Gallery Vieni notte, a bere luce

Atelier Quadri d'Opera Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". THE CARTOON BARBER The Barber of Seville for Manga music and drawings

Lettura concerto su testi di Horacio Ferrer. Musiche di Cobian, Piazzolla e Pugliese. Con Matteo Belli e il Trio Lumiere du Tango Ca 'Rossa Association / Theater Center for Orality 17 and 18 March, 9 pm TRIBUTE TO HORACIO FERRER concert reading on texts by Horacio Ferrer music by Juan Carlos Cobian, Astor Piazzolla, Osvaldo Pugliese If, as Paolo Conte says, "the tango is the summary of life as the lizard is the summary of the crocodile", in the literary work of Horacio Ferrer we find a very wide variety of thematic interests: from poetic portraits of great singers and musicians (such as Carlos Gardel and Aníbal Troilo), to ruthless gazes on contemporary society that speak of child labor or violence against women, up to the poignant "hymns" to poetic madness or value universal freedom, passing through the moved and intimate "soliloquies" on the meaning of one's own Rio-Plateau origins, on the banks of a river too big to see the opposite bank, but so intimate as to merge together the language and culture of two countries like Argentina and Uruguay. The music performed live by the Trio "Lumière du Tango" renews the harmonic and melodic splendor of famous pieces immortalized by the global success achieved, for years now, by this repertoire and are enriched, in several moments, by interpretative counterpoint offered by Matteo's reciting voice Beautiful . Matteo Belli narrator TRIO LUMIERE DU TANGO Cristina Bertoli flute Marco Fabbri bandoneon Stefano Giavazzi piano Ticket 20 € (full), 15 € (reduced) Buy tickets Horacio Ferrer Matteo Belli Trio Lumiére du Tango TRIO LUMIERE DU TANGO Tango: synthesis music, born from the meeting of several cultures, which in the space of a few years has been able to take on characteristics so strong as to even connote the soul of the people Argentine. Perhaps for this reason it has always been difficult propose tango in ways that distance it from stylistic features of origin. This arduous challenge is accepted by the Trio Lumiere, who he offers us personal transcriptions of the most significant pieces of authors such as Plaza, Cobian, Bardi and Piazzola, in addition to presenting also original songs with various types of contamination, in which it will be easy rediscover the ardor and balance refined by the experience of concert performers engaged for years in a repertoire that straddles music cultured and jazz. All the various items come together in the Trio Lumiere project cultural suggestions as well as the instrumental and creative skills of the group, with the sensual timbre mixes of the flute and the bandoneon, which on several occasions challenge each other in intricate and refined percussive effects and where at the base of the milonga the counterpoint technique and the inimitable freshness of impressionism, in a virtuosic tension that is only of tango.

Vieni notte, a bere luce Concerto per il Giorno della Memoria Teatro del Baraccano 23/01/22 ore 18 Scopri di più Myslivecek il divino boemo Orchestra del Baraccano Teatro del Baraccano 25/06/2022 ore 21 Scopri di più Respighi suite in tournée Varsavia e Praga 10 e 11 agosto Scopri di più SmartOpera Il Barbiere a fumetti Orchestra del Baraccano Cortile del Teatro del Baraccano 21/08/22 ore 21 Scopri di più Myslivecek il divino boemo Orchestra del Baraccano Roma 16/10/22 ore 21 Scopri di più AIDA, la musica danza nella sabbia in tournée Basilicata dal 27 al 30/12/22 Scopri di più Myslivecek il divino boemo M.I.A. Musica insieme in Ateneo Auditorium DAMSLab 23/02/2022 ore 20.30 Scopri di più SmartOpera Il Barbiere a fumetti in tournée Basilicata dal 9 al 15 luglio Scopri di più Respighi suite Orchestra del Baraccano Certosa di Bologna 15/08/22 ore 21 Scopri di più Respighi suite Orchestra del Baraccano Cortile del Teatro del Baraccano 24/08/22 ore 21 Scopri di più SmartOpera AIDA Orchestra del Baraccano Teatro del Baraccano 25-26/11/22 Scopri di più SmartOpera Il Barbiere a fumetti Orchestra del Baraccano Teatro del Baraccano 27/05/2022 ore 21 Scopri di più SmartOpera Il Barbiere a fumetti Orchestra del Baraccano Forlì 22 luglio - RINVIATO Scopri di più Myslivecek il divino boemo Orchestra del Baraccano Cortile del Teatro del Baraccano 19/08/22 ore 21 Scopri di più Smart Opera Aida selezione dall'Opera in concerto Cortile del Teatro del Baraccano 30-31/08/22 ore 21 Scopri di più Musica per Sassolino Orchestra del Baraccano Teatro del Baraccano 10/12/22 Scopri di più

Giuseppe Guarrera per Entroterre Festival Il programma proposto questa sera è frutto di scelte che hanno a che fare con vari momenti della mia vita personale, momenti che hanno generato curiosità profonde legate agli stati d’animo che ciascuno dei brani mi sembra esplorare. L’apertura della serata, con la sonata di Brahms, offre lo spazio giusto per cercare nel dialogo col violino un momento di speranza e freschezza. La delicatezza delle melodie, la scrittura cameristica equilibrata e il territorio tonale del brano mi sembrano una continuazione organica del lascito beethoveniano. Come spesso accade coi grandi compositori romantici tedeschi, consciamente o inconsciamente iniziano dal punto estremo lasciato da Beethoven in ogni genere. Questo è accaduto con le sinfonie, i quartetti, le sonate e in questo caso le sonate per violino e pianoforte. La prima sonata di Brahms mi sembra scritta sulla scia dell’ultima sonata per violino di Beethoven, anche questa in sol maggiore. Se nelle grandi sonate che ho avuto modo di suonare con Mayumi (Kreutzer, Frank, Strauss) i due strumenti sono spesso in una posizione di grandiosa ed epica lotta, Brahms in questo brano mette in luce diverse possibilità di dialogo, creando un’interazione più intima e dai toni più calmi. Intimità che lega il brano anche ai gioielli nascosti di Schumann, gli Albumblätter, dove in poche battute si dipingono con grande poesia stati d’animo contrastanti e profondamente umani. I Pezzi di fantasia op.12 sono brani che ho imparato al mio ritorno da un viaggio in India lo scorso anno. Posso sinceramente confermare che lo stereotipo del viaggio spirituale in India che cambia la vita è fortemente giustificato. Ricordo ancora il senso di meraviglia che ho provato quando dopo quasi un mese di silenzio dalla Musica, ho suonato le prime note di Des Abends al mio rientro a Berlino. Non scorderò mai quel momento di meraviglia e incredulità, il suono del pianoforte mi sembrava essere troppo bello per essere vero ed è quella stessa sensazione che vorrei regalare al pubblico. Gli altri brani dell’opera 12 sono momenti di grande instabilità emotiva, che oscillano tra il sogno, la disperazione, gli slanci, le passioni tipiche di Schumann, squilibri in cui si riflette molto la mia natura, con improvvisi squarci su mondi estremamente lontani... gli stessi mondi metafisici di cui a volte, per pochi millesimi di secondi, mi è sembrato di percepire l’odore in India. La parentesi su Ligeti è una transizione sul Novecento e un omaggio ad un compositore, nel centenario dalla nascita, che è già diventato un classico. La Musica Ricercata sembra una risposta divertita alla dodecafonia, dove il criterio compositivo (ogni brano costruito su una, due, tre, quattro etc. note) diventa motivo di sperimentazione pura. Il concerto, o almeno il programma stabilito, si conclude con la festosa Venezia e Napoli di Liszt, compositore e uomo che considero tra i più interessanti nel mondo musicale. Frutto di viaggi e "pellegrinaggi" in giro per l’Europa, raccoglie le canzoni popolari del tempo a Venezia (La biondina in gondoleta, nel dialetto veneto) e Napoli (Tarantella e Fenesta vascia, canzone d’amore napoletana) trasformandole in uno spettacolo per le orecchie di altissima classe pianistica. Anche questo brano ha tanto valore personale, studiarlo è stato un consiglio del mio mentore S. Gadjiev: egli mi ha spinto a cercare attraverso Venezia e Napoli una riconnessione alle mie origini siciliane dopo anni (16, la metà della mia vita tra pochi giorni, il 27 agosto) di peregrinaggi nel mondo, odissee necessarie per studiare e apprendere da tante culture diverse. La Musica è sempre stata per me un modo di comunicare le verità dell’anima. Non sempre ci si riesce, ma questa meta all’orizzonte è sempre rimasta ben visibile e qualche volta sembra quasi di raggiungerla. Giuseppe Guarrera PROGRAMMA e FORMAZIONE MUSICALE ore 19:00 Aperi-concerto Giuseppe Guarrera pianoforte Mayumi Kanagawa violino J. Brahms Sonata n.1 per violino e pianoforte Aperitivo con gli artisti al Bar del Teatro Baraccano: tariffe à la carte ore 21.30 Recital pianistico Giuseppe Guarrera pianoforte R. Schumann Fantasiestücke op. 12 G. Ligeti Musica Ricercata F. Liszt Venezia e Napoli www.entroterrefestival.org Biglietteria apericoncerto + concerto serale €15 Buy tickets July 9 apericoncerto 7€ (aperitivo non compreso) concerto serale €10 Acquista biglietti Acquista biglietti Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER The Barber of Seville for Manga music and drawings

AIDA 2026 AIDA the music dances in the sand reduction of Giuseppe Verdi's Opera for ensemble, narrator and lights The monumental opera AIDA, in the musical version of the Baraccano Orchestra, does not require spectacular forcing on stage, nor colossal spaces or scenographic grandeur. Here even the elephants could stop marching, leaving space, amazed and moved, to the human drama between losers and winners, in war and in love. We find the suffocating gigantism desired by Giuseppe Verdi and the overwhelming effect on the soul of the young protagonists, in the original reduction and arrangement for instrumental ensemble with ten real parts, in the impetuous style of the director Giambattista Giocoli, in the verses spoken and whispered by Sandra Cavallini, in the desired metric irregularity of Antonio Ghislanzoni's libretto. L yrical accents, triumphal traits and sudden suspensions reveal the delicate depths of the work. A reduction and arrangement that will try, even without the singers, to restore the dramaturgy and symphonic power of this Opera and to convey its profound intimacy of feelings and musicality, in addition to the majestic and grandiose moments inspired by the magnificence of Egyptian civilization. Contrary to the predominant tradition, which made it famous mainly for the magnificence of the scenography, we therefore want to present an innovative reading, focused on the profound intimacy of feelings and reflections on social dynamics. ORCHESTRA DEL BARACCANO conductor Giambattista Giocoli Alessandro Di Marco violin Francesco Maria Parazzoli cello Filippo Mazzoli flute and piccolo Raffaele Damen accordion Alice Caradente harp Luca Piazzi trumpet Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Simone Beneventi marimba and percussions reduction of the Opera Giambattista Giocoli arrangements Fabio Codeluppi actress and and theatrical adaptation Sandra Cavallini AIDA la musica danza nella sabbia Preludio ATTO I Celeste Aida - Terzetto Su del Nilo - Scena Aida Consacrazione - Finale I ATTO II Introduzione - Danza e Duetto Marcia Trionfale - Gran Finale ATTO III Intro - Romanza - Aria Aida Duetto Aida Radames - Finale ATTO IV Aria Amneris Duetto Aida Radames - Finale ultimo Acquista biglietti

31 AGOSTO 2025 ATTI SONORI THE CARTOON BARBER The Barber of Seville for Manga music and drawings Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". BIGLIETTERIA intero 12€ ridotto (under 30, over 65, card Cultura) 10€ ridotto (under 18, studenti) 5€ In caso di pioggia, gli eventi si terranno all'interno del Teatro, ad eccezione dell'aperitivo. Acquista biglietti

BURATTINGEGNO November 24, 9.30 am STRAY' (HARD-SIDED) A show on the value of four-legged friendship . "Sure, but who tells you that he likes to have someone pull his tail, that he forgets to take him to the garden or he forgets the his dinner? The other day your mother told you to take Birillo out and you replied that you didn't have time because you had to finish watching cartoons ... " "But it was true!" “Very well, then let's start right from the day when Giovanna wants to go out in the garden and her owner Dalmata has no intention of moving from her kennel where she is cheerfully nibbling a bone. If you want to find out how this story ends, you have to go ahead " RandaGiò - a muzzle for a heart ”is a show that speaks to the sensitivity of children, explaining how cruel a man can be who decides to mistreat or abandon a four-legged friend on the street. What does a dog think when it loses its owner? And what does a human cub feel when the situation is reversed and he finds himself alone in a world of selfish and enemy dogs? A relationship is built by weaving threads of patience marked by the passage of time, mistreating a four-legged friend until you get to abandon it means finding yourself alone struggling with your own selfishness. But Giò's grandparents know all this well and, in telling their story, they will accompany it to make the value of respect for all our four-legged friends shine again. Written and directed by Stefano Antonini with Anna Pancaldi and Marco Soccol

December 8, 9pm GUIDO CATALANO the Christmas reading In contravention of its customs and traditions, Guido Catalano he will not spend these magical days in his Anti-Christmas Bunker but, contemptuous of the danger, he will sail Italy with an unprecedented reindeer-proof " Christmas Reading". Poems of happy birth and degrowth, poems with and without candied fruit for young and old, in magical locations to say the least, as befits the period. It will also be an opportunity to touch, buy and be signed by the Poet " POESIE AL MEGAFONO ", the latest editorial effort to be released on November 19 for Rizzoli: not an audiobook, but a real book, made of ink, colors and scent of paper, beautiful illustrations and, above all, of the hands-free voice, including the fly, of our Catalan. A book for enlarged children or for grown-ups, perfect for calming the anxiety of a Christmas gift. Because Christmas is just around the corner, and at Christmas we are all better off, the streets are lit up with colored lights and Santas climb recklessly on our balconies. In collaboration with the friends of the LOCOMOTIV CLUB Bologna. Ticket € 15 + presale rights Buy tickets

Concerti 2026, Orchestra del Baraccano iL BARBIERE A FUMETTI Teatro Gentile - Fabriano (AN) 27 febbraio 2026 Scopri di più AIDA la musica danza nella sabbia Teatro del Baraccano 12 febbraio 2026 Scopri di più 2022 2024 2023 2025

Il Barbiere a fumetti, Orchestra del baraccano, Barbiere di Siviglia, Rossini, manga Courtyard of the Rocca | P.le Marconi, 1 - Novellara (RE) 6 July, 9.30 pm San Luigi Room | via Luigi Nanni, 14 - Forlì July 8, 9.30 pm Arena Shows | via Repubblica, 10 - Ozzano dell'Emilia (BO) 9 July, 9.30 pm THE CARTOON BARBER Il Barbiere a Fumetti was born from a musical idea: Vincenzo Gambaro's suite on the music of Rossini's Opera, arranged for wind orchestra. In this musical version, Maestro Giocoli decided to combine the intricate story of Rosina , told by the unpublished drawings of the Japanese mangaka Tsukishiro Yūko. Two apparently distant languages, united however by the story and the expressiveness. The opera plunges into the contemporaneity of Japanese comics, the immediacy of the visual art is intertwined with the sound, giving back a new and original version of the work that can also speak to a young and contemporary audience. The new arrangements that ATTI SONORI has produced for chamber orchestra have given life to a new score for 10 real parts , in which the work is stripped of the recitative parts and stages only the music, while the comics are projected onto a backdrop. scenographic and tell the story through the suggestion of the images. A few short captions help to better understand the tangled history of the "Barber of Seville". Il Barbiere a Fumetti The Barber of Seville for Manga music and drawings ORCHESTRA DEL BARACCANO director Giambattista Giocoli Francesco Fagioli flute Stefano Franceschini first clarinet | Mirco Ghirardini second clarinet Luca Piovesan accordion Giulia Ginestrini bassoon (6 July) | Umberto Codecà bassoon (8 and 9 July) Imerio Tagliaferri first horn | Benedetto Dallaglio second horn Fabio Codeluppi trumpet | Valentino Spaggiari trombone Gianluigi Paganelli bass tuba Tsukishiro Yūko manga drawings conceived by Giambattista Giocoli musical arrangements Fabio Codeluppi and Giambattista Giocoli digital coloring Michele Cerone