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  • Il Teatro della gente

    Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di via Belle Arti e via Zamboni passeggiata e concerto 26 novembre 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. AIDA, la musica danza nella sabbia

  • Respighi suite tournée Ungheria

    Respighi suite tournée Ungheria 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO direttore/conductor Giambattista Giocoli violino/violin Gabriele Bellu flauto e ottavino/flute and piccolo Claudia Piga clarinetto basso/ bass clarinet Davide Braco arpa/harp Alice Caradente clavicembalo/harpsicord István Bátori fisarmonica/accordion Raffaele Damen tromba/trumpet Giulio Padula basso tuba/bass tuba Gianluigi Paganelli arrangiamenti/arrangement by Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

  • Scheda Il Barbiere a Fumetti

    Scheda Il Barbiere a Fumetti, manga, Rossini, Orchesta del Baraccano RADIO RITMO on the occasion of the 150th anniversary of the birth of Guglielmo Marconi (1874- 1937) On October 30, 1938, Orson Welles' radio broadcast triggered panic, making people believe that an interplanetary conflict had begun through an alien invasion in New Jersey, giving rise to the first major fake news spread through a means of communication. Freely inspired by The War of the Worlds, RADIO RITMO aims to recall the impressive communicative power of radio and, at the same time, stimulate reflection on the impressive effect of the media and their reliability. From a concert hall, where an orchestra is performing, the apocalyptic expedient of H. G. Wells' text begins. Two actors reproduce the radio broadcast, In RADIO RITMO we find the extraordinary engaging capacity of sounds and voices, still not overwhelmed by images, leaving room for imagination and recreating an incredible atmosphere. actors Mirko Rizzotto e Sandra Cavallini director Massimo Sceusa Baraccano Orchestra conductor Giambattista Giocoli violin Gabriele Bellu cello Alessandro Culiani flute Claudia Piga bassoon Davide Braco piano Denis Zardi arrangements Giambattista Giocoli, Filippo Mazzoli, Denis Zardi vintage antenna construction Sandro Manini MUSIC Sinfonia Piano pianissimo Ecco ridente in cielo Oh sorte! Signor Conte Mille grazie, mio signore Largo al factotum Se il mio nome saper voi bramate All’idea di quel metallo Numero quindici Una voce poco fa La calunnia Dunque io son Ehi di casa! Cosa accadde Mi par d’essere Contro un cor Don Basilio, cosa veggo Benissimo Bricconi birbanti Il vecchiotto cerca moglie Il Temporale Qual colpo inaspettato Zitti, zitti Di sì felice innesto ORCHESTRA DEL BARACCANO The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

  • PROGETTO LEGALITA | teatrodelbaraccano

    Progetto Legalità Progetto Legalità Progetto Legalità Progetto Legalità Progetto Legalità Progetto Legalità

  • POPULAR SONGS PROD | teatrodelbaraccano

    POPULAR SONGS Form Clip Gallery

  • Il Teatro della gente

    Il Teatro della gente Il Teatro della Gente Passeggiate fra i Portici, i Teatri e la loro Storia The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. Passeggiata fra i Portici di Strada Maggiore e via Santo Stefano + Il Barbiere a Fumetti 27 maggio Passeggiata fra i Portici di Piazza Maggiore e Piazza San Domenico + Mysliveček, il divino boemo 25 giugno Passeggiata fra i Portici di Piazza Maggiore e Piazza San Domenico + Mysliveček, il divino boemo 19 agosto Passeggiata fra i Portici di Strada Maggiore e via Santo Stefano + Il Barbiere a Fumetti 21 agosto Passeggiata fra i Portici di via Belle Arti e via Zamboni + Respighi suite 24 agosto Passeggiata fra i Portici di via Belle Arti e via Zamboni + Aida, selezione dall'Opera in concerto 30 agosto Passeggiata fra i Portici di via Belle Arti e via Zamboni + Aida 26 novembre Passeggiata fra i Portici di via Belle Arti e via Zamboni + Musiche per sassolino 10 dicembre

  • 24 AGOSTO 2025 ATTI SONORI

    24 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti

  • Progetti per le scuole 2024

    Progetti formativi per le scuole 2024 KAFKA Lettere a Milena 15 novembre 2024, matinée Partendo dal carteggio epistolare che Franz Kafka ebbe con Milena Jesenská nel 1920, è stato costruito uno spettacolo, declinato attraverso tre linguaggi espressivi: le parole , la musica e le immagini . La particolare intensità delle "lettere" di Kafka (si tratta solo delle lettere da Kafka a Milena e non viceversa) viene sottolineata dalla musica del Settimino di Paul Hindemith e da Mládí di Leoš Janáček , mentre i dipinti, appositamente realizzati, ne amplificano il significato e ne stimolano le suggestioni. La selezione delle lettere e l’adattamento teatrale sono stati curati da Manuela De Meo di Sementerie Artistiche; la parte musicale dal maestro Giambattista Giocoli ed i dipinti son stati realizzati da Andrea Louis Ballardini . adattamento drammaturgico Manuela De Meo Manuela De Meo e Pietro Traldi voci recitanti Orchestra del Baraccano direttore Giambattista Giocoli flauto Filippo Mazzoli | oboe Alessio Gentilini clarinetto Giovanni Picciati | clarinetto basso Davide Braco tromba Luca Piazzi | corno Paolo Faggi fagotto Marco Taraddei dipinti scenografici Andrea Louis Ballardini GALLERY SASSOLINO 25, 26 e 27 gennaio 2024, matinée Sassolino è uno spettacolo di teatro e musica sulla Shoah , ispirato all'omonimo albo illustrato scritto da Marius Marcinkevicius , edito da Caissa Italia . È l'estate del 1943. Eitan e Rivka giocano con il loro aquilone giallo, l’unico che può ancora volare libero. Tutt'intorno è la Shoah. Sono a Vilnius, in Lituania, ma potrebbero essere a Varsavia, Berlino, Parigi. O a Roma. Quando tutto sembra essere dolore, un sassolino porta un messaggio di amicizia e speranza . Scritto e diretto da Bruno Cappagli , lo spettacolo vede in scena due narratori che, oltre a raccontare la storia, interpretano i due protagonisti Rivka e Eitan . Con loro un quintetto musicale, diretto da Giambattista Giocoli , che dona pathos e profondità e, a livello drammaturgico, racconta di come la musica possa essere una culla di pace in alcuni momenti altamente drammatici. Le musiche eseguite sono di Arnold Schoenberg e Darius Milhaud , due compositori di origine ebraica. La musica vola, nella loro pienezza espressiva, come un aquilone nel cielo dell’animo umano. Le bellissime illustrazioni di Inga Dagilè faranno da corollario poetico a questa struggente storia d'amore e d'amicizia. Orchestra del Baraccano direttore Giambattista Giocoli violino Roberto Noferini | violoncello Matteo Polizzi flauto Filippo Mazzoli | clarinetto Davide Braco pianoforte Denis Zardi regia Bruno Cappagli attori Lorenzo Monti e Daniela Micioni scene Fabio Galanti costumi Tanja Eick

  • Disincantate

    March 24, 5pm and 9pm DISENCHANTED THE MOST BITCHES IN THE REALM Fun, hilarious, with the flavors of vaudeville and cabaret, Disenchanted it dispels the myth of the "Princess Complex", to make fun of the frivolities told in fairy tales and celebrate being a woman in all its facets. 10 princesses they will stage their variety, to the rhythm of funny gags, real star numbers, leaving the audience with important ideas for reflection. Our princesses, seen in the collective imagination as perfect girls, sweet and succubus of their prince charming, in this show they deal with themes that are always discussed and very current. Diversity , emancipation , image exploitation , alcoholism or the fear of losing one's beauty , they represent the subtext of what they tell the public. Princesses who are first and foremost women, ready to make their way and fight to honor their dignity, all with irony and a pinch of malice. The Italian version, produced by the PERFORMErs thanks to a special agreement with Theatrical Right Worldwide - New York marks the first time the show is staged in Europe. music, lyrics and lyrics Dennis T. Hyacinth directed and Italian adaptation Matteo Borghi musical direction Eleonora Beddini choreography Luca Peluso Italian translations Nino Pratticò costumes Elena Mancuso assistant director Sara Persali executive production Giuseppe Di Falco Ticket € 16 (full), € 12 (reduced) Buy tickets Disincantate Disincantate Disincantate Disincantate Disincantate Disincantate

  • BANDI FORMAZIONE | teatrodelbaraccano

    Bando formazione, selezione Atelier Opera VOI all'opera! Form Form Clip 1 Clip 1

  • Respighiamo musica

    Respighiamo musica June 24th 6pm and 8.30pm | July 22, 8.30 pm 12 August 6 pm and 8.30 pm | September 16, 6 pm and 8.30 pm Charterhouse of Bologna WE REJECT MUSIC the Certosa, Bologna and Respighi musical guided tours Ottorino Respighi , one of the most famous composers of the twentieth century, rests in the Certosa. Beloved in the USA, famous for his famous works dedicated to Rome, the Eternal City , he maintained his contacts with Bologna, his hometown, throughout his life. A journey to remember the musical world that made him famous, and his fellow musicians of all ages, from Gioachino Rossini to Lucio Dalla. During the visit we will also discover the events of the composer's family who were sculptors, generals, writers. Guided tours by Mirarte. reservations required mirartecoop.it Musical interventions with the soloists of the Baraccano Orchestra Alice Caradente and Alessandra Ziveri harps Admission € 12, two euros donated to the Certosa. Reservation required through the site www.mirartecoop.it Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather. Certosa Bologna Certosa Bologna Alice Caradente e Alessandra Ziveri

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