Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August concert with the Baraccano Orchestra RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore durata 18 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) durata 23 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore durata 14 minuti per 2 oboi, 2 clarinetti, 2 corni e 2 fagotti Allegro spiritoso Largo, sotto voce RONDO Allegretto Single ticket € 10

SOUND ACTS 22 and 23 February, matinee for schools THE CARTOON BARBER "The Barber of Seville" told through music, images, animations and text The Count d'Almaviva wants to marry the beautiful Rosina and for this he gets help from Figaro , the barber-factotum who becomes the director of all the actions. Figaro resorts to tricks and disguises; for him, success in the "Rosina operation" will lead to an increase in prestige and economic well-being. But Rosina is kept segregated at home by her old guardian, Don Bartolo , from whom she wants to escape and, if she wants to marry Almaviva, she must collaborate in the intrigues, emancipating herself from the role of house and church girl. Thus begins a process of unmasking false values and abandoning current morality. The conclusion with the happy ending will be Bartolo's surrender and the triumph of love. Baraccano Orchestra director Giambattista Giocoli videoprojected manga images 012 014 016 013 018 015

by and with Sandra Cavallini November 17, 9 pm SOLFERINO RED when the earth was dyed with the blood of forty thousand and more young soldiers and how the women of Castiglione made no distinctions in offering water, bandages and broth The story of the historic battle of San Martino and Solferino in 1859, which saw, among the dust of the nineteenth century, the birth of the Red Cross and humanitarian interventions, leads us in the midst of still current conflicts between otherness and belonging, between the idea of nation and supra-nationality of human rights. The historical premises, the evocation of events and places and the dynamics of war, are entrusted to the chorus of patriotic songs and a disenchanted narration, between romantic tones and enthusiasm of the first hour, up to the paroxysm of the Radetzky March. The following of the events that lead to the theater of battle is mitigated by a naively epic expressiveness, which recalls images and languages of nineteenth-century propaganda: vintage postcards, caricatured tones for emperors and princesses, implications of the beautiful Gigogin , puppet heads and lead soldiers. At the moment of the real impact of the firefight, the gait becomes so painful and astonished that it is suspended from time for a wide with contemporary tones. The light, imperceptibly concentrating, gives way to the dark where " the dust was so thick that one could hardly distinguish one from the other ". It is the pervasive concreteness of the testimonies of the time from the extracts of letters and diaries that brings us closer to the paradoxes of historical conflicts, while the incipit, inspired by contemporary poetics, and the ending they act as a bridge to current human affairs. The progress of the battle, between smoke and dust, flows before the eyes of the character of the Viv Bandiera , who tells us of the female presence in almost all the armed bodies of the time. These women, mostly in charge of commissions, also take care of the first transport of the injured with the supplied wagon. Faced with the sufferings of the soldiers abandoned on the ground / theater of battle, the vivandier evoked in the show embodies, and absolves as best she can, that restorative tension which, crossing borders and flags, animated the women of Castiglion delle Stiviere . The fundamental lines are dedicated to them, to these women, which still maintain the TUTTI FRATELLI passage in Italian, in the well-known publication by Henry Dunant Un Souvenir de Solferino . The publication was sent to the sovereigns of Europe with the desire to find a supranational agreement. The International Red Cross is born . From the first Geneva Convention in which the inviolability of rescuers and wounded was defined for the first time, the enunciation of the principles of human rights extended to peacetime up to the Universal Declaration of Human Rights of 1948 will follow, war after war. , where the inviolable right to peace still remains to be affixed. “ A great delicacy to narrate a noisy, dramatic and confusing historical event. The image of meat sewn with needle and thread is still very present in my mind, as well as the slow and gentle gesture of putting all the toy soldiers in the tin box, at the end of the war, with that lullaby that almost put a thin veil of silk on the field of the last battle. So in the end, everything was swallowed up by silence and the spectator was left alone, witnessing a tragedy, while the dead and wounded were carried away by the wagons. Thanks again for your time. " “ It was a really good show and very well done. When it finished I kept thinking, especially about the hot air balloon scene. That scene, in my opinion, makes you understand that man hates his fellow men so much that he prefers death rather than mutual aid. " “ The show was very stimulating because it talks about people, like the sutlers, who in history have helped us to get to who we are today, and are sometimes underestimated. " solo for actress, souvenirs, toy soldiers by and with SANDRA CAVALLINI historical-scientific collaboration Mirtide Gavelli of the Civic Museum of the Risorgimento in Bologna Giorgio De Marchi props and leather puppets by SALEBLU The Treasure Rooms - cultural Association Ticket 12 € (full), 10 € (reduced) Buy tickets Locandina Rosso Solferino logo Emilbanca

Paolo Restani, pianoforte, Entroterre Festival August 28, 9.15 pm Entroterre Festival PAOLO RESTANI, piano PROGRAM Sergej Rachmaninov 3 Preludes Prelude op. 32 no. 10 in yes min. (slow) Prelude op. 32 no. 5 in G major (moderate) Prelude op. 3 nr. 2 in C sharp min. (slow) Richard Wagner-Franz Liszt Feierlicher Marsch aus Parsifal S. 450 Franz Liszt Rhapsodie espagnole S. 254 ----------interval---------- Giuseppe Verdi-Franz Liszt Aida: Sacred dance and final duet S. 436 Frederic Chopin Three Nights op. 9 no. 1 in B flat. min. (wide) no. 2 in E flat. major (andante) no. 3 in B major (allegretto) Nocturne in C sharp min. op. posth. (Slow with great expression) Polish in A flat. major op. 53 "Heroique" www.entroterrefestival.it Paolo Restani Paolo Restani Paolo Restani Single ticket € 10 Buy tickets

Mysliveček 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August RESPIGHI SUITE The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli A causa delle condizioni instabili del tempo la passeggiata è stata annullata. Il concerto si terrà all'interno del Teatro del Baraccano MYSLIVEČEK il divino Boemo concerto per ensemble di fiati JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 1 (1778) in MIb maggiore Allegro maestoso Larghetto un poco sostenuto Tempo di Menuetto LUDWIG van BEETHOVEN (Bonn, 1770 - Vienna, 1827) Ottetto per fiati in MIb maggiore Op. 103 (1792) Allegro Andante Minuetto Finale: presto JOSEF MYSLIVEČEK (Praga, 1737 - Roma, 1781) Ottetto n° 2 (1778) in MIb maggiore Allegro spiritoso Largo, sotto voce RONDO Allegretto Biglietteria passeggiata - apertitivo - concerto: intero 25€, ridotto 20€ concerto: intero 15€, ridotto 10€ riduzioni: under 30, over 65, Card Cultura, EmilBanca, Fitel, CNA, Lions Club Acquista biglietti

February 22, 20.30 NA 'CLOSED ROOM D'ICENS A project by Peppe Aiello Na 'chiena d'icéns room it's music for postcards. A series of unreleased songs accompanied by images and words that follow the music. The show is based on an idea of a classic Neapolitan song which, like a lighthouse, tries to intercept and explore other linguistic possibilities with pieces in Spanish and Mediterranean sounds . Na 'stanza chiena d'icéns as a lifeblood requires emotional participation and arises from the desire to give an experience represented by images, music and words. A glance lingers between small everyday stories and images that evoke timeless feelings. A sweet search that makes you suffer but at the same time throbbing. An hour and a quarter of a show where Peppe Aiello introduces the songs one by one trying to accompany the audience into the music even before performing it. This is followed by the releases of Daniele Sarnataro who, like a poetic talking cricket, underlines the musical moments with words and movements. All performed also with instruments of the Italic tradition such as Antonio Stragapede's mandolin and Angelica Foschi's accordion to which the colors of Danilo Mineo's Mediterranean percussion and Peppe Aiello's bouzouki must be added. At the voice Elisa Gamberini who falls into the Neapolitan and Spanish song making them her own despite their different origins. Elisa Gamberini voice Angelica Foschi accordion Antonio Stragapede guitar e mandolin Danilo Mineo percussion Peppe Aiello guitar, bass and bouzuki Daniele Sarnataro narrator Roberto Passuti video production e direction Full ticket € 13, reduced € 11 Buy tickets

Vieni notte, a bere luce RESPIGHI SUITE concert with the Baraccano Orchestra The Ancient arias and dances for lute are a collection of free transcriptions from pieces for lute of the sixteenth and seventeenth centuries, created by Ottorino Respighi and organized in three suites for different orchestral ensembles. In 1917 Respighi created the First Suite , in 1923 the Second Suite , in 1931 the Third Suite . His wife Elsa collected and rearranged them all in 1937. In our original arrangement the eight real parts that make up the ensemble try to reproduce all the orchestral colors conceived by Respighi, with the aim of creating a fascinating synthesis between ensuring the presence of fundamental instruments for Respighi, such as the harp and the harpsichord, and the search for a new and modern sound with the inclusion of accordion and bass tuba. ORCHESTRA DEL BARACCANO director Giambattista Giocoli violin Gabriele Bellu | flute Filippo Mazzoli bassoon Luca Reverberi | trumpet Fabio Codeluppi harp Alice Caradente | accordion Alexey Manyak harpsichord Maria Luisa Baldassari | bass tuba Gianluigi Paganelli arrangements by Fabio Codeluppi , Giambattista Giocoli and Filippo Mazzoli Single ticket € 10 21 August, 9.30 pm | Courtyard of the Baraccano Theater in case of rain 22 August

Il Barbiere di Siviglia di Rossini attraverso immagini, animazioni e suoni. ATTI SONORI e Orchestra Rossini di Pesaro, in collaborazione con NipPop Festival. May 25, 6 pm an ACTS SOUND production in collaboration with NipPop festival THE CARTOON BARBER the story of Rossini's Barber of Seville through images, animations and sounds Study on The comic barber . From an idea of Giambattista Giocoli the project of Barber of Seville , told through images. On May 25 the Japanese mangaka Tsukishiro Yūko he will illustrate the drawings made for this project and the public will be able to admire his technique in live painting on the music recorded by the Barbiere di Rossini. Following, the soprano Yasuko Arimitsu will propose a suggestive selection of passages taken from Rossini's work and from the Japanese tradition. The complete project de The comic barber it will be presented in August, as part of the summer festival SOUND ACTS… musical theater in summer! with live music. The evening will be enriched by a Japanese aperitif, kindly offered by the restaurant Yuzuya from Bologna. The event is promoted by NipPop: Words and Forms from Tokyo to Bologna , the annual festival dedicated to the pop cultures of contemporary Japan and promoted by the School of Languages of the University of Bologna. ideation and direction Giambattista Giocoli soprano Yasuko Arimitsu Images Tsukishiro Yūko dramaturg Gianluca Cheli _________________ free entry _________________ The final project: some previews Il Barbiere a fumetti , which by virtue of the collaboration with the Rossini Symphony Orchestra Pesaro from next summer will be staged and will go on tour throughout Italy, it will be an exceptional show in which the immediacy of the visual art and the expressiveness of the visual and sound interweaving update the Rossini masterpiece, returning an original version who knows how to speak to a young and contemporary audience. From the Suite from Vincenzo Gambaro and with arrangements for chamber orchestra made by SOUND ACTS , a new score for 12 real parts is born: the work is stripped of the recitative parts to stage only the music, directed by Giambattista Giocoli , together with a scenographic backdrop on which the artist's original comics are projected Tsukishiro Yūko , who tell the story in images, under the direction of the dramaturg Gianluca Cheli . Tsukishiro Yūko Illustrator and mangaka, during her career she has created drawings for many science fiction, fantastic, horror and erotic novels collaborating with the most famous Japanese genre literature magazines (high circulation publications such as Shōsetsu NON, Mondai Shōsetsu and J-novel ) and the country's major publishing houses, including Fujimi Shobō, Kadokawa, Kōdansha, Tokuma Shoten and Square Enix. From January 14 to February 14, 2010, his works were exhibited in Italy in the exhibition Dall'ukiyo-e to contemporary illustration: great Japanese graphics, held in the halls of the Albertina Academy of Fine Arts in Turin. Among his latest manga are Tōrisugari no kaijiken (Supernatural cases that pass us by), released in 2016 by the publishing house Shūeisha Home-sha, and Teihon Shōkan no banmei-Goety (Authentic text of the barbarian names of evocation-Goety) , published in 2017 by Atelier Third. The latter, inspired by HP Lovecraft's Myths of Cthulhu, was also highly regarded by well-known writers of horror and supernatural literature Asamatsu Ken and Kikuchi Hideyuki. On the occasion of the presentation of the Comic Book Barber project at the opening of NipPop 2017: Words and Forms from Tokyo to Bologna, Tsukishiro Yūko will be in Bologna: on the evening of May 25th he will be the protagonist of a meeting during which he will illustrate his work for this project, and the public will be able to admire his technique in a live painting on stage. Giambattista Giocoli He made his debut as a conductor in 2013, in the production of the S. Sondheim musical A Little Night Music, receiving critical and public acclaim. In the same year he founded the Baraccano Orchestra. In 2014 he directed I. Stravinsky's Histoire du Soldat (still on tour) and Sondheim's best known and most demanding musical, Sweeney Todd. In 2015 he produced the project on opera interludes and symphonies All'Opera! and in December he made his debut at the helm of the Toscanini Orchestra of Parma. In 2016 he made his debut with the project of the Fourth Symphony by G. Mahler and at the beginning of 2017 he staged the Popular songs project at the Teatro Duse in Bologna, with the voice of Cristina Zavalloni and Histoire du soldat with the voice of Ivano Marescotti . Yasuko Arimitsu Every year he plays joint concerts in renowned Japanese theaters such as Kanon (Kagoshima), Saneru (Kagoshima), JT Hall (Tokyo), Oji Hall (Tokyo), Grand Hill Ichigaya (Tokyo), and simultaneously participates in international opera singing workshops at the Opera Internship School of Pesaro and the Spanish one (Valencia). She trained with teachers of the caliber of Kyoko Tsukada, Franco Federici, Giuseppe Riva, Sergio Bertocchi and pianists such as Claudio Cirelli and Stefano Conticello, also joining the Circolo Lirico di Bologna. In 2011 he won the audition for the Opera La Bohème at the Cultural Association for classical music in Bellano (LC) and performed in Cremona in the concert in honor of Franco Federici together with the tenor Ivo Scarpellini. In recent years she has performed in numerous concerts on the Italian territory and in 2009 received the support of the Japanese Kirishima-kai Association for the realization of concerts-récital that see her as a protagonist.

Respighi e Bologna June 24th 6pm and 8.30pm | July 22, 8.30 pm 12 August 6 pm and 8.30 pm | September 16, 6 pm and 8.30 pm Charterhouse of Bologna WE REJECT MUSIC the Certosa, Bologna and Respighi musical guided tours Ottorino Respighi , one of the most famous composers of the twentieth century, rests in the Certosa. Beloved in the USA, famous for his famous works dedicated to Rome, the Eternal City , he maintained his contacts with Bologna, his hometown, throughout his life. A journey to remember the musical world that made him famous, and his fellow musicians of all ages, from Gioachino Rossini to Lucio Dalla. During the visit we will also discover the events of the composer's family who were sculptors, generals, writers. Guided tours by Mirarte. reservations required mirartecoop.it Musical interventions with the soloists of the Baraccano Orchestra Alice Caradente and Alessandra Ziveri harps Admission € 12, two euros donated to the Certosa. Reservation required through the site www.mirartecoop.it Meeting at the main entrance (church courtyard), via della Certosa 18. The visit is also held in case of bad weather.

Monologo musicale sulla Resistenza, di e con Roberto Mercadini. Guido Sodo chitarre e voce, Davide Fasulo fisarmonica, Roberto Bartoli contrabbasso. 21 and 22 April, 9 pm THE MOST WILD THIRST, THE MOST WILD HUNGER musical monologue on the Resistance The show is a "choral monologue". Roberto Mercadin i, alone on stage, evokes a glowing multitude of characters and stories. Flashes tragic or hilarious, heroic or ridiculous, tender or merciless. The incredible story of the drunkard from Roversano or the poignant story of the unnamed German. Because the Resistance and what followed, the origin and foundation of our Republic, was a dizzying tangle of different and often extreme things. Thus the eyes see the purest light, the darkest darkness. The title mentions Fr Celan, a deported Jewish poet, but also recalls the Gospel of Matthew: “Blessed are those who hunger and thirst for justice”. Here, the partisans had, perhaps, "the wildest hunger, the wildest thirst". by and with Roberto Mercadini and with Guido Sodo guitars and vocals Carlo Loiodice accordion Roberto Bartoli contrabass Ticket 20 € (full), 15 € (reduced) Buy tickets Roberto Mercadini Guido Sodo Carlo Loiodice Roberto Bartoli ROBERTO MERCADINI Born in Cesena in 1978. Poet, monologist, storyteller, he has written and performed several narrative shows, including: Black fire on white fire - a journey into the Hebrew Bible. With translation from ancient Hebrew by the author .; We owe a rooster to Asclepius - monologue on the origin of philosophy. From a friendly suggestion from Rocco Ronchi; We are the soil, we are the earth - monologue for a planetary citizenship. A production from Popular Bank Ethics; How to educate to the storm - life and mind of Giuseppe Mazzini. Commissioned by the Italian Mazziniana Association, Cesena Section. Also represented at the National Assembly of Italian Mazzinians in Turin in 2011; L - or the chaotic journey of Leonardo da Vinci in Romagna. Commissioned by the ViaTerrea Cultural Association. Scientific advice by Pino Montalti. Represented at the 2013 Rimini Ancient World Festival with the extraordinary participation of the Osiris Band. He is the author and performer of shows that alternate poems and monologues, including: Show of Joy and Restlessness - lyrics, satire, storytelling; Focus on the rain - Poetic monologue with open eyes He has published: I never write anything (Sagoma, 2016); On the origin of the light it is pitch dark (Miraggi, 2016); Rhapsodies from Romagna (Ponte Vecchio, 2014); Madrigals for ecstatic surfers (Ponte Vecchio, 2011). He has a YouTube channel where he curates a Vlog entitled Talking Poet. Together with Guido Catalano he carries around a poetic reading entitled We had a beautiful title, but only us understood it.

Illustrazioni di Inga Dagilė

Biglietteria stagione ATTI SONORI 2017. Prezzi di tutti gli spettacoli in cartellone. SUMMER 2021 TICKET OFFICE THEATER OF THE BARACCANO via del Baraccano, 2 - Bologna opening hours: from Mon. to Fri from 10 to 13 and on show evenings teatrodelbaraccano@gmail.com ph. 393.9142636 teatrodelbaraccano.com online purchase on www.vivaticket.it is recommended or c / o Bologna Welcome (Piazza Maggiore 1 / e - tel. 051.231454) ____________________ MONUMENTAL CEMETERY CERTOSA DI BOLOGNA via della Certosa, 18 - Bologna museorisorgimento@comune.bologna.it certosadibologna.it ____________________ MIRARTE guided visits in person and online reservations required info@mirartecoop.it ph. 051.9911923 - 320.0118596 mirartecoop.it single ticket 10 €