DIRECTOR GIAMBATTISTA GIOCOLI At first clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna . As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Orchestra of the Teatro Comunale di Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as a guest conductor with the Orchestra of the Toscanini Foundation of Parma, and from 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera . AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna. GALLERY

scheda tecnica teatro del baraccano e cortile teatro del baraccano The space includes: • Foyer room, with vaulted ceiling, entirely frescoed, with corner Bar and Ticket Office • Show / event room , with frescoed wall, stage, chairs, dressing room • Toilet • Inner courtyard (former vegetable garden), which in summer is set up to host outdoor shows and events, 200 seats. FEATURES OF THE MAIN ROOM Dimensions : length 20m, width 6m, height 6m Capacity : 100 seats, last rows with raised grandstand Stage / Platform 5 meters x 5 meters, height 70 cm Glass table and 4 conference chairs Audio system: Outline audio system with loudspeakers (satellites and subs), audio monitors, CD players with autopause, ice cream and headband radio microphones, various microphones and DI lines for concerts and shows. Video system : video projector and screen (4m X 3m), DVD player, PC, iPAD. Lighting system : 24 LED projectors with color changers; lighting mixer with the possibility of storing scenes; 300W and 500W floor lamps and spotlights, Profiles ETC. Internet connection : yes Disabled access : yes FEATURES OF THE FOYER Dimensions : length 6m, width 6m Corner Bar SERVICES Foyer : yes Cloakroom : yes, on request WC: yes, even for the handicapped Dressing rooms : two EQUIPMENT Carpet; Black / white PVC dance floor Fifths: no; projectable white backdrop Platforms and practicable, tables Any further arrangements on request Loading / unloading : comfortable, suitable for vehicles with slide, total distance from the room 10 meters FEATURES OF THE THEATER COURTYARD Dimensions : surface 600 m Capacity : 200 seats Stage / Platform 8 meters x 12 meters, height 70 cm Corner Bar with fridge and counter

Respighiamo musica June 24th 6pm and 8.30pm | July 22, 8.30 pm 12 August 6 pm and 8.30 pm | September 16, 6 pm and 8.30 pm Charterhouse of Bologna WE REJECT MUSIC the Certosa, Bologna and Respighi musical guided tours Ottorino Respighi , one of the most famous composers of the twentieth century, rests in the Certosa. Beloved in the USA, famous for his famous works dedicated to Rome, the Eternal City , he maintained his contacts with Bologna, his hometown, throughout his life. A journey to remember the musical world that made him famous, and his fellow musicians of all ages, from Gioachino Rossini to Lucio Dalla. During the visit we will also discover the events of the composer's family who were sculptors, generals, writers. Guided tours by Mirarte. reservations required mirartecoop.it Musical interventions with the soloists of the Baraccano Orchestra Alice Caradente and Alessandra Ziveri harps Admission € 12, two euros donated to the Certosa. Reservation required through the site www.mirartecoop.it Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather. Certosa Bologna Certosa Bologna Alice Caradente e Alessandra Ziveri

Progetti formativi per le scuole 2024 KAFKA Lettere a Milena 15 novembre 2024, matinée Partendo dal carteggio epistolare che Franz Kafka ebbe con Milena Jesenská nel 1920, è stato costruito uno spettacolo, declinato attraverso tre linguaggi espressivi: le parole , la musica e le immagini . La particolare intensità delle "lettere" di Kafka (si tratta solo delle lettere da Kafka a Milena e non viceversa) viene sottolineata dalla musica del Settimino di Paul Hindemith e da Mládí di Leoš Janáček , mentre i dipinti, appositamente realizzati, ne amplificano il significato e ne stimolano le suggestioni. La selezione delle lettere e l’adattamento teatrale sono stati curati da Manuela De Meo di Sementerie Artistiche; la parte musicale dal maestro Giambattista Giocoli ed i dipinti son stati realizzati da Andrea Louis Ballardini . adattamento drammaturgico Manuela De Meo Manuela De Meo e Pietro Traldi voci recitanti Orchestra del Baraccano direttore Giambattista Giocoli flauto Filippo Mazzoli | oboe Alessio Gentilini clarinetto Giovanni Picciati | clarinetto basso Davide Braco tromba Luca Piazzi | corno Paolo Faggi fagotto Marco Taraddei dipinti scenografici Andrea Louis Ballardini GALLERY SASSOLINO 25, 26 e 27 gennaio 2024, matinée Sassolino è uno spettacolo di teatro e musica sulla Shoah , ispirato all'omonimo albo illustrato scritto da Marius Marcinkevicius , edito da Caissa Italia . È l'estate del 1943. Eitan e Rivka giocano con il loro aquilone giallo, l’unico che può ancora volare libero. Tutt'intorno è la Shoah. Sono a Vilnius, in Lituania, ma potrebbero essere a Varsavia, Berlino, Parigi. O a Roma. Quando tutto sembra essere dolore, un sassolino porta un messaggio di amicizia e speranza . Scritto e diretto da Bruno Cappagli , lo spettacolo vede in scena due narratori che, oltre a raccontare la storia, interpretano i due protagonisti Rivka e Eitan . Con loro un quintetto musicale, diretto da Giambattista Giocoli , che dona pathos e profondità e, a livello drammaturgico, racconta di come la musica possa essere una culla di pace in alcuni momenti altamente drammatici. Le musiche eseguite sono di Arnold Schoenberg e Darius Milhaud , due compositori di origine ebraica. La musica vola, nella loro pienezza espressiva, come un aquilone nel cielo dell’animo umano. Le bellissime illustrazioni di Inga Dagilè faranno da corollario poetico a questa struggente storia d'amore e d'amicizia. Orchestra del Baraccano direttore Giambattista Giocoli violino Roberto Noferini | violoncello Matteo Polizzi flauto Filippo Mazzoli | clarinetto Davide Braco pianoforte Denis Zardi regia Bruno Cappagli attori Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick

March 24, 5pm and 9pm DISENCHANTED THE MOST BITCHES IN THE REALM Fun, hilarious, with the flavors of vaudeville and cabaret, Disenchanted it dispels the myth of the "Princess Complex", to make fun of the frivolities told in fairy tales and celebrate being a woman in all its facets. 10 princesses they will stage their variety, to the rhythm of funny gags, real star numbers, leaving the audience with important ideas for reflection. Our princesses, seen in the collective imagination as perfect girls, sweet and succubus of their prince charming, in this show they deal with themes that are always discussed and very current. Diversity , emancipation , image exploitation , alcoholism or the fear of losing one's beauty , they represent the subtext of what they tell the public. Princesses who are first and foremost women, ready to make their way and fight to honor their dignity, all with irony and a pinch of malice. The Italian version, produced by the PERFORMErs thanks to a special agreement with Theatrical Right Worldwide - New York marks the first time the show is staged in Europe. music, lyrics and lyrics Dennis T. Hyacinth directed and Italian adaptation Matteo Borghi musical direction Eleonora Beddini choreography Luca Peluso Italian translations Nino Pratticò costumes Elena Mancuso assistant director Sara Persali executive production Giuseppe Di Falco Ticket € 16 (full), € 12 (reduced) Buy tickets Disincantate Disincantate Disincantate Disincantate Disincantate Disincantate

November 16, hours 20.30 November 17, 5 pm THREE OF TWO or those who decided to cooperate A modern-day lady in the aisles of a supermarket, a farmhand and an embroiderer, a noblewoman, a braid, staged through a minimal transformism, evoke real events of solidarity, between mutual aid and cooperation. Experiences that already from the second half of the 19th century arise from the desire to join a collective project of civil exchange, from the desire for knowledge and the need for economy and work to remain places of the human. The transversality of the phenomenon is astonishing. The tragicomic dynamic between humanity and market imperatives is essential. Intense interpretation, minimal context, a journey between contemporary and recent history. Protagonist on stage Sandra Cavallini, a lot of energy, subtle unique and very personal modulations of voice, movement. Every moment lights up the face with new vibrations that intensify the contrasts between lights and shadows on a stage that is not there. It is no longer there because it disappears and is canceled when the emotions and the history of the people are at the center. A cultured and ironic staging, the story of those who fight against any standardization. The theater is that of life and history. (Barbara Scacchetti). with Sandra Cavallini by Sandra Cavallini and Paola Gabrielli in collaboration with Zonta Club International Bologna The Illustrated Violence Festival Dry-Art Association, School of Gender Social Communication Full ticket € 12, reduced € 10 Buy tickets Tre di Due

Scheda R.A.D. Respighi Ancient Dances RAD Respighi Ancient Dances DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli Gabriele Bellu violino | Filippo Mazzoli flauto Lorenzo Fantini fagotto | Alice Caradente arpa Maria Luisa Baldassari clavicembalo Alexey Manyak fisarmonica Fabio Codeluppi tromba | Gianluigi Paganelli basso tuba Compagnia DNA coreografia Elisa Pagani danzatori Francesca Caselli , Michael Incarbone , Massimo Monticelli Ho cercato fin da subito di fare un’operazione di astrazione, asciugando la drammaturgia del gesto fino all’essenza pura del movimento, per snellire una narrazione già così pervasa di immagini come quella delle Suite. Per eludere il rischio di rendere la visione ridondante ho deciso di sfruttare il forte contrasto creato tra il linguaggio contemporaneo ed essenziale di DNA e l’aspetto rinascimentale della composizione musicale. Il processo è stato quello di rendere estremamente musicale il gesto e la costruzione coreografica, in modo che si adagiasse con grande accondiscendenza sulla partitura musicale e il suo riallestimento, senza appesantirlo, ma, al contrario, enfatizzandone la leggerezza e la freschezza. La coreografia, che doveva essere la prima immagine restituita al pubblico, ha creato il contesto fertile affinché i forti colori del suono potessero esprimere al meglio la caratterizzazione del paesaggio. Il risultato è stato quello di regalare al pubblico un intreccio di percezioni, create dall’intenso dialogo tra gesto e suono, in grado di tessere una conversazione spigliata, elegante ed intrigante. I tre danzatori in scena hanno dato vita ad un nodo infinito, che ha innescato un flusso persistente di dinamiche morbide ed effimere. Elisa Pagani

Lucio Dalla February 29, 20.30 - POSTPONED NEW DATE to be defined FROM THE WINDOW OF LUCIO A show that celebrates the artistic and cultural value of the great singer-songwriter Lucio Dalla , starting with the presentation of the new single "Dalla Finestra di Lucio" by the well-known Bolognese tenor Cristiano Cremonini , aka Cris La Torre , freely inspired by a letter from Dalla published in the book " Lucio Dalla - The man of mirrors " (Minerva Edizioni) and continuing through a chronological journey in stages that tells Lucio, his songs, stories and everything that remains in the minds and hearts of the people who loved him and who they continue to do so. With Sara6 , Rod Mannara , Kevin Crime , Le Cadavere Exisite , Jo Brown , Bolletz , Sofia Mehiel , Il Signorino Depunzio , Marsala , Francesco Guarino and with the participation of Vito D'Eri . Artistic direction of Rod Mannara , with the musicians Giorgio Santisi and Damiano Trevisan . Event organized by the record label MegaDischi \ PMS , with the patronage of CNA Bologna , the support of Emil Banca Credito Cooperativo and the collaboration of Lions Club Bologna and Edizioni Minerva . During the evening a preview of the video clip " From the window of Lucio " curated by the director Federica Lecce will be screened. Full ticket € 13, reduced € 10 Buy tickets Locandina Dalla finestra di Lucio, 29 fe

Concerto Hindemith 2025 Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Mostra Sassolino in inglese "THE PEBBLE" EXHIBITION

Gallery Director

RESPIGHI SUITE Form Gallery 1 Clip audio Brochure e cd