5 August, hours 21.30 DISENCHANTED the musical Fun, hilarious, with the flavors of vaudeville and cabaret, Disenchanted it dispels the myth of the "Princess Complex", to make fun of the frivolities told in fairy tales and celebrate being a woman in all its facets. Ten princesses they will stage their variety, to the rhythm of funny gags, real star numbers, leaving the audience with important ideas for reflection. Our princesses, seen in the collective imagination as perfect girls, sweet and succubus of their prince charming, in this show they deal with themes that are always discussed and very current. Diversity , emancipation , image exploitation , alcoholism or the fear of losing one's beauty , they represent the subtext of what they tell the public. Princesses who are first and foremost women, ready to make their way and fight to honor their dignity, all with irony and a pinch of malice. The Italian version, produced by the PERFORMErs thanks to a special agreement with Theatrical Right Worldwide - New York marks the first time the show is staged in Europe. music, lyrics and lyrics Dennis T. Hyacinth directed and Italian adaptation Matteo Borghi musical direction Eleonora Beddini choreography Luca Peluso Italian translations Nino Pratticò assistant director Sara Persali executive production Giuseppe Di Falco Ticket € 15 (full), € 12 (reduced) Buy tickets Disincantate Disincantate Disincantate Disincantate Disincantate Disincantate

January 31, 2020, matinee for schools and 8.30 pm I HEAVEN - FRIDA KHALO " Is it legitimate to invent new verbs? I want to give you one: I heaven, so that my wings can spread out beyond measure to love you without borders. " (Frida Kahlo) A show that traces the life of Frida Kahlo against the backdrop of revolutionary Mexico. Shots of a tormented, passionate, violent existence; of a crazy woman, very sweet and in love with life. The show revolves around the love that Frida had for her land, for painting, for Diego, for life, for love itself. The languages to tell it range from theater to music: the text is made up of stories, letters from his diary, the voice of Diego Rivera that gives different nuances to the known figure of the painter. And finally, the music. Songs of the Mexican tradition carefully chosen to enrich and embellish the story, left to the skilful live interpretation of Massimo Donno on voice and guitar and Francesco Pellizzari to percussion. The first meeting with Frida took place in 2015 during a torrid summer in Bologna. "Here, read this!", My roommate gave me a book: "Pino Cacucci ¡Viva la vida!". On the cover a face, still little known. From that August my personal research on Frida began: with passion I studied her life and her works, Diego Rivera and muralist art, Mexico and the revolution of the early 1900s; I discovered my friendship with Leon Trotsky and the one with great artists of the time (T. Modotti, L. Matiz, A. Breton, LA Bravo), the affection for his friend as well as doctor L. Eloesser and the bond with his family, in particular with his sister Cristina. This was accompanied by a constant listening and growing interest in Mexican music: from the pre-Columbian sounds to the corrido, up to reach the great artists of yesterday and today (P. Infante, C. Vargas, L.Downs ...). Thus the desire to tell others, you, the wealth of this woman has made its way. Frida gave life to what she loved. He spared nothing, he gave himself all. This awareness raised a question in me: what am I giving my life for? I live with my peers the difficulties of the working world, the nonsense, the injustices. We stagger in a space devoid of guidelines, we cling to the first who passes and who tells his truth, we rape in "hope." that one day ... "; meanwhile they eat on our heads. In all this chaos, what can we do? Choose. Ask ourselves every day: for what, to whom am I giving my life? Frida continues to suggest the answer. Aurelia Cipollini by and with Aurelia Cipollini Massimo Donno voice and guitar Francesco Pellizzari percussion heading off Diego Rivera Tomas Acosta Ticket 12 € (full), 10 € (reduced) Buy tickets frida-14 frida-04 frida-13

The Barber in Comics Form ITA Form EN SKECTHES Interview Gallery 1 Video Catalog e CD

All'Opera! Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone MUSICHE Sinfonia dalla Norma di Vincenzo Bellini Preludio da La Traviata di Giuseppe Verdi Preludio da Aida di Giuseppe Verdi Ouverture dal Don Pasquale di Gaetano Donizetti Intermezzo da L'Amico Fritz di Pietro Mascagni Intermezzo dalla Cavalleria Rusticana di Pietro Mascagni Sinfonia da Il Barbiere di Siviglia di Gioacchino Rossini Intermezzo da I Pagliacci di Ruggero Leoncavallo Intermezzo dalla Manon Lescaut di Giacomo Puccini Sinfonia da La Forza del Destino di Giuseppe Verdi BIGLIETTERIA intero 12€ ridotto 10€ riduzioni under 30, over 65, card Cultura ridotto 5€ under 18 Acquista biglietti Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER

Respighi suite ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu flauto Filippo Mazzoli fagotto Luca Franceschelli arpa Alice Caradente clavicembalo Istvan Batori fisarmonica Umberto Turchi tromba Fabio Codeluppi basso tuba Gianluigi Paganelli arrangiamenti di Fabio Codeluppi , Giambattista Giocoli , Filippo Mazzoli ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli Single ticket € 10 Buy tickets 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite

Spettacoli in corso, estate 2019 summer 2019 1/11 Buy your ticket online Fairy tales in concert Inventory of certain things Indian charm 2 penny songs Boris Vian Bad Doce Immutea 1919 - the concert

Scheda Danze Ritrovate RESPIGHI SUITE Ancient Airs and Dances arranged for ensemble The Ancient Airs and Dances are a collection of free transcriptions from lute pieces from the 16th and 17th centuries, created by Ottorino Respighi and organized in three suites for different orchestral organism. In 1917 Respighi composed the First Suite , in 1923 the Second Suite and in 1931 the Third Suite . His wife Elsa picked them up and reorganized them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors designed by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as harp and harpsichord, and the search for a new and modern sound, with the inclusion of accordion and bass tuba. BARACCANO ORCHESTRA conductor Giambattista Giocoli violin Gabriele Bellu flûte and piccolo Claudia Piga bassoon Davide Braco trumpet Luca Piazzi harp Alice Caradente accordion Raffaele Damen harpsichord Chiara Cattani bass tuba Gianluigi Paganelli arrangement by Fabio Codeluppi , Giambattista Giocoli e Filippo Mazzoli DANZE RITROVATE PRIMA SUITE Balletto Arie di Corte Villanella Gagliarda Passo mezzo e Mascherada di Ottorino Respighi SECONDA SUITE Italiana Laura Soave Danza Rustica Campanae Parisienses Bergamasca di Ottorino Respighi TERZA SUITE Sinfonia di Domenico Gallo Siciliana di Ottorino Respighi Vivo di Giambattista Pergolesi Gavotta di Carlo Ignazio Monza Finale: Allegro assai di Domenico Gallo BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

Soqquadro italiano, concerto, Vincenzo Capezzuto, Entroterre festival 27 July, 9.15 pm Entroterre Festival TWO-VOICE INVENTIONS Musical chat conducted by Luca Damiani , journalist, author and radio host and music critic, together with the Duo Gabriele Pieranunzi , first violin of the San Carlo Theater Orchestra in Naples, and Fabrizio Falasca brilliant talent considered one of the best Italian violinists of his generation. LUCA DAMIANI Journalist, author and radio host, excellent music critic, he is known above all as the historical voice of Radio3 . Currently it is on air every afternoon at 6 pm with the program Six degrees which implements, through music, the theory of the "Six degrees of separation" according to which any person can be connected to any other through a chain of knowledge with no more than five intermediaries. Luca Damiani is also a writer. He made his debut in 1990 with the novel " Look at yourself for life ", ed. Marsilio, with whom he won the Grinzane Cavour first work prize and the following year with the novel “ Una, fatale ” the Fiesole Prize . In 1995 he published the short stories “ What will become of her? ", In 1997 the novel" Il baro ", ed. Marsilio, in 1998 “ Knowing how to live ”, an etiquette for 2000, in 2004 with Castelvecchi ed. publishes the essay " Le Bufale ", on media mockery. www.entroterrefestival.it Luca Damiani Gabriele Pieranunzi Fabrizio Falasca with Luca Damiani Journalist Gabriele Pieranunzi violin Fabrizio Falasca violin Single ticket € 10 Buy tickets

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore durata 18 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) durata 23 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore durata 14 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, Emil Banca, Fitel, CNA, Lions Club Acquista biglietti

Bach e dintorni – nel segno del virtuosismo. Ensemble La Risonanza. 6 August, 9.30 pm | Baraccano Theater Entroterre Festival Bach and surroundings in the name of virtuosity La Risonanza ensemble La Risonanza is one of the most internationally successful Italian orchestras on original instruments. Among the most ambitious record projects there is the complete Italian cantatas with Handel instruments, for which the line-up has received various awards and numerous mentions and nominations. The monthly Gramophone defined the recording as «the best Handelian recording project of the decade». To this first integral is now added a new integral: that of the orchestral works of Johann Sebastian Bach , according to a multi-year project inaugurated in 2017. Regularly invited to perform at some of the most important concert seasons and festivals in Italy and abroad, La Risonanza is also in artistic residency at the Saint-Michel en Thiérache Festival. Since 2016 it has been organizing its own season " La Risonanza per Milano ", the only Milanese billboard entirely dedicated to the Baroque repertoire, which is divided between the Liberty Dario Fo and Franca Rame Palazzina and the Leonardo Da Vinci National Science and Technology Museum as main venues. Music by JS Bach , J.Ch. Graupner , B. Marcello , G.Ph. Telemann. La Risonanza_2017_0051 Altissima Single ticket € 10 Buy tickets The Resonance Will Copeland violin Ryo Terakado , Ulrike Slowik violins Sara Bagnati Viola Caterina Dell'Agnello cello Marco Lo Cicero contrabass Fabio Bonizzoni harpsichord and conductor

February 16, 9 pm in collaboration with Bologna Harp Festival SYNANTYS Sangineto Ensemble Sparkling energy and great musical ability of two twins, Adriano and Caterina, born to a luthier father and raised in an environment pervaded by the music of great artists (such as Alan Stivell, The Chieftains and Carlos Núñez). Their concert combines ancient sounds and harmonies with modern rhythms and transports the audience into a riot of twists, alternating melodic suggestions of the Celtic tradition with more modern and unexpected musical genres: a Celtic harp and an arched psaltery (created by the hands wise men of his father Michele Sangineto) who move the most intense strings of the soul, leaving freedom to the masterful timbre of the two voices. An explosive mix for a performance that amazed the Russian, Belgian, Dutch, Spanish, French and Anglo-Saxon audiences. The Sangineto Ensemble was born in 2000 and initially includes all the members of the Sangineto family: the father Michele, the mother Paola and the two twins Adriano and Caterina. He performs throughout Europe presenting a repertoire of ancient music from the Middle Ages to the French, Italian and English Renaissance while exporting the instruments of the Sangineto violin making in festivals, reviews and exhibitions of musical instruments in France, Germany, England, Switzerland, Hungary, Spain and Belgium. Today the core of the group is made up of the two twins Adriano and Caterina Sangineto. Formed within the artistic environment of their father, Michele Sangineto, luthier of Celtic harps and bowed psalters, the twins could only develop a natural inclination for ancient music, which they approached in the very first phase of their musical growth. to then arrive at popular music in all its facets, with a special predilection for the Irish, Breton and French tradition. Thanks also to their classical training (they both studied successfully at the G. Verdi Conservatory in Milan) and to the knowledge of popular pop music, the group aims to reinterpret and recover the European musical tradition in a modern perspective, updating the use of ancient and popular instruments. Ensemble Sangineto is an ever-expanding, versatile and multifaceted project that skilfully combines archaic sounds and harmonies with modern rhythms and arrangements that are affected by influences from various musical genres: jazz, classical, Gregorian chant, musical, pop and Celtic music. In the direction of an interpenetration of all these genres, the musical experimentation of the Ensemble was born: songs mainly from the Irish, Scottish and Breton tradition, but also Italian, alternate original pieces that reflect the heterogeneity of the musical experiences of the musicians. Fascinating mixes in sparkling interpretations characterize one of the most exciting and original emerging groups in the Italian panorama of Celtic music. The precious combination of the harp and the arched psaltery and the magical blend of voices, the suspended and dreamy atmospheres, all in a riot of vibrations that envelop in their intense purity. The Ensemble collaborates with the international artist Carlos Núñez and occasionally with guitarists Tiziano Cogliati and Jacopo Ventura. www.adrianosangineto.com Ticket € 14 (full), € 12 (reduced) Buy tickets

Musica di Igor Stravinskij, testo di C. F. Ramuz. Orchestra del Baraccano, diretta da Giambattista Giocoli. Per le scuole. 26 September, 9 pm IMMUTEA 1919 - the concert Highlight event in the context of the Bauhaus centenary celebration, during the design week in Bologna, it enters the international circuit of the rich program of events dedicated to the Bauhaus, planned all over the world. In collaboration with Bologna Design Week , IMMUTEA 1919 - the concert wants to be a tribute to what was probably the artistic and cultural movement that most contaminated the various artistic disciplines, involving together music, theater, dance and scenography, all inspired by its shapes and colors, with the music of the authors who they were a strong expression of it ( Hindemith and Kurt Weill ) and of another composer, Leoš Janáček , who in the same years, but in Brno, a Czech city, composed Mládí . The concert is a production conceived for BDW by Giambattista Giocoli . ORCHESTRA DEL BARACCANO director Giambattista Giocol flute and piccolo Silvia Colageo | oboe Fabrizio Oriani clarinet Stefano Franceschini bass clarinet Mirco Ghirardini trumpet Fabio Codeluppi | horn Dimer Maccaferri bassoon Franco Fusi