Musica di Igor Stravinskij, testo di C. F. Ramuz. Orchestra del Baraccano, diretta da Giambattista Giocoli. Per le scuole. 26 September, 9 pm IMMUTEA 1919 - the concert Highlight event in the context of the Bauhaus centenary celebration, during the design week in Bologna, it enters the international circuit of the rich program of events dedicated to the Bauhaus, planned all over the world. In collaboration with Bologna Design Week , IMMUTEA 1919 - the concert wants to be a tribute to what was probably the artistic and cultural movement that most contaminated the various artistic disciplines, involving together music, theater, dance and scenography, all inspired by its shapes and colors, with the music of the authors who they were a strong expression of it ( Hindemith and Kurt Weill ) and of another composer, Leoš Janáček , who in the same years, but in Brno, a Czech city, composed Mládí . The concert is a production conceived for BDW by Giambattista Giocoli . ORCHESTRA DEL BARACCANO director Giambattista Giocol flute and piccolo Silvia Colageo | oboe Fabrizio Oriani clarinet Stefano Franceschini bass clarinet Mirco Ghirardini trumpet Fabio Codeluppi | horn Dimer Maccaferri bassoon Franco Fusi Full ticket € 12, reduced € 10 Buy tickets Immutea 1919, il concerto THE ORCHESTRA The Baraccano Orchestra was born within the activities of Theater of They baraccano of Bologna, where a production and research project on the theater is carried out chamber music. IS was founded in 2013 and is directed by its artistic director Giambattista Juggles . The Orchestra has produced numerous musical theater performances both independently both in co-production and collaboration with the Teatro Comunale di Bologna, BSMT productions and the University of Bologna. Among the productions we remember: the musicals A Little Night Music And Sweeney Todd by Stephen Sondheim, the show Histoire du Soldat by Igor stravinskij, the projects At the Opera! , symphonies, interludes and overtures of the Italian opera e 4th Gustav Mahler , the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017 he carried out the following projects: Popular songs , with soloist Cristina Zavalloni, a new Histoire du soldat with the reciting voice of Ivano Marescotti and The Barber in Comics , "The Barber of Seville" for music, animations and Manga comics, designed by Tsukishiro Yuko, in international co-production with the Japan. The goal of the Orchestra is to play, with formations for chamber orchestra, musical works originally composed for large orchestras, producing new scores played "in real parts". THE DIRECTOR GIAMBATTISTA GIOCOLI At first clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna. As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Municipal Theater Orchestra from Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as guest conductor with the Orchestra of the Toscanini Foundation of Parma , and from 2017 with the Rossini Symphony Orchestra of Pesaro . In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera. AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna.

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Musica di Igor Stravinskij, testo di C. F. Ramuz. Orchestra del Baraccano, diretta da Giambattista Giocoli. Per le scuole. Histoire du soldat. 26 and November 27 matinee for schools THE SOUL or THE VIOLIN musical theater show The soul or the violin it is a story that takes place in the intertwining of music and storytelling. Through the story of a soldier who sells his violin to the devil in exchange for his soul, the concept of duality between good and evil is expressed. The soldier, that is the man, can choose to have easy money, money, but this well-being can hide dangers, it can have consequences including losing happiness and the things that really matter in life: affections, friendship. , being real people. The soldier will remain a victim of his own riches, but I will have an opportunity to redeem himself, he will have a second chance and, if he knows how to grasp it, he will finally have rediscovered the meaning of life. ORCHESTRA DEL BARACCANO director Giambattista Giocoli narrator Angela Malfitano Roberto Noferini violin | Fabio Quaranta double bass Giovanni Picciati clarinet | Luca Reverberi bassoon Fabio Codeluppi trumpet | Valentino Spaggiari trombone Nunzio Dicorato percussion illustrations Michele Cerone dramaturg Gianluca Cheli Histoire du soldat Histoire2 Giambattista Giocoli Orchestra del Baraccano Orchestra del Baraccano Orchestra del Baraccano THE ORCHESTRA The Baraccano Orchestra was born within the activities of Theater of They baraccano of Bologna, where a production and research project on the theater is carried out chamber music. IS was founded in 2013 and is directed by its artistic director Giambattista Juggles . The Orchestra has produced numerous musical theater performances both independently both in co-production and collaboration with the Teatro Comunale di Bologna, BSMT productions and the University of Bologna. Among the productions we remember: the musicals A Little Night Music And Sweeney Todd by Stephen Sondheim, the show Histoire du Soldat by Igor stravinskij, the projects At the Opera! , symphonies, interludes and overtures of the Italian opera e 4th Gustav Mahler , the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017 he carried out the following projects: Popular songs , with soloist Cristina Zavalloni, a new Histoire du soldat with the reciting voice of Ivano Marescotti and The Barber in Comics , "The Barber of Seville" for music, animations and Manga comics, designed by Tsukishiro Yuko, in international co-production with the Japan. The goal of the Orchestra is to play, with formations for chamber orchestra, musical works originally composed for large orchestras, producing new scores played "in real parts". THE DIRECTOR GIAMBATTISTA GIOCOLI At first clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna. As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Municipal Theater Orchestra from Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as guest conductor with the Orchestra of the Toscanini Foundation of Parma , and from 2017 with the Rossini Symphony Orchestra of Pesaro . In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera. AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna.

ANDREA BIASCO video and lighting technician I was born in Casarano (LE) on April 6, 1991, and I lived there until the age of 19. After graduating from the Casarano linguistic high school with excellent marks, in 2010 I moved to Bologna to attend the faculty of Foreign Languages and Literatures. Here, thanks to a training internship at the end of the course, I came into contact with the Persephone Cultural Association, with which I first carried out the translation of technical data sheets and room programs, and later on the technical and organizational tasks. In 2015, at the end of the aforementioned internship, I began to actively collaborate with this association covering, in particular, the role of lighting technician. or therefore had the opportunity to work on all the activities that involved the Teatro del Baraccano and its staff. From musical theater to prose, passing through the technical collaboration with the contemporary dance festival "Gender Bender" which takes place every year in Bologna. In 2019 I attended a higher education course, organized by the Emilia Romagna region, on eco-sustainable audio-visual production: '' Green Movies Project Manager: promoting eco-sustainable audio-visual production ''; at the end of which I undertook a training internship at Ravenna Teatro, in Ravenna, in which I worked on the production and distribution of the film '' The Sky over Kibera '' by director Marco Martinelli. Thanks to my experience gained over the years in this sector, I have developed excellent communication skills, understanding and diplomacy. To which are added flexibility and adaptability to new work contexts. Working in the entertainment world allowed me, therefore, to learn how to manage the time at my disposal, meet deadlines, work in a team and under pressure.

concerto su musiche di Manuel De Falla, Luciano Berio e Maurice Ravel, con al centro la "canzone popolare” New production SOUND ACTS in collaboration with Bologna Harp Festival February 2, 9 pm at the Duse Theater POPULAR SONGS concert with music by Manuel De Falla, Luciano Berio and Maurice Ravel, with the "popular song" in the center The Siete canciones populares españolas by Manuel De Falla and the Folk songs by Luciano Berio, interpreted by the voice of Cristina Zavalloni , show us how tradition can be crossed by the eccentric gaze of authors of Western "cultured" music. Another protagonist of the program will be the harp , already present in the pieces by De Falla and Berio, which will become a soloist in the famous Settimino by Maurice Ravel . Here, played by Davide Burani , it will express itself to its full potential, through variations and developments of popular themes, in an effective whirlwind of sound beams with a popular flavor. ORCHESTRA DEL BARACCANO director Giambattista Giocoli mezzo soprano Cristina Zavalloni solo harp Davide Burani Roberto Noferini And Matteo Anderlini violins Olga Arzilli purple | Enrico Ferri cello Alessia Dall'Asta flute | Giovanni Picciati clarinet Gabriele Genta And Nicolò Tomasello percussion IMG_4556 Popular Songs Popular Songs Popular Songs Popular Songs Popular Songs Ticket € 27 (full) 20 € (reduced) Buy tickets PROGRAM YOU ARE CANCIONES POPULARES ESPANOLAS music by Manuel de Falla (1876-1946) original orchestration and arrangements for mezzo-soprano and seven performers INTRODUCTION AND CHEERFUL music by Maurice Ravel (1876-1946) for harp, flute, clarinet and string quartet The introduction and cheerful is a WEEK dedicated to Albert Blondel and was written on commission from the lutherie Erard, manufacturer of the double movement pedal mechanism. FOLK SONGS music by Luciano Berio (1925- 2003) for mezzo soprano and seven performers THE ORCHESTRA The Baraccano Orchestra was born within the activities of the Piccolo Teatro del Baraccano di Bologna, where the theater production and research project is carried out musical SOUND ACTS . The Orchestra was founded in 2013 and is directed by its artistic director Giambattista Juggles . Within ATTI SONORI he has produced various musical theater projects both independently both in co-production and collaboration with the Teatro Comunale di Bologna e BSMT productions of Bologna. In 2013 he made the musical A Little Night Music ; in 2014 Stephen's Sweeney Todd Sondheim and Histoire du Soldat by Igor Stravinskij. In 2015 At the Opera! , symphonies, interludes and overtures of the Italian opera. In 2016 the 4th Gustav Mahler, the fourth Symphony by Mahler, arranged for chamber orchestra. In 2017, the planned projects are: Popular songs , with soloist Cristina Zavalloni e a new Histoire du soldat with the reciting voice of Ivano Marescotti . The orchestra's vocation is to specialize in the production of musical theater and chamber opera. GIAMBATTISTA GIOCOLI Clarinetist and conductor , born in 1976, he began his clarinet studies with Vincenzo Perrone at the Matera Conservatory, then graduating from the Bologna Conservatory with Maestro Enrico Quarenghi. He performs as a soloist accompanied by orchestras, including the Orchestra of the Teatro Comunale di Bologna (Copland concert, 1998). He has made recordings for Radio Emilia-Romagna, Lucania and for the national RAI-Radio Tre, for RAISAT and on the Internet, for the CLASSICA pay TV channel and for the Japanese television Fuji Television network. Among the CD recordings we remember a monograph on Giacinto Scelsi, several historical works of the twentieth century and world premieres by contemporary authors, and an engraving for the Deutsche Grammophon with Placido Domingo. He had an eclectic training that allowed him to perform using all the members of the clarinet family, from the piccolo in Eb to the bass clarinet, to the basset horn in Mozart's Requiem , broadcast worldwide and on Italian RAI TRE in 2000. He studied with Gaspare Tirincanti, specializing in the contemporary repertoire for solo clarinets. He has collaborated, as bass clarinet, small solo clarinet and clarinet in a row, in the lyrical and symphonic seasons of various orchestras including the Orchestra of the Teatro Comunale di Bologna with which he has collaborated regularly for 10 years. He collaborated with the FontanaMIX Contemporary Music Ensemble, with whom he held contemporary music workshops at the DAMS of the University of Bologna, and with the Sentieri Selvaggi ensemble of Milan, with whom he performed in Belgrade and Uzbechistan. . He studied in Siena at the Accademia Chigiana with Antony Pay and with Alessandro Carbonare at the Academy of Emilia-Romagna AFOS. Among the most important international festivals in which he participated we remember Bologna Festival, Nuove Consonanze di Roma, Angelica Festival, Milano Musica and the Rovereto Mozart Festival. In June 2002 and 2006 he made a tour in Japan with the Orchestra of the Teatro Comunale di Bologna, conducted by the masters Daniele Gatti and Friederich Haider. In duo with piano he is awarded in various musical competitions among which we remember the one in Viareggio 2003 and the Festival delle Arti 2003 in Bologna. He is the artistic director of various musical reviews in the Bologna area, including the musical theater review ATTI SONORI . In 2013 he made his debut as conductor in the production of the S. Sondheim musical A Little Night Music , receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra . In 2014 he directed L ' Histoire du Soldat by I. Stravinskij and the most famous and demanding musical by Sondheim Sweeney Todd . In 2015 he produced the project on opera interludes and symphonies All'Opera! . In December 2015 he made his debut at the helm of the Toscanini Orchestra of Parma . In 2016, in addition to touring the projects produced so far, he made his debut with the 4th Gustav Mahler project and in the Popular songs program, a concert of popular cultured songs, with the voice of Cristina Zavalloni and the harp of Davide Burani. In 2017 he will continue his collaboration with the Toscanini of Parma and will make his debut at the direction of the Rossini Symphonic Orchestra of Pesaro in a small tour in Italy. CRISTINA ZAVALLONI Cristina Zavalloni was born in Bologna. Trained in jazz, at the age of eighteen he began studying bel canto and composition at the Conservatory of his city. For many years he also devoted himself to the practice of classical and contemporary dance. He performs in the most important theaters, in international concert seasons and jazz festivals , including the Montreux Jazz Festival, North Sea Jazz Festival, Antwerp Free Music Jazz Festival, Moers Music, Bimhuis, London Jazz Festival, Klara Festival, International Jazz Festival of Rotterdam, Amsterdam Concertgebouw, Bruges Concertgebouw, Lincoln Center and Carnegie Hall, Walt Disney Hall, Milan Scala Theater , Barbican Center, Beijing Concert Hall, Moscow International House, etc. She has performed with orchestras such as the London Sinfonietta, BBC Symphony Orchestra , Schoenberg Ensemble, Sentieri Selvaggi, Musik Fabrik, Orkest De Volharding, Orchestra della Rai Torino, Los Angeles Philharmonic , ORT, Orchestra Toscanini , Irish Chamber Orchestra, and was conducted by Martyn Brabbins, Stefan Asbury, Reinbert De Leeuw, Ivan Fischer, Oliver Knussen, David Robertson, Jurjen Hempel, Georges-Elie Octor, Andrea Molino, Marco Angius, among others. She collaborates with the Dutch composer Louis Andriessen , who has written for her some of her most recent works including A tram ride to America and back, The Passion, Inanna, Letter from Cathy, Tale from Hell , Dante's part The Comedy , the Anais Nin monodrama and the part of Sor Juana Ines de la Cruz in the opera Theater of the World . He is the interpreter of first performances of Carlo Boccadoro, Luca Mosca, Emanuele Casale, Michael Nyman, Mauro Montalbetti and some compositions by James McMillan (the USA premiere of Raising Sparks, Carnegie Hall, 2011). He attends the Baroque repertoire ( Coronazione di Poppea, Combattimento di Tancredi and Clorinda ), collaborating with directors and choreographers such as Mario Martone and Alain Platel (VSPRS and Pitié!, To music by Fabrizio Cassol) or with Brass Bang! (Paolo Fresu, Gianluca Petrella, Marcus Rojas, Steven Bernstein). His most recent jazz collaborations include voice and piano duos with Jason Moran, Stefano Bollani , Benoit Delbecq, Alfonso Santimone, collaborations with Radar Band, Uri Caine and his Special Dish quartet. He made for Italian television ( RaiTre ) the Musical Ephemerides - a series of pills aired in the 2013/2014 season, in which he talked about some of his own musical projects. He has recorded over 20 CDs. cristinazavalloni.it DAVIDE BURANI Graduated in piano and harp , he obtained with full marks and honors the second level Academic Diploma in harp at the “Arrigo Boito” C onservatory in Parma, under the guidance of Emanuela Degli Esposti. Perfected with Fabrice Pierre and Judith Liber, he won numerous national and international competitions (finalist with honorable mention at the "Tournoi International de Musique" XI ed. In Salon de Provence and overall winner of the " Music World " of Fivizzano (2004 He has performed as a soloist in prestigious concert venues in Italy and abroad: Teatro Regio di Parma , Teatro Comunale di Ferrara , Philharmonic Academy of Bologna , Franchetti Gallery at Ca 'd'Oro in Venice , Doge's Palace in Venice, Sala Puccini of the “Verdi” Conservatory in Milan , KKL of Lucerne , Cadogan Hall in London , Opera House in Prague , International Center for Beijing Arts, Tokyo Opera City, Osaka Symphony Hall. He has collaborated as first harp with the Orchestra of the Municipal Theater of Bologna, with the Orchestra of the Swiss Italian Radio of Lugano, with I Virtuosi Italiani, with the Arturo Toscanini Philharmonic Orchestra of Parma, with the Regional Orchestra of Emilia Romagna, with the “Bruno Maderna” Orchestra of Forlì. He has participated in numerous radio and television broadcasts and has been invited to present his record works at the Radio Uno studios of the Swiss Italian Radio and at the Radio Tre studios during the Radio Tre Suite and Piazza Verdi broadcasts. He has recorded several CDs . He held Arpa Masterclasses. Since 2014 he has collaborated with Maestro Leo Nucci accompanying him on his international tours and the Italian Opera Chamber Ensemble. Since 2009 he has been teaching harp at the “Achille Peri” Higher Institute of Musical Studies in Reggio Emilia. davideburani.com

AMORE E RIVOLUZIONE omaggio a Frida Kahlo Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone Mare Aperto Trasparenze Assalam Misirlou Historia de un amor Chante chante ma guitar Pausa monologo attrice Adio kerida Taksim La llorona Quando il vento tace Vent du sud BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Aperitivi a cura di Oui in cucina www.ouiincucina.com Acquista biglietti ATTI SONORI fa parte di Bologna Estate 2024, il cartellone di attività promosso e coordinato dal Comune di Bologna e dalla Città metropolitana di Bologna - Territorio Turistico Bologna-Modena. Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

GIAMBATTISTA GIOCOLI At first clarinetist , born in 1976 in Matera, he studied clarinet in his hometown and then graduated from Conservatory of Bologna . As an instrumentalist he studied with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Carry out registrations for Italian and foreign radios, recording several classical and contemporary music CDs. For 10 years he collaborated with the opera and symphonic seasons of the Orchestra of the Teatro Comunale di Bologna with which he performs many tours in Italy and abroad. He has collaborated with contemporary music ensembles FontanaMIX from Bologna and with the ensemble Wild Trails of Milan, with a concert activity in Europe and Asia. In 2013 he made his debut as conductor in the production of American musicals and in the same year he founded the Baraccano Orchestra , with which he produces chamber musical theater projects and symphonic projects that he still carries on tour. Since 2015 he has been collaborating as a guest conductor with the Orchestra of the Toscanini Foundation of Parma, and from 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began collaborating with Lucana Orchestra Foundation and Virtuosi of the Italian Opera . AND' artistic director of the Baraccano Theater of Bologna and the research and production project of Teatro Musicale SOUND ACTS from Bologna. GALLERY

ATELIER OPERA VOI Teatro del Baraccano gennaio - febbraio 2026 Scopri di più METAMORFOSI BESTIALI Teatro del Baraccano 8 marzo 2026 Scopri di più ORSOLEO SPRING FESTIVAL #2 Convento Santa Maria di Orsoleo - Santarcangelo (PZ) aprile - maggio 2026 Scopri di più VIAGGIO A SIVIGLIA Siviglia dall'1 al 5 settembre 2026 Scopri di più IL BARBIERE A FUMETTI Teatro del Baraccano date da definire Scopri di più QUADRI D'OPERA Bologna, Castello d'Argile, Molinella, San Giovanni in Persiceto, Mongiorgio febbraio - marzo 2026 Scopri di più AIDA la musica danza nella sabbia Teatro del Baraccano - Bologna 12 aprile 2026 Scopri di più DANZE RITROVATE Teatro del Baraccano - Bologna 17 maggio 2026 Scopri di più DALLA SENSITIVA ALLA CRÉATION DU MONDE Teatro del Baraccano all'interno del Festival Respighi Bologna 25 settembre 2026 Scopri di più IL BARBIERE A FUMETTI Fabriano (AN) 27 febbraio 2026 Scopri di più VIAGGIO IN BASILICATA E CAMPANIA in occasione di ORSOLEO SPRING FESTIVAL #2 Basilicata e Campania 30 aprile - 3 maggio 2026 Scopri di più ATTI SONORI estate 2026 Bologna | S. Giovanni in Pesiceto | Castel Guelfo 16 giugno- 31 luglio 2026 Scopri di più DANZE RITROVATE Castel Guelfo 9 ottobre 2026 Scopri di più

Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di via Belle Arti e via Zamboni passeggiata e concerto 26 novembre 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. AIDA, la musica danza nella sabbia

Reading musicale dedicato a Patti Smith. Con Angela Baraldi canto e Angela Malfitano voce recitante Between One Act and the Other August 27, 9.30 pm FULL OF DESTINY - PATTI An energetic and engaging show made of readings and songs. Taken from the book that Patti Smith recently wrote, Just Kids, a little gem of writing and confession, which tells of her arrival in New York in the late sixties, where the atmosphere is effervescent. Here he meets Robert Mapplethorpe and with him he weaves a path of art and initiation. A rare and precious friendship. An explicit pact of mutual support, based on the sharing of dreams and art. musical reading dedicated to Patti Smith I sing Angela Baraldi narrator Angela Malfitano bass Antonio Michelangelo Del Gaudio guitar Pietro Zarrelli battery Matteo Fucci Roberto Passuti video set Ticket € 13 (full), € 10 (reduced) Buy tickets Piene di destino PattiSmith

Scheda L'Angelo della Memoria un progetto ATTI SONORI/Teatro del Baraccano RAD Respighi Ancient Dances spettacolo di teatro musicale sulla memoria della Shoah DNA and Orchestra del Baraccano approach Ottorino Respighi's Suites with the intention of giving new life to tradition, transfiguring it through the contemporary body, which re-welcomes the ancient to feed on it, recognizes its roots and evolves towards the present. Thus emerges the urgency to restore visibility to the realities that have always existed within each of us, but who have not yet found their place and surfacing time. Musica QUATUOR POUR LA FIN DU TEMPS di Olivier Messiaen elaborazioni elettroniche originali di Valentino Corvino e Andrea Agostini Memorie e testimonianze di sopravvissuti e vittime del nazi- fascismo scelti e interpretati da Mirko Rizzotto ORCHESTRA DEL BARACCANO Davide Braco clarinetto Fabrizio Zoffoli violino Alessandra Cafaliello violoncello Denis Zardi pianoforte direttore Giambattista Giocoli attore e drammaturgia Mirko Rizzotto regia, luci e voce fuoricampo Massimo Sceusa ORCHESTRA DEL BARACCANO L'Orchestra del Baraccano nasce all'interno delle attività del Teatro del Baraccano di Bologna, dove viene realizzato un progetto di produzione e ricerca sul teatro musicale da camera. È stata fondata nel 2013 ed è diretta dal suo direttore artistico Giambattista Giocoli. L’Orchestra ha prodotto numerosi spettacoli di teatro musicale sia autonomamente sia in coproduzione e collaborazione con altri soggetti. L’obiettivo dell'Orchestra è suonare, con formazioni per orchestra da camera, opere musicali originariamente composte per grandi orchestre, producendo nuove partiture suonate "a parti reali”. Tra le produzioni ricordiamo: lo spettacolo L’histoire du Soldat di Igor Stravinskij; 4th Gustav Mahler , la Quarta sinfonia di Mahler, arrangiata per orchestra da camera; il progetto All’Opera! , sinfonie, intermezzi e ouverture dell’Opera lirica italiana ed i musical A Little Night Music e Sweeney Todd di Stephen Sondheim. Nel 2017 ha realizzato Popular songs , con solista Cristina Zavalloni; un nuovo L’histoire du soldat con la voce recitante di Ivano Marescotti ed Il Barbiere a Fumetti , "Il Barbiere di Siviglia" per musica, animazioni e fumetti Manga, disegnati da Tsukishiro Yuko, in coproduzione internazionale con il Giappone. Nel 2019, in occasione del 100 anni della nascita del Bauhaus, ha prodotto il concerto IMMUTEA 1919 , in collaborazione con Bologna Design Week. Nel 2021 sarà il centro degli appuntamenti di Respighi project , un progetto sul musicista e compositore bolognese Ottorino Respighi e di Progetto Kafka . Nel 2022 è stata il fulcro del progetto PON VoltONE su AIDA , una riduzione dell’Opera di G. Verdi per ensemble e voce recitante. Nel 2022, con il programma RESPIGHI suite , è stata in tournée in Repubblica Ceca e Polonia, nel 2023 in Ungheria e nel 2024 in Croazia. GIAMBATTISTA GIOCOLI Inizialmente Clarinettista, di origini lucane, studia clarinetto nella sua città natale diplomandosi poi al Conservatorio di Bologna. Come strumentista studia con Perrone, Quarenghi, Tirincanti, Pay e Carbonare, iniziando subito una intensa attività concertistica in Italia e all’estero. Effettua registrazioni per Radio italiane ed estere, incidendo diversi cd di musica classica e contemporanea. Per 10 anni collabora con le stagioni liriche e sinfoniche dell’Orchestra del Teatro Comunale di Bologna con la quale effettua molteplici tournée in Italia e all’estero. Ha collaborato con gli ensemble di Musica Contemporanea FontanaMIX di Bologna e con l’ensemble Sentieri Selvaggi di Milano, con una attività concertistica in Europa e Asia. Nel 2013 debutta come direttore d'orchestra nella produzione di Musical americani e nello stesso anno fonda l'Orchestra del Baraccano, con la quale produce progetti di Teatro Musicale da camera e progetti sinfonici che porta tutt’ora in tournée. Dal 2015 collabora come direttore ospite con l'Orchestra della Fondazione Toscanini di Parma e dal 2017 con l’Orchestra Sinfonica Rossini di Pesaro. Nel 2018 inizia a collaborare anche con la Fondazione Orchestra Lucana e i Virtuosi dell’Opera Italiana. Nel 2022, con la sua Orchestra è stato in tournée in Polonia e Repubblica Ceca, nel 2023 in Ungheria. E’ direttore artistico del Teatro del Baraccano di Bologna e del progetto di ricerca e produzione di Teatro Musicale ATTI SONORI di Bologna. MIRKO RIZZOTTO Si diploma alla Scuola di teatro Galante Garrone, segue corsi di dizione e fonetica, recitazione, tecnica del palcoscenico, mimo, acrobatica, improvvisazione, tecnica vocale, canto. Nel 2002 è vincitore del premio nazionale Wanda Capodoglio come miglior attore e del premio internazionale Salvo Randone città di Siracusa, mentre nel 2005 vince il premio Hystrio alla vocazione. Nel 1999 fonda l’associazione culturale ChiE’diSCENA. Ha insegnato movimento espressivo, improvvisazione e acrobatica alla scuola di teatro Galante Garrone di Bologna. Esperienze teatrali: Il Vangelo secondo Matteo di P.P Pasolini- regia Nanni Garella, Otello. Il moro di Venezia- regia R.Guicciardini, Odissea- regia L. Ronconi, Enrico IV e Promoteo incatenato- regia R. Guicciardini, Lighea e Delirio a due- regia M. Sceusa, Il Parlamento di A. Beolco- regia Vittorio Francesi, Despegdad la cabeza del suelo, cabrones!- regia Rodrigo Garcia, coreografie Elene Cordçba, Cinque Cabaret e L’angelo della memoria - regia Massimo Sceusa, Dinner Party- regia Nanni Garella, I sognatori- regia Elena Galeotti e Sandrà Enel, Histoire du soldat- regia M. Sceusa, Tourbillon- regia M. Sceusa, Pinocchio- regia F. Gervasi, Il maestro e Margherita, Praga Magica- regia M. Sceusa, Miseria e nobiltà- regia Nani Garella, Di topi e Uomini di Stainbeck, Il Miracolo della fratellanza- regia F. Gervasio, La Ciambella- regia M. Sceusa, Sogno di una notte di mezza estate- regia Nanni Garella, Il Maestro e Margherita da Bulgakov- regia Virginia Viviano, Bariona figlio del tuono e Non si sa come - regia R. Giucciardini, Macbeth- regia Gabriele Lavia. Esperienza cinematografiche: Frammenti di Valentia Zincati produzione Giostra Film Bologna- Vincitore premio DAMS, Wash & dry di Tommaso Volpi, Good bye mr Zeus per la regia di Carlo Sarti, La freccia del tempo con la regia di Carlo Sarti.

Between One Act and the Other in collaboration with ATER - Emilia Romagna Theater Association 20 October, hours 21 21 October, 5 pm TWO OLD WOMEN GOING NORTH Deux petites dames vers le Nord by Pierre Notte In Two direct old ladies in the North - a sort of road movie with two “elderly” Thelma and Louise - the actresses tackle the theme of death through the ironic writing of Pierre Notte . Annette and Bernadette have just lost their mother and decided to bury her ashes near those of their father, in the north of the country. But in reality a daring journey begins, both real and metaphorical, full of memories and accounts to close. A mix of corrosive humor and tenderness. " Deux petites dames vers le Nord is a delicate fantasy about disrupted mourning. It is the refrain of reconciliation, belated but real, between people. It is not so much the pain of loss, but rather the moment in which it is possible to laugh, sometimes , even suddenly, unwittingly, as if by magic, as if guided by a ghost, when we learn of someone's death. who accept to take their ghosts by the hand and dance with them instead of carrying them on their shoulders ”(Pierre Notte). In the long and tiring search for a text for two actresses, which would respond to certain decisions theatrical and dramaturgical characteristics, we came across Pierre Notte's text and immediately wanted to stage it. Thanks to the great availability of the author and the kindness of the talented translator - Anna D'Elia - we were able to start this journey "in four": Angela, Francesca, Bernadette and Annette. A journey into the fears of the future which, as the theater teaches, can be - if not defeated - faced through irony. Old age, loss, grief and the past weigh heavily ; they often stiffen us, they extinguish our will to continue to give meaning to that last portion of life as well. Annette and Bernadette seem to affirm their diversity only to nourish the eternal conflict that animates their daily life: in reality they are much more similar than it seems in the continuous exchange of arrogance and fragility, of bravado and naivety. Above all, they will find themselves firmly accomplices in deciding to live again, to discover again and to dare what was previously unthinkable. What will your last words be before you die, they ask each other? Annette - Thanks for everything, see you soon Bernadette - Thanks for everything and see you next time The father, twenty-five years earlier, had taken his leave saying “it's okay anyway, a lot of review”. The author, through the two petites dames, seems to suggest to us the idea of a possible return, of a death that puts us in a perennial cycle of transformation and rebirth. We want to believe him. Angela Malfitano and Francesca Mazza Pierre Night Pierre Notte has written for the theater since the early nineties; general secretary of the Académie française between 2006 and 2009, he is also a journalist, poet, novelist, actor, director, as well as the author of radio texts and cabaret shows. He is a Knight of Arts and Letters and has received many awards for his work including the Molière du Théatre privé. with Angela Malfitano | Bernadette Francesca Mazza | Annette translation Anna D'Elia sound Alessandro Saviozzi video interventions Lorenzo Letizia Thanks to Fabrizio Arcuri and Maurizio Cardillo Ticket 12 € (full), 10 € (reduced) Buy tickets due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza due vecchiette vanno a Nord_Malfitano_Ma Angela Malfitano e Francesca Mazza