON BARBER 28 aprile ore 11 | Chiesa RADIO RITMO VOCI E SUONI DALL'ETERE radiodramma musicale The Barber of Seville for Manga music and drawings Il 30 ottobre 1938 la trasmissione radiofonica di Orson Welles scatenò il panico, facendo credere che un conflitto interplanetario era iniziato attraverso un’invasione aliena nel New Jersey. Liberamente ispirato a La Guerra dei mondi di H. G. Wells e all’esperienza di O. Welles, RADIO RITMO vuole ricordare l’impressionante potenza comunicativa della radio, all’epoca prima donna nel panorama delle comunicazioni e, parallelamente, stimolare una riflessione sull’imponente effetto dei media e sulla loro attendibilità. Due attori riproducono la trasmissione radiofonica ed un’orchestra suona le musiche della band ospitata nella trasmissione. regia Massimo Sceusa voci recitanti Sandra Cavallini e Mirko Rizzotto ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu violoncello Alessandro Culiani flauto Margherita Russo clarinetto Davide Braco pianoforte Honglin Zong Repliche 25 e 26 aprile, ore 21 28 aprile, ore 11 Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".

Orsoleo Spring Festival 2025 THE CARTOON BARBER 30 aprile ore 11 e 19 | Chiesa ALL'OPERA! sinfonie e intermezzi tratti dalle opere liriche più celebri della tradizione italiana Il concerto prevede l’esecuzione, con arrangiamenti originali per ensemble, di sinfonie, preludi e intermezzi tratti dalle opere liriche più famose della tradizione italiana. Dalla Norma di Bellini a La Forza del Destino di Verdi, passando per la Manon Lescaut di Puccini e la celeberrima sinfonia d’apertura de Il Barbiere di Siviglia di Rossini. In programma anche gli intermezzi di Pagliacci di Leoncavallo e di Cavalleria Rusticana di Mascagni e tanti altri celebri capolavori dell’Opera italiana. Repliche 29 aprile, ore 21 30 aprile, ore 11 e 19 ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli flauto Margherita Russo clarinetto Davide Braco tromba Sergio Ruiu corno Giulio Montanari violoncello Alessandro Culiani basso tuba Gianluigi Paganelli fisarmonica Raffaele Damen pianoforte Honglin Zong arrangiamenti Lorenzo Meo MUSICHE Sinfonia dalla Norma di Vincenzo Bellini Preludio da La Traviata di Giuseppe Verdi Preludio da Aida di Giuseppe Verdi Ouverture dal Don Pasquale di Gaetano Donizetti Intermezzo da L'Amico Fritz di Pietro Mascagni Intermezzo dalla Cavalleria Rusticana di Pietro Mascagni Sinfonia da Il Barbiere di Siviglia di Gioacchino Rossini Intermezzo da I Pagliacci di Ruggero Leoncavallo Intermezzo dalla Manon Lescaut di Giacomo Puccini Sinfonia da La Forza del Destino di Giuseppe Verdi

Spettacoli in corso, estate 2019 summer 2019 1/11 Buy your ticket online Fairy tales in concert Inventory of certain things Indian charm 2 penny songs Boris Vian Bad Doce Immutea 1919 - the concert

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone PROGRAMMA Sinfonia Piano, pianissimo Ecco ridente in cielo Oh sorte! Signor conte Mille grazie, mio signore Largo al factotum All’idea di quel metallo Numero quindici a mano manca Una voce poco fa La calunnia è un venticello Dunque io son Ehi di casa, buona gente Che cosa accadde Mi par d’essere con la testa Contro un cor che accende amore Don Basilio, cosa veggo Bravissimo Bricconi birbanti Il vecchiotto cerca moglie Temporale Ah, qual colpo inaspettato Zitti zitti Di sì felice innesto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, Emil Banca, Fitel, CNA, Lions Club Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

Cena a casa Respighi 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. Acquista biglietti

Laboratori per bambini e adulti al Teatro del Baraccano di Bologna Programma Operativo Nazionale Città Metropolitane 2014 - 2020 REACT EU asse 7 azione 7.1.1 Progetto finanziato dai Fondi Strutturali e di Investimento Europei nell’ambito della risposta dell’Unione alla pandemia di COVID-19” I TELL ME ERGO SUM online theater course From 18 January 2021 teacher Sandra Cavallini I TELL ME EGO SUM … and I tell it a little bit. “Where everything is fake and nothing is fake” the language of the theater opens us to emotions, frees the imagination and expressiveness. MI TALE ERGO SUM is an experimental path that wants to play on the possibility of listening to and telling us despite the digital filter. And what a screen it is! We will discover that we have many options available that are not exactly found on the keyboard but in the click of our imagination, in the pleasure of telling us about it and in the possibility of saving everything in the self-irony folder. Experimental online path (on zoom platform) 8 meetings - Monday from 5.15pm to 7.15pm INFO AND RESERVATIONS sandracavallini.club22@gmail.com cell. 348.4450843 teatrodelbaraccano@gmail.com I TELL ME ERGO SUM online theater course From 18 January 2021 teacher Sandra Cavallini I TELL ME EGO SUM … and I tell it a little bit. “Where everything is fake and nothing is fake” the language of the theater opens us to emotions, frees the imagination and expressiveness. MI TALE ERGO SUM is an experimental path that wants to play on the possibility of listening to and telling us despite the digital filter. And what a screen it is! We will discover that we have many options available that are not exactly found on the keyboard but in the click of our imagination, in the pleasure of telling us about it and in the possibility of saving everything in the self-irony folder. Experimental online path (on zoom platform) 8 meetings - Monday from 5.15pm to 7.15pm INFO AND RESERVATIONS sandracavallini.club22@gmail.com cell. 348.4450843 teatrodelbaraccano@gmail.com I TELL ME ERGO SUM online theater course From 18 January 2021 teacher Sandra Cavallini I TELL ME EGO SUM … and I tell it a little bit. “Where everything is fake and nothing is fake” the language of the theater opens us to emotions, frees the imagination and expressiveness. MI TALE ERGO SUM is an experimental path that wants to play on the possibility of listening to and telling us despite the digital filter. And what a screen it is! We will discover that we have many options available that are not exactly found on the keyboard but in the click of our imagination, in the pleasure of telling us about it and in the possibility of saving everything in the self-irony folder. Experimental online path (on zoom platform) 8 meetings - Monday from 5.15pm to 7.15pm INFO AND RESERVATIONS sandracavallini.club22@gmail.com cell. 348.4450843 teatrodelbaraccano@gmail.com DANCES OF SOUTH ITALY teacher Paola Perrone Folk dances are an expression of the history and culture of a people. Studying and dancing the choreutic forms of the popular tradition fulfills a double task: it allows us to enter into communication with our body in relation to space, time, music (or silence); and at the same time it carries out a historical-social function, giving us back our past and our history. The workshop will cover the study of the tarantella of Southern Italy, macro-genre within which different styles and dances of the various southern regions fall (pizzica pizzica, tammurriate, sonu a ballu, tarantella del pollino, tarantella del gargano ...). Of each tarantella, after a brief historical and geographical contextualization, the basic steps, the relational dynamics, the similarities / differences with the other tarantellas, any variations and contaminations over time, the relationship with music will be analyzed. In addition to the work on the steps, it will be essential to work on the body, in order to acquire a greater awareness of oneself and of one's inner rhythm, so as to be able to express oneself in the most authentic and natural way possible in folk dances as in everyday life. The dances will be accompanied by both recorded music and live music. INFO AND RESERVATIONS paola.perrone@gmail.com cell. 377.3081869 DANCES OF SOUTH ITALY teacher Paola Perrone Folk dances are an expression of the history and culture of a people. Studying and dancing the choreutic forms of the popular tradition fulfills a double task: it allows us to enter into communication with our body in relation to space, time, music (or silence); and at the same time it carries out a historical-social function, giving us back our past and our history. The workshop will cover the study of the tarantella of Southern Italy, macro-genre within which different styles and dances of the various southern regions fall (pizzica pizzica, tammurriate, sonu a ballu, tarantella del pollino, tarantella del gargano ...). Of each tarantella, after a brief historical and geographical contextualization, the basic steps, the relational dynamics, the similarities / differences with the other tarantellas, any variations and contaminations over time, the relationship with music will be analyzed. In addition to the work on the steps, it will be essential to work on the body, in order to acquire a greater awareness of oneself and of one's inner rhythm, so as to be able to express oneself in the most authentic and natural way possible in folk dances as in everyday life. The dances will be accompanied by both recorded music and live music. INFO AND RESERVATIONS paola.perrone@gmail.com cell. 377.3081869

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore durata 18 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) durata 23 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore durata 14 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, Emil Banca, Fitel, CNA, Lions Club Acquista biglietti

all'opera! Form Gallery Gallery Clip 1

SWEENEY TODD Sweeney Todd: The Demon Barber of Fleet Street is a musical written by Stephen Sondheim (music and lyrics) and Hugh Wheeler (libretto), winner of eight Tony Awards in 1979, based on the comedy The String of Pearls directed by Christopher Bond, inspired by a 19th-century London metropolitan legend adapted from George Dibdin Pitt's 1842 theatrical play of the same name. The original edition directed by Harold Prince premiered at the Uris Theater on 1? March 1979, and the reruns continued uninterruptedly until June 29, 1980. In this version the direction is entrusted to Shawna Farrell, while the orchestra is conducted by Giambattista Giocoli. The cast includes young students and alumni of the Bernstein School of Musical Theater. The staging is created in collaboration with the Teatro Comunale di Bologna. Duration: approx. 3 hours Singing, acting, dance and live music. Direction Shawna Farrell Associate director Mauro Simone Musical direction Vincenzo Li Causi Choreography Susanna Della Pietra ORCHESTRA DEL BARACCANO Massimiliano Canneto, Barbara Ostini Giuseppe Franchellucci, Marco Forti, Marco Torsani Paolo Rosetti, Simone Cinque, Luca Piazzi Valentino Spaggiari, Lorenzo Meo Stefano Bussoli, Simone Beneventi Director Giambattista Giocoli Soloists and choir of the Bernstein School of Musical Theater BACK

Scheda Pulcinella...all'improvviso ALL'OPERA! symphonies and interludes taken from the most famous Operas of the Italian tradition The concert includes the performance, with original arrangements for Chamber Orchestra, of symphonies, preludes and interludes taken from the most famous Operas of the Italian tradition. From Bellini's Norma to Verdi's Forza del Destino , passing from Puccini's Manon Lescaut to the famous opening symphony of Rossini's Barbiere di Siviglia and again to the interludes of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci , and other popular interludes and symphonies of the Italian tradition. The Baraccano Orchestra will be involved in this project in a chamber formation with 8 orchestral players with real parts. The orchestral arrangements are by Lorenzo Meo. LA MASCHERA- CONFERENZA/LABORATORIO seminario teorico- pratico di approfondimento sulla maschera a cura dell’attore e regista Marco Sgrosso. Il linguaggio della maschera, il corpo che parla. Un approfondimento della tradizione della commedia dell’arte, attraverso la dimostrazione pratica della caratterizzazione del personaggio, con l’accentuazione dei suoi pregi e dei suoi difetti, sfruttando l’oggetto maschera. Con la maschera tutti i codici di comunicaizone vengono sovvertiti ed è il corpo che diventa il principale mezzo espressivo. LA MUSICA- PROVE APERTE “A LEGGIO” condotte dal M° Giambattista Giocoli L’Orchestra del Baraccano apre le porte al pubblico, offrendo la possiblità di assistere alle proprie prove, con una particolare modalità: stando seduti al fianco dei musicisti. Un’immersione nella musica a tutto tondo, con la possibilità di stare “dentro la musica”, seguire la concertazione del Direttore e percepire le dinamiche interne ad un’orchestra. CONCERTO TEATRALE La musica dal Conservatorio di Napoli e le commedie del 1700 della Biblioteca Nazionale di Napoli con protagonista Pulcinella, furono gli elementi che stimolarono la creazione ad Igor Stravinskij delle musiche del balletto Pulcinella (1919-1920), ispirato all’omonima opera di Pergolesi , musicista tra gli esponenti più importanti della Scuola Musicale Napoletana. Negli stessi anni Ottorino Respighi , grande appassionato di musica antica, arrangiava le Antiche Arie e Danze per liuto, una raccolta di danze popolari del ‘500 e del ‘600 e il pensiero va immediatamente all’epoca della nascita della commedia dell’arte , alla maschera e dunque al nostro Pulcinella . Il concerto teatrale PULCINELLA all’improvviso! comprende le musiche di Respighi, nella versione originale per ensemble e direttore e il Pulcinella di I. Stravinskij, anche queste arrangiate per ensemble . PULCINELLA, TRA CIELO E INFERNO Pigro, volubile e incostante, furbo ma anche stupido, intrigante, goloso e bugiardo, allegro e funereo, rudemente maschio ma intriso di femminilità, angelo e demonio, bonario e crudele, rassegnato e ostinato, comico e tragico, infedele, affamato e disperato, infiniti sono gli appellativi che si addicono a questa maschera straordinaria, sospesa tra il bianco candido dell’abito e il nero minaccioso del volto. Pulcinella, figlio della Luna e della Notte, originario di Acerra e inventato agli albori del Seicento dal famoso attore Silvio Fiorillo, che forse si ispirò al contadino Puccio D’Aniello da cui forse deriva il nome. La maschera di Pulcinella possiede una caratura inquietante e misteriosa, collegata all’uovo da cui si affaccia alla vita il ‘pulicinello’. È la dimensione più profonda e primordiale che ci interessa esplorare nel lavoro in maschera, che dai tempi più antichi svela e rivela le inquietudini, le fragilità e il bisogno vitale di libertà dell’uomo contemporaneo. Marco Sgrosso BARACCANO ORCHESTRA conductor Giambattista Giocoli piano accordion flûte and piccolo bassoon trumpet cello double bass horn arrangement by Lorenzo Meo organizational direction Nella Belfiore ALL'OPERA! Sinfonia dalla Norma by Vincenzo Bellini Preludio da La Traviata by Giuseppe Verdi Preludio da Aida by Giuseppe Verdi Ouverture dal Don Pasquale by Gaetano Donizetti Intermezzo da L'Amico Fritz by Pietro Mascagni Intermezzo dalla Cavalleria Rusticana by Pietro Mascagni Sinfonia da Il Barbiere di Siviglia by Gioacchino Rossini Intermezzo da I Pagliacci by Ruggero Leoncavallo Intermezzo dalla Manon Lescaut by Giacomo Puccini Sinfonia da La Forza del Destino by Giuseppe Verdi BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna. ORCHESTRA DEL BARACCANO L'Orchestra del Baraccano nasce all'interno delle attività del Teatro del Baraccano di Bologna, dove viene realizzato un progetto di produzione e ricerca sul teatro musicale da camera: ATTI SONORI. È stata fondata nel 2013 ed è diretta dal suo direttore artistico Giambattista Giocoli e ha prodotto numerosi spettacoli di teatro musicale. L’obiettivo dell'Orchestra è suonare, con formazioni per orchestra da camera, opere musicali originariamente composte per grandi orchestre, producendo nuove partiture suonate "a parti reali”. Tra le produzioni ricordiamo: lo spettacolo L’histoire du Soldat di Igor Stravinskij; 4th Gustav Mahler, la Quarta sinfonia di Mahler, arrangiata per orchestra da camera; il progetto All’Opera!, sinfonie, intermezzi e ouverture dell’Opera lirica italiana ed i musical A Little Night Music e Sweeney Todd di Stephen Sondheim. Nel 2017 ha realizzato Popular songs, con solista Cristina Zavalloni; un nuovo L’histoire du soldat con la voce recitante di Ivano Marescotti ed Il Barbiere a Fumetti, "Il Barbiere di Siviglia" per musica, animazioni e fumetti Manga. Nel 2019, in occasione del 100 anni della nascita del Bauhaus, ha prodotto il concerto IMMUTEA 1919, in collaborazione con Bologna Design Week. Nel 2021 ha registrato il CD RESPIGHI suite, nell’ambito del Respighi project, un progetto sul musicista e compositore bolognese Ottorino Respighi e ha realizzato il concerto teatrale Kafka, Lettere a Milena. Nel 2022 è stata il fulcro del progetto PON VoltONE su AIDA, una riduzione dell’Opera di G. Verdi per ensemble e voce recitante. Sempre nel 2022, con il programma RESPIGHI suite, è stata in tournée in Repubblica Ceca e Polonia, nel 2023 in Ungheria e nel 2024 in Croazia. L’Orchestra per la sua attività di produzione e distribuzione è sostenuta regolarmente dal Comune di Bologna e dalla Regione Emilia-Romagna.

Sassolino, Teatro del Baraccano, Testoni Ragazzi sassolino Form Gallery 1 EXHIBITION Illustrazioni Video

Orsoleo Spring Festival 2025 THE CARTOON BARBER 27 aprile ore 11 e 19 | Convento e Chiostro SCOPRI ORSOLEO visita e concerto itinerante Un'occasione per scoprire le sue bellezze architettoniche, conoscere la sua storia e ammirare il paesaggio mozzafiato che lo circonda. Accompagneranno la scoperta del Convento i solisti dell'Orchestra del Baraccano , con interventi e brevi concerti negli angoli più suggestivi della location, amplificandone la bellezza e dialogando con le varie acustiche degli spazi, in un gioco di luce, dalla mattina al tramonto, che incanterà il visitatore. Visite guidate a cura di Salvatore Mario Graziano . Le date 26 aprile, ore 11 27 aprile, ore 11 e 19 The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".