February 14, 9 pm I LOVE YOU I LOVE YOU is a range of “amorous” situations recited, sung and played by two pairs of artists, in a fun succession of sketches. Artists who they will go up on stage to interpret, in a musical version, some of the typical situations of the couple's life in an ironic and sarcastic key. Unrepentant singles in search of a soul mate, women who complain of a shortage of attractive bachelors, a couple who have decided to break up but don't know how to tell their parents, another who goes from enthusiasm for married life to desperate attempts to revive the passion stifled by domestic life. If you can find the romantic side of this show and even laugh at the love tragedies then your love will be infallible ... or almost! The show won first prize in the "Musical Theater" category at the Festival of Arts (ed. 2009). directed by Luca Sebastiano Scelfo with Alessandro Calonaci, Sara D'Angelo, Alessia Gardini, Luca Sebastiano Scelfo at the piano Francesco Ricci Ticket 12 € (full), 10 € (reduced) Buy tickets

Il Teatro della gente Il Teatro della Gente Passeggiando fra i Portici di Strada Maggiore e via Santo Stefano passeggiata e concerto 21 agosto 2022 The ATTI SONORI musical theater review returns in the summer of 2021 with the Baraccano Orchestra and a series of hospitality, the result of collaboration with other partners. The season is part of Bologna Summer 2021 , the program of activities promoted and coordinated by the Municipality of Bologna and the Metropolitan City of Bologna - Tourist Destination. The review will consist of various concerts, shows, exhibitions and art meetings. From the Kafka project, Lettere a Milena , dedicated to Kafka, consisting of the homonymous show and the exhibition by the artist Andrea Ballardini, set up in the foyer of the Teatro del Baraccano, to the music of the 20th century with the ensemble FontanaMIX; from Bach with Entroterre Festival to contemporary dance with the DROP project. But the main protagonist of the summer season will be the focus dedicated to the Bolognese composer Ottorino Respighi: RESPIGHI project . Guided tours, concerts, theatrical concerts, dance, art meetings, these are the many activities that will animate our tribute to Respighi in the courtyard of the Baraccano Theater and in the Certosa, thanks to the collaboration with the Museum of the Risorgimento and the Mirarte cooperative. To all this will be added the Respighi REC , a collateral project, supported by Bologna, UNESCO Creative City of Music , which will expand the possibilities of use of the Respighi project , through the recording of concerts and the production of multimedia files, videos, photos, interviews. and a printed publication. The shows will be accessible to the public in compliance with all the safety measures provided for by the anti-covid health provisions of the law. IL BARBIERE A FUMETTI

Scheda AIDA AIDA the music dances in the sand reduction of Giuseppe Verdi's Opera for ensemble, narrator and lights The monumental opera AIDA, in the musical version of the Baraccano Orchestra, does not require spectacular forcing on stage, nor colossal spaces or scenographic grandeur. Here even the elephants could stop marching, leaving space, amazed and moved, to the human drama between losers and winners, in war and in love. We find the suffocating gigantism desired by Giuseppe Verdi and the overwhelming effect on the soul of the young protagonists, in the original reduction and arrangement for instrumental ensemble with ten real parts, in the impetuous style of the director Giambattista Giocoli, in the verses spoken and whispered by Sandra Cavallini, in the desired metric irregularity of Antonio Ghislanzoni's libretto. L yrical accents, triumphal traits and sudden suspensions reveal the delicate depths of the work. A reduction and arrangement that will try, even without the singers, to restore the dramaturgy and symphonic power of this Opera and to convey its profound intimacy of feelings and musicality, in addition to the majestic and grandiose moments inspired by the magnificence of Egyptian civilization. Contrary to the predominant tradition, which made it famous mainly for the magnificence of the scenography, we therefore want to present an innovative reading, focused on the profound intimacy of feelings and reflections on social dynamics. ORCHESTRA DEL BARACCANO conductor Giambattista Giocoli Alessandro Di Marco violin Francesco Maria Parazzoli cello Filippo Mazzoli flute and piccolo Raffaele Damen accordion Alice Caradente harp Luca Piazzi trumpet Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Simone Beneventi marimba and percussions reduction of the Opera Giambattista Giocoli arrangements Fabio Codeluppi actress and and theatrical adaptation Sandra Cavallini AIDA la musica danza nella sabbia Preludio ATTO I Celeste Aida - Terzetto Su del Nilo - Scena Aida Consacrazione - Finale I ATTO II Introduzione - Danza e Duetto Marcia Trionfale - Gran Finale ATTO III Intro - Romanza - Aria Aida Duetto Aida Radames - Finale ATTO IV Aria Amneris Duetto Aida Radames - Finale ultimo durata: 80 minuti circa BARACCANO ORCHESTRA The Baraccano Orchestra was born within the activities of the Theater of Baraccano in Bologna, where a production and research project on chamber music theater is carried out. It was founded in 2013 and is directed by its artistic director Giambattista Giocoli. The Orchestra has produced numerous musical theater shows, both independently and in co-production and collaboration with the Teatro Comunale of Bologna, BSMT productions and the University of Bologna. Productions include: musicals A Little Night Music and Sweeney Todd by Stephen Sondheim, the show Histoire du soldat by Igor Stravinskij, the projects All'Opera!, symphonies, intermezzos and overtures of the Italian Opera, and 4th Gustav Mahler, the Mahler's fourth symphony, arranged for chamber orchestra. In 2017 the Orchestra realized the following project: Popular Songs, with soloist Cristina Zavalloni, a new Histoire du soldat with the voice of Ivano Marescotti and The Barber in comics, the Rossini's Barber of Sevilla with music, animation and Manga drawings of Tsukishiro Yuko, an internation coproduction with Japan. In 2021 it will be the center of events of the Respighi project, a project on the musician and composer Ottorino Respighi and of Progetto Kafka. In 2022 it was the fulcrum of the PON VoltONE project on AIDA, a reduction of G. Verdi's Opera for ensemble and speaking voice. In 2022, with the RESPIGHI suite program, it toured the Czech Republic and Poland, in 2023 in Hungary and in 2024 in Croatia for the 70th edition of the Split Summer Festival. SANDRA CAVALLINI Actress in Le nozze di Figaro with Tullio Solenghi (Compagnia Lavia); in Italiani si nasce and L'apparenza inganna with Solenghi and Maurizio Micheli (Teatro Bobbio TS); in Miles Gloriosus with Vanessa Incontrada and in Lysistrata with Vanessa Gravina (Plautus Festival); in Reparto n.6 directed by Petru Vutcareu from the Ionesco Theater of Chisinau (SantiBriganti TO); in Falstaff and The Merry Wives of Windsor directed by Antonio Salines; in Fedra 2003 by Puppa directed by Angelo Generali (Rosaspina/ERT); in the chamber opera Nell'alba dell'umano with music by M° Adriano Guarnieri, directed by Claudio Longhi (Accademia Filarmonica BO - Teatro Rossini PU) and in La città capovolta, with music by M° Guarnieri and M° Gilberto Cappelli (Conservatorio GB Martini - Rai Trade). For the Teatro Aperto Dehon company, actress in over a dozen productions. Actress and co-author in Variazioni sul cielo with Margherita Hack, directed by Iaquone and Stoker, touring for years throughout Italy.Educational background: with the International Stage of Commedia dell'Arte, student, actress, and assistant for the technical gestural part with A. Fava in Italy and abroad in the research and practice of mask theater; in the university context with Prof. Gianfranco Ferri and Matilde Marullo; further studies with Yves Lebreton, Maria Teresa Di Clemente, Philip Radice, Giovanna Giovannini and Germana Giannini, Alain Le Bon, Luciano Leonesi. Academy of Fine Arts Bologna scenography. Teaching and directing activities: Permanent Comic Laboratory - Bologna, experimental and research activities on the language of theatrical masks from Commedia dell'Arte to Contemporary Comic for vocal, gestural, and deep expressive scores; collaborates with Giorgio De Marchi, sculptor, and mask maker. Conducts theater workshops at Cooperativa Teatro Laboratorio di Brescia; Jurta Teatro; i Commedianti and Circa Teatro - University of Urbino; SAT Santibriganti of Turin; Atelier Teatro Fisico of Turin, Teatro Binario, Chancesportout Copenhagen; University Primo Levi. With the Institution of Social Services of Castel San Pietro Terme, leads the Recreational Laboratory. Collaborates on the ARTE e SALUTE Project - I burattini di San Giovanni GIAMBATTISTA GIOCOLI Born in 1976 in Matera, initially a clarinetist, he studied clarinet in his hometown and later graduated from the Bologna Conservatory. As an instrumentalist he studies with Perrone, Quarenghi, Tirincanti, Pay and Carbonare, immediately starting an intense concert activity in Italy and abroad. Performs recordings for Italian and foreign radio stations, recording various CDs of classical and contemporary music. For 10 years he collaborates with the lyrical and symphonic seasons of the Orchestra of the Teatro Comunale in Bologna with which he performs multiple tours in Italy and abroad. He has collaborated with the FontanaMIX Contemporary Music Ensemble of Bologna and with the Sentieri Selvaggi of Milan ensemble, with a concert activity in Europe and Asia. In 2013 he made his debut as a conductor in the production of American Musicals and in the same year he founded the Orchestra of the Baraccano, with which he produced chamber music theater projects and symphonic projects that he still toured. Since 2015 he has worked as a guest conductor with the Orchestra of the Toscanini Foundation in Parma and since 2017 with the Rossini Symphony Orchestra of Pesaro. In 2018 he also began working with the Lucana Orchestra Foundation and the Virtuosi of the Italian Opera.In 2022, with his Orchestra he toured Poland and the Czech Republic, in 2023 in Hungary and in 2024 in Croatia.He is the art director of the Teatro del Baraccano in Bologna and of the research and production project of musical theater ATTI SONORI in Bologna.

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Soqquadro italiano, concerto, Vincenzo Capezzuto, Entroterre festival 26 July, 9.15 pm Entroterre Festival ITALIAN SOQQUADRO who's afraid of Baroque? Who's afraid of Baroque? certainly curious title, "borrowed" from the famous play by E. Albee "Who's afraid of Virgina Wolf". It is not a concert or even a theatrical show, but an unusual and amusing insight into the Italian music and culture of the seventeenth century. A continuous dialogue between ancient and modern, a refined game of fusion, aimed at ranging between jazz improvisation and the art of diminution, between jokes of the Commedia dell'Arte and swing atmospheres. Claudio Borgianni draws heavily on the musical and literary repertoire of the seventeenth century, dismembering it, deforming it, and finally reassembling it in order to trace the points of continuity that bind us to that distant world. Vincenzo Capezzuto , a peculiar voice with a rare and indefinite texture, former principal dancer and multifaceted artist is "the voice and the body" of this project, always poised between cultured expressiveness and popular immediacy. Who's afraid of Baroque? involves the viewer in an atmosphere of magical emotion, guiding him towards the rediscovery of a century so distant and complex that it reveals itself to our senses in all its extraordinary and simple modernity. Soqquadro italiano Vincenzo Capezzuto1 Soqquadro-Italiano_SLIDER01-800x375 Vincenzo Capezzuto voice Ensemble Soqquadro Italiano Francis Tomasi theorbo and baroque guitar Marco Forti double bass Leonardo Ramadori percussion Claudio Borgianni concept and art direction Single ticket € 10 Buy tickets

Spettacoli in corso, estate 2019 summer 2019 1/11 Buy your ticket online Fairy tales in concert Inventory of certain things Indian charm 2 penny songs Boris Vian Bad Doce Immutea 1919 - the concert

Respighi suite 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu flauto Filippo Mazzoli fagotto Corrado Barbieri arpa Alice Caradente clavicembalo Istvan Batori fisarmonica Umberto Turchi tromba Gabriele Buffi basso tuba Gianluigi Paganelli arrangiamenti Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. 1/3 ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

Trittico Botticelliano 8 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 9 August BOTTICELLIANO TRIPTYCH narration through images and music: Respighi and Botticelli A show that brings to the stage the music composed by Ottorino Respighi and the three paintings by Sandro Botticelli that were the inspiration (the Spring , the Birth of Venus , the Adoration of the Magi ), told and interpreted by a professional of historical and artistic dissemination . The spirit of the paintings will be revealed to us, translated into music and words, through an exciting sound dance that evokes images and rhythms linked to the natural world, sometimes idyllic, rural or wooded, elsewhere open to more contemplative views, or even "moved" and swaying like the sea in the Birth of Venus . A thrilling crescendo full of suggestions that involve all the senses: sight, hearing, mind, but above all the soul. Max Martelli Trittico botticelliano Max Martelli art historian sound interventions by Alice Caradente and Alessandra Ziveri , harps Single ticket € 10 Buy tickets

Soqquadro italiano, concerto, Vincenzo Capezzuto, Entroterre festival 27 July, 9.15 pm Entroterre Festival TWO-VOICE INVENTIONS Musical chat conducted by Luca Damiani , journalist, author and radio host and music critic, together with the Duo Gabriele Pieranunzi , first violin of the San Carlo Theater Orchestra in Naples, and Fabrizio Falasca brilliant talent considered one of the best Italian violinists of his generation. LUCA DAMIANI Journalist, author and radio host, excellent music critic, he is known above all as the historical voice of Radio3 . Currently it is on air every afternoon at 6 pm with the program Six degrees which implements, through music, the theory of the "Six degrees of separation" according to which any person can be connected to any other through a chain of knowledge with no more than five intermediaries. Luca Damiani is also a writer. He made his debut in 1990 with the novel " Look at yourself for life ", ed. Marsilio, with whom he won the Grinzane Cavour first work prize and the following year with the novel “ Una, fatale ” the Fiesole Prize . In 1995 he published the short stories “ What will become of her? ", In 1997 the novel" Il baro ", ed. Marsilio, in 1998 “ Knowing how to live ”, an etiquette for 2000, in 2004 with Castelvecchi ed. publishes the essay " Le Bufale ", on media mockery. www.entroterrefestival.it Luca Damiani Gabriele Pieranunzi Fabrizio Falasca with Luca Damiani Journalist Gabriele Pieranunzi violin Fabrizio Falasca violin Single ticket € 10 Buy tickets

Respighi suite, Basilicata 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE concert with the Baraccano Orchestra ORCHESTRA DEL BARACCANO direttore Giambattista Giocoli violino Gabriele Bellu flauto Claudia Piga clarinetto basso Davide Braco arpa Alice Caradente clavicembalo Istvan Batori fisarmonica Raffaele Damen tromba Giulio Padula basso tuba Gianluigi Paganelli arrangiamenti Fabio Codeluppi , Giambattista Giocoli, Filippo Mazzoli Orchestra del Baraccano Giambattista Giocoli RESPIGHI Suite The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli

Orsoleo Spring Festival 2025 THE CARTOON BARBER 27 aprile ore 11 e 19 | Convento e Chiostro SCOPRI ORSOLEO visita e concerto itinerante Un'occasione per scoprire le sue bellezze architettoniche, conoscere la sua storia e ammirare il paesaggio mozzafiato che lo circonda. Accompagneranno la scoperta del Convento i solisti dell'Orchestra del Baraccano , con interventi e brevi concerti negli angoli più suggestivi della location, amplificandone la bellezza e dialogando con le varie acustiche degli spazi, in un gioco di luce, dalla mattina al tramonto, che incanterà il visitatore. Visite guidate a cura di Salvatore Mario Graziano . Le date 26 aprile, ore 11 27 aprile, ore 11 e 19 The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville".