Aida, Orchestra del Baraccano, concerto, tournée, Basilicata Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone 1/6 INGRESSO GRATUITO Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Arsene Duevi, Dudu Kouatè e Phase Duo, concerto di musica afro beat e minimal electric, Entroterre festival August 18, 9.15 pm Entroterre Festival Arsene Duevi, Dudu Kouatè and Phase Duo afro beat and minimal electric music concert ARSENE DUEVI Arsene Duevi singer, ethnomusicologist, multi-instrumentalist and musical shaman. He was director of the choir of the Cathedral of Lomé , capital of Togo and has lived in Italy since 2002. Nel 2010 his recording debut with La Mia Africa which has sold over 2500 copies at concerts. In 2016 , Haya , hymn to life, was released (Musicamorfosi) a celebration of the life and hopes of those forced to migrate. In 2018 its first international launch with the official showcase at the Atlantic Music Festival in Cape Verde, the important reviews of RFI, the French radio specialized in the African continent and the live concert for WDR Cologne broadcast by the Bochum International Festival in Germany. 2019 is the year of the first international concerts: WOMAD (CHILE), AWA festival and Canadian Music Week in Toronto, then Paris, Lugano, Accra, Lomè, Abidjan, the birth of the new project with Enzo Avitabile and the opening of the Fatoumata Diawarà concert. DUDU KOUATE ' Mohamadou Kouatè , aka Dudù , griot son of griot, keeper and heir of a millenary tradition that he brought to Italy, disembarking in Messina in 1988, musician with exceptional skills, stable member since 2017 of the historic Art Ensemble of Chicago , with whom he recorded a record and played worldwide. Dudu tells, blows, sings, hits and plays his thousand instruments with which he takes us on a journey to the root of the sounds of the elements of the earth. He has played in Santiago in Praia for Atlantic Music Expo in Cape Verde and in almost every corner of the planet: from the prestigious Kennedy Center in Washington (USA) to Assilah Festival in Morocco, passing through Australia, South America, Russia etc. Dudu collaborates with Eloisa Manera, Arsene Duevi , Giovanni Falzone , Guido Bombardieri . PHASE DUO Phase duo mixes the typical accounting of tradition with electronic, classical, jazz and electronic sounds in a thin thread that unravels between Vivaldi , Steve Reich and the Indian Raga . Phase duo are Eloisa Manera (violinist, composer and improviser) and Stefano Greco (producer, sound designer and DJ). You come from the world of classical music, you have played with Mario Brunello and Herbie Hancock and your art has no boundaries; the monthly Musica Jazz included her in the shortlist of the 10 women who are changing jazz; he from the Milanese electronic environment with an unbridled passion for polyrhythms, Africa and Mussorgsky. The duo was born as an arranged marriage with Saul Beretta as matchmaker for one of the Musicamorfosi projects, a true artistic love that blossomed at Notturni 2015 and then exploded at LAC in Lugano for Focus India 2017 and which led to the production of their first album, where is it they mix their different histories and artistic backgrounds. A mix or rather a live remix of minimal music by Steve Reich and Terry Riley that led them to write and experiment original and minimal Indian Raga songs between live and electronic. They collaborated with Cristina Crippi for the Universal Phase project conceived with Fabio Peri for Danae Festival which debuted at the Milan Planetarium in October 2019. Phase Duo's first album was released by AUT records in Berlin on June 24, 2019. www.entroterrefestival.it Arsene Duevi Dudu Kouatè Phase Duo Single ticket € 10 Buy tickets

11 and 12 April Forum DISSENT IN / WITH (CON) SCIENCE More info : https://site.unibo.it/wetell/en

Between One Act and the Other in collaboration with ATER - Emilia Romagna Theater Association 20 October, hours 21 21 October, 5 pm TWO OLD WOMEN GOING NORTH Deux petites dames vers le Nord by Pierre Notte In Two direct old ladies in the North - a sort of road movie with two “elderly” Thelma and Louise - the actresses tackle the theme of death through the ironic writing of Pierre Notte . Annette and Bernadette have just lost their mother and decided to bury her ashes near those of their father, in the north of the country. But in reality a daring journey begins, both real and metaphorical, full of memories and accounts to close. A mix of corrosive humor and tenderness. " Deux petites dames vers le Nord is a delicate fantasy about disrupted mourning. It is the refrain of reconciliation, belated but real, between people. It is not so much the pain of loss, but rather the moment in which it is possible to laugh, sometimes , even suddenly, unwittingly, as if by magic, as if guided by a ghost, when we learn of someone's death. who accept to take their ghosts by the hand and dance with them instead of carrying them on their shoulders ”(Pierre Notte). In the long and tiring search for a text for two actresses, which would respond to certain decisions theatrical and dramaturgical characteristics, we came across Pierre Notte's text and immediately wanted to stage it. Thanks to the great availability of the author and the kindness of the talented translator - Anna D'Elia - we were able to start this journey "in four": Angela, Francesca, Bernadette and Annette. A journey into the fears of the future which, as the theater teaches, can be - if not defeated - faced through irony. Old age, loss, grief and the past weigh heavily ; they often stiffen us, they extinguish our will to continue to give meaning to that last portion of life as well. Annette and Bernadette seem to affirm their diversity only to nourish the eternal conflict that animates their daily life: in reality they are much more similar than it seems in the continuous exchange of arrogance and fragility, of bravado and naivety. Above all, they will find themselves firmly accomplices in deciding to live again, to discover again and to dare what was previously unthinkable. What will your last words be before you die, they ask each other? Annette - Thanks for everything, see you soon Bernadette - Thanks for everything and see you next time The father, twenty-five years earlier, had taken his leave saying “it's okay anyway, a lot of review”. The author, through the two petites dames, seems to suggest to us the idea of a possible return, of a death that puts us in a perennial cycle of transformation and rebirth. We want to believe him. Angela Malfitano and Francesca Mazza Pierre Night Pierre Notte has written for the theater since the early nineties; general secretary of the Académie française between 2006 and 2009, he is also a journalist, poet, novelist, actor, director, as well as the author of radio texts and cabaret shows. He is a Knight of Arts and Letters and has received many awards for his work including the Molière du Théatre privé. with Angela Malfitano | Bernadette Francesca Mazza | Annette translation Anna D'Elia sound Alessandro Saviozzi video interventions Lorenzo Letizia Thanks to Fabrizio Arcuri and Maurizio Cardillo Ticket 12 € (full), 10 € (reduced) Buy tickets due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza

Bruno Maderna July 6, 9.15 pm FontanaMIX ensemble - In.Nova Fert SEVEN SONGS FOR BRUNO a concert / documentary for Bruno Maderna's 100th anniversary Sette Canzoni per Bruno is a tribute that the FontanaMIXensemble and the "In.Nova Fert" Collective dedicate to Bruno Maderna on the occasion of the centenary of his birth. The concert / documentary represents the final moment of a research work and of a "Madernian" laboratory, with composers and performers, which wants to restore the image of the man and the artist, recalling the historical weight of his contribution and reflecting on his music as an example of an eternal classic. A different way to creatively revive the thought and the work suspended between a profound humanism and the rigor of the Neue Musik , between the love for ancient music and the game of magic squares , between a complex thought and a light one. Sette Canzoni per Bruno is made up of several expressive elements: one visual, one narrative and one musical. Fragments, sketches, magical squares of Maderna's work, also taken from the transcriptions of authors of the past and of the lighter production, represent the sources for free compositional elaborations that together form a musical tale strongly imbued with his way of making music and his tenacity to always investigate the new. In the same way the projections present in the concert / documentary collect and elaborate fragments of the life of the Venetian composer, of his intense activity as director and popularizer, forming visual compositions that interact musically with the elaborations for ensemble. The final result are seven musical moments for voices, ensembles, videos and electronics , which tell seven different chapters of Maderna's life, as a violinist and director of The Happy Grossato Company to the composer of the great masterpieces of the '70s. The compositional work curated by the In.Nova Fert Collective was made possible thanks to the precious consultations of the audiovisual material preserved at the Maderna Study Center of the Department of Arts of the University of Bologna. "From the childhood of an enfant prodige, between jazz and conducting, to the discovery of the Gabrieli and Monteverdi, to the comparison with the postdecaphonic lesson, here is the standing portrait of one of the protagonists of the music of the second half of the twentieth century, who often he preferred to highlight others and not his work, in a frenetic activity that always had an extraordinary humanity as its center of gravity, the pendulum of the most reckless artistic adventures. " (Luca Scarlini) Sette canzoni per Bruno FontanaMIX ensemble In.Nova Fert FontanaMIX ensemble In.Nova Fert Collective Luca Scarlini dramaturgy and narrator Stefano Croci video Valentina Coladonato voice Francesco La Licata direction Single ticket € 10 Buy tickets In case of rain the tickets will not be refunded

Sacre du printemps, DNA 17 July, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 18 July DROP. Dance Research Opportunity DROP . is the youth company of DNA and heart of Alma PRO, a professional training center in contemporary dance, in Bologna, led by the artistic director Elisa Pagani . DROP. annually welcomes talented dancers and dancers - trained at the most important and prestigious national and international centers - to give them the opportunity to undertake life as professionals in a company, experiencing all the phases that lead from the creation of a show to the national tour and international. Each year, the dancers work with renowned guest choreographers to create a bold, challenging and ambitious triple bill for touring. The mission, in addition to delivering to young artists an experience that acts as a springboard into the world of the artistic profession, is also to bring on tour works of great artistic quality, captivating and current. The show is ideal and usable for all audiences, due to the high quality standard of the choreographers but also for the variety of the program chosen. Part 1 Part 2 Choreography by Biagio Caravano Music: Vatnajokull by Chris Watson, Duo for Violin and Cello, Pt 1 feat Aisha Orazbayeva Lucy Railton, and Slow Match by Moderat feat. Paul St. Hilaire Duration: 20 ' Depositing the will and undoing the concept of subject are elements that are placed at the center of the work. The rhythmic and dynamic quality of the action is defined through the relationship both with other bodies and with the external environment. It is an action linked to time, rhythm and joint fragility determined by the failure to the other rather than to himself. Dance becomes an act of learning and real-time evaluation of an energetic condition that allows the creation of a shared space, a complex and articulated place where the conditions for coexistence are established. These are the days… Choreography by Simona Bertozzi Music: Prometheus by Francesco Giomi Duration: 24 ' Starting from a look towards the plant world, with particular attention to the sensory activity of plants and to the strategies of environmental adherence that they know how to implement, between magnetisms, resonances, roots and energetic propulsions, the creation process faces different levels of cohabitation and entry into the relationship. The research on movement and the texture of the choreographic sections articulate the configuration of emerging behaviors, individual actions and rapid choral assemblages, whose anatomical polyphony becomes a necessary reason for the unlimited presence and reopening of listening. Materic Choreography by Elisa Pagani Music: Cecilia Stacchiotti Duration: 20 ' It tells of a journey. A journey into the material consistency of nature, through mechanical and physical dynamics that give order to geological evolutions, from Pangea to the first constitution of social systems in which a sense of belonging exists. Matter takes possession of space with vigor, in an organic act that claims the strength of its existence in a clear and miraculous way. Biglietto unico 10€ (non comprensivo di aperitivo) Acquista biglietti

Invenzioni a due voci 18 August, 9.30 pm | Courtyard of the Baraccano Theater Entroterre Festival TWO-VOICE INVENTIONS original plays and improvisations on the theme The original 'two-voice invention' format (inspired by JS Bach's homonymous compositions) is very simple and tends, as for Bach, to build a reasoned dialogue between the different voices in the field: Luca Damiani , the conductor, will listen to the audience and the musicians involved, a series of pieces by various authors and various genres. At the end of each piece, the musician Carlo Negroni will improvise on the theme just heard, supporting his own culture and musical sensitivity. Luca Damiani leads Carlo Negroni , piano Luca Damiani Carlo Negroni Single ticket € 10 Buy tickets

Lucio Dalla July 8, 9.15 pm Mega Disks \ PMS FROM THE WINDOW OF LUCIO Starting from the presentation of the new single by Cris La Torre , godfather of the event, freely inspired by a letter from Dalla published in the book Lucio Dalla - The man of mirrors (Minerva Edizioni), the evening celebrates the artistic and cultural value of the great Bolognese singer-songwriter in an innovative way, following his history and opening many ideological "windows" on the records, the years and the events that characterized his career. On stage many artists, starting from young singer-songwriter and producer Rod Mannara , in the dual role of artistic director and conductor, Sarah 6 , stage name of Serenella Occhipinti, godmother of the event, back from three editions of Sanremo Festival, the songwriter and producer Marcello Romeo , the prestigious participation of musicians George Santisi (bassist of the "Sara 6" project but also collaborator of numerous artists such as Federico Poggipollini, Vince Pastano, Sal Da Vinci, Gianni Morandi, Arisa e longtime member of James Brown's band "Pee Wee Ellis") e Damiano Trevisan (collaborator drummer of Pupo, Toto Cutugno, Gem Boy, Cristina D'Avena and the formation with the which participated in the Jova Beach Party "Duo Bucolico") and a young team of good people emerging songwriters who, driven by great respect and love towards Lucio Dalla, will reinterpret his musical and stylistic language through the different artistic experiences from which they come: Kevin Crime, Jo Brown, Bolletz, Sofia Mehiel, Long live the king! And Marsala. The guests will embellish the evening Vito D'Eri , friend and official double of Lucio, who talking on stage with Cris La Torre, will talk about his experience alongside Dalla, and Gabriel Vaccargiu , dancer and choreographer, already featured in the music video From Lucio's window, where he performed a suggestive tip tap performance in Piazza Maggiore on the final solo of the great guitarist Ricky Portera. "This concert is a great little example of sharing and unity of common intentions, ideas and visions ... - exclaims the tenor Cris La Torre - I think it is very important for an artist, even after a 25-year career like mine, to always keep the desire to confront each other, to get involved by exploring new musical worlds and collaborating with colleagues from totally different experiences from their own ... and I am also referring to the new generations. With this spirit, starting from my piece, we have created a very broad and articulated show, aimed at paying homage to Lucio, one of the most significant and revolutionary artists and intellectuals of Italian culture, whom I have had the good fortune to meet on several occasions and who I respect deeply. It seems like a dream to me, after 4 very long months of quarantine, to finally be able to sing my new song inspired by Lucio in front of a real audience, in flesh and blood ... My kingdom has always been the stage, I can't express myself on the web to the best". The project "From the window of Lucio" by MegaDischi / PMS , supported by Emil Banca Credito Cooperativo , sponsored by Cna Bologna , promoted by the network Bologna UNESCO City of Music and realized in collaboration with Baraccano Theater of Bologna and Lions Club Bologna. Concert program Cris La Torre , opera singer and writer, will sing for the first time live his new song "From the window of Lucio", "4/3/1943" and "Caruso" in duet with Sara 6 Sarah 6 , singer-songwriter, will perform a brand new version of the popular "Piazza Grande" and "Caruso" paired with Cris La Torre Rod Mannara , singer-songwriter, guitarist, multi-instrumentalist, record producer of MegaDischi, will interpret "Desperate erotic stomp" Marcello Romeo , singer-songwriter and producer of the "sister" label of MegaDischi "Playtunes Records", will play "Anna and Marco" Kevin Crime , Old School Italian rapper who writes his lyrics in American English, will reinterpret the song "Nuvolari" in an absolutely new key Jo Brown , soulful singer-songwriter, will play "The Evening of Miracles" Bolletz , songwriter with electronic sounds, will reinterpret "Futura" Sofia Mehiel , singer, performer and LGBT activist will play "Hello" Long live the king! , singer-songwriter, will play "Le rondini" Marsala , songwriter duo, will play "You are never enough for me" Locandina 8 luglio, Dalla Finestra di Lu Cris La Torre Sara 6 In case of rain the event will take place on Thursday 9 July at 9.15 pm Single ticket € 10 Buy tickets

Musica di Igor Stravinskij, testo di C. F. Ramuz. Con Ivano Marescotti e l'Orchestra del Baraccano, diretta da Giambattista Giocoli HISTOIRE DU SOLDAT SOUND ACTS March 29, 9 pm at the Duse Theater music by Igor Stravinskij, text by CF Ramuz ACTI SONORI stages the “poor” Opera that Igor Stranvinsky composed in 1918, against the sumptuous canons of traditional opera. The story is taken from the Russian fairytale tradition and has as its protagonist a soldier, an emblematic victim of the world conflict of the Great War. The soldier's story it concerns humanity as a whole and, in particular, the issue of the impossibility of man to escape his own destiny. Histoire du Soldat | by Gianluca Cheli This work was initially conceived as a work for puppets: a simple and immediate artistic product, with a strong symbolic component. Here the graphic gesture is chosen as a marionette sign to reveal the dark aftertaste of the ironic atmospheres, musically outlined by Stravinskij in his chamber work. Elements that return in the expressive sign of the most submerged plane of the Histoire du Soldat: the melancholy, and all in all a bit funny, feeling of predetermination, combined with the creative madness of Russian fairy tales, from which the work takes its cue. ORCHESTRA DEL BARACCANO director Giambattista Giocoli Roberto Noferini violin | Fabio Quaranta double bass Giovanni Picciati clarinet | Paolo Rosetti bassoon Fabio Codeluppi trumpet | Valentino Spaggiari trombone Simone Beneventi percussion narrator Ivano Marescotti illustrations Michele Cerone dramaturg Gianluca Cheli Ticket € 32 (full), € 24 (reduced) Buy tickets Ivano Marescotti Giambattista Giocoli Histoire du soldat Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni And a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. IVANO MARESCOTTI Actor from Romagna, he ranges from cinema (with over 50 films) to theater, where he undertook, among other things, a recovery of his Romagna dialect, taking up the texts of Raffaello Baldini, to reread and rewrite Dante's Divine Comedy in his own way and the Orlando Furioso de ll'Ariosto.

February 16, 9 pm in collaboration with Bologna Harp Festival SYNANTYS Sangineto Ensemble Sparkling energy and great musical ability of two twins, Adriano and Caterina, born to a luthier father and raised in an environment pervaded by the music of great artists (such as Alan Stivell, The Chieftains and Carlos Núñez). Their concert combines ancient sounds and harmonies with modern rhythms and transports the audience into a riot of twists, alternating melodic suggestions of the Celtic tradition with more modern and unexpected musical genres: a Celtic harp and an arched psaltery (created by the hands wise men of his father Michele Sangineto) who move the most intense strings of the soul, leaving freedom to the masterful timbre of the two voices. An explosive mix for a performance that amazed the Russian, Belgian, Dutch, Spanish, French and Anglo-Saxon audiences. The Sangineto Ensemble was born in 2000 and initially includes all the members of the Sangineto family: the father Michele, the mother Paola and the two twins Adriano and Caterina. He performs throughout Europe presenting a repertoire of ancient music from the Middle Ages to the French, Italian and English Renaissance while exporting the instruments of the Sangineto violin making in festivals, reviews and exhibitions of musical instruments in France, Germany, England, Switzerland, Hungary, Spain and Belgium. Today the core of the group is made up of the two twins Adriano and Caterina Sangineto. Formed within the artistic environment of their father, Michele Sangineto, luthier of Celtic harps and bowed psalters, the twins could only develop a natural inclination for ancient music, which they approached in the very first phase of their musical growth. to then arrive at popular music in all its facets, with a special predilection for the Irish, Breton and French tradition. Thanks also to their classical training (they both studied successfully at the G. Verdi Conservatory in Milan) and to the knowledge of popular pop music, the group aims to reinterpret and recover the European musical tradition in a modern perspective, updating the use of ancient and popular instruments. Ensemble Sangineto is an ever-expanding, versatile and multifaceted project that skilfully combines archaic sounds and harmonies with modern rhythms and arrangements that are affected by influences from various musical genres: jazz, classical, Gregorian chant, musical, pop and Celtic music. In the direction of an interpenetration of all these genres, the musical experimentation of the Ensemble was born: songs mainly from the Irish, Scottish and Breton tradition, but also Italian, alternate original pieces that reflect the heterogeneity of the musical experiences of the musicians. Fascinating mixes in sparkling interpretations characterize one of the most exciting and original emerging groups in the Italian panorama of Celtic music. The precious combination of the harp and the arched psaltery and the magical blend of voices, the suspended and dreamy atmospheres, all in a riot of vibrations that envelop in their intense purity. The Ensemble collaborates with the international artist Carlos Núñez and occasionally with guitarists Tiziano Cogliati and Jacopo Ventura. www.adrianosangineto.com Ticket € 14 (full), € 12 (reduced) Buy tickets

SWEENEY TODD Sweeney Todd: The Demon Barber of Fleet Street is a musical written by Stephen Sondheim (music and lyrics) and Hugh Wheeler (libretto), winner of eight Tony Awards in 1979, based on the comedy The String of Pearls directed by Christopher Bond, inspired by a 19th-century London metropolitan legend adapted from George Dibdin Pitt's 1842 theatrical play of the same name. The original edition directed by Harold Prince premiered at the Uris Theater on 1? March 1979, and the reruns continued uninterruptedly until June 29, 1980. In this version the direction is entrusted to Shawna Farrell, while the orchestra is conducted by Giambattista Giocoli. The cast includes young students and alumni of the Bernstein School of Musical Theater. The staging is created in collaboration with the Teatro Comunale di Bologna. Duration: approx. 3 hours Singing, acting, dance and live music. Direction Shawna Farrell Associate director Mauro Simone Musical direction Vincenzo Li Causi Choreography Susanna Della Pietra ORCHESTRA DEL BARACCANO Massimiliano Canneto, Barbara Ostini Giuseppe Franchellucci, Marco Forti, Marco Torsani Paolo Rosetti, Simone Cinque, Luca Piazzi Valentino Spaggiari, Lorenzo Meo Stefano Bussoli, Simone Beneventi Director Giambattista Giocoli Soloists and choir of the Bernstein School of Musical Theater BACK

Spettacoli in corso, estate 2021 summer 2019 Estate 2021 Estate 2021 Estate 2021 Estate 2021 1/11 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. Buy your ticket online