Aida, Orchestra del Baraccano, concerto, Festival dei Portici, anteprima THE CARTOON BARBER Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BOLOGNAPORTICIFESTIVAL.IT PROGRAMMA 15 GIUGNO ore 20.30 | Teatro del Baraccano SUGGESTIONI DALL'AIDA Proiezione e inaugurazione della mostra delle opere grafiche e delle riflessioni ispirate all’AIDA, nell’interpretazione dell’Orchestra del Baraccano, create dai partecipanti del laboratorio artistico. Il progetto ha messo in relazione un’opera “grande” con il mondo di oggi, svelandone i significati, la complessità della struttura, la storia, le relazioni con l’archeologia e dimostrando così anche l’universalità e la trasmissibilità dei valori artistici contenuti in un capolavoro come quello verdiano. 16 GIUGNO ore 20.30 | Certosa di Bologna - Chiostro VI UN' Altra A IDA. Ri/Cre/Azione dell’opera di Verdi attraverso la lente del dialogo interculturale e della virtuosa commistione tra musica colta e di tradizione , con la consapevolezza che mescolare generi e culture crea bellezza! … e se Aida e Radames fossero di Salerno? …E se le convenzioni sociali che frenano il loro amore fossero espresse da un canto siciliano di Rosa Balistreri? …E se l'invocazione alla Pace di Aida fosse una preghiera Caucasica? Ri-leggiamo e facciamo ri-vivere questo capolavoro - che parla tanto anche al nostro complesso presente - facendo coesistere le note verdiane con brani di tradizione orale italiani e non, magari modificando il finale con una meravigliosa utopia: non più la morte di entrambi ma soluzione del conflitto che li fagocita. Un’ Altra AIDA è un racconto - concerto per dare voce alle tante Aida di tutti i tempi e di tutte le aree geografiche. L’intreccio dell’opera è universale, archetipico: donna, schiava e straniera incarna tutte le donne che nei secoli si sono sentite straniere, non viste. L’approccio musicale vuole restituire voce alle tante Aida dimenticate, attraverso un’apparentemente ardita contrapposizione tra le note di Verdi - appena accennate - ed i canti di tradizione orale al femminile, più in primo piano. Un percorso laboratoriale-performativo che vuole mettere assieme culture, suoni, età differenti e proprio in questo sforzo trova il suo momento di maggiore attualità. Le Musiche , come linguaggio universale, creano Pace ed Armonia. CORO FARTHAN di Marzabotto - Coro Ambasciatore di Pace Anna Palumbo fisarmonica - percussioni Antonio Stragapede chitarra e mandolino Marco Zanotti percussioni voci recitanti Coro Farthan ricerche storiche, drammaturgia ed adattamento testuale Sandra Cavallini ideazione, direzione ed arrangiamenti Elide Melchioni TUTTI GLI EVENTI SONO GRATUITI VoltONE fa parte di Bologna Portici Festival - Heritage meets Creativity, l'evento promosso e coordinato dal Comune di Bologna per celebrare i Portici Patrimonio dell’Umanità UNESCO nell'ambito del cartellone di eventi Bologna Estate. Il progetto è stato finanziato dall’Unione europea - Fondi Strutturali e di Investimento Europei, nell’ambito del Programma Operativo Città Metropolitane 2014-2020 e della risposta dell’Unione alla pandemia di COVID-19

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga, scuole Il Barbiere a Fumetti ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". The Barber of Seville for Manga music and drawings

CLIP POPULAR SONGS LUCIANO BERIO LOOSIN YELAV A LA FEMMINISCA DANCE MALUROUS QU'O UNO FENNO MANUEL DE FALLA EL PANO MORUNO ASTURIANA JOTA NANA BACK

La luna, il mare, il ciliegio in fiore. Cerimonia delle lanterne. Concerto. August 6, 9.15 pm Nipponica and NipPop THE MOON, THE SEA, THE BLOOMING CHERRY concert and lantern ceremony Japanese songs for soprano and harp The lyrics of Japanese songs often represent a delicate and ephemeral nature that, behind its gracefulness, actually sublimates deep emotions. The chosen poems speak of the intensity of the moment, a careful observation of the surrounding universe and an introspection all linked to living the magic of the moment, real or imagined, present or past. The modern harp replaces the traditional Japanese koto with graceful impressionist harmonies. The show was presented in prestigious national and international venues such as: the World Harp Congress in Hong Kong, China, the Rio Harp Festival in Rio de Janeiro, Brazil, the Sentmenat Harp Festival (Barcelona, Spain), in Genoa, E. Chiossone di Arte Orientale , in Vicenza (Inauguration of the Haru no Kazè Festival in the presence of the Consul of Japan) in Como (Villa Carlotta) in Ferrara, Palazzo Marfisa d'Este (Bal'danza review) for the FIDAPA event (ITALIAN FEDERATION WOMEN ARTS PROFESSIONS BUSINESS) in Ferrara, Milan (Inauguration of the Ikebana Exhibition), in Bologna (University of Bologna, Ca 'Shin and Oratorio San Carlo), in Cento, Castello di Galeazza (Midnight Moonlight Music). The cd of the program The moon, the sea and the cherry trees in bloom was recorded in 2015. Our version will follow from the Lantern Ceremony , the event to remember the victims of the Hiroshima atomic explosion. La luna, il mare, il ciliegio in fiore La luna, il mare, il ciliegio in fiore Cerimonia delle lanterne Miho Kamiya soprano Marianne Gubri harp narrator Sandra Cavallini Single ticket € 10 Buy tickets

February 22, 20.30 NA 'CLOSED ROOM D'ICENS A project by Peppe Aiello Na 'chiena d'icéns room it's music for postcards. A series of unreleased songs accompanied by images and words that follow the music. The show is based on an idea of a classic Neapolitan song which, like a lighthouse, tries to intercept and explore other linguistic possibilities with pieces in Spanish and Mediterranean sounds . Na 'stanza chiena d'icéns as a lifeblood requires emotional participation and arises from the desire to give an experience represented by images, music and words. A glance lingers between small everyday stories and images that evoke timeless feelings. A sweet search that makes you suffer but at the same time throbbing. An hour and a quarter of a show where Peppe Aiello introduces the songs one by one trying to accompany the audience into the music even before performing it. This is followed by the releases of Daniele Sarnataro who, like a poetic talking cricket, underlines the musical moments with words and movements. All performed also with instruments of the Italic tradition such as Antonio Stragapede's mandolin and Angelica Foschi's accordion to which the colors of Danilo Mineo's Mediterranean percussion and Peppe Aiello's bouzouki must be added. At the voice Elisa Gamberini who falls into the Neapolitan and Spanish song making them her own despite their different origins. Elisa Gamberini voice Angelica Foschi accordion Antonio Stragapede guitar e mandolin Danilo Mineo percussion Peppe Aiello guitar, bass and bouzuki Daniele Sarnataro narrator Roberto Passuti video production e direction Full ticket € 13, reduced € 11 Buy tickets

Tributo ad Alida Ferrarini, soprano lirico. Con Luca Giacomelli Ferrarini e Christian Ruiz. Luca Giacomelli Ferrarini And Cristian Ruiz 23 August, 9.30 pm MADNESS tribute to Alida Ferrarini, lyric soprano The project was born from the will of Luca Giacomelli Ferrarini, son of the soprano, and Cristian Ruiz, both established performers to pay homage to the world of opera, musical and drama, bringing them together through the figure of Alida Ferrarini three years after disappearance. On stage, in addition to the two performers, also three vocalists, piano, violin and percussion. Ticket 20 € (full), 15 € (reduced) * * in case of cancellation of the show due to bad weather, tickets will not be refunded Buy tickets Follie THE SAND BAGS

Aida, Orchestra del Baraccano, concerto, tournée, Basilicata Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone 1/6 INGRESSO GRATUITO Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Arsene Duevi, Dudu Kouatè e Phase Duo, concerto di musica afro beat e minimal electric, Entroterre festival August 18, 9.15 pm Entroterre Festival Arsene Duevi, Dudu Kouatè and Phase Duo afro beat and minimal electric music concert ARSENE DUEVI Arsene Duevi singer, ethnomusicologist, multi-instrumentalist and musical shaman. He was director of the choir of the Cathedral of Lomé , capital of Togo and has lived in Italy since 2002. Nel 2010 his recording debut with La Mia Africa which has sold over 2500 copies at concerts. In 2016 , Haya , hymn to life, was released (Musicamorfosi) a celebration of the life and hopes of those forced to migrate. In 2018 its first international launch with the official showcase at the Atlantic Music Festival in Cape Verde, the important reviews of RFI, the French radio specialized in the African continent and the live concert for WDR Cologne broadcast by the Bochum International Festival in Germany. 2019 is the year of the first international concerts: WOMAD (CHILE), AWA festival and Canadian Music Week in Toronto, then Paris, Lugano, Accra, Lomè, Abidjan, the birth of the new project with Enzo Avitabile and the opening of the Fatoumata Diawarà concert. DUDU KOUATE ' Mohamadou Kouatè , aka Dudù , griot son of griot, keeper and heir of a millenary tradition that he brought to Italy, disembarking in Messina in 1988, musician with exceptional skills, stable member since 2017 of the historic Art Ensemble of Chicago , with whom he recorded a record and played worldwide. Dudu tells, blows, sings, hits and plays his thousand instruments with which he takes us on a journey to the root of the sounds of the elements of the earth. He has played in Santiago in Praia for Atlantic Music Expo in Cape Verde and in almost every corner of the planet: from the prestigious Kennedy Center in Washington (USA) to Assilah Festival in Morocco, passing through Australia, South America, Russia etc. Dudu collaborates with Eloisa Manera, Arsene Duevi , Giovanni Falzone , Guido Bombardieri . PHASE DUO Phase duo mixes the typical accounting of tradition with electronic, classical, jazz and electronic sounds in a thin thread that unravels between Vivaldi , Steve Reich and the Indian Raga . Phase duo are Eloisa Manera (violinist, composer and improviser) and Stefano Greco (producer, sound designer and DJ). You come from the world of classical music, you have played with Mario Brunello and Herbie Hancock and your art has no boundaries; the monthly Musica Jazz included her in the shortlist of the 10 women who are changing jazz; he from the Milanese electronic environment with an unbridled passion for polyrhythms, Africa and Mussorgsky. The duo was born as an arranged marriage with Saul Beretta as matchmaker for one of the Musicamorfosi projects, a true artistic love that blossomed at Notturni 2015 and then exploded at LAC in Lugano for Focus India 2017 and which led to the production of their first album, where is it they mix their different histories and artistic backgrounds. A mix or rather a live remix of minimal music by Steve Reich and Terry Riley that led them to write and experiment original and minimal Indian Raga songs between live and electronic. They collaborated with Cristina Crippi for the Universal Phase project conceived with Fabio Peri for Danae Festival which debuted at the Milan Planetarium in October 2019. Phase Duo's first album was released by AUT records in Berlin on June 24, 2019. www.entroterrefestival.it Arsene Duevi Dudu Kouatè Phase Duo Single ticket € 10 Buy tickets

11 and 12 April Forum DISSENT IN / WITH (CON) SCIENCE More info : https://site.unibo.it/wetell/en

Between One Act and the Other in collaboration with ATER - Emilia Romagna Theater Association 20 October, hours 21 21 October, 5 pm TWO OLD WOMEN GOING NORTH Deux petites dames vers le Nord by Pierre Notte In Two direct old ladies in the North - a sort of road movie with two “elderly” Thelma and Louise - the actresses tackle the theme of death through the ironic writing of Pierre Notte . Annette and Bernadette have just lost their mother and decided to bury her ashes near those of their father, in the north of the country. But in reality a daring journey begins, both real and metaphorical, full of memories and accounts to close. A mix of corrosive humor and tenderness. " Deux petites dames vers le Nord is a delicate fantasy about disrupted mourning. It is the refrain of reconciliation, belated but real, between people. It is not so much the pain of loss, but rather the moment in which it is possible to laugh, sometimes , even suddenly, unwittingly, as if by magic, as if guided by a ghost, when we learn of someone's death. who accept to take their ghosts by the hand and dance with them instead of carrying them on their shoulders ”(Pierre Notte). In the long and tiring search for a text for two actresses, which would respond to certain decisions theatrical and dramaturgical characteristics, we came across Pierre Notte's text and immediately wanted to stage it. Thanks to the great availability of the author and the kindness of the talented translator - Anna D'Elia - we were able to start this journey "in four": Angela, Francesca, Bernadette and Annette. A journey into the fears of the future which, as the theater teaches, can be - if not defeated - faced through irony. Old age, loss, grief and the past weigh heavily ; they often stiffen us, they extinguish our will to continue to give meaning to that last portion of life as well. Annette and Bernadette seem to affirm their diversity only to nourish the eternal conflict that animates their daily life: in reality they are much more similar than it seems in the continuous exchange of arrogance and fragility, of bravado and naivety. Above all, they will find themselves firmly accomplices in deciding to live again, to discover again and to dare what was previously unthinkable. What will your last words be before you die, they ask each other? Annette - Thanks for everything, see you soon Bernadette - Thanks for everything and see you next time The father, twenty-five years earlier, had taken his leave saying “it's okay anyway, a lot of review”. The author, through the two petites dames, seems to suggest to us the idea of a possible return, of a death that puts us in a perennial cycle of transformation and rebirth. We want to believe him. Angela Malfitano and Francesca Mazza Pierre Night Pierre Notte has written for the theater since the early nineties; general secretary of the Académie française between 2006 and 2009, he is also a journalist, poet, novelist, actor, director, as well as the author of radio texts and cabaret shows. He is a Knight of Arts and Letters and has received many awards for his work including the Molière du Théatre privé. with Angela Malfitano | Bernadette Francesca Mazza | Annette translation Anna D'Elia sound Alessandro Saviozzi video interventions Lorenzo Letizia Thanks to Fabrizio Arcuri and Maurizio Cardillo Ticket 12 € (full), 10 € (reduced) Buy tickets due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza

Bruno Maderna July 6, 9.15 pm FontanaMIX ensemble - In.Nova Fert SEVEN SONGS FOR BRUNO a concert / documentary for Bruno Maderna's 100th anniversary Sette Canzoni per Bruno is a tribute that the FontanaMIXensemble and the "In.Nova Fert" Collective dedicate to Bruno Maderna on the occasion of the centenary of his birth. The concert / documentary represents the final moment of a research work and of a "Madernian" laboratory, with composers and performers, which wants to restore the image of the man and the artist, recalling the historical weight of his contribution and reflecting on his music as an example of an eternal classic. A different way to creatively revive the thought and the work suspended between a profound humanism and the rigor of the Neue Musik , between the love for ancient music and the game of magic squares , between a complex thought and a light one. Sette Canzoni per Bruno is made up of several expressive elements: one visual, one narrative and one musical. Fragments, sketches, magical squares of Maderna's work, also taken from the transcriptions of authors of the past and of the lighter production, represent the sources for free compositional elaborations that together form a musical tale strongly imbued with his way of making music and his tenacity to always investigate the new. In the same way the projections present in the concert / documentary collect and elaborate fragments of the life of the Venetian composer, of his intense activity as director and popularizer, forming visual compositions that interact musically with the elaborations for ensemble. The final result are seven musical moments for voices, ensembles, videos and electronics , which tell seven different chapters of Maderna's life, as a violinist and director of The Happy Grossato Company to the composer of the great masterpieces of the '70s. The compositional work curated by the In.Nova Fert Collective was made possible thanks to the precious consultations of the audiovisual material preserved at the Maderna Study Center of the Department of Arts of the University of Bologna. "From the childhood of an enfant prodige, between jazz and conducting, to the discovery of the Gabrieli and Monteverdi, to the comparison with the postdecaphonic lesson, here is the standing portrait of one of the protagonists of the music of the second half of the twentieth century, who often he preferred to highlight others and not his work, in a frenetic activity that always had an extraordinary humanity as its center of gravity, the pendulum of the most reckless artistic adventures. " (Luca Scarlini) Sette canzoni per Bruno FontanaMIX ensemble In.Nova Fert FontanaMIX ensemble In.Nova Fert Collective Luca Scarlini dramaturgy and narrator Stefano Croci video Valentina Coladonato voice Francesco La Licata direction Single ticket € 10 Buy tickets In case of rain the tickets will not be refunded

Sacre du printemps, DNA 17 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 18 July DROP. Dance Research Opportunity DROP . is the youth company of DNA and heart of Alma PRO, a professional training center in contemporary dance, in Bologna, led by the artistic director Elisa Pagani . DROP. annually welcomes talented dancers and dancers - trained at the most important and prestigious national and international centers - to give them the opportunity to undertake life as professionals in a company, experiencing all the phases that lead from the creation of a show to the national tour and international. Each year, the dancers work with renowned guest choreographers to create a bold, challenging and ambitious triple bill for touring. The mission, in addition to delivering to young artists an experience that acts as a springboard into the world of the artistic profession, is also to bring on tour works of great artistic quality, captivating and current. The show is ideal and usable for all audiences, due to the high quality standard of the choreographers but also for the variety of the program chosen. Part 1 Part 2 Choreography by Biagio Caravano Music: Vatnajokull by Chris Watson, Duo for Violin and Cello, Pt 1 feat Aisha Orazbayeva Lucy Railton, and Slow Match by Moderat feat. Paul St. Hilaire Duration: 20 ' Depositing the will and undoing the concept of subject are elements that are placed at the center of the work. The rhythmic and dynamic quality of the action is defined through the relationship both with other bodies and with the external environment. It is an action linked to time, rhythm and joint fragility determined by the failure to the other rather than to himself. Dance becomes an act of learning and real-time evaluation of an energetic condition that allows the creation of a shared space, a complex and articulated place where the conditions for coexistence are established. These are the days… Choreography by Simona Bertozzi Music: Prometheus by Francesco Giomi Duration: 24 ' Starting from a look towards the plant world, with particular attention to the sensory activity of plants and to the strategies of environmental adherence that they know how to implement, between magnetisms, resonances, roots and energetic propulsions, the creation process faces different levels of cohabitation and entry into the relationship. The research on movement and the texture of the choreographic sections articulate the configuration of emerging behaviors, individual actions and rapid choral assemblages, whose anatomical polyphony becomes a necessary reason for the unlimited presence and reopening of listening. Materic Choreography by Elisa Pagani Music: Cecilia Stacchiotti Duration: 20 ' It tells of a journey. A journey into the material consistency of nature, through mechanical and physical dynamics that give order to geological evolutions, from Pangea to the first constitution of social systems in which a sense of belonging exists. Matter takes possession of space with vigor, in an organic act that claims the strength of its existence in a clear and miraculous way. Biglietto unico 10€ (non comprensivo di aperitivo) Acquista biglietti